Sleeping with Sirens
Sleeping with Sirens is an American rock band formed in 2009 in Orlando, Florida, best known for their post-hardcore sound characterized by emotional lyrics, dynamic instrumentation, and the soaring, versatile vocals of frontman Kellin Quinn.[1][2] The band originated when Quinn, previously involved in groups like For All We Know, assembled the initial lineup including guitarist Jack Fowler, bassist Justin Hills, and drummer Gabe Barham, drawing influences from earlier projects such as Paddock Park.[3] Their debut album, With Ears to See and Eyes to Hear, released in 2010 via Rise Records, established their presence in the post-hardcore scene with tracks blending aggressive riffs and melodic choruses.[2] Over the years, Sleeping with Sirens evolved their style across various labels to incorporate alternative rock and emo-pop elements, signing with Sumerian Records in 2019 and releasing six more studio albums including Let's Cheers to This (2011), Feel (2013), which debuted in the top five on the Billboard 200, Madness (2015), Gossip (2017), and How It Feels to Be Lost (2019), as well as their most recent, Complete Collapse (2022).[4][5][6] As of 2025, the band's current lineup consists of Kellin Quinn on lead vocals and keyboards, Nick Martin on guitar and backing vocals, Justin Hills on bass and backing vocals, and Matty Best on drums, following lineup changes including the departure of Fowler in 2022 and Barham in 2019.[6][7] Sleeping with Sirens has achieved notable commercial success, selling over 720,000 albums in the United States and earning a Platinum certification from the RIAA for their single "If You Can't Hang" with more than 1,000,000 units sold.[8][9] The group has toured extensively worldwide, headlining major festivals and supporting acts like Pierce the Veil, while Quinn's personal songwriting on themes of mental health and relationships has resonated with a dedicated fanbase, solidifying their influence in the alternative rock landscape.[8]History
Formation and debut album (2009–2010)
Sleeping with Sirens was formed in 2009 in Orlando, Florida, by members of the post-hardcore bands For All We Know and Paddock Park.[10] Vocalist Kellin Quinn, who had previously fronted For All We Know, joined shortly after the band's inception, bringing his versatile vocal style to the project alongside bassist Justin Hills and drummer Gabe Barham, both also ex-members of For All We Know.[11] The initial lineup was completed by lead guitarist Brandon McMaster and rhythm guitarist Nick Trombino, establishing a sound rooted in post-hardcore with emo and metalcore influences. In November 2009, the band signed with Rise Records after completing recording sessions for their debut album with producer Cameron Mizell in Franklin, Tennessee.[12] This deal marked a pivotal step, providing the resources to release With Ears to See and Eyes to Hear on March 23, 2010. The 10-track album showcased Quinn's soaring clean vocals juxtaposed against screamed elements, with standout songs like "Do It Now Remember It Later" and "If I'm James Dean, You're Audrey Hepburn" highlighting the band's emotional intensity and dynamic range.[13] It debuted at number 7 on the Billboard Heatseekers chart, signaling early recognition within the scene.[10] The band's promotional efforts in 2010 focused on grassroots touring, including small club shows and a support slot on a tour with From First to Last and Eyes Set to Kill, which helped build momentum post-release.[14] Early demos shared online, such as "The Bomb Dot Com V2.0," circulated widely on platforms like MySpace, fostering an initial fanbase among the post-hardcore community through word-of-mouth and scene connections.[15] These efforts laid the groundwork for the band's growth, emphasizing intimate performances that connected with fans drawn to their raw, heartfelt delivery.Breakthrough period (2011–2013)
The band's breakthrough began with the release of their second studio album, Let's Cheers to This, on May 10, 2011, through Rise Records. Produced by Cameron Mizell, the album marked a significant step forward in production and songwriting, incorporating more melodic elements while retaining the band's post-hardcore roots. It debuted at No. 78 on the Billboard 200 chart, selling approximately 5,000 copies in its first week, and reached No. 13 on the Independent Albums chart. Key singles included "Do It Now Remember It Later," released as a remix to promote the album, and "Fire," which highlighted frontman Kellin Quinn's soaring vocals and the band's emotional intensity. The title track and "If You Can't Hang" also gained traction among fans, contributing to the album's growing popularity in the alternative rock scene.[16][17][18] Following the album's release, Sleeping with Sirens embarked on extensive touring throughout 2011 and 2012, solidifying their live reputation and expanding their fanbase. They supported major acts such as Asking Alexandria on the 2012 Rock Rebellion Tour alongside We Came as Romans and Motionless in White, performing to larger audiences across North America. The band also launched their first headlining tours, including the "When I Am God You Are Nothing" tour in late 2011 and the "Three's a Crowd" tour in 2012 with support from acts like Issues and Hands Like Houses. These outings showcased their high-energy performances and Quinn's charismatic stage presence, helping to transition them from underground favorites to rising stars in the post-hardcore community. Participation in festivals like the 2012 Vans Warped Tour further amplified their exposure, drawing crowds eager for their blend of aggressive riffs and heartfelt lyrics.[19] The momentum carried into 2013 with the release of their third album, Feel, on June 4, 2013, again via Rise Records and produced by David Bendeth. The album debuted at No. 3 on the Billboard 200, selling 59,000 copies in its first week and marking the band's highest chart position to date, while also topping the Alternative Albums chart. It featured notable collaborations, including rapper MGK on the single "Alone," Matty Mullins of Memphis May Fire on the title track "Feel," Fronz of Attila on "Don't Fall in Love with Me," and former Of Mice & Men vocalist Shayley Bourget on "Here We Go." These guest appearances added diverse vocal textures and broadened the album's appeal. Tracks like "The Best There Ever Will Be" and "Scene Two—Roger Rabbit" emphasized themes of resilience and self-reflection, resonating deeply with listeners.[4][20][21] During this period, Sleeping with Sirens garnered increasing media attention, appearing on the cover of Alternative Press magazine's April 2012 issue (#287) for a feature on their rapid ascent, and again in November 2013 (#306) highlighting their Warped Tour success and emotional songwriting. MTV coverage included interviews and performance clips, such as backstage segments during tours, which captured the band's dynamic. The group also fostered strong fan connections through active social media engagement on platforms like Twitter and Facebook, sharing behind-the-scenes content and direct interactions that built a loyal community around their music. This era established Sleeping with Sirens as a key player in mainstream alternative rock, setting the stage for further evolution.[22][23]Evolution and lineup shifts (2014–2018)
Following the success of their third album Feel, Sleeping with Sirens underwent a transitional phase marked by lineup adjustments and a push toward broader sonic experimentation. In late 2013, rhythm guitarist Jesse Lawson departed the band amicably to focus on family and new musical projects, a move announced via social media that emphasized mutual respect.[24] Nick Martin, formerly of the band D.R.U.G.S., joined as his replacement shortly thereafter, bringing a fresh dynamic to the rhythm section and contributing to the band's evolving sound during recording sessions for their next release.[25] Additionally, Alex Howard came on board as a touring rhythm guitarist, keyboardist, and backing vocalist starting in August 2014, supporting live performances and adding layered textures to their shows through 2017.[26] The band's fourth studio album, Madness, was released on March 17, 2015, through Epitaph Records, showcasing a deliberate shift toward pop-punk and electronic influences while retaining post-hardcore roots. Produced by John Feldmann, the record incorporated synth-driven elements and more melodic hooks, as heard in lead single "Kick Me," released in November 2014, which addressed themes of resilience amid criticism.[27] Other singles like "Go Go Go" and "We Like It Loud" further highlighted this experimentation, with the latter emphasizing anthemic choruses suited for radio play. Madness debuted at No. 13 on the Billboard 200, selling 34,941 copies in its first week and demonstrating the band's growing commercial appeal despite mixed fan reactions to the polished production.[28] This period also saw extensive touring, including co-headlining the 2015 Back to the Future Hearts Tour with All Time Low, which helped solidify their presence in the pop-punk circuit.[29] By 2017, Sleeping with Sirens signed with major label Warner Bros. Records, a pivotal move that introduced new creative pressures amid expectations for mainstream crossover success. Their fifth album, Gossip, arrived on September 22, 2017, embracing a sleeker pop-rock aesthetic with electronic flourishes and guest production from Mike Green, though the band later reflected on the label transition as challenging for maintaining artistic control.[30] Singles "Legends" (released March 2017) and "One Man Army" (June 2017) exemplified this evolution, featuring soaring vocals from Kellin Quinn and radio-friendly structures that peaked on alternative charts. The album debuted at No. 19 on the Billboard 200, but the shift drew criticism for diluting their heavier edge, prompting internal discussions on balancing experimentation with core identity. Touring continued robustly, including European dates with All Time Low in mid-2017, while Howard's touring stint concluded in August 2017, marking another layer of flux as the band navigated label demands and personnel adjustments.[31][26]Independent era and recovery (2019–2023)
Following their departure from Warner Bros. Records after the 2017 release of Gossip, Sleeping with Sirens signed with Sumerian Records and entered an independent phase focused on creative control and personal themes. Their sixth studio album, How It Feels to Be Lost, arrived on September 6, 2019, marking a return to heavier, more introspective post-hardcore sounds amid lineup changes. The album's lead single, "Leave It All Behind," dropped on June 19, 2019, followed by "Break Me Down" on July 24 and "Agree to Disagree" on August 8, with the title track released just before the full album. Frontman Kellin Quinn described the record as symbolizing the entrapment of mental illness, drawing from his experiences with depression and anxiety to explore feelings of isolation and struggle.[32] The band's transition was complicated by the abrupt departure of longtime drummer Gabe Barham on August 30, 2019, just days before the album's launch; the group stated they had grown apart musically after a decade together, though Barham later emphasized mutual respect in his response.[33] Despite this, How It Feels to Be Lost received praise for its raw emotional depth, helping the band reconnect with fans through themes of loss and resilience. Sumerian Records handled promotion, allowing Sleeping with Sirens to self-direct aspects like music videos, including the title track's surreal narrative of wandering an abandoned theme park to evoke disorientation.[34] The COVID-19 pandemic severely disrupted 2020 plans, forcing the cancellation of "The Medicine Tour," a 21-date North American run originally set to begin January 8 in Lincoln, Nebraska, with support from Set It Off, Belmont, and Point North.[35] Instead, the band pivoted to online engagement, sharing acoustic sessions and fan interactions via social media to maintain connection during lockdowns, though live performances were limited to virtual formats amid global restrictions. This period of isolation amplified the album's themes, as Quinn reflected on mental health challenges in interviews, reinforcing the band's role in supporting fans through streamed content and Q&A sessions on platforms like Instagram.[36] Recovery accelerated with the announcement of their seventh album, Complete Collapse, released October 14, 2022, on Sumerian Records, which delved into self-acceptance and modern life's pressures with stripped-back production emphasizing live-band energy.[6] Singles included "Tyrants" in May 2022, "Crosses" featuring Underoath's Spencer Chamberlain on June 21 for a guest vocal intensity, and the title track in September, all highlighting Quinn's versatile screams and melodic hooks. The album's direct sound, produced by Zakk Cervini, captured a sense of urgency, processing personal battles without overproduction, and peaked at No. 1 on Billboard's Hard Rock Albums chart.[37] By 2022–2023, Sleeping with Sirens rebuilt momentum through extensive touring, joining I Prevail as direct support on the True Power Tour across North America, delivering high-energy sets that blended older hits with new material to enthusiastic crowds.[38] They headlined their own Family Tree Tour in summer 2023 with Dayseeker and MAGS, focusing on intimate venues to foster fan interaction. Social media efforts, including the Sirens Club fan community launched around this time, boosted engagement with exclusive updates, merchandise drops, and behind-the-scenes content, helping the band cultivate a dedicated following amid post-pandemic recovery.[39]Recent activities (2024–2025)
In 2024, Sleeping with Sirens released the live EP Sleeping With Sirens on Audiotree Live on October 23, capturing acoustic performances of tracks including "Tally It Up, Settle the Score" and "Do It Now Remember It Later" from a September session at Audiotree's Chicago studio.[40] The band also embarked on the "Let's Cheers to This" 10th Anniversary Tour from September to October, performing their 2013 album Let's Cheers to This in full at venues across the United States, with support from Holding Absence.[41] The following year, Sleeping with Sirens co-headlined the North American leg of Pierce the Veil's "I Can't Hear You" World Tour starting in May 2025, spanning multiple cities with support acts including Beach Weather on select dates.[42] They performed at the Welcome to Rockville Festival on May 17, 2025, at Daytona International Speedway in Daytona Beach, Florida, delivering a set featuring songs like "Kick Me," "Leave It All Behind," and "If I'm James Dean, You're Audrey Hepburn."[43] In June 2025, the band announced the "Don't Let The Party Die" headlining tour for October, set to kick off in Birmingham, Alabama, with support from Stand Atlantic and Heart to Gold.[44] However, on October 2, 2025, Sleeping with Sirens canceled the entire tour due to frontman Kellin Quinn's wife requiring surgery for undisclosed health issues, with tickets refunded at the point of purchase.[45] This led to their withdrawal from the When We Were Young Festival lineup scheduled for October 2025 in Las Vegas.[46] Throughout 2025, band members, including Quinn, provided teasers in interviews about an upcoming eighth studio album, describing it as a response to their previous releases and indicating progress on vocals and production by late in the year. As of November 2025, the band reported being almost done with recording their eighth studio album, slated for release in 2026.[47][48]Artistry
Musical style
Sleeping with Sirens' music is primarily classified as post-hardcore, incorporating elements of emo, pop-punk, and metalcore to create an emotionally charged sound characterized by intense energy and melodic accessibility.[1] The band's style features a fusion of aggressive riffs and soaring choruses, drawing from alternative rock traditions while emphasizing raw emotional delivery.[49] Over their career, the band's sound has evolved from the heavier, breakdown-driven post-hardcore of their 2010 debut album With Ears to See and Eyes to Hear, which showcased raw aggression and screamed vocals, to more melodic and pop-infused structures in later releases like Madness (2015) and Gossip (2017), where polished production highlighted anthemic hooks and reduced heaviness.[50] This shift reflects a broader experimentation with pop, punk, metal, hardcore, electronic, and acoustic elements, allowing for dynamic transitions between high-energy verses and introspective bridges.[51] Instrumentation plays a central role in their sonic identity, with lead singer Kellin Quinn's versatile vocals alternating between clean, soaring melodies and distorted screams, often layered over dual guitar riffs that provide both heavy distortion and clean arpeggios for textural depth.[1] Keyboards and piano have been integral since the band's formation in 2009, adding atmospheric layers to tracks, as evident in the piano-driven balladry of "If You Can't Hang" from Let's Cheers to This (2011).[52] Production evolved from the gritty, raw aesthetic of their Rise Records era to a more refined, radio-friendly polish during their Warner Bros. period, enhancing melodic clarity while retaining rhythmic punch.[50] The band draws influences from contemporaries like Pierce the Veil, Escape the Fate, and Bring Me the Horizon, blending their melodic post-hardcore sensibilities with broader rock and punk roots to craft urgent anthems.[53] Key stylistic markers include dynamic tempo shifts, gang vocals for communal intensity, and occasional piano or synth accents that underscore emotional peaks, contributing to an overall accessibility that resonates with audiences at events like the Warped Tour.[51] As of 2025, the band continues to evolve their sound, with their forthcoming eighth studio album anticipated to blend heavier post-hardcore elements with their signature melodic style.[47]Lyrics and themes
Sleeping with Sirens' lyrics, primarily authored by frontman Kellin Quinn, center on themes of mental health struggles, fractured relationships, self-empowerment, and profound loss, often drawn directly from Quinn's experiences with depression and familial hardships.[34] For instance, the song "Better Off Dead" from the 2015 album Madness portrays a woman's battle with severe depression leading to suicidal ideation, visualized through haunting imagery of isolation and despair.[54] Similarly, "Leave It All Behind" from How It Feels to Be Lost (2019) grapples with the weight of existence amid anxiety and depression, emphasizing the honest darkness of contemplating giving up while urging resilience.[55] Quinn has noted that the latter album captures the sensation of being trapped in mental illness, struggling to find light amid personal turmoil including family issues.[34] The band's songwriting has evolved from the raw, youthful angst of their early work to more mature reflections on recovery and toxicity in later releases. On their debut album With Ears to See and Eyes to Hear (2010), tracks like "If I'm James Dean, You're Audrey Hepburn" embody adolescent emotional turmoil through pleas for reconciliation in a failed romance, highlighting vulnerability and longing typical of young heartbreak.[56] By contrast, songs on Complete Collapse (2022), such as "Tyrants," shift toward empowerment against societal and relational toxicity, decrying manipulative forces and self-destructive cycles with calls for rebellion and self-preservation. This progression mirrors Quinn's growth, moving from unfiltered teen emotions to introspective narratives of healing. Quinn's poetic approach incorporates vivid metaphors inspired by mythology, such as the alluring yet dangerous sirens symbolizing depressive temptations, as in "Don't Fall Asleep at the Helm" from the debut album, where solo navigation represents battling inner demons alone. The style blends direct, emotive appeals with occasional spoken-word interludes for raw intimacy, enhancing themes of empowerment. Collaborations, like Quinn's feature on Point North's "Into the Dark" (2020), amplify mental health advocacy by sharing stories of vulnerability and support.[57] Quinn's openness about therapy and sobriety—achieved after addressing addiction struggles—has fostered a supportive fan community, encouraging discussions on mental health and reducing stigma through shared experiences at shows and online.[58] He has emphasized the importance of honest conversations about anxiety and depression, crediting recovery for clearer songwriting that resonates with listeners facing similar issues.[59]Band members
Current members
Kellin Quinn serves as the lead vocalist and keyboardist for Sleeping with Sirens, having founded the band in 2009 alongside bassist Justin Hills. As the primary songwriter and frontman, Quinn drives the band's creative direction and emotional intensity in both studio recordings and live performances.[1][8] Justin Hills performs on bass guitar and provides backing vocals, a role he has held since the band's formation in 2009. A founding member, Hills contributes to songwriting and is known for his energetic stage presence that enhances the band's dynamic live shows.[1][60] Nick Martin handles rhythm guitar and backing vocals, having joined the band in 2013. His contributions include vocal harmonies and involvement in production, helping shape the band's evolving sound.[61][60] Matty Best joined as the permanent drummer in 2019. He provides the rhythmic foundation for the band's performances and recordings.[62][63]Former members
The band experienced several lineup changes in its early years, with initial members including vocalist Brian Calzini, rhythm guitarist Dave Aguilar, bassist Paul Russell, drummer Alex Kaladjian, rhythm guitarist Nick Trombino, and lead guitarist Brandon McMaster, all of whom departed shortly after formation in 2009 or early 2010 due to creative differences and the evolving direction of the band.[64] These transient members contributed to the debut album With Ears to See and Eyes to Hear but were replaced as the core lineup solidified. Jesse Lawson served as rhythm guitarist and backing vocalist from 2010 to 2013, playing a key role in the band's breakthrough albums Let's Cheers to This (2011) and Feel (2013). His departure was driven by a loss of passion for the band's music and lifestyle, as well as feeling overshadowed by frontman Kellin Quinn's prominence, though he emphasized there was no animosity toward his bandmates.[24] Jack Fowler joined as lead guitarist, programmer, and backing vocalist in 2010 and remained until 2022, contributing to every studio album during his tenure and shaping the band's post-hardcore sound with intricate guitar work. Fowler announced his exit to pursue the next chapter in his life, citing personal growth and a desire for change after over a decade with the group; shows immediately following were supported by fill-in guitarist Tony Pizzuti.[65] Gabe Barham was the original drummer from 2009 to 2019, providing the rhythmic foundation for six studio albums and numerous tours. The split was attributed to musical differences, with the band and Barham having grown in separate directions, but both parties affirmed there was no bad blood.[33][66] Alex Howard performed as a touring rhythm guitarist, vocalist, and keyboardist from 2014 to 2017, supporting the band during key tours and album cycles like Madness. He left to focus on personal pursuits and other musical projects, later joining Jelly Roll as bassist.[26][67]Touring musicians
Tony Pizzuti joined Sleeping with Sirens as touring lead guitarist in 2022, shortly after the departure of longtime lead guitarist Jack Fowler.[65] Previously a member of The Word Alive, Pizzuti provides lead guitar and backing vocals during live performances, replicating Fowler's parts to preserve the band's signature sound.[40] He has been a key part of major tours, including the 2024 "Let's Cheers to This" 15th anniversary run, where his contributions helped deliver high-energy renditions of classic tracks.[68] In addition to guitar support, the band has relied on temporary drummers during specific periods of transition. For instance, following Gabe Barham's departure in August 2019 and ahead of Matty Best's full integration, interim players ensured continuity in rhythm sections for ongoing shows.[33] Later examples include Chase Vernon filling in on drums for select 2022 performances, demonstrating the band's use of substitutes to adapt to scheduling or lineup needs without altering core dynamics.[69] Touring musicians like Pizzuti and these substitutes play a crucial role in upholding setlist integrity amid changes, enabling the permanent members—Kellin Quinn, Nick Martin, Justin Hills, and Matty Best—to focus on vocals, rhythm guitar, bass, and overall performance energy.[43] This approach has allowed Sleeping with Sirens to sustain their intense live reputation through periods of evolution.[70]Timeline
| Year | Member | Role | Event |
|---|---|---|---|
| 2009 | Kellin Quinn | Lead vocals | Joined |
| 2009 | Justin Hills | Bass guitar, backing vocals | Joined |
| 2009 | Gabe Barham | Drums | Joined |
| 2010 | Jack Fowler | Lead guitar | Joined |
| 2010 | Jesse Lawson | Rhythm guitar, backing vocals | Joined |
| 2013 | Jesse Lawson | Rhythm guitar, backing vocals | Departed |
| 2013 | Nick Martin | Rhythm guitar, backing vocals | Joined |
| 2019 | Gabe Barham | Drums | Departed |
| 2019 | Matty Best | Drums | Joined |
| 2022 | Jack Fowler | Lead guitar | Departed |
Discography
Studio albums
Sleeping with Sirens has released seven studio albums, each marking evolution in their post-hardcore sound with emotional lyrics and dynamic instrumentation. The debut album, With Ears to See and Eyes to Hear, was released on March 23, 2010, through Rise Records. It peaked at No. 7 on the US Heatseekers Albums chart and No. 36 on the Independent Albums chart. The album has sold over 25,000 copies in the US, with no official certifications. Key single "If I'm James Dean, You're Audrey Hepburn" peaked at No. 2 on the US Rock Digital Song Sales chart. The second album, Let's Cheers to This, arrived on May 10, 2011, also via Rise Records. It reached No. 28 on the US Billboard 200. The album has sold over 500,000 copies and was certified Gold by the RIAA in 2023. Standout single "If You Can't Hang" topped the US Alternative Digital Song Sales chart at No. 1.[75] Feel, the third studio release, came out on June 4, 2013, under Rise Records. It achieved a career-high debut at No. 4 on the US Billboard 200. The album sold over 65,000 copies in its first week and has no certifications. The title track "Feel" peaked at No. 18 on the US Rock Songs chart.[4] In 2015, Madness was released on March 17 through Epitaph Records (initially listed as Rise in some sources, but Epitaph distribution). It peaked at No. 13 on the US Billboard 200. Sales figures are not certified, but it moved 24,000 units in its debut week. Lead single "Go Go Go" reached No. 5 on the US Alternative Airplay chart.[76] The fifth album, Gossip, was issued on September 22, 2017, by Warner Bros. Records. It charted at No. 24 on the US Billboard 200. No sales certifications are recorded. The single "Legends" peaked at No. 25 on the US Rock & Alternative Airplay chart. How It Feels to Be Lost, released on September 6, 2019, through the band's self-released imprint in partnership with Warner Records. It peaked at No. 82 on the US Billboard 200. The album has no certifications. Title track "How It Feels to Be Lost" reached No. 25 on the US Alternative Airplay chart. The latest studio album, Complete Collapse, was released on October 14, 2022, via Sumerian Records. It peaked at No. 53 on the US Top Current Album Sales chart. A deluxe edition followed on September 29, 2023, adding acoustic versions and a new track "Don't Let Me Go". Sales are uncertified. Single "Crosses" peaked at No. 11 on the US Mainstream Rock Airplay chart.Extended plays and live releases
Sleeping with Sirens released their debut extended play, If You Were a Movie, This Would Be Your Soundtrack, on June 26, 2012, through Rise Records.[77] This acoustic EP features stripped-down versions of tracks from their earlier work, including "Scene One – James Dean & Audrey Hepburn" and "Scene Two – Roger Rabbit," emphasizing the band's emotional delivery and pop-punk influences in a more intimate format.[78] The release debuted at number 17 on the Billboard 200 chart, marking a significant early milestone for the band by showcasing their versatility beyond full-length albums.[79] In 2016, the band issued The Rise Years, a compilation album on March 31 through Rise Records, collecting their initial three studio albums—With Ears to See and Eyes to Hear, Let's Cheers to This, and Feel—alongside the If You Were a Movie, This Would Be Your Soundtrack EP on vinyl.[80] This box set served as a retrospective of their formative period with the label, highlighting their evolution from post-hardcore roots to broader rock appeal, and was released in limited-edition formats to appeal to collectors.[81] That same year, Sleeping with Sirens followed with their first full live album, Live and Unplugged, on April 8 via Epitaph Records.[82] Recorded during their intimate "We Like it Loud Quiet" acoustic tour across 12 cities in the summer of 2015, the album captures unplugged performances of fan favorites like "Who Are You Now" and "If I'm James Dean, You're Audrey Hepburn," blending raw energy with vulnerability to demonstrate the songs' adaptability in live settings.[82] Building on their acoustic explorations, the band released the three-track EP Live & Acoustic from NYC on October 27, 2017.[83] Recorded live at Atlantic Studios in New York City, it includes stripped-down renditions of "Legends," "Gossip," and "One Man Army" from their then-recent album Gossip, offering fans a closer, more personal take on these tracks with minimal instrumentation.[84] More recently, Sleeping with Sirens delivered Sleeping With Sirens on Audiotree Live, a five-song live EP released on October 23, 2024, through Audiotree Music.[85] Captured during an in-studio session in Chicago on September 23, 2024, the EP features dynamic performances of classics such as "Tally It Up, Settle the Score," "Do It Now Remember It Later," and "If You Can't Hang," reflecting the band's enduring stage presence and catalog depth in a contemporary live context.[40]Singles and other releases
Sleeping with Sirens has issued numerous singles since their formation, with many serving as promotional tracks for their studio albums and achieving notable success on rock charts and streaming platforms. These releases often feature the band's signature blend of post-hardcore intensity and melodic elements, frequently accompanied by music videos that enhance their visual storytelling. The single "If You Can't Hang" was certified Gold by the RIAA for 500,000 units sold.[86] Key singles include early hits from their 2011 album Let's Cheers to This, such as "Do It Now Remember It Later," released on April 8, 2011, which marked the band's growing presence in the scene with its energetic call to live in the moment.[87] The track was supported by a music video emphasizing themes of youth and rebellion.[88] Following it was "Fire," released on April 28, 2011, a high-energy anthem that highlighted vocalist Kellin Quinn's dynamic range and became a staple in their live sets.[89] Later that year, "If You Can't Hang," released on September 14, 2011, emerged as one of their breakthrough tracks, amassing over 265 million streams on Spotify due to its relatable lyrics on relationships and independence.[90]| Year | Single | Album | Notes |
|---|---|---|---|
| 2011 | Do It Now Remember It Later | Let's Cheers to This | Lead single; music video released February 3, 2012.[88] |
| 2011 | Fire | Let's Cheers to This | Promotional single emphasizing band's rock roots. |
| 2011 | If You Can't Hang | Let's Cheers to This | Fan favorite with 265 million+ Spotify streams; RIAA: Gold; acoustic versions featured in later EPs.[90] |
| 2013 | Alone (feat. MGK) | Feel | Released May 21, 2013; music video premiered June 6, 2013, directed by Ben Thornley and Paul Burrows.[91] |
| 2017 | Legends | Gossip | Lead single released July 14, 2017; peaked at No. 25 on Rock & Alternative Airplay; selected as Team USA's official theme for the 2018 Winter Olympics.[92] |
| 2022 | Crosses (feat. Spencer Chamberlain of Underoath) | Complete Collapse | Released June 22, 2022; peaked at No. 11 on Mainstream Rock Airplay; incorporates screamed vocals for added intensity.[37] |
Tours
Headlining tours
Sleeping with Sirens launched their early headlining efforts with the "Let's Tour to This Tour" in March 2012, a club-level run across the United States featuring supporting acts Abandon All Ships, Secrets, and Conditions.[96] The tour played intimate venues such as SOMA in San Diego and Chain Reaction in Anaheim, emphasizing tracks from their debut album With Ears to See and Eyes to Hear in setlists that typically ran 10-12 songs, building fan engagement through high-energy post-hardcore performances.[97] In fall 2013, the band escalated their presence with "The Feel This Tour," a North American headliner promoting their album Feel and featuring Memphis May Fire, Breathe Carolina, Issues, and Our Last Night as supports.[98] Spanning over 20 dates in mid-sized theaters like The Wiltern in Los Angeles and The Myth in St. Paul, the tour showcased setlist evolutions incorporating cleaner vocals and pop influences from Feel, with staples like "If You Can't Hang" alongside new singles, drawing crowds of 1,000-2,500 per show.[98] The band's peak-era touring came with "The World Tour" (2014-2015), a co-headlining outing with Pierce the Veil that expanded to multiple legs across North America and Europe, supported by acts including Beartooth, This Wild Life, PVRIS, and Mallory Knox.[99] Kicking off in November 2014 at venues like Woodward Park Rotary Amphitheatre in Fresno and progressing to arenas such as the Verizon Wireless Amphitheater in Irvine by spring 2015, the tour sold out numerous dates and marked a shift to larger-scale productions with elaborate staging.[100] Setlists evolved to blend Madness material with fan favorites, often exceeding 15 songs and highlighting collaborations like Kellin Quinn's guest spot on Pierce the Veil's "King for a Day."[99] More recently, in 2024, Sleeping with Sirens conducted the "Let's Cheers to This Anniversary Tour" to celebrate the 10th anniversary of their album Let's Cheers to This, performing it in full alongside Holding Absence and Teenage Joans as openers.[41] The U.S. run from September to October hit theaters and mid-sized halls like Kemba Live! in Columbus, Ohio, with setlists prioritizing the album's tracks in sequence before adding rarities, reflecting a matured pop-punk sound and drawing dedicated audiences for nostalgic performances.[101] The band announced the "Don't Let The Party Die" headlining tour for October 2025, planned as an eight-date U.S. run with Stand Atlantic and Heart to Gold, targeting venues such as Old Forester’s Paristown Hall in Louisville.[102] However, the tour was cancelled in early October due to unforeseen family health issues requiring vocalist Kellin Quinn's wife to undergo surgery, with all tickets refunded at point of purchase.[45]Festival and supporting appearances
Sleeping with Sirens participated in the Vans Warped Tour from 2012 to 2014, performing across multiple stages during their early career breakthrough. In 2012, the band played a full run of dates on stages including the Monster Energy Stage and Kia Rio Stage, supporting their rising popularity in the post-hardcore scene. They returned for the complete 2013 tour, securing main stage slots that highlighted tracks from their album Feel. For 2014, they joined select dates from July 23 to 27, appearing on various stages amid the tour's diverse lineup. The band also performed at the Vans Warped Tour 25th anniversary finals in 2019, taking the stage at the one-day events in Atlantic City, New Jersey, on June 30 and Mountain View, California, on July 21, where they played fan favorites like "If You Can't Hang."[103][104][105] Beyond Warped Tour, Sleeping with Sirens made notable festival appearances in later years. At the 2011 South By So What?! festival in Grand Prairie, Texas, they supported headliner Asking Alexandria alongside acts like Chiodos and Enter Shikari, marking an early collaborative slot in their touring history. In 2022, they shared the bill with I Prevail at the When We Were Young festival in Las Vegas, performing on October 20 and 21 as part of the emo and post-hardcore-focused event. The band delivered a high-energy set at Welcome to Rockville 2025 on May 17 at Daytona International Speedway in Daytona Beach, Florida, featuring songs such as "Kick Me," "Leave It All Behind," and "Better Off Dead" to a large rock audience. However, they withdrew from their scheduled performance at When We Were Young 2025 in Las Vegas due to unforeseen personal circumstances involving frontman Kellin Quinn's family health issues, with the festival announcing the change in October.[106][107][108][109] In terms of supporting roles, Sleeping with Sirens served as direct support for Pierce the Veil's "I Can't Hear You" world tour, which spanned 2025 across North America, Europe, and Latin America, beginning May 13 in Charlotte, North Carolina, and emphasizing collaborative sets from both bands' catalogs. This run, produced by Live Nation, featured SWS alongside additional openers like Beach Weather on select North American dates, contrasting their headlining efforts by focusing on shared billing dynamics. Earlier, they co-headlined the "Back to the Future Hearts" tour with All Time Low in fall 2015, though joint appearances continued in festival contexts into 2017, such as shared stages at events like the Alternative Press Music Awards.[110][29][111]Awards and nominations
Alternative Press Music Awards
Sleeping with Sirens received several nominations from the Alternative Press Music Awards (APMAs), which began in 2014 and served as a key platform for recognizing emerging talent in the post-hardcore and alternative music scenes, where the magazine has long championed genre-defining acts through fan-voted categories focused on vocal performance, songwriting, and overall artistry.[8] In 2013, Alternative Press named the band Artist of the Year in an editorial feature, reflecting their rising popularity.[23] In 2014, the band's inaugural APMAs year, they were nominated for Album of the Year ("Feel") and Artist of the Year, while frontman Kellin Quinn was nominated for Best Vocalist, acknowledging his distinctive vocal range blending clean singing and screams that became a hallmark of post-hardcore.[112] Their collaboration "Alone" with Machine Gun Kelly was also nominated for Song of the Year, highlighting the track's crossover appeal in the alternative scene.[112] The band achieved their first APMAs win in 2015 for Song of the Year with "Kick Me," a high-energy single from their album Madness that captured themes of resilience and fan devotion, solidifying their status as a scene staple.[113] In 2016, guitarist Jack Fowler won Best Guitarist for his technical riffs and stage presence, while the band received nominations for Artist of the Year and Album of the Year ("Madness"), and Quinn was nominated for Best Vocalist.[114][115][114] For the 2017 APMAs, Sleeping with Sirens were nominated for Most Dedicated Fanbase, coinciding with the release of their album Gossip later that year, though the album itself was not eligible for nomination due to its post-event timing.[116]| Year | Category | Nominee/Work | Result | Source |
|---|---|---|---|---|
| 2013 | Artist of the Year | Sleeping with Sirens | Named (editorial) | [23] |
| 2014 | Album of the Year | Feel | Nominated | [117] |
| 2014 | Artist of the Year | Sleeping with Sirens | Nominated | [8] |
| 2014 | Best Vocalist | Kellin Quinn | Nominated | [118] |
| 2014 | Song of the Year | "Alone" (feat. Machine Gun Kelly) | Nominated | [112] |
| 2015 | Song of the Year | "Kick Me" | Won | [113] |
| 2016 | Album of the Year | Madness | Nominated | |
| 2016 | Artist of the Year | Sleeping with Sirens | Nominated | [115] |
| 2016 | Best Vocalist | Kellin Quinn | Nominated | [114] |
| 2016 | Best Guitarist | Jack Fowler | Won | [114] |
| 2017 | Most Dedicated Fanbase | Sleeping with Sirens | Nominated | [116] |