Derek Bloom (born January 30, 1983, in South Pasadena, California) is an American musician best known as the drummer for the post-hardcore band From First to Last.[1][2][3]Bloom joined From First to Last in 2002 as their second drummer and has remained a core member through the band's evolution, contributing to their discography including albums like Dear Diary, My Teen Angst Has a Body Count (2004), Heroine (2006), and From First to Last (2015), as well as recent releases such as the 2025 single "Mirror Soul".[1][4][5] The band, formed in 1999 in Tampa, Florida, blends elements of post-hardcore, screamo, and alternative rock, gaining prominence in the mid-2000s emo and scene music scenes.[3] In addition to his work with From First to Last, Bloom co-founded the hardcore band The Color of Violence alongside guitarist Travis Richter, releasing their debut album Youthanize in 2009.[1][6] More recently, he has led the solo project If I Die First, which debuted with My Poison Arms in 2020 and followed with They Drew Blood in 2022, exploring emo influences.[7]
Early life
Birth and upbringing
Derek Bloom was born on January 30, 1983, in South Pasadena, California.[8][9]He grew up in South Pasadena, a suburban city in Los Angeles County located in the western San Gabriel Valley, covering just 3.44 square miles with a population of around 26,000.[10][11] The area is characterized by its small-town atmosphere, tree-lined streets, and proximity to Los Angeles, offering a blend of quiet residential neighborhoods and community-focused living that shaped his early years.[12][13]
Initial musical influences
Bloom's initial musical influences began with mainstream artists such as Bruce Springsteen and Michael Jackson during his childhood. By middle school in the mid-1990s, around age 12, he discovered the punk rock scene, which profoundly shaped his tastes; key bands included FYP, Screeching Weasel, the Queers, Dead Kennedys, and Black Flag, drawing him into the raw energy of punk.[14] This period aligned with the vibrant early 1990s punk and hardcore movements in Southern California, where local scenes provided accessible entry points for young enthusiasts.As he entered high school in the late 1990s, Bloom's interests evolved toward more extreme genres within the punk and hardcore ecosystems, including crust punk acts like Dystopia and Disrupt, as well as black metal.[14] Motivated by these sounds and a shortage of drummers in the local extreme metal community, he began seriously exploring drumming around age 15, initially using a makeshift kit for self-taught practice sessions that emphasized speed and aggression to match the music's intensity.[15] His parents supported this by providing an affordable entry-level drum kit, which he used for dedicated, solitary practice and later transported to Florida during a school stint there.[15]Bloom's early involvement extended to participating in informal school bands and local garage setups, where he played in black metal and crust punk groups from approximately 1998 to 2001.[14] These experiences were complemented by attending shows at venues like the PCH Club in Wilmington, immersing him in the Southern California hardcore and punk scenes that fostered his technical development and passion for the genres.[14]
Musical career
From First to Last
Derek Bloom joined From First to Last in 2002 as its second drummer, alongside guitarist Travis Richter and other early members, shortly after the band's initial formation in Tampa, Florida.[16] The group quickly gained traction in the post-hardcore scene with their debut EP Aesthetic in 2003 and full-length album Dear Diary, My Teen Angst Has a Body Count in 2004, where Bloom's drumming provided a dynamic foundation of rapid rhythms and intricate patterns.[17] Bloom continued contributing to subsequent releases, including Heroine (2006) and the self-titled album (2008), blending technical precision with the genre's emotional intensity.[2]The band's rise was marked by extensive touring, including appearances on the Vans Warped Tour in 2004, which helped solidify their presence alongside acts like Bleeding Through and The Used.[18] Internal shifts occurred in 2007 when vocalist Sonny Moore departed due to vocal issues and to pursue solo endeavors, leading Matt Good to take over lead vocals.[19] Bloom's drumming style, characterized by technical fills and adapted blast beats, distinguished the band's sound within the emo-tinged post-hardcore landscape, drawing from his grindcore influences while fitting the scene's melodic demands.[20]Following the release of Throne to the Wolves in 2010, From First to Last entered a hiatus announced in July of that year, allowing members to focus on other pursuits.[21] Bloom briefly exited the band around 2013 during a short-lived reunion attempt, but rejoined for the 2017 revival, which initially featured Sonny Moore alongside Matt Good on vocals, though the current lineup consists of Matt Good on vocals and guitar, Travis Richter on guitar and unclean vocals, and Bloom on drums.[22][23] This reunion emphasized the core trio's chemistry, occasionally overlapping with Bloom and Richter's side project The Color of Violence.[16]In 2025, the band remained active with performances at major festivals, including a set at Louder Than Life on September 20 featuring classics like "Note to Self" and "Ride the Wings of Pestilence."[24] They also released the single "Mirror Soul" on September 19, featuring Kellin Quinn of Sleeping with Sirens, signaling ongoing creative output as of September 2025.[5]
The Color of Violence
The Color of Violence emerged as a grindcore side project in 2002, initiated by Derek Bloom and Travis Richter alongside Matt Good, initially under the name Skeleton Slaughter vs. Fetus Destroyer.[16][25] The band drew early inspiration from Discordance Axis, aiming for a raw, chaotic sound that contrasted with the post-hardcore style of their primary group, From First to Last, which shared members like Richter.[16] After releasing a three-song EP in 2003 and embarking on a brief tour, the project entered a hiatus as Bloom and Richter prioritized their main band commitments.[25][16]The project revived in 2007 when Bloom and Richter reconvened in Albany, Georgia, for casual jamming sessions that reignited their creative energy, leading to a signing with Epitaph Records.[16][25] This resurgence culminated in the recording of their debut full-length album, Youthanize, in Valdosta, Georgia, during 2008, with contributions from collaborators including Jon Syverson of Daughters and Joel Coan of Felix Culpa.[25] Released on April 7, 2009, via Epitaph, the album exemplifies extreme grindcore through its blistering blast beats, frenetic energy, and ultra-short track lengths, often under a minute, capturing a spontaneous and irreverent punk ethos.[16]Stylistically, The Color of Violence blends grindcore's aggression with noise elements and subtle black metal influences, evident in the discordant, atmospheric textures reminiscent of bands like Converge, Blut Aus Nord, and Blonde Redhead.[16] Bloom served as the primary drummer, while also contributing significantly as a co-songwriter, handling guitar arrangements and lyrical concepts that infused the music with wit and irony, such as tracks exploring absurd themes of spirituality and excess.[16][25] The band's experimental approach emphasized lighthearted intensity over polished production, positioning it as a vehicle for Bloom and Richter's divergent musical explorations beyond their mainstream work.[25]Remaining active into 2025, The Color of Violence has maintained a low-key presence through occasional releases and live appearances, with ties to spinoff projects like Cholera Violins that extend its grindcore legacy.[14][26]
If I Die First
If I Die First is a post-hardcore supergroup formed in April 2020 in Los Angeles, California, drawing inspiration from the 2000s emo and post-hardcore scenes with its blend of screamed vocals, melodic cleans, and atmospheric instrumentation.[27][7] The band's current lineup consists of vocalist Lil Lotus, vocalist/keyboardist Lil Zubin (also handling bass duties), guitarist/vocalist Braden Morgan (known as Nedarb), guitarist/vocalist Travis Richter, and drummer Derek Bloom.[28]Derek Bloom joined If I Die First in 2021 as the band's drummer, stepping in after the departure of original member Cayle Sain and following the release of the debut EP; this reunion with Richter built on their prior collaboration in The Color of Violence.[29][30] Bloom's precise and energetic drumming style complements the band's emo-influenced sound, providing driving rhythms that underscore the emotional intensity of tracks featuring layered vocals and guitar interplay.The band debuted with the EP My Poison Arms in July 2020, which established their nostalgic post-hardcore aesthetic through songs like "Where Needles and Lovers Collide."[31] Bloom contributed to subsequent releases, including the split EP A Sure Disaster with SeeYouSpaceCowboy in May 2021 and the EP They Drew Blood in August 2021, where his percussion adds punch to emo-tinged anthems such as "My Nightmares Would Do Numbers As Horror Movies" and "Walking a Razor's Edge."[32][33]If I Die First supported these releases with tours in the early 2020s, including a joint fall headline run with SeeYouSpaceCowboy in 2021 and a summer outing in 2022.[34][35] The group maintained momentum into 2025, performing at Furnace Fest in October and a U.S. tour in September, with Bloom highlighting the band's live energy in contemporaneous interviews.[14]
Other projects and collaborations
In the 2020s, Derek Bloom co-founded Cholera Violins as a grindcore-oriented spinoff of The Color of Violence alongside guitarist Travis Richter, contributing drums, songwriting, vocals, and production to its releases. The project debuted tracks emphasizing chaotic rhythms and experimental noise, including the 2025 single "Fever," which Bloom co-wrote and performed on.[36][37][38] Additional 2025 output from Cholera Violins, such as "The Times," featured Bloom on synthesizer and vocals, blending mathcore influences with the duo's signature intensity.[38]Bloom extended his production and compositional work to the punk-rock outfit Enterrado in 2025, providing synthesizer elements and co-writing the track "Yo Te Levanto," which explores themes of resilience through driving rhythms and layered electronics.[39][40] This contribution marked his involvement in Latin-infused rock scenes, distinct from his core metalcore roots.Beyond these endeavors, Bloom has engaged in guest appearances and informal collaborations within metalcore and grindcore circles. He co-wrote material with Limp Bizkit guitarist Wes Borland in the early 2010s, influencing Borland's work on Black Light Burns and highlighting his versatility in fusing heavy riffs with electronic textures.[41] Recent 2025 interviews also reference his ongoing personal ties to Skrillex (Sonny Moore), stemming from shared From First to Last history, including casual hangouts that underscore their enduring creative rapport without formal new joint releases.[20][42]Throughout 2025, Bloom prioritized these side projects, announcing new Cholera Violins material via podcasts and social channels while opting out of select From First to Last festival commitments to focus on production work.[26][43]
Discography
With From First to Last
Derek Bloom joined From First to Last as their drummer in 2002 and contributed to the band's core post-hardcore sound through his percussion work on all tracks during his initial tenure until 2010, as well as on releases since rejoining in 2017. His drumming featured prominently on the band's debut full-length album, Dear Diary, My Teen Angst Has a Body Count, released on June 29, 2004, via Epitaph Records. The album, recorded at The Blue Room in Portland, Oregon, marked the band's breakthrough in the underground scene with its blend of screamed vocals, melodic elements, and aggressive rhythms.[44]The follow-up album, Heroine, released on March 21, 2006, also on Epitaph Records, showcased Bloom's dynamic drumming across its 11 tracks, supporting the band's evolution toward more polished production and electronic influences. It debuted at number 25 on the US Billboard 200 chart and number 2 on the Heatseekers Albums chart, selling 33,000 copies in its first week and establishing the band's commercial peak.[45] No certifications were awarded for the album.[46]In 2008, From First to Last issued their self-titled third studio album on Capitol Records, with Bloom handling drums on every song amid lineup changes that included the departure of vocalist Sonny Moore (later Skrillex). The release leaned into a heavier, more experimental post-hardcore style but achieved modest sales of 9,765 units in its debut week, failing to chart on the Billboard 200.Bloom also contributed drums to the band's fourth studio album, Throne to the Wolves, released on July 6, 2010, via Rise Records. The album marked a shift toward metalcore influences and debuted at number 118 on the Billboard 200, number 8 on the Independent Albums chart, and number 24 on the Rock Albums chart.Following a period of hiatus, the band reunited in 2013 without Bloom, who had left in 2010; their 2015 album Dead Trees on Sumerian Records was recorded during this post-reunion phase with replacement drummer Ernie Slenkovich, though Bloom's foundational role in the band's history informed the project's aggressive metalcore direction. Bloom rejoined in 2017, contributing drums to subsequent material, including the 2025 single "Mirror Soul" featuring Kellin Quinn of Sleeping with Sirens, released on September 19 via an independent label and signaling the band's ongoing activity.[5]
With The Color of Violence
Derek Bloom co-founded The Color of Violence in 2002 as a grindcore side project alongside vocalist and guitarist Travis Richter, both members of From First to Last. The band initially operated as a grind/noise outfit before a hiatus, reforming in 2006 to focus on shorter, intense compositions blending hardcore aggression with experimental elements. Bloom handled drums, guitar, bass, and contributed to songwriting across all releases.[25][47]The band's debut full-length album, Youthanize, was released on April 7, 2009, via Epitaph Records. Recorded improvisationally in Valdosta, Georgia, the album exemplifies the group's grindcore style through its rapid-fire, abrasive tracks averaging under two minutes, characterized by chaotic rhythms, screamed vocals, and satirical lyrics targeting youth culture and excess. Bloom's drumming drives the relentless pace, providing blast beats and unconventional patterns that underscore the genre's extremity. The album received attention for its raw energy and cult following, partly due to the duo's prior fame.[25][48][49]
Total length: 28:30[50][47] [Note: Spotify link approximate for verification; actual album page.]Following a period of inactivity, The Color of Violence revived in the late 2010s with a series of standalone singles, maintaining Bloom's core contributions on drums and co-writing. These releases shifted toward a more polished grindcore sound while retaining the band's humorous, visceral edge. Notable singles include "Dreadophile" (February 2, 2018), "Dead Dreams" (2022), and "COV Halloween 2023" (October 25, 2023), all self-released and available digitally, showcasing Bloom's songwriting credits alongside Richter. No EPs have been issued in this revival period.[51][52]
With If I Die First
Derek Bloom joined If I Die First as the band's drummer following the release of their debut EP in 2020, providing percussion on all subsequent recordings starting in 2021.[29] His contributions marked the band's entry into a more structured post-hardcore sound, with releases distributed initially via Bandcamp's pay-what-you-want digital model and later expanded to streaming platforms and physical formats.[53]The band's breakthrough EP, They Drew Blood, arrived on August 13, 2021, featuring Bloom's driving drum work across five tracks that blend emo-punk intensity with screamo elements. Key songs include "Walking a Razor's Edge" (feat. Connie Sgarbossa), "Just Another Body at the Bottom of the Lake," and "Glass Casket," alongside "40 Days & 40 Nights" and "People Like You Make People Like Me Disappear" (feat. SeeYouSpaceCowboy). The EP was self-released digitally on Bandcamp before receiving a gatefold vinyl pressing through Velocity Records in 2022, which included red and clear variants limited to 500 copies each.[54][55][56]Earlier that year, on May 14, 2021, If I Die First collaborated with SeeYouSpaceCowboy on the split EP A Sure Disaster, where Bloom drummed on the band's three contributions: the joint track "bloodstainedeyes," "Mirror, Mirror This Is Nothing Like You Promised," and "My Nightmares Would Do Numbers as Horror Movies." This release, emphasizing raw emotional duality, was issued digitally and on single-sided yellow-in-clear vinyl via Pure Noise Records, with editions pressing around 300 copies.[57][58]In 2024, If I Die First released the single "Swan Dive" (feat. Lil Tracy) on June 14, with Bloom handling drums on the track's atmospheric post-hardcore build-up. Distributed via DistroKid to major streaming services, it contributed to the band's growing digital footprint. By late 2025, If I Die First had amassed over 33,000 monthly listeners on Spotify, reflecting sustained interest in their Bandcamp-hosted catalog and vinyl reissues.[59]
Other releases
In addition to his primary band outputs, Derek Bloom contributed to the experimental side project Cholera Violins, a collaboration with Travis Richter that blends post-hardcore and grindcore elements. The project released the single "Fever" in 2022, where Bloom served as co-writer, producer, and drummer, delivering intense, rhythmic percussion alongside Richter's vocals and guitar work.[60] Cholera Violins extended its activity into 2025 with the double A-side single "Brand New Life / The Times," again crediting Bloom as songwriter and producer, maintaining the project's raw, experimental edge through his drumming contributions.Bloom also lent his talents to the punk outfit Enterrado's 2025 single "Yo Te Levanto," released on June 20 via VF Records. On the track, he provided synthesizer elements that added atmospheric depth to the new wave-infused punk sound, while co-composing and co-writing the lyrics with Carlos Albert Michel; Bloom further contributed harmony vocals to enhance the song's layered vocal delivery. These efforts underscore Bloom's versatility in minor productions, often intersecting with Richter's creative network in the metalcore and hardcore scenes.
Videography
Music Videos
Derek Bloom has appeared in several music videos across his projects, primarily showcasing his drumming in promotional content for key releases. These videos highlight the visual aesthetics of post-hardcore, grindcore, and emo trap genres, often featuring intense performance shots and thematic narratives tied to the songs' lyrics.
With From First to Last
The band's early videos prominently feature Bloom on drums, capturing the chaotic energy of their debut era.
"Note to Self" (2004): Directed as a straightforward performance video, it depicts the band in a dimly lit warehouse setting, with Bloom's rapid drumming driving the song's breakdown sections. Released to promote the album Dear Diary, My Teen Angst Has a Body Count, the video emphasizes the group's raw, emotional delivery.[61]
"Ride the Wings of Pestilence" (2004): Official promotional video for Dear Diary, My Teen Angst Has a Body Count, featuring intense performance footage of the band, including Bloom on drums.[62]
"The Latest Plague" (2006): Official music video from the albumHeroine, highlighting the band's evolving sound with performance and narrative elements, Bloom visible on drums.[63]
No new studio music videos were released for From First to Last's 2025 reunion activities, which focused on live performances.[64]
With The Color of Violence
The project has produced limited visual content, with one notable official video emerging from their grindcore output.
"Dreadophile" (2018): A high-energy promotional video featuring Bloom's blistering drum work in a minimalist setup, interspersed with chaotic animations and band footage. It supports the experimental style of their post-Youthanize material, though no videos were made for the 2009 album Youthanize itself.[65]
With If I Die First
In the 2020s, Bloom contributed drums to emo trap-infused videos, often with narrative elements reflecting personal turmoil.
"Where Needles and Lovers Collide" (2020): This music video portrays a surreal, dreamlike sequence of interpersonal conflict, with Bloom's percussion underscoring the emotional intensity during key choruses. It promoted the EP My Poison Arms.[66]
"bloodstainedeyes" (feat. SeeYouSpaceCowboy) (2021): A collaborative clip blending live band shots with abstract visuals of loss and redemption, highlighting Bloom's rhythmic foundation in the track's heavier sections. Released as a single, it marked a crossover with post-hardcore elements.[67]
Live performances
Derek Bloom began his live performance career as the drummer for From First to Last, contributing to the band's early tours that helped establish their presence in the post-hardcore scene. The band participated in the Vans Warped Tour multiple times during the mid-2000s, including full runs in 2004, where Bloom performed alongside vocalist Sonny Moore (later known as Skrillex), guitarist Travis Richter, and others at various U.S. stops such as the June 25 show in Cleveland, Ohio.[68] They returned for the 2005 edition, playing select dates from late June to early July, including performances in Pomona, California, and East Troy, Wisconsin.[69] In 2006, Bloom drummed for the tour's nationwide circuit, highlighted by a June 21 set at Starwood Amphitheatre in Antioch, Tennessee, featuring tracks like "Note to Self."[70] The group rejoined in 2008 for another summer run, with Bloom delivering high-energy sets across 40+ dates, often closing with fan favorites from their self-titled album.[71] During these tours, Bloom discussed the challenges and camaraderie of road life in a 2008 interview, noting his enjoyment of repeated collaborations with bands like Every Time I Die, whom he had toured with over two dozen times, describing them as "good people" that fostered a positive touring environment.[72]Following a period of hiatus, Bloom rejoined From First to Last for reunion shows starting in 2017, marking a return to the classic lineup. The band's first reunion performance occurred on February 7, 2017, at an Emo Nite LA event at the Echoplex in Los Angeles, California, where Bloom drummed for sets including early hits with Moore on vocals.[73] This show, their first in over a decade with the original core members, drew significant attention and set the stage for sporadic reunions. In 2019, Bloom participated in a high-profile set on March 23 at the BUKU Late x Emo Nite afterparty in New Orleans, Louisiana, reuniting with Moore, Matt Good, and Richter to perform classics like "Note to Self," captivating fans with the nostalgic lineup.[74] These events emphasized Bloom's enduring role in the band's live resurgence, though full tours remained limited.In 2025, From First to Last continued select festival appearances, though Bloom's participation varied due to scheduling conflicts with his side projects. The band performed at Furnace Fest on October 4 in Birmingham, Alabama, delivering a set including "Ride the Wings of Pestilence," but Bloom was absent, with Chris Lent filling in on drums.[75] Similarly, at Louder Than Life on September 20 in Louisville, Kentucky, the group played "Note to Self" and other tracks from their self-titled era without Bloom, relying on the core duo of Good and Richter.[76]Bloom has also been active in live performances with his side projects, showcasing his versatility in heavier genres. With The Color of Violence, his grindcore duo alongside Richter, Bloom supported the 2009 release Youthanize through a series of U.S. club and small-venue shows, delivering intense, short-burst sets blending mathcore and screamo elements at underground spots during the album's promotional run.[16] For If I Die First, Bloom drummed at Furnace Fest 2025, performing emo-influenced post-hardcore tracks in an intimate festival setting, and joined a September tour featuring club shows across the East Coast, including dates in Florida and New York.[14] These appearances highlight Bloom's commitment to diverse live formats beyond From First to Last.