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Demond Wilson

Demond Wilson (born Grady Demond Wilson; October 13, 1946) is an , , , and best known for his portrayal of Lamont Sanford, the frustrated son of junk dealer Fred Sanford (played by ), in the Sanford and Son from 1972 to 1977. Born in , Wilson was raised in , , where he pursued interests in acting, , and ballet from a young age, making his Broadway debut as a child. At age 12, after suffering a ruptured , he made a vow to serve in ministry if he survived, a promise that would later influence his life. From 1966 to 1968, Wilson served in the U.S. Army's 4th Infantry Division during the , where he was wounded and decorated for his service. Wilson's acting career gained momentum in the late 1960s with and roles, followed by guest appearances on television series such as and . His breakthrough came with , the top-rated series that ran for six seasons and adapted the British sitcom to depict the lives of a father-son junk business in . He appeared in films including The Organization (1971) and (1993), and starred in other TV shows like (1978), The New Odd Couple (1982–1983), and Demond Wilson and Company on . In the mid-1980s, following personal and professional challenges including struggles with drug addiction and depression, Wilson transitioned from , experiencing a and fulfilling his childhood vow by becoming an ordained minister in the in 1984. He began preaching worldwide starting in 1983 and founded the Restoration House of America in 1995, a nonprofit providing spiritual guidance and vocational training to former inmates. As an author, Wilson has written books such as Second Banana: The Bittersweet Memoirs of a Big-Time (2009) and The Millennium, along with 11 children's stories and several screenplays. Wilson has been married to Cicely Johnston since May 3, 1974, and they have six children. He occasionally returned to acting in the 1990s and 2000s while maintaining his pastoral work, residing in for many years.

Early life

Childhood and early interests

Grady Demond Wilson was born on October 13, 1946, in , and relocated to shortly after birth, where he was raised in the neighborhood. His family provided a nurturing environment amid the urban challenges of , with his mother, a , and father, a , emphasizing discipline and moral grounding. Summers were spent visiting his religious grandmother in , which exposed him to Pentecostal traditions and reinforced the spiritual influences shaping his early worldview. Wilson grew up in a staunch Catholic household, actively participating in activities from a young age, including serving as an altar boy and briefly considering a as a . At , after suffering a ruptured , he vowed to that if he survived, he would dedicate his life to . This religious foundation, combined with his parents' recognition of his talents, directed his initial interests toward the rather than solely pursuits. By toddlerhood, he was enrolled in and training, fostering skills that would define his formative years. His early exposure to performance began with studies in and , leading to a Broadway debut at age four and subsequent appearances, including dancing at Harlem's by age twelve. These experiences at prestigious venues ignited a passion for , blending artistic expression with the cultural vibrancy of , though he did not pursue formal immediately following high school. This period laid the groundwork for his transition into professional acting after .

Military service and entry into acting

Demond Wilson joined the in 1966 and served until 1968, including time with the 4th Infantry Division in from 1966 to 1968. During his service, he was wounded. His service, which encompassed basic training, school, and frontline duty, lasted approximately two years overall, with recovery from his extending into the post-deployment period. Upon his discharge as a decorated in the late , Wilson encountered difficulties readjusting to civilian life, compounded by the physical and psychological effects of his wartime experiences. He initially pursued theater opportunities, auditioning for and performing in several productions around 1970, building on his earlier training that provided a foundation for physically demanding stage roles. Wilson's first significant professional acting role after the came in the 1972 film Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues, followed by a small part in the 1971 movie The Organization. That same year, he made his television debut as a guest star on , appearing as a burglar named in the episode "Edith Writes a Song." These early credits marked his entry into , where he continued to take on supporting roles in television and before achieving greater recognition.

Acting career

Sanford and Son and rise to fame

Demond Wilson's breakthrough came in 1971 when he was cast as Lamont Sanford in the NBC sitcom Sanford and Son, following a guest appearance as a robber on All in the Family that caught the eye of producer Bud Yorkin. Producers had initially considered Richard Pryor for the role but selected Wilson to serve as the "straight man" foil to Redd Foxx's comedic Fred Sanford, drawing inspiration from dynamics like those in Rowan & Martin's Laugh-In. Prior to this, Wilson had gained experience through several Off-Broadway productions after his military service. Sanford and Son, which aired from 1972 to 1977, was an American adaptation of the British sitcom Steptoe and Son, developed by Norman Lear and Bud Yorkin, and relocated the story to a junkyard in Watts, Los Angeles. In the series, Wilson portrayed Lamont, the exasperated adult son and business partner of his widowed father, Fred Sanford (Redd Foxx), as the duo navigated their salvage business and familial tensions through humor centered on generational clashes and get-rich-quick schemes. Wilson appeared in 135 of the show's episodes across its six seasons, contributing to its portrayal of everyday Black life in urban America. The series achieved immediate critical and commercial success, debuting to strong overnight ratings in major markets and ranking in the top 10 Nielsen-rated programs for five of its six seasons. It earned multiple Emmy nominations, including three for as Outstanding Lead Actor in a Series (1972, 1973, and 1974), as well as nods for supporting performances and technical achievements, underscoring the ensemble's impact. Wilson's performance as the level-headed Lamont helped elevate the show's acclaim for its authentic and chemistry with Foxx, propelling him to national stardom as a prominent lead. During the show's run, Wilson balanced his rising fame with concurrent television work, including a 1971 guest spot as Simmons in the episode "Underwater." At its peak, his role brought significant financial success, with Wilson earning up to $40,000 per week, establishing him as a key figure in 1970s Black-led sitcoms but also leading to in urban family dynamics.

Post-Sanford television roles

Following the success of Sanford and Son, Demond Wilson starred as Raymond "Ray" Ellis in the sitcom Baby... I'm Back!, which premiered on January 30, 1978, and aired for 13 episodes until April 24, 1978. In the series, Wilson portrayed a compulsive gambler and ex-convict who returns home after abandoning his family seven years earlier to escape loan sharks, only to find his wife Olivia (played by ) engaged to another man. The show, created by and Mort Lachman, attempted to capitalize on Wilson's established comedic timing but struggled with ratings and was canceled after one short season. Wilson next took the lead role of the slovenly sportswriter Oscar Madison in the ABC sitcom The New Odd Couple, an African American adaptation of the classic Neil Simon play and its prior TV versions, which ran from September 1982 to March 1983 for 18 episodes. Co-starring Ron Glass as the fastidious Felix Unger, the series updated the odd-couple premise for a contemporary audience but faced competition and low viewership, leading to its cancellation after one season. Wilson's portrayal drew on his sitcom experience, yet the show failed to achieve the longevity of its predecessors. During this transitional period, Wilson made several guest appearances on popular 1980s anthology series, including episodes of in 1979 and 1981, where he played characters like Jesse, Isaac's uncle, and Bart in a "Letter to Babycakes" storyline. He also appeared on in 1981, contributing to his visibility amid lead role shortages. Other guest spots included in 1980 and Bring 'Em Back Alive in 1983, showcasing his versatility in supporting comedic parts. Despite these opportunities, faced significant challenges from typecasting as the exasperated son figure from , leading to emotionally draining roles with repetitive that he described as unfulfilling and lacking depth. He expressed alienation in , viewing colleagues as mere work associates rather than friends, and the industry's "trash" content exacerbated his personal struggles, including a habit. After The New Odd Couple ended in 1983, Wilson declined a subsequent TV series offer just eight months later, marking his gradual withdrawal from to pursue other paths. occasionally returned to in later years, with guest roles including Kenneth Miles in Girlfriends () and a part in Eleanor's Bench (2023).

Film appearances

Demond Wilson's film career was relatively sparse compared to his extensive television work, with only a handful of credits spanning from the early to the early 2000s. He predominantly took on supporting or minor roles, reflecting his stronger association with television and a lack of lead opportunities in cinema. Throughout his acting tenure, Wilson appeared in five notable films, prioritizing scripted TV projects over theatrical releases. Wilson's earliest film role came in 1971's The Organization, a crime thriller directed by Don Medford, where he portrayed the minor character Charlie Blossom in a story involving Sidney Poitier's detective navigating a drug cartel. The following year, he appeared in Dealing: Or the Berkeley to Boston Forty Brick Lost Bag Blues, a comedy-drama about marijuana smuggling, playing the supporting part of Rupert alongside leads Robert F. Lyons and Barbara Hershey. These early outings marked his initial forays into film during the pre-Sanford and Son phase of his career, though they were small parts that did not significantly elevate his profile at the time. In the mid-1980s, after gaining fame from television, Wilson took on a in the horror-comedy Full Moon High (1981), directed by , where he played the dual role of cabbie and bus driver in a narrative about a teen turning into a . His mid-career highlight arrived over a decade later in (1993), a family comedy produced by , in which he supported as FBI Agent Schamper, assisting in a plot involving a single father and an adopted child. This role showcased Wilson's comedic timing in a more ensemble-driven film environment. Wilson's later film work included Hammerlock (2000), an independent drama about a high school wrestler framed for , where he portrayed Morgan Rivers, a figure aiding the protagonist's defense. This appearance aligned with his selective post-television engagements, emphasizing character-driven stories without pursuing major cinematic leads.

Authorship

Christian books and publications

Demond Wilson has authored several Christian books focused on applying biblical principles to , spiritual renewal, and critiques of alternative spiritual movements, often drawing from his personal journey of and . These works, primarily published through small presses or self-published channels, target an evangelical readership seeking guidance on integrating with personal challenges. His inaugural publication, The New Age Millennium: An Exposé of Symbols, Slogans and Hidden Agendas (1998), critiques the New Age Movement by examining its symbols, slogans, and underlying agendas, which Wilson argues pose spiritual dangers to society from a biblical viewpoint. Released by CAP Publishing & Literary Co. and co-authored under his full name Grady D. Wilson with editorial contributions from Avaneda D. Hobbs, the book emphasizes Christian discernment in modern culture and has achieved a second printing, indicating sustained interest among faith-based audiences.

Other writing contributions

In addition to his Christian-focused publications, Demond Wilson authored the memoir Second Banana: The Bittersweet Memoirs of the Sanford & Son Years in 2009, offering a behind-the-scenes account of his time on the sitcom, interwoven with reflections on personal challenges and spiritual growth. The book draws from his experiences as Lamont Sanford, highlighting the professional dynamics and life lessons from the production. Wilson has written eleven children's stories, three of which were published as illustrated books aimed at young readers in 1999: John Neuman Smith, Lil' Mowande, and , all published by CAP Publishing and Literary Company. These works feature simple, moral-driven stories, such as the whimsical tale in where a seeks companionship, emphasizing themes of and family. He has also written two screenplays, Nat Tyler Freedom Fighter and Bay City Blues, and a sitcom titled Hawkins for the Defense.

Ministry and later career

Ordination and evangelistic work

In 1984, Demond Wilson was ordained as a minister in the Church of God in Christ denomination, marking his formal entry into full-time evangelistic ministry after years of acting. This ordination fulfilled a longstanding personal commitment, as Wilson had made a childhood vow to dedicate his life to preaching, a calling he traced back to his early years in Harlem where he envisioned addressing large audiences with the Gospel. Following his ordination, Wilson launched extensive evangelistic efforts across the United States during the 1980s and 1990s, conducting nationwide tours that took him to churches, auditoriums, and stadiums where he preached to crowds ranging from hundreds to tens of thousands. His messages centered on themes of faith, forgiveness, repentance, and the spiritual dangers of Hollywood's excesses, drawing from his own experiences in the entertainment industry to warn against the pitfalls of fame and moral compromise. These tours were characterized by a fiery, charismatic style that emphasized salvation through obedience to God and personal transformation. Key events in Wilson's early ministry included speaking engagements at prominent venues, such as the three-day revival at the Ephesian in in 1986, where he delivered sermons on sin and redemption to enthusiastic congregations. He also preached at conferences and churches like Holy Church of God-Cottage Hill in , in the mid-1990s, and Evangel Cathedral in , in 1990, often extending his outreach through love offerings to support his growing ministry operations. While focusing on live preaching, Wilson occasionally appeared on Christian television programs to share his testimony, amplifying his message to broader audiences. Wilson's commitment to was deeply motivated by his childhood vow, which gained urgency amid career setbacks in acting and a profound personal recovery that redirected his life toward spiritual purpose. This shift, beginning around 1983 when he felt a divine call to abandon secular pursuits, allowed him to channel his public persona into proclaiming full-time.

Restoration House and community service

In 1995, following his as a , Demond Wilson founded of , a Christian center located near , dedicated to supporting former prison inmates in their reintegration into society. The organization focuses on ex-convicts, many of whom struggle with , providing a structured environment to address both spiritual and practical needs. The center's programs emphasize residential support, where participants live in a supervised setting during their rehabilitation. Vocational training and job skills development are core components, equipping individuals with the tools to start businesses or secure employment and reduce rates. Bible study and spiritual guidance form the foundation of the curriculum, fostering personal transformation through faith-based mentoring. Success stories include rehabilitated individuals who have gone on to lead stable lives, such as one participant named Tyson, who benefited from the ministry's resources to rebuild his path. The organization has helped numerous ex-inmates achieve lasting recovery and independence. Funding for comes partly from proceeds of 's Christian books and private donations, enabling its sustained community service efforts.

Recent projects and appearances

In the mid-2000s, Wilson made a selective return to with a recurring role as Kenneth Miles, the biological father of the character Lynn Searcy, on four episodes of the UPN sitcom Girlfriends from 2004 to 2005. This appearance marked one of his last significant engagements for over a , blending his established with themes of family reconciliation. Following a period focused on ministry, Wilson ventured back into theater in 2011, co-starring with actress Nina Nicole in a touring production of Matt Hardwick's play The Measure of a Man, which explored elements of personal and set in . The production toured regionally, including a performance at the Municipal Auditorium, reflecting Wilson's evolving narrative of . After 2011, Wilson's professional activities shifted predominantly toward his evangelistic work and community initiatives, with no major acting comebacks until 2023, when he appeared as Isaac Thomas in the faith-based TV series Eleanor's Bench, a centered on juvenile justice and family dynamics. He has since participated in occasional interviews and podcasts in the 2020s, discussing his Sanford and Son legacy, experiences, and faith journey, such as conversations on platforms like Hype Plus TV in 2023 and 2024. Wilson founded the Restoration House of America in 1995, a nonprofit providing spiritual guidance and vocational training for former inmates. His combined careers in , authorship, and have contributed to an estimated of $2.5 million.

Personal life

Marriage and family

Demond Wilson married Johnston, a former model, on May 3, 1974, after meeting in the early through mutual connections in the modeling and acting industries. The couple has six children: Nicole, Melissa, Sarah, Christopher, Demond Jr., and Louise. Wilson's family has resided primarily in , including periods in the area and . As of 2025, they reside in . Cicely Johnston has been a pillar of support throughout Wilson's career shifts, particularly his transition to in the , often joining him in faith-based events and initiatives. The family maintains close involvement in church activities, reflecting their shared commitment to spiritual life. As of 2025, Wilson and Johnston continue their enduring partnership, marking over 51 years of marriage.

Overcoming addiction

Following the peak of his fame from Sanford and Son in the 1970s, Demond Wilson developed a addiction in the late 1970s. The habit, costing $1,000 per week, contributed to significant financial strain despite his substantial earnings of up to $40,000 weekly, ultimately leading him to sell his 27-room Bel-Air mansion and relocate to a more modest home. It also exacerbated emotional and physical lows, compounding the effects of an earlier addiction he acquired during his service, where he sustained wounds including injuries. In May 1982, Wilson reached a turning point during a moment of solitude on his , experiencing a profound spiritual epiphany that prompted him to pray for deliverance and commit his life to . This encounter marked the beginning of his , supported by his wife and family, as he immersed himself in study and prayer over the following months. By 1984, following his full Christian conversion, Wilson achieved sustained sobriety and was ordained as a in the . In the aftermath, Wilson shared his recovery story publicly through sermons as an and in his writings, including the Second Banana: The Bittersweet Memoirs of the Sanford & Son Years, where he detailed his struggles and transformation without reporting any relapses. His wounds from persisted as a managed condition into his later years.

Filmography

Film

Demond Wilson's appearances span from the early to the early 2000s, primarily in supporting roles.
YearTitleRole
1971The OrganizationCharlie Blossom
1972Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag BluesRupert
1974Man in First Pew in Church
1981Full Moon HighBus Driver / Cabbie
1993Agent Schamper
2000HammerlockMorgan Rivers
These credits reflect his selective involvement in cinema alongside his more prominent television work.

Television

Demond Wilson's television career spanned over five decades, beginning with guest roles in the 1960s and peaking with his iconic portrayal of Lamont Sanford on the . He appeared in more than 20 television productions, including series regulars, recurring roles, and guest spots across sitcoms, dramas, and variety shows. His early television work included a on in 1971, where he played Simmons in the episode "Underwater." In 1971, he guest-starred as Horace on in the episode "Edith Writes a ." That same year, he made multiple appearances as a guest performer on . Wilson's breakthrough came with (1972–1977), in which he starred as Lamont Sanford, the level-headed son of junk dealer Fred Sanford, across all 136 episodes. He followed this with leading roles in short-lived sitcoms, including Baby, I'm Back! (1978), where he portrayed Raymond Ellis in all 13 episodes, and (1982–1983), playing Oscar Madison opposite Ron Glass's in 18 episodes. Throughout the late 1970s and 1980s, Wilson made several guest appearances on popular anthology series. He appeared as Bart on The Love Boat in 1979 and Jesse on The Love Boat in 1981. He also guested on talk and variety shows, such as The Tonight Show Starring Johnny Carson (1972–1973), The Mike Douglas Show (1973), The Merv Griffin Show (1972), and Dinah! (1975). In the 1990s, Wilson transitioned toward evangelistic work but continued television appearances, including multiple guest spots as himself on the Trinity Broadcasting Network's Praise the Lord program starting in the early 1990s. He returned to acting in the 2000s with a recurring role as Kenneth Miles, the father of Joan Clayton, on Girlfriends (2004), appearing in four episodes across season 5. More recently, in 2023, he starred as Isaac in all six episodes of the short-form series Eleanor's Bench.
Year(s)TitleRoleEpisodes/Notes
1971Mission: ImpossibleSimmons1 episode ("Underwater")
1971All in the FamilyHorace1 episode ("Edith Writes a Song")
1971–1972Rowan & Martin's Laugh-InGuest PerformerMultiple episodes
1972–1973The Tonight Show Starring Johnny CarsonHimselfGuest appearances
1972The Merv Griffin ShowHimselfGuest appearance
1972–1977Sanford and SonLamont Sanford136 episodes (series regular)
1973The Mike Douglas ShowHimselfGuest appearance
1975Dinah!HimselfGuest appearance
1978Baby, I'm Back!Raymond Ellis13 episodes (series regular)
1979The Love BoatBart1 episode
1981The Love BoatJesse1 episode
1982–1983The New Odd CoupleOscar Madison18 episodes (series regular)
1992The Phil Donahue ShowHimself1 episode
1990s–presentPraise the LordHimselfMultiple guest appearances (evangelistic segments)
2004GirlfriendsKenneth Miles4 episodes (season 5)
2023Eleanor's BenchIsaac6 episodes (series regular)

References

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    Oct 15, 2002 · I felt my body separated from my spirit," he recalls. He recovered, and Wilson soon had an epiphany: "That's when (God) called me out," he says.
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    Demond Wilson
    ### Acting Credits for Demond Wilson in Television (Chronological Order)