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Crop circle

A crop circle is a large-scale geometric formed by flattening crops such as , , or canola in agricultural fields, typically appearing as intricate designs including circles, spirals, and fractals. These formations have been reported worldwide but are most commonly associated with , where they emerged as a notable in the late 20th century. The earliest documented reference to a crop circle dates to 1678 in , depicted in a woodcut pamphlet titled The Mowing-Devil, which described a farmer's field trampled into a circular pattern overnight and attributed it to forces. Modern crop circles trace their origins to the 1960s in , where circular impressions in reeds were linked to UFO sightings, though the phenomenon gained widespread attention in the 1970s and 1980s in , . In 1991, two British men, Doug Bower and Dave Chorley, publicly confessed to creating over 200 such patterns since 1978 using simple tools like wooden planks, ropes, and garden rollers, inspired by earlier UFO reports and aiming to perpetrate hoaxes. Their admission sparked a surge in copycat creations, with designs growing in complexity through the , peaking at hundreds reported annually in the UK alone. Scientific consensus holds that nearly all crop circles are man-made, crafted by artists or pranksters employing increasingly sophisticated techniques, including GPS for precision and sometimes microwaves to bend stalks without breaking them. While some early formations were attributed to natural causes like vortices or activity—such as wallabies creating circles in Tasmanian opium fields in 2009 due to disorientation from the crop— or explanations lack empirical support and are dismissed by experts. As of the early 2020s, crop circles persist as a form of , environmental messaging, or commercial promotion, with around 30 appearing yearly in the UK, drawing tourists and inspiring cultural fascination despite their proven artificial origins.

Definition and Characteristics

Physical Features

Crop circles consist of large, geometrically organized patterns formed by the flattening of crops such as and , creating intricate designs visible from above. These formations typically appear in fields, most commonly in . The affected crops exhibit smooth, swirled layouts where stems are laid flat in a radial or vortex-like manner, often spanning diameters from 2 to 80 meters. A distinguishing physical characteristic is the bending of plant stems at the internodal joints, or nodes, rather than outright breakage. This bending typically occurs at angles of 45° to 90° at the second, third, or fourth nodes from the base, with stems curving near the surface to form complex swirls. At the edges of formations, the flattened crops are frequently interwoven or layered in braided patterns, contributing to the structural integrity and aesthetic precision of the .

Patterns and Variations

Crop circles have evolved significantly in design complexity since their initial reports. Early formations in the and early consisted primarily of simple, single flattened circles, typically 10 to 30 feet in diameter, appearing in cereal crops such as . By the late , patterns had progressed to more intricate "crop glyphs," incorporating multiple circles connected by lines and geometric shapes, marking a clear shift toward elaborate compositions. This progression continued into the and , with formations featuring geometries, symmetrical mandalas, and symbolic motifs that spanned hundreds of feet across fields. Notable examples include symbolic representations that mimic scientific diagrams, such as the 2001 Chilbolton formation near the Chilbolton radio telescope in Hampshire, England, which replicated the structure of the 1974 Arecibo message—a binary-encoded interstellar transmission depicting human DNA, the solar system, and atomic elements. Certain designs integrate mathematical concepts, like the 2008 Barbury Castle formation in Wiltshire, England, which encoded the first ten digits of π (pi) through a series of angular segments in a ratcheted spiral pattern, where each arc's angle corresponded to a digit (e.g., 108° for 3, 36° for 1). Similarly, select patterns have incorporated binary code, as seen in the 2002 Chilbolton "face and code" formation, featuring a grid of 8-bit binary sequences alongside an abstract humanoid figure. Regional variations in patterns are evident, with the —particularly —hosting the majority of intricate designs, including motifs that interweave symmetric loops and crosses, as observed in formations near . In contrast, reports from other areas, such as the and , tend to feature simpler rings or basic geometric arrangements rather than elaborate symbolic or elements. Patterns also adapt to seasonal crop growth, emerging primarily during summer months when stalks are mature enough for bending without breakage, enhancing aerial visibility. While most occur in cereal fields like and , formations have been documented in non-cereal crops, including rice paddies in and in , though these are less common and often smaller in scale.

History

Pre-20th Century Reports

One of the earliest documented accounts of a crop circle-like phenomenon appears in the 1678 English pamphlet The Mowing-Devil: Or, Strange News out of Hartford-shire, which describes a farmer in hiring laborers to mow his oat field, only for the crop to be mysteriously flattened overnight in circular patterns by a devilish figure. The accompanying illustrates a horned, impish entity wielding a amid swirled, circular formations in the field, reflecting 17th-century that attributed such anomalies to intervention, such as demonic mischief or . This pamphlet, printed as a sensational broadside, relied on textual narrative and crude illustration rather than visual evidence, highlighting the era's dependence on oral traditions and printed ephemera for recording unusual events. By the 19th century, reports of unexplained flattened circles in rural European fields persisted, often intertwined with local superstitions. In 1880, amateur scientist John Rand Capron documented circular patches of flattened wheat near Guildford, Surrey, England, in a letter to Nature, attributing them to cyclonic wind action that bent the stems without breaking them, creating swirled patterns with standing centers. While broader rural European folklore attributed natural circular patterns in grass, such as fungal fairy rings, to supernatural causes like fairies or witches, reports of flattened crop circles like Capron's were rarer and typically explained by weather. These accounts, drawn from oral histories and occasional newspaper mentions, lacked photographic verification, as photography was still emerging and rarely applied to agricultural oddities, emphasizing reliance on eyewitness testimonies amid pre-industrial agrarian life. Analogous phenomena appear in non-Western traditions, such as the "fairy circles" observed in the arid grasslands of , where have long recognized these bare, circular patches—up to 15 meters in diameter—as natural features linked to spiritual or ecological lore, including associations with ancestral beings and activity. These ground markings, documented through and later , parallel European reports in their circular form but reflect distinct cultural interpretations tied to Dreamtime stories rather than European or motifs. Such pre-20th-century accounts laid the groundwork for later aerial observations in the 1900s, transitioning from to more systematic documentation.

20th Century Emergence

The modern phenomenon of crop circles began to emerge in during the late 1970s, with the first reported formations appearing near in 1978. These initial simple circular patterns, often described as "saucer nests" due to their resemblance to UFO landing sites, were initially few in number but quickly captured local attention amid growing interest in unidentified flying objects. Throughout the , reports of these formations surged in , particularly in and , where they were frequently associated with UFO sightings by investigators such as astronomer , who argued for an connection based on their sudden appearance and geometric precision. Media coverage in the UK intensified during this decade, transforming the anomalies from rural curiosities into national news stories, with newspapers and television outlets documenting dozens of cases each summer. By the late , the annual tally of reported formations exceeded 100, reflecting a rapid escalation that fueled public fascination and debate over their origins. This period saw increasingly complex designs, exemplified by the Julia Set formation near Stonehenge in 1996, featuring a spiral of 151 circles spanning 915 feet and drawing widespread media scrutiny as one of the largest and most intricate formations to date. Early investigations often leaned toward paranormal explanations, with the founding of the Centre for Crop Circle Studies in April 1990 by Michael Green and Ralph Noyes providing a formal platform for researchers to catalog and analyze the patterns as potential messages from otherworldly sources. In 1991, British artists Doug Bower and Dave Chorley confessed to creating over 200 formations since 1978 using basic tools like planks and ropes, though this revelation did little to quell ongoing speculation.

21st Century Developments

In the early , crop circle reports expanded beyond the to international locations, including several formations in during 2003 in Solano County wheat fields and a notable 2009 human butterfly design in the near Goes, . The phenomenon reached a peak in the UK around this period, with over 80 formations documented in 2001 alone, including the massive 409-circle spiral at Milk Hill in measuring 900 feet across. Following this surge, the frequency of UK reports declined significantly after 2010, dropping from hundreds annually in the prior decades to an average of 20-30 per year by 2024. The 2024 season exemplified this trend with fewer occurrences, such as a complex seven-fold design at near in July and a formation at Etchilhampton Hill in August. In 2025, activity remained sparse but included a prominent formation reported on May 15 near Sutton Veny in , approximately 20 minutes from , a joker-faced design appearing in June just meters from the monument, and further sparse appearances through July, such as a formation at Beech Clump near Ludwell on July 12; as of November 2025, around 10-15 formations were reported in the UK for the year. These sites, long associated with UFO sightings, have fueled ongoing linking the patterns to lore. The advent of platforms has transformed the documentation and perception of crop circles, enabling rapid sharing of images and eyewitness accounts that often lead to swift public analysis and debunking. photography, in particular, has enhanced aerial surveillance, providing high-resolution footage that facilitates immediate verification of formations like those in 2024 and 2025, while highlighting human access paths and tools in many cases. This digital scrutiny has contributed to a more skeptical public view, though artistic hoaxes persist as a creative outlet.

Known Creators and Hoaxes

Bower and Chorley Case

In 1978, Doug Bower and Dave Chorley, two artists from , , began creating crop circles in the Wiltshire countryside as a prank, inspired by reports of "saucer nests" in Australian sugarcane fields from the 1960s. Over the next 13 years, they claimed responsibility for more than 200 formations across , using simple tools including wooden planks attached to ropes for flattening crops and garden rollers for smoothing edges. Their activities remained secret until September 1991, when they confessed in an exclusive interview with the British tabloid The Today newspaper, revealing how they worked at night along tractor lines to avoid detection and mimic mysterious phenomena. To substantiate their claims, Bower and staged a for journalists in a field in , , constructing a basic formation in under an hour using their signature methods. The confession ignited a global media frenzy, with coverage in outlets like and highlighting the hoax's scale and embarrassing UFO enthusiasts and researchers who had attributed the circles to extraterrestrial or paranormal causes. Although it did not fully dispel all beliefs in non-human origins, the revelation partially demystified the phenomenon and prompted greater public skepticism toward supernatural explanations. In the long term, Bower and 's actions inspired numerous copycats within the emerging hoaxer community, transforming crop circles from isolated pranks into a widespread artistic and cultural trend that emphasized human ingenuity over otherworldly intervention.

Other Documented Hoaxers

Since the 1991 confession of Bower and Chorley, various individuals and groups have publicly admitted to fabricating crop circles. A notable example is the Circlemakers, a collective of British artists established in the early , who have created numerous complex formations as , for commercial promotions, and to demonstrate human capability. The group has acknowledged responsibility for hundreds of designs, employing advanced planning and tools beyond basic planks and ropes. In , a Circlemakers member described their work as "art practice" in a interview. Other admitted hoaxers include independent teams in countries like the and the , contributing to the phenomenon's international presence through increasingly elaborate patterns.

Methods of Formation

Human-Made Techniques

Human-made crop circles are intentionally created patterns formed by flattening crops using simple mechanical tools and, in more recent cases, . Pioneering hoaxers Bower and Dave Chorley confessed in 1991 to producing over 200 such formations in since 1978, demonstrating their methods publicly to reveal the hoax's mechanics. Their techniques involved basic equipment to achieve precise geometric designs without leaving obvious traces. The primary tools include wooden planks—typically 4 to 6 feet long—attached to ropes or strings for flattening stems. One person anchors a string at the center of the intended , while others walk around it, pressing the plank down at knee height to bend the stems without breaking them. A wire attached to a serves as a sighting device for maintaining straight lines and accurate measurements during layout. tools, such as measuring tapes, ensure geometric precision in more complex patterns. Operations occur at night in teams of two to six people to avoid detection, often during the crop growing season from to , targeting fields of , , or canola. Teams scout locations beforehand and work swiftly, with simple circular designs completable in about 20 minutes by two individuals. Since the early 2000s, hoaxers have incorporated (GPS) devices to translate computer-generated designs into field coordinates, enabling larger and more intricate formations spanning up to 2,000 individual shapes. Lasers assist in aligning straight edges between GPS-marked points, while handheld devices—adapted from magnetrons powered by 12-volt batteries—superheat crop stalks to cause them to expand and bend at the s without snapping, replicating observed anomalies like node elongation. This selective pressure from stamping or application allows stems to fall horizontally and cool in place, mimicking natural bending while preserving plant viability. Complex designs may take several hours or multiple nights for teams to complete, leveraging symmetrical patterns for efficiency.

Natural Phenomena

Natural phenomena can produce simple flattenings in crops that occasionally resemble basic crop circles, though these are distinct from the elaborate geometric designs typically associated with human activity. , including dust devils, form when hot ground air rises rapidly, creating rotating columns of air that swirl and flatten in circular patterns, particularly in dry conditions. In the Midwest, such events have been documented flattening crops like into circular swirls, as observed in agricultural reports from the late . Similarly, in the Australian , willy-willies—local terms for dust devils—have been linked to circular depressions in reeds and crops, such as those reported near , in 1966, where vortices during the created nested swirls up to several meters across. Animal activity contributes to localized crop flattening that may appear circular on a small scale. For instance, deer mating rituals or bedding areas can trample crops into rough circles, with accounting for significant damage in and corn fields across the Midwest, often creating clustered or rounded patches of bent stems. In the UK, badgers for disturb soil and flatten cereals like in irregular but sometimes circular depressions, with surveys indicating direct crop damage in up to 20% of affected fields during summer months. Hedgehogs, through nesting or movement, have been proposed as causing minor swirled flattenings in grassy crops, though evidence remains anecdotal and tied to early investigations in the . Severe weather events, particularly downbursts and microbursts from thunderstorms, can bend crops uniformly over larger areas, mimicking simple circular patterns. These downdrafts, studied by meteorologists in the , involve intense vertical winds exceeding 50 knots that diverge outward upon hitting the ground, flattening crops in radial or ring-like formations, as seen in damage surveys from Midwestern storms. Such events are short-lived but powerful, often leaving crops intact at the base rather than broken, and have been analyzed through dual-Doppler to confirm their role in non-tornadic wind damage. Scientifically verified natural formations are rare and confined to simple rings or swirls typically under 10 in , lacking the precision and complexity of reported crop circles. Investigations from the early emphasize that while or animal paths produce these basic shapes, no supports natural processes creating intricate, multi-element designs exceeding this scale.

Fringe and Paranormal Theories

Fringe theories propose that crop circles originate from sources, with proponents claiming that unidentified flying objects (UFOs) employ energy to flatten crops, resulting in observed stem anomalies such as elongated nodes and cellular changes. In the , the BLT Research Team, led by biophysicist W.C. Levengood, analyzed samples from various formations and reported these anomalies as of non-mechanical forces, attributing them to brief, intense bursts of potentially linked to UFO activity. Other paranormal explanations connect crop circles to terrestrial earth energies, particularly along ley lines—hypothetical alignments of ancient monuments believed to channel subtle energies. Dowsers and earth mystery enthusiasts assert that these formations manifest at intersections of ley lines near sacred sites, such as those in Wiltshire, England, where the patterns are said to interact with geomagnetic or spiritual forces. Interpretations of crop circles as spiritual messages suggest they serve as symbolic communications from higher intelligences, conveying warnings or cosmic insights. For instance, the 2008 formation, a complex spiral encoding the first ten digits of pi, has been viewed by groups as a deliberate representing universal and a "cosmic " for . In the 2020s, persistent claims among fringe communities link crop circles to prophecies, portraying intricate designs as symbolic communications. These interpretations, often shared in paranormal forums, posit the formations as messages from higher intelligences.

Cultural and Social Impact

Artistic and Commercial Aspects

Crop circles have evolved from mysterious formations into recognized forms of , often created by artists who view them as large-scale, ephemeral installations that engage with , , and cultural . In the late 20th century, inspired by early hoaxers like Doug Bower and Dave Chorley, collectives such as the UK-based Circlemakers—founded in the early 1990s by Rod Dickinson, John Lundberg, and others—began treating crop circle creation as conceptual , blending ritualistic processes with anonymous authorship to provoke public and . These artists emphasize the collaborative and site-specific nature of the work, using tools like planks, ropes, and surveying equipment to craft intricate designs in fields, often under cover of night, transforming agricultural spaces into temporary galleries. Commercially, crop circles have been leveraged for campaigns, with artists commissioned to produce formations that promote through their visual intrigue and appeal. For instance, members of the Circlemakers collective created a large circle in an wheat field to advertise a sports shoe manufacturer, highlighting the designs' ability to generate widespread publicity. In , the epicenter of crop circle activity, centered on viewing these formations contributes significantly to the local , drawing thousands of visitors annually for guided , helicopter flights, and walking expeditions that support businesses in the region. groups like Temporary Temples further capitalize on this interest by selling annual yearbooks featuring high-quality and diagrams of designs, alongside merchandise such as prints and apparel, while offering paid access to archives and interpretive materials. The creation of crop circles for artistic or commercial purposes has sparked ethical debates, particularly regarding unauthorized access to private farmland. Many creators and enthusiasts advocate obtaining farmers' permission in advance and offering compensation for any crop damage, estimated at hundreds of pounds per formation, to respect landowners' rights and minimize economic harm. However, instances of unpermitted work persist, leading to criticisms that such actions constitute and environmental disruption, even as some farmers tolerate or encourage circles to attract tourists and offset losses. These tensions underscore the balance between artistic expression and agricultural integrity in the practice.

Folklore and Media Influence

Crop circles have deep roots in , often linked to natural phenomena like fairy rings—circular patterns formed by fungal growth in grasslands. In English and traditions, these rings were believed to mark sites where or elves danced at night, and entering one could lead to enchantment or abduction by supernatural beings. Over time, such lore evolved into darker associations, with circles viewed as the work of witches or the , especially in 17th-century tales where they symbolized malevolent interference in human affairs. A seminal example is the 1678 The Mowing-Devil: Or, Strange News out of Hartford-shire, which describes a farmer's field mowed overnight into circular patterns by a fiery devil figure, complete with a illustration depicting the entity scything crops in rings. Media portrayals have significantly amplified the mystique surrounding crop circles, transforming them from rural curiosities into symbols of extraterrestrial or paranormal intrigue. The 2002 film , directed by , features crop circles as ominous warnings from invading aliens, discovered on a farm by a former played by , which grossed over $408 million worldwide and popularized the phenomenon in mainstream cinema. Documentaries have further fueled speculation; for instance, the 1990 Operation Blackbird—a high-profile effort funded by the and Japan's , involving the to capture circle formation in real-time—ended in embarrassment when hoaxers created patterns under watch, yet media coverage heightened public fascination with the unexplained. The cultural footprint of crop circles extends to social repercussions, particularly for farmers facing trespassing and crop damage. In , a hotspot for formations, aggrieved landowners have protested the financial toll, with circles destroying up to tens of thousands of pounds in and annually through flattened crops and unauthorized access by enthusiasts. To mitigate losses, initiatives like a 2013 visitor access pass scheme in encouraged fees for viewing sites, directly compensating affected farmers and reducing further trampling. Between 2018 and 2022, over 92 circles impacted more than 40 football pitches' worth of in , leading to £30,000 in lost revenue and prompting calls for stricter enforcement against trespassers. In the 2020s, has reignited public interest, with platforms like driving virality around alleged 2025 formations despite on human origins. Videos of intricate patterns in Dorset and , such as a July spider-motif circle, garnered millions of views and spawned theories of alien communication or symbolic warnings, often blending genuine reports with AI-generated fakes. This digital buzz has increased fascination, echoing folklore's enduring allure while exacerbating farmer frustrations over uninvited crowds.

Scientific Investigations

Debunking Efforts

In 1991, British artists Douglas Bower and David Chorley confessed to creating hundreds of crop circles since the late 1970s using basic tools such as wooden planks attached to ropes, garden rollers, and surveying equipment, and they demonstrated the technique by producing a formation in a field under media observation, including by the , which filmed the process to verify the human method's efficiency and simplicity. Investigator , affiliated with the (CSICOP), conducted detailed examinations of crop circle sites in 2002, identifying clear signs of human intervention such as irregular footprints around the perimeters, tool marks from planks and wires on bent stalks, and broken rather than gently swirled crop stems inconsistent with claimed non-human forces. These findings were supplemented by Nickell's own nighttime demonstration in an English field, where he and assistants replicated a complex pattern in under four hours using similar tools, further illustrating the practicality of hoaxing. Aerial photography and ground-based surveys of crop circle locations have repeatedly revealed human access paths—trampled trails leading from roads or field edges to the formations—as well as inconsistencies with "overnight appearance" narratives, such as gradual stalk breakage patterns suggesting multi-hour labor rather than instantaneous events. Scientific consensus holds that more than 95% of documented crop circles are human-made, with critiques of groups like the Research Team emphasizing methodological flaws in their anomalous claims, such as unverified samples and failure to rule out hoaxing effects; natural causes, like or animal activity, account for fewer than 5% of cases. counterclaims of non-human origins persist but lack empirical support beyond anecdotal reports.

Anomalous Claims Analysis

In the 1990s, biophysicist W.C. Levengood and colleagues at BLT Research Institute claimed that collected from crop circles displayed anomalous physical and biological effects, including elongation, expulsion cavities in stems, and exposure to or bursts that allegedly heated plant tissues without . These alterations, they argued, could not result from mechanical flattening by humans and pointed to an unknown energy source, such as vortices or intervention. Such claims faced rigorous skeptical scrutiny through replication experiments and controlled tests. A notable 2010 blind test organized by crop circle investigator Colin Andrews submitted plant samples from both documented "genuine" formations and deliberately hoaxed ones to BLT for analysis; the team incorrectly classified several hoaxed samples as anomalous and failed to detect differences, undermining the reliability of their detection methods. Additionally, a 2005 critique by physicists Paolo Grassi and Giuseppe Cocheo examined Levengood's published data and methodology, revealing methodological flaws, selective sampling, and the ability to replicate reported effects—like magnetic particles and structural changes—using simple mechanical trampling or environmental factors, without any need for electromagnetic anomalies. Levengood's group also reported changes in seed from crop circle , such as accelerated rates or developmental abnormalities, attributing these to residual effects on cellular processes. However, subsequent studies have demonstrated no in these variations beyond those induced by physical stress, such as or during human creation of the formations. Replication experiments, including a 2014 study recreating conditions from a 1999 Dutch crop circle, successfully produced similar germination shifts using steam irons and mechanical flattening, confirming that mundane trauma accounts for the observations without involvement. Modern analyses of crop circles continue to find no supporting anomalous biochemical markers or residues, with structural changes consistently attributed to mechanical bending. For example, a crop circle reported in Dorset, , in July 2025 was investigated by local authorities and farmers as criminal damage, with no anomalous features noted. A key factor perpetuating these anomalous claims is , where proponents of origins prioritize ambiguous or inconclusive data—such as variable plant stress responses—while dismissing evidence of human artistry, leading to overstated interpretations of routine biological effects.

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