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Crom

Crom is a fictional deity central to the mythology created by American author in his stories, serving as the chief god of the Cimmerian people. Depicted as a grim, distant figure atop a towering mountain, Crom embodies stoic fatalism, granting humanity at birth the raw strength for battle and the unyielding will to endure hardship, but offering no prayers answered, no mercy invoked, and no direct intervention in mortal struggles. This austere theology reflects Cimmerian cultural resilience, where survival demands self-reliance rather than supplication, as exemplified by the protagonist , who acknowledges Crom's existence yet relies on personal prowess over divine favor. Howard's portrayal draws loose inspiration from ancient Celtic deities like , adapting them into a suited to his pseudo-historical fantasy of versus decadent . Crom's defining characteristics—uncompromising indifference and implicit endorsement of strife—have influenced sword-and-sorcery tropes, underscoring themes of human agency amid cosmic apathy in Howard's oeuvre.

Mythology and Fiction

Crom in the Conan Universe

Crom serves as the paramount deity in the religious framework of the , a barbaric northern people inhabiting the fictional crafted by American author for his sword-and-sorcery tales featuring the warrior . Introduced prominently in Howard's 1934 novella Queen of the Black Coast, Crom embodies the harsh of Cimmerian cosmology, granting mortals vitality and resolve at birth while remaining indifferent to their subsequent fates. Howard depicts Crom not as a benevolent protector but as a remote, brooding entity, contrasting sharply with the more interventionist gods of southern civilizations in the Hyborian world. Residing eternally atop Ben Morgh—also known as Mount Crom—within the storm-shrouded Eiglophian Mountains, Crom is said to survey humanity from amid clouds and mists, dispatching dooms without pity or response to supplication. In Queen of the Black Coast, Conan articulates this ethos to his companion : "Their chief is . He dwells on a great mountain. What use to call on him? Little he cares if men live or die. Better to be silent than to call his attention." This portrayal underscores Crom's role as a symbol of inexorable natural forces, instilling in a of over ritualistic entreaty, as prayers are deemed futile against his impassive judgment. Cimmerian worship of Crom manifests minimally, often through oaths like "By Crom!" uttered by Conan in moments of peril or defiance, as seen in Howard's 1933 story , where the barbarian exclaims, "No, by Crom!" amid a narrow escape. Rather than temples or priests, reverence centers on acknowledging Crom's gift of primal strength—"He breathes power to strive and slay into a man's soul"—while scorning weakness or dependency on divine favor. The deity's influence permeates Cimmerian views of the , envisioned as a desolate gray of endless clouds, icy winds, and aimless spectral wandering, devoid of reward or respite. This bleak reinforces the cultural emphasis on earthly valor, with Crom's austere domain mirroring the unforgiving landscapes of itself. Though subordinate gods exist in the Cimmerian pantheon, such as and Mannanan, Crom dominates as the unyielding sovereign, his cult shaping Conan's worldview across Howard's corpus of approximately 20 Conan yarns published between 1932 and 1936. Howard's conception draws from mythic archetypes of stern northern deities, evoking a cosmos where human agency prevails amid cosmic apathy, a theme recurrent in tales like (1932), where Conan implicitly aligns with Crom's ethos by rejecting sorcerous aid in favor of steel and cunning. This framework critiques effete civilizations reliant on capricious divinities, positioning Crom as the archetype of raw, unmediated existence in the Hyborian saga.

Other Fictional and Folkloric References

In , (also spelled Cromm Crúaich or Cenn Cruach) is described as a pre-Christian associated with the plain of Magh Slécht in , where an idol reputedly stood demanding human sacrifices, particularly of firstborn children, in exchange for bountiful harvests and fertility. Medieval Christian texts, such as those drawing from the , portray the idol as gold-covered and surrounded by twelve lesser stone figures, with worship involving and offerings that left participants lame; is credited with toppling it using , ending the practice around the 5th century CE, though these accounts reflect hagiographic traditions that amplified pagan atrocities to underscore Christian triumph. The name, translating roughly to "crooked one of the mound" or "head of the bloody one," suggests ties to or harvest cycles, but primary evidence derives from 7th–12th century manuscripts like the Bethu Patrick and Vita Tripartita, which scholars note may conflate or invent details to vilify indigenous beliefs amid monastic recording biases. A related folkloric figure, Crom Dubh ("Black Crom"), emerges in later Irish traditions as a harvest spirit or demonic entity linked to festivities on the last of , known as Domhnach Crom Dubh, where rituals involved symbolic sacrifices or offerings to ensure crop abundance; this may represent a Christianized survival of worship, with collecting in the 19th–20th centuries describing him as a subterranean giant or the in disguise. In modern fiction, Crom Cruach appears as a serpentine, wolf-like monster in the 2009 animated film , directed by , where it embodies ancient pagan terror awakened in 9th-century , drawing directly from folkloric motifs of and destruction. The features as a summonable in the video game series, starting from (2013), portrayed as a dragon-like entity with skills tied to darkness and physical power, adapting mythological attributes for gameplay mechanics. Valkyrie Loughcrewe's 2022 folk horror novel reimagines the figure in a contemporary setting, exploring themes of colonial repression and ancestral return through ghostly hauntings and ritual violence, framing it as a metaphor for unresolved national trauma. These depictions often amplify the gore and otherworldliness from source legends while omitting historical ambiguities, such as the lack of pre-Christian archaeological corroboration for widespread at Magh Slécht.

Geography

Places Named Crom

Crom is a (Irish: An Chrom) situated in the Galloon , , , within the barony of Coole. Covering approximately 2,000 acres of parkland along the shores of Upper , it forms a significant managed by the , featuring ancient woodlands, islands, and diverse habitats that support conservation efforts for species such as the pine marten and otters. The estate includes the ruins of a 17th-century and , a country house built in 1830 as the seat of the Earls of Erne, which has hosted notable figures including William Gladstone in 1868. Access to the area is available via roads from Newtownbutler, approximately 3 miles east, with the site emphasizing its historical and ecological value dating back to medieval times. In , Crom Loch is a small, isolated freshwater located in , region, approximately 15 miles west-southwest of Bonar Bridge, surrounded by and serving as a minor geographical feature in the local . Additionally, hills such as Carn Crom (elevation 890 meters) in the bear the name, indicating localized topographic naming conventions derived from roots possibly meaning "crooked" or "bent." These Scottish instances are less developed as settlements compared to the Fermanagh townland, primarily denoting natural landforms rather than populated areas.

People

Notable Individuals Named Crom

Rick Crom (born March 15, 1957, in Chicago, Illinois) is an American actor, comedian, and writer recognized for supporting roles in television and film. His credits include appearances in HBO's Divorce (2016), FX's Louie (2010–2015), and Steven Spielberg's The Post (2017), where he portrayed a journalist. Crom has also contributed writing to shows like The Chris Rock Show and performed stand-up comedy, often drawing on observational humor about everyday life. Beyond acting, he has voiced characters in animated projects and appeared in episodes of Curb Your Enthusiasm and The Marvelous Mrs. Maisel.

Sports and Recreation

Crom in Gaelic Athletic Association

"Crom Abú" functions as the official motto and battle cry of GAA, a club in , , competing in , hurling, , and . The term "Crom" derives from , an ancestral figure of the nicknamed "Crom" for his stooped posture, while "Abú" is an Irish exhortation meaning "to victory," "forever," or "defying" opponents. This war cry was historically rallied by the FitzGeralds during conflicts, with ties to Croom Castle in , a former family stronghold. Maynooth GAA, established in 1887, embraced "Crom Abú" to honor local Geraldine lineage, persisting despite parliamentary prohibitions on clan cries in the 16th and 17th centuries that compelled adaptations such as "Si Dieu plet Crom Abu" ("If God pleases, Crom forever"). By 1889, the club had contested 70 matches, securing victory in 60, including their inaugural championship in 1896. The recurs in club communications and match reports, as in post-victory declarations following senior football triumphs, such as a 3-9 to 1-14 preliminary round win over Moorefield on August 15, 2021. A parallel usage appears in Croom GAA, located in near the eponymous castle, where "Croom Abú" echoes the FitzGerald heritage in hurling and contexts, including intermediate championship successes like a 2-22 to 2-13 victory over Murroe/Boher on August 4, 2022. These invocations underscore enduring clan symbolism in GAA culture, linking historical Norman-Irish nobility to modern amateur athletics without altering core gameplay rules.

Crom in Australian Rules Football

In , "Crom" is an informal slang term used by supporters to refer to the , commonly known as . The nickname emerged as a playful, meme-driven alternative to the official moniker, often chanted as "Go Crom!" during matches and shared in online fan communities. Its adoption highlights the role of in evolving fan culture within the (AFL), where the compete as a professional team based in since entering the competition in 1991. The term originated on November 8, 2015, when a fan named Lois Frith mistyped "" as "Crom" in a post on the group following a team victory. This error sparked immediate trolling and humorous repetition by other members, transforming it into a running that persisted despite Frith's corrections. By 2016, it had spread to live match settings, with groups at Adelaide Oval's cheer squad yelling the phrase, and gained further traction through memes on platforms like and around 2020. Fan discussions attribute its endurance to ironic affection, contrasting with derogatory nicknames like "Cows" from rival supporters, and note that while younger demographics embrace it, some older fans view it as embarrassing or juvenile. Usage of "Crom" remains confined to unofficial, grassroots contexts such as Reddit's r/ subreddit, videos, and supporter forums, without endorsement from the itself. It exemplifies how typographical errors can evolve into cultural phenomena in sports , amplified by digital sharing, but lacks formal recognition in glossaries or official club materials. As of 2025, references continue in match commentary and social posts, often tied to ' performances, underscoring its niche but persistent role in team identity.

Organizations and Acronyms

Labor and Professional Organizations

The Confederación Regional Obrera Mexicana (CROM), known in English as the Regional Confederation of Mexican Workers, is a national labor confederation founded on May 1, 1918, in , , at the behest of President to consolidate worker organizations following the Mexican Revolution. It emerged as Mexico's first centralized union federation, encompassing industrial unions such as railway and petroleum workers, alongside agricultural laborers and peasants, and initially claimed affiliations from diverse sectors amid post-revolutionary instability. Under the leadership of Luis N. Morones, the CROM wielded significant influence in the 1920s, negotiating labor contracts, advocating for worker rights enshrined in the 1917 Constitution's Article 123, and aligning closely with the post-revolutionary government to stabilize . The organization's peak power in the late 1920s involved representing over one million workers through affiliated unions, though actual active membership was lower due to loose structures and regional variations. It played a pivotal role in suppressing strikes deemed disruptive to national reconstruction, such as the railway walkout, prioritizing collaboration with the state over militant confrontation, which critics later attributed to Morones' authoritarian control and personal enrichment. By the early 1930s, internal factionalism, government shifts under , and the rise of the more state-aligned Confederación de Trabajadores de México (CTM) eroded its dominance, reducing it to a secondary player in Mexican labor politics. Despite its decline, the CROM persists as an active entity, maintaining a and regional affiliates focused on , worker training, and dialogue with current administrations on labor reforms. It participates in national tripartite forums, such as those under the 2019 labor justice overhaul, representing select industrial and service sectors, though its membership remains modest compared to larger confederations like the CTM, with no official figures exceeding historical peaks amid Mexico's fragmented union landscape. The CROM's enduring structure underscores its adaptation from revolutionary-era militancy to institutional advocacy, though sources note persistent challenges from corruption allegations and competition from independent unions.

Medical and Technical Acronyms

In , CROM denotes Cervical Range of Motion, a clinical assessment of the active mobility in the spine, typically measured in degrees across sagittal (flexion-extension), coronal (lateral flexion), and horizontal () planes. The CROM device, a head-mounted combining inclinometers and a , enables objective, repeatable quantification of movement for patients with conditions such as whiplash-associated disorders, , or post-surgical recovery, with normative values averaging 50-60 degrees flexion-extension and 70-80 degrees in healthy adults. Validation studies confirm its ( coefficients >0.90) and criterion validity against radiographic or optoelectronic systems, making it a standard tool in and protocols since its commercialization in the by Performance Attainment Associates. In technical contexts, particularly and , CROM refers to Control Read-Only Memory, a non-volatile component in microprogrammed control units that holds sequences directing operations. This firmware-like memory fetches control words via a microprogram counter, generating signals for data path elements such as ALU operations or register transfers, as implemented in early CPUs like those using hardwired sequencers augmented by for sequencing logic. CROM distinguishes from main instruction by its role in low-level orchestration, with historical applications in systems like the 9100A , where it synchronized program and core memory access. Its fixed, non-erasable nature ensured reliability in embedded and legacy hardware, though modern designs favor reprogrammable alternatives like FPGA-based control logic.

Businesses and Brands

CROM in Infrastructure and Tools

CROM Corporation, headquartered in , specializes in water solutions, focusing on the , , restoration, and maintenance of tanks for municipal, utility, and industrial water and wastewater storage. Founded in 1953 by J.M. Crom, who developed patented wire-winding technology for reinforcing concrete tanks, the company has constructed thousands of such structures nationwide, emphasizing durability and watertightness to address aging challenges. In infrastructure applications, CROM provides end-to-end services including tank inspections, structural upgrades such as handrails and fall protection systems, and rehabilitation through concrete removal and surface preparation to extend asset life spans amid increasing regulatory demands for and reliability. These efforts support critical upgrades to the U.S. system, where an estimated $1 trillion investment gap exists for replacing deteriorating facilities, with CROM's designs offering resistance to seismic activity, , and environmental stresses. Regarding tools and technologies, CROM integrates specialized equipment for precision demolition and coating application, notably hydrodemolition using ultra-high-pressure water jets upgraded with robotic systems to minimize worker exposure to hazards while achieving cleaner preparation for recoating. The company also applies high-performance protective coatings and linings engineered for abrasion resistance and chemical containment, alongside innovations like the CROM 2 straightwall watertight tank introduced in 2024, which adapts benefits to vertical storage needs without traditional dome or pedestal designs. Through acquisitions, such as the 2025 integration of Carolina Management Team expertise, CROM has expanded its toolkit for advanced rehabilitation, incorporating automated inspection drones and to optimize longevity.

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