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Death House

Death House is a directed and co-written by B. Harrison Smith, with the story credited to . Set in a secret underground prison facility known as the Death House, the film follows two FBI agents who become trapped during a and must battle escaped inmates and entities to survive. It features an ensemble cast of prominent genre actors, blending action, crime, and elements in a often compared to an all-star tribute. The plot centers on FBI agents Toria Boon, played by , and Jae Novak, played by , who arrive at the Death House for an exclusive tour of its nine subterranean levels, which house the nation's most notorious and psychopathic criminals. A sudden blackout triggers a prison-wide , allowing inmates led by the sadistic Sieg (Kane Hodder) to break free and unleash chaos. As Boon and Novak fight their way through the facility's labyrinthine corridors, they encounter deranged prisoners including the cannibalistic inmates and the voodoo-practicing Farmer Asa (), while descending to the prison's lowest level where they confront a malevolent demonic force that offers a twisted path to escape. The story incorporates vignettes of the inmates' backstories, highlighting their monstrous natures, and culminates in a against otherworldly . Production on Death House began as a concept by , the actor known for portraying in , who envisioned a film uniting horror icons in a high-stakes survival scenario akin to for the genre. Smith, making his feature directorial debut after working in , assembled a cast featuring veterans such as as Dr. Eileen Fletcher, as Dr. Karen Redmane, as Icicle Killer, as Hirace Giger, as Crau, and as Virtual Narrator, alongside cameos from Hansen himself, , and . The film was produced by Steven Chase and Rick Finkelstein under Dark Coast Entertainment and Entertainment Factory, with a runtime of 95 minutes. Death House premiered at the on September 2, 2017 and received a in the United States on February 23, 2018, distributed by Cleopatra Entertainment. It grossed approximately $22,000 at the domestic . was largely negative, with the film holding a 33% approval rating from critics on based on six reviews, praised for its nostalgic but criticized for incoherent , weak pacing, and underdeveloped characters. scores were similarly low at 38%, though some fans appreciated the over-the-top gore and icon cameos. The movie later became available for streaming on platforms like in May 2019.

Synopsis

Plot

The Death House is a secret nine-level underground prison designed to house the world's most dangerous criminals, including killers, terrorists, and entities, with each level descending deeper into Dante's Inferno-inspired torment through advanced holodecks that simulate the inmates' pre-capture environments while hallucinogenic gases maintain their compliance. The film opens with FBI agent Toria Boon confronting and executing, via holographic simulation, a who murdered her mother. Boon and her partner Jae Novak arrive at the facility for a tour, guided by scientists Dr. Eileen Fletcher and Dr. Karen Redmane. A power failure, caused by a device planted by a young boy at the behest of inmate Alois Sieg, triggers a prison-wide orchestrated by the neo-Nazi leader Sieg, who rallies the prisoners to seize control and free the most heinous occupants from the ninth level. As chaos erupts, Boon and Novak separate from the scientists and navigate the darkening corridors, encountering brutal gangs of inmates including cannibals, cultists, and mercenaries, while fighting to reach an route amid massacres of the staff. Their journey leads to confrontations with the notorious Five Evils—immortal supernatural prisoners whose unleashed presence amplifies the facility's nightmarish . As the agents battle deeper into the , fragmented visions and encounters reveal suppressed memories: Boon and discover they are actually former prisoners whose memories have been suppressed and replaced with false identities as FBI agents through the facility's experimental mind-control program. Guided by a rogue inmate, they piece together their past crimes and the facility's role in weaponizing criminals via simulations that blur reality and illusion, forcing them to question every encounter as potentially fabricated. In the climactic sequence, Boon and activate the facility's kill-switch, causing Sieg to disintegrate from exposure to toxic gas while the Five Evils escape; the agents then fight their way out as the facility shuts down. Emerging from the collapsing facility into the real world above ground, the agents, now aware of their true origins as former prisoners, resolve to uncover their real identities, leaving the prison's subterranean abyss in ruins behind them.

Cast

The film Death House boasts an ensemble cast of prominent horror genre icons, assembled to portray federal agents, prison staff, and inmates within its dystopian narrative. The leads are portrayed by as FBI Agent Toria Boon and as FBI Agent Jae Novak; Longo's performance marked his final film role before his death in 2023 at age 34 from chronic ethanol abuse. Key supporting roles feature as the menacing inmate Sieg, as Giger, as Dr. Karen Redmane, as Dr. Eileen Fletcher, as Icicle Killer, and as Farmer Asa. Additional notable actors include as Kristi Boon, in a as an unnamed prisoner—Hansen's posthumous final role following his in 2015— as Nela, and as Crau.
ActorRole
Cortney PalmAgent Toria Boon
Cody LongoAgent Jae Novak
Kane HodderSieg
Bill MoseleyGiger
Barbara CramptonDr. Karen Redmane
Dee WallaceDr. Eileen Fletcher
Sid HaigIcicle Killer
Tony ToddFarmer Asa
Camille KeatonKristi Boon
Gunnar HansenPrisoner
Adrienne BarbeauVirtual Narrator (voice)
Vernon WellsNela
Michael BerrymanCrau

Production

Development

In the early 2010s, , best known for portraying in The Texas Chainsaw Massacre, conceived the idea for Death House as a genre equivalent to , aiming to assemble an ensemble of veteran icons in a single film to celebrate the genre's legacy. Hansen pitched the concept to his agent, Michael Eisenstadt, envisioning a narrative that intertwined through a roster of beloved actors from classic films. Hansen completed the original screenplay, initially titled something akin to a documentary-style project about college students in an , before his death from on November 7, 2015. The script was subsequently revised by , who was attached as director in 2016 after producers Rick Finkelstein and Steven Chase of Entertainment Factory reviewed his prior work on Zombie Killers: City of the Dead. Smith's rewrite shifted the setting to a multi-level underground prison housing notorious killers, incorporating elements inspired by 1980s action-horror like , while retaining Hansen's core vision of a character-driven story featuring horror veterans. The project was developed as a low-budget production under Entertainment Factory, with associations including Class of 85 and Capital Alliance, emphasizing efficient to accommodate the of staples. , famed for , was initially considered for a role to further bolster the iconic lineup but ultimately did not participate due to scheduling conflicts. Following , Entertainment acquired U.S. distribution rights in 2018, providing post-development support for marketing and release.

Filming

Principal photography for Death House commenced in early 2016 and wrapped in Philadelphia, Pennsylvania, where the production utilized the decommissioned Holmesburg Prison at 8215 Torresdale Avenue to authentically replicate the film's multi-level underground facility. Additional shooting occurred in Los Angeles, California, to capture supplementary scenes. The sets, constructed by Cayo Industrial in upstate New York, featured intricate, gritty designs including processing chairs with integrated lighting, restraints, and atmospheric effects like smoke to enhance the prison's oppressive atmosphere. The production faced notable challenges in executing for the elements, relying heavily on practical techniques to depict monstrous inmates and s. Effects teams PCND/FX and SOTA FX crafted detailed latex appliances shrink-wrapped to actors' bodies for realistic creature transformations, alongside copious practical and , while limited handled ethereal aspects such as toxic gases, phantom apparitions, and laser effects. These methods ensured a tangible, visceral quality to the film's of terrors, aligning with Harrison Smith's vision of blending 1980s-inspired sci-fi aesthetics with intense . Harrison Smith directed the action-horror sequences with a focus on dynamic pacing and ensemble coordination, shooting high-energy riot and escape scenes that emphasized practical stunts and chases through the confined sets. His on-set fostered a collaborative environment, incorporating subtle nods to classic horror like A Nightmare on Elm Street 3 in lighting and encouraging input from the cast and crew to refine the sequences based on Hansen's script. The principal shoot spanned several weeks, capturing the film's core confrontations amid the real-world decay of the prison location. Post-production wrapped in early 2017, with streamlining the footage into a 95-minute and integrating digital enhancements, including a posthumous cameo for processed via . Safety measures during the stunt-heavy riot and escape sequences involved coordinated by s to mitigate risks from physical impacts and confined-space maneuvers, maintaining a professional and incident-free set.

Release

Premiere and marketing

Death House had its first official trailer released on September 3, 2016, exclusively via the news site , which showcased the film's action- premise and spotlighted its ensemble of genre legends like , , , and to generate buzz among fans. The trailer's emphasis on the cast as the of horror" helped position the movie as a high-profile throwback to classic slasher tropes with a modern twist. The film's world premiere took place at the Central Florida Film Festival on September 2, 2017, marking its debut screening to an audience of enthusiasts and industry attendees. This event served as a key launchpad, allowing early exposure and word-of-mouth promotion within the genre community ahead of further festival appearances. Promotional efforts centered on leveraging the star power of its cast, with marketing materials including character posters and teasers distributed through the film's official channels to target dedicated followers. The campaign built anticipation through convention circuit mentions and online outlets, fostering engagement via updates on the ensemble's involvement and behind-the-scenes glimpses.

Distribution and home media

Death House received a in the United States on February 23, 2018, alongside availability, distributed by Hannover House across approximately 100 screens. The film became available for digital download on November 6, 2018, followed by its home media debut on DVD and Blu-ray on December 11, 2018, through Cleopatra Entertainment, which had acquired the U.S. rights earlier that year. Streaming options emerged shortly after, with the film initially added to in May 2019. As of November 2025, Death House is accessible for free with advertisements on and at Home Free, as well as through rental or purchase on platforms including FlixFling and Bloodstream. International distribution remained limited to select markets, primarily handled by Cleopatra Entertainment following its U.S. acquisition. The film's worldwide gross totaled $23,833.

Music

Score

The original score for Death House was composed by John Avarese, who incorporated synth-based electronic elements inspired by sci-fi and action films to heighten tension in the film's high-tech environments. This approach drew comparisons to the atmospheric style of scores like that in , emphasizing a thrilling, nostalgic tone amid the crumbling facility's chaos. Avarese's key cues featured prominent, exciting synth motifs that underscored the training sequences and action-oriented riot scenes with intensity, while eerie electronic layers amplified the horrors encountered deeper in the levels. These elements were integrated with the film's during in 2017, where Avarese also served as sound designer and re-recording mixer to create a cohesive audio landscape. Avarese brought extensive experience in scoring to the project, having previously composed for films like The Fields (2011), a , and continuing with later works such as The Special (2020). His contributions blended seamlessly with the soundtrack's licensed tracks to support the film's overall auditory experience.

Soundtrack

The soundtrack for Death House features a curated selection of and tracks that amplify the film's gritty, tone. These songs, integrated into key scenes, include contributions from prominent artists in the genre to heighten tension and thematic depth. Among the highlighted tracks is "Looking Down the Barrel of Today" by , written by , Chris Beattie, and Matt Byrne, which plays during intense confrontational moments. The soundtrack also includes a track by the duo and original material "Dead and Still in Pain," written by and performed by World Under Blood, contributing to the film's custom musical elements and underscoring themes of torment and escape. These selections were highlighted in promotional materials tied to the film's January 2017 push, emphasizing the between and the ensemble narrative. No formal was released, but the featured tracks represent a blend of established and bespoke compositions tailored to the production.

Reception

Critical response

Death House received mixed to negative reviews from critics, earning a 33% approval rating on based on six reviews. The film's ensemble of horror icons drew praise for evoking nostalgia, though many faulted its execution. Among positive assessments, Dread Central awarded it 4.5 out of 5 stars, lauding the "bloody pandemonium and creative writing" as elements destined to cultivate a cult following. Common Sense Media gave it 3 out of 5 stars, noting its ambitious nature and the appeal of its cast of 1970s through 1990s horror veterans, despite being "more horrifying than scary." Negative critiques highlighted narrative and production shortcomings. Rue Morgue described it as "completely expendable," criticizing how it squandered its star-studded roster on underdeveloped opportunities. Film Inquiry deemed it unentertaining, arguing that the story becomes overly self-absorbed amid graphic content that fails to engage. Eye for Film rated it 2 out of 5, calling it "derivative and uninspired" with insufficient substance to sustain its runtime. Flickering Myth scored it 1.5 out of 5, labeling it a "monumental mess." Recurring themes in reviews included appreciation for the film's gory excess and nostalgic cameos, balanced against complaints of incoherent plotting, lackluster pacing, and budget-constrained effects. Blu-ray.com echoed this with a D+ grade, faulting the absence of frenzied in favor of pseudoscientific .

Commercial performance and legacy

Death House had a in the United States on February 23, 2018, grossing a total of $23,833 at the domestic , which marked it as a financial underperformer primarily due to its emphasis on video-on-demand (VOD) distribution rather than wide theatrical rollout. Home media performance was modest, with DVD and Blu-ray releases through distributors like achieving limited sales figures reflective of the film's niche appeal in the genre. The film's visibility surged with its addition to in May 2019, where it garnered increased streaming views amid interest in its ensemble of horror icons, and by 2025, it remained available on free ad-supported platforms such as , sustaining a steady but low-key audience. Audience reception has been largely negative, with an user rating of 3.0 out of 10 based on over 1,800 votes and a average of 1.6 out of 5 from approximately 1,900 ratings, though some fans have praised its chaotic crossover of legends like and as a fun, if flawed, novelty. In terms of legacy, Death House is often celebrated in genre circles as the "horror Expendables" for assembling over 20 veteran actors from classic films, including posthumous nods to contributors like writer (who died in 2015 and appears in a ) and cast member (who died in 2023). Despite no sequels being produced, the film endures as a referenced entry in compilations of icon ensembles, fostering a small drawn to its over-the-top, ensemble-driven absurdity.

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