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Dhoom

Dhoom is an Indian Hindi-language franchise produced by , renowned for its adrenaline-fueled motorcycle chases, charismatic s, and innovative sequences that have redefined Bollywood action cinema. The series centers on the recurring characters of officers Jai Dixit () and (), who pursue a succession of stylish thieves across exotic locations. Launched in 2004, the franchise consists of three released films—Dhoom (2004), (2006), and (2013)—each featuring a different high-profile , and has grossed approximately ₹785 worldwide, establishing it as one of ' most profitable properties. A fourth installment, Dhoom 4, is in development with attached as the lead ; was initially set to direct but stepped away in October 2025 due to creative differences, with a new director being sought and aiming for a 2027 release. The inaugural film, Dhoom, directed by Sanjay Gadhvi and produced by Aditya Chopra, follows ACP Jai Dixit and mechanic Ali as they track a gang of bike-riding robbers led by the suave Kabir (John Abraham), who terrorize Mumbai with daring heists. Released on 27 August 2004, it stars Abhishek Bachchan, Uday Chopra, John Abraham, and Esha Deol, and marked a commercial success by blending high-speed action with a fresh cops-and-robbers narrative, earning praise for its innovative use of motorcycles as central plot elements. The film's soundtrack, composed by Pritam, became a chart-topper, contributing to its cultural impact. Dhoom 2, also directed by , escalated the franchise's spectacle with international settings spanning , , , and . Released on 24 November 2006, it introduces the master thief Mr. A (), who partners with Sunehri () in a series of elaborate thefts, pursued by Jai and Ali with the aid of officer Shonali (). The cast includes and reprising their roles, and the film achieved blockbuster status with its groundbreaking action sequences and , grossing approximately ₹151 worldwide. The third entry, , directed by , shifts the action to and incorporates elements of magic and revenge. Released on 20 December 2013, it features as the of Sahir and , a performer turned vengeful thief targeting a corrupt bank, opposite as Aaliya, with and returning as Jai and Ali. shattered records as the first Indian film to enter the 500-crore club worldwide, grossing ₹584 crore, and won accolades including for Best Visual Effects and for Best Action. The Dhoom series has significantly influenced Indian cinema by popularizing slick, effects-driven action films and attracting massive audiences through star power and global appeal, with each installment topping charts in overseas markets like the and . Its emphasis on charismatic villains—played by , , and —has become a hallmark, alongside the comedic buddy dynamic of Jai and Ali. As expands the franchise, Dhoom 4 promises elevated action with a new script co-written by , focusing on a fresh narrative while honoring the series' legacy of high-stakes thrills.

Story and cast

Plot

In Mumbai, Assistant Commissioner of Police Jai Dixit, a strict and methodical officer dedicated to upholding the law, is assigned to investigate a series of daring high-speed robberies plaguing the city. The perpetrators are a sophisticated gang led by the charismatic and thrill-seeking , who, along with his partner Sheena and henchmen , Rohit, and , targets banks and jewelers for high-value items such as gold biscuits. Disguised as pizza delivery workers, the gang uses modified R1 motorcycles for their lightning-fast getaways, consistently outmaneuvering the police and leaving Jai frustrated by their superior biking prowess and precise execution. To counter the gang's mobility advantage, Jai recruits his reluctant partner, Ali, a laid-back traffic cop and avid enthusiast whose carefree attitude often clashes with Jai's disciplined approach. Ali's expertise in bikes proves invaluable as he assists in undercover efforts to track the robbers, leading to intense pursuits through Mumbai's streets that highlight the gang's evasive tactics and Kabir's of living for the adrenaline rush. Meanwhile, internal dynamics within the gang reveal Kabir's unyielding drive for excitement, while Ali's infiltration attempts bring him closer to the group, complicating the investigation. A romantic subplot emerges as Ali develops feelings for Sheena, drawing him deeper into the criminals' world and creating tension in his partnership with Jai, whose marriage to his wife Shweta strains under the pressure of the case. As the robberies escalate, the action sequences build mounting tension, with chases shifting from urban roads to coastal areas, forcing Jai and Ali to adapt their strategies amid near-misses. The climax unfolds during a at a in , where Jai and trap the gang, leading to a that eliminates most members. Kabir escapes on his motorcycle but is pursued by , ultimately riding off a cliff to his death in a dramatic finale that underscores the relentless pursuit of justice.

Cast

The principal cast of Dhoom features a mix of established and emerging portraying a contrasting duo of officers and a stylish gang of thieves. plays ACP Jai Dixit, a methodical and no-nonsense investigator leading the pursuit of the robbers, while portrays Sub-Inspector Ali Akbar Fateh Khan, Jai's fun-loving sidekick and skilled biker who provides through his street-smart antics. John Abraham stars as Kabir, the suave and adrenaline-fueled leader of the robber gang, marking Abraham's debut as a lead antagonist in a major Bollywood film and establishing him as a charismatic anti-hero. Esha Deol appears as Sheena, Kabir's loyal partner who shares his thrill-seeking lifestyle and commitment to the gang's code. Rimi Sen plays Sweety Dixit, Jai's supportive wife who offers emotional grounding amid the high-stakes investigation. Supporting roles include Manoj Joshi as Assistant Commissioner Shekhar, Jai's pragmatic superior overseeing the case, and as Commissioner of Police, providing authoritative oversight to the police efforts. The gang's members are depicted by actors such as Sanjay M. Singh as , one of Kabir's trusted accomplices focused on precision during heists. The film credits around 20 principal roles in total, with no reported voice dubbing or major casting replacements during . The characters embody distinct archetypes: the cop duo of Jai and Ali contrasts a serious, analytical approach with lighthearted, impulsive energy, while the robbers, led by Kabir, represent stylish anti-heroes bound by loyalty and a passion for speed.

Production

Development

_Dhoom was conceived by Aditya Chopra as a Yash Raj Films production aimed at blending buddy-cop dynamics with high-octane action to target a youthful, urban audience, marking a departure from the banner's traditional romantic fare. In a rare interview featured in the Netflix docuseries The Romantics, Chopra revealed that he intentionally stripped away elements of drama, emotion, and romance to emphasize thrilling heist sequences and visual spectacle, including an emphasis on superbikes that exceeded the combined fees of the lead actors Abhishek Bachchan, John Abraham, and Uday Chopra. The project originated as a "quick film" when another Yash Raj production faced delays, allowing Chopra to utilize the available schedules of emerging talent. Sanjay Gadhvi was selected to direct, bringing his experience from prior work like (2002) and a background in crafting high-energy visuals, though he initially hesitated to helm the project. Gadhvi advocated for motorcycles over cars in the chase sequences to heighten thrill and danger, ensuring the actors' expressions remained visible during the action. The screenplay was penned by , who focused on adrenaline-fueled heists set against Mumbai's chaotic urban landscape, developing the script between 2002 and 2003 with an emphasis on light-hearted entertainment rather than intricate plotting. Acharya later noted the team's confidence in the script's entertaining tone, which avoided self-seriousness. The film was greenlit with an initial budget of approximately ₹11 (about $2.5 million USD at the time), reflecting Yash Raj's strategic push to launch fresh faces like in a lead role while experimenting with the action genre. Gadhvi drew inspiration from heist-caper films to infuse stylish, fast-paced sequences, establishing Dhoom's conceptual foundation as a trendsetting urban thriller.

Casting

The casting for Dhoom emphasized a balanced ensemble to support the film's action-thriller tone, with Yash Raj Films prioritizing actors who could deliver contrasting dynamics between the protagonists and antagonist. Abhishek Bachchan was cast as the stern Assistant Commissioner of Police Jai Dixit, marking a pivotal role in his career following a series of underperforming films. Uday Chopra, who had appeared in prior Yash Raj productions such as Mohabbatein (2000), was selected for the comic sidekick role of Sub-Inspector Ali Khan to provide levity and buddy-cop chemistry alongside Bachchan. For the central antagonist Kabir, producer initially approached , who was the first choice for the role, followed by , but both declined due to prior commitments. The part went to , a newcomer from modeling with a chiseled physique and fresh screen presence, marking his breakthrough as an anti-hero. Chopra specifically chose Abraham for his ability to portray a cool, composed villain, telling him during discussions, "Listen, you are the only person who can make bad look cool. So just play you, be cool." Esha Deol was selected as Sheena, Jai's love interest, to infuse glamour and emotional depth into the narrative. Rimi Sen joined as Sunita, Ali's girlfriend, contributing to the film's lighter romantic elements. Supporting roles included established actress Mahima Chaudhry as Shehla, Kabir's wife, leveraging her prior success in films like Pardes (1997). The gang members were filled through auditions in , with a focus on performers demonstrating biking proficiency for the high-speed chase sequences. Casting concluded in early 2003, allowing preparation for .

Filming

Principal photography for Dhoom commenced in late 2003 and continued into early 2004, with the bulk of the production occurring in and select spots in . The schedule wrapped prior to the film's August 2004 release, allowing time for . Shooting unfolded across various urban locales in , including Marine Drive, the for high-speed chase sequences, and indoor facilities at Film City in and Studios for scenes depicting bank heists and domestic settings. Additional exteriors were captured at Bandra Lake, Shopping Mall in , and areas to evoke the bustling city atmosphere central to the plot. In , the production utilized the Taj Exotica Hotel for key sequences, marking the only out-of- shoot, though all locations remained within . The film's action sequences, pivotal to its thriller elements, were choreographed by stunt director Allan Amin, who prioritized practical effects and authentic executions to avoid the "fake" appearance of heavy CGI reliance common in later films. High-speed pursuits highlighted superbikes like the R1, with stunt doubles handling perilous maneuvers during robberies and escapes. Amin's approach extended to the climax, where actors and performed a fight atop a moving trailer using safety cables, and a jump stunt executed with an imported Australian specialist on a custom ramp in . Filming faced logistical hurdles, particularly traffic disruptions on Mumbai's congested roads and highways; on the Pune-Mumbai expressway, crew presence between and caused delays, as personnel managed crowds of onlookers parking erratically to glimpse the stars, sidelining routine responses. Actor safety during bike stunts was another concern, though Abraham, an avid rider, mitigated risks by personally training co-star Bachchan, who had no prior experience due to parental restrictions and learned basics during the Goa schedule, building confidence through guided rides from to . Technically, the production was lensed on 35mm film by , employing dynamic camera angles to heighten the intensity of pursuits and robberies. In , editor Rameshwar S. Bhagat refined the pacing, ensuring seamless transitions in the action-heavy to sustain momentum across the 129-minute runtime.

Music and release

Soundtrack

The soundtrack for Dhoom was composed by , with lyrics penned by Sameer, and released on 16 July 2004 by . Produced under , the album consists of seven tracks that fuse Indian pop elements with Western rock and electronic beats, capturing the film's fast-paced action sequences and romantic undertones. The music emphasizes high-energy rhythms and catchy hooks, designed to complement the on-screen bike chases and youthful vibe. Key tracks include the title song "Dhoom Machale," an upbeat rock-dance fusion performed by and , which serves as the film's energetic anthem and plays during high-speed pursuit scenes. Another highlight is "Dilbara," a romantic duet by Abhijeet and , blending melodic verses with pulsating beats to underscore the film's emotional layers. "Shikdum," sung by Shaan and , adds a playful, flirtatious tone with its fusion of influences and traditional Bollywood melodies. The album also features a remix version, "Shikdum (The Bedroom Mix)" by , , and rapper Indee Varma, along with "Salaame" by and , and an English adaptation "Dhoom Dhoom" by for international appeal. Vocals were recorded by a mix of established playback singers, including , Shaan, , Abhijeet, and others, with production focusing on layered instrumentation to enhance the film's adrenaline-fueled narrative. The tracks integrate seamlessly with the visuals, such as "Dhoom Machale" syncing to stunts, amplifying the action-romance dynamic. The album achieved significant commercial success, selling approximately 2.2 million units and ranking as the third highest-selling Bollywood soundtrack of in . Songs like "Dhoom Machale" dominated airplay charts across and throughout 2004-2005, reflecting the soundtrack's broad popularity.
Track No.TitleSingersDuration
1Dhoom Machale, 6:22
2Shikdum, 5:27
3Dilbara, 5:10
4Salaame, 5:16
5Shikdum (The Bedroom Mix), , Indee Varma5:35
6Dilbara (Reprisal), , 4:47
7Dhoom Dhoom4:13

Release

Dhoom premiered theatrically on 27 August 2004 in across 325 screens. The film received simultaneous limited releases in the United States and , distributed by , with wider international rollout following in markets including and . Marketing efforts emphasized the film's high-octane bike chases, including street promotions in where cast members , , and rode the featured superbikes to generate excitement. Television advertisements prominently featured the "Dhoom Machale," capitalizing on the soundtrack's pre-release popularity after its launch on 16 July 2004. The campaign included tie-ins with , the brand of the R1 motorcycles central to the action sequences, promoting merchandise and brand visibility. The film was certified U/A by India's for moderate violence and intense action scenes, with minor edits to some sequences to comply with guidelines. The premiere event drew attendance from the principal cast, including and , and proceeded without significant delays. Home media distribution began with and DVD releases by Home Entertainment in late , followed by wider availability on digital streaming platforms like during the 2010s.

Reception

Critical response

Upon its release, Dhoom received mixed reviews from critics, who praised its high-energy sequences and presentation while criticizing the formulaic plot and lack of narrative depth. of awarded the film 1.5 out of 5 stars, commending the expertly executed bike chases by director and the glossy visuals, but lamenting the absence of substance and a coherent script that left the story feeling implausible and unexciting. Similarly, in described it as "adolescent heaven" filled with fast bikes, attractive leads, and , yet noted its predictability made the proceedings boring despite the thrills. Critics frequently highlighted specific strengths, such as John Abraham's charismatic portrayal of the villain , which brought a rock-star allure to the role and marked a breakout for the actor in action cinema. The innovative chase sequences were seen as a fresh addition to Bollywood, elevating the film's adrenaline quotient with real stunts that defied conventional Indian filmmaking norms at the time. Additionally, the comedic chemistry between and as the bumbling cop duo was appreciated for injecting humor into the buddy-cop dynamic, with Uday's performance standing out for its . The soundtrack by also garnered acclaim, particularly tracks like "Dhoom Machale" for their infectious energy that complemented the visuals. On the downside, reviewers pointed to the predictable narrative arc and weak dialogues that undermined the excitement, with post-interval portions dragging due to contrived plot conveniences. The female characters, played by and , were underdeveloped, serving primarily as romantic interests or without substantial agency, a common of the film's male-centric focus. Aggregator sites reflected this , with an user of 6.6/10 on from over 24,000 votes, indicating moderate appreciation for its entertainment value. In retrospective assessments during the 2020s, Dhoom has been reevaluated more positively as the starter that revolutionized Bollywood's genre by introducing slick, heist-driven narratives and turning motorcycles into iconic elements, akin to a . Recent pieces credit its real stunt work and youthful vibe for influencing subsequent high-octane films, solidifying its legacy despite initial script shortcomings.

Box office performance

Dhoom was produced on a of ₹11 by , which included production costs and a focus on high-quality action sequences involving motorcycles. The film achieved a nett gross of ₹31.6 in , contributing to a worldwide gross of approximately ₹50.44 , including overseas earnings of about ₹3.81 primarily from Indian diaspora markets in the UK, , and Gulf regions. It was declared a super hit by due to its strong commercial performance relative to the budget. Opening strongly, Dhoom collected ₹1.75 on its first day and around ₹5.82 over the opening weekend, driven by robust performance in urban multiplexes in cities like and . The film dominated Hindi circuits across , with particular success in metropolitan areas where its stylish action appealed to younger audiences. In the long term, Dhoom proved highly profitable for , yielding a 195.45% and ranking second among the top-grossing Indian films of by nett collections.

Legacy

Accolades

Dhoom garnered significant recognition in the Indian film industry, securing 16 wins and 26 nominations across various prestigious ceremonies between and 2005, with particular acclaim in performance, action, and technical categories. At the 50th Filmfare Awards in 2005, the film received nominations for Best Film, Best Actor for Abhishek Bachchan, Best Performance in a Negative Role for John Abraham, Best Music Director for Pritam, Best Choreography for Vasu Master ("Dhoom Machale"), and Best Editing for Rameshwar S. Bhagat; it won for Best Sound for Dwarak Warrier. John Abraham's nomination for Best Performance in a Negative Role highlighted his breakout portrayal of the charismatic antagonist Kabir, signaling a shift toward rewarding emerging actors in villainous roles. The 6th International Indian Film Academy (IIFA) Awards in 2005 honored Dhoom with wins for Best Performance in a Negative Role (), Best Action (), and Best Female Playback Singer for ("Dhoom Machale"); nominations included Best Film and Best Director for . Abraham's IIFA win for Best Performance in a Negative Role was a pivotal early , underscoring the impact of his debut in a major antagonistic role. Additional wins included the Star Screen Award for Best Action (Allan Amin) and the Zee Cine Award for Best Female Playback Singer (Sunidhi Chauhan for "Dhoom Machale"). These recognitions emphasized the film's strengths in action sequences and its titular soundtrack, contributing to its overall technical excellence.

Cultural impact

The release of Dhoom in significantly popularized superbikes in , particularly models like the R1 featured prominently in the film's high-speed chase sequences, sparking a nationwide fascination with premium motorcycles among urban youth. This enthusiasm translated into a noticeable uptick in sales of high-powered bikes, with dealers reporting that the movie directly contributed to creating a market for vehicles priced at several lakhs of rupees, which had previously struggled to gain traction in the . The film's portrayal of sleek, agile bikes as symbols of rebellion and thrill led to the formation of informal biking clubs and enthusiast groups in cities like and , where riders emulated the on-screen stunts and camaraderie. John Abraham's character , with his signature , black jackets, and aviator-style , emerged as a style icon that influenced youth fashion trends across in the mid-2000s. Young men began adopting similar rugged, biker-inspired attire, including form-fitting jackets and tinted shades, to project an aura of cool defiance, turning these elements into staples of urban . Additionally, the film's title and energetic vibe popularized "Dhoom" as for excitement or high-energy fun in everyday , often invoked to describe thrilling experiences or parties. The movie's depiction of bike-borne heists prompted real-life copycat incidents, including reports of motorcycle gangs engaging in robberies and chases mimicking the film's action, which surfaced in news accounts as early as late 2004 and continued into 2005. These events, such as the busting of "Dhoom-style" robberies in Mumbai where thieves used high-speed bikes to target couriers and evade police, highlighted the film's unintended influence on criminal tactics. In response, Mumbai police intensified efforts against bike theft and stunt-related crimes, forming specialized units to curb the rising incidents of motorcycle misuse inspired by cinematic portrayals, thereby mirroring the film's cop-versus-biker dynamic in actual law enforcement strategies. Dhoom played a pivotal role in revitalizing the action-thriller genre in Bollywood, introducing slick, fast-paced narratives with international flair that shifted urban youth toward high-stakes chases and stylish anti-heroes, influencing subsequent films to prioritize visual spectacle over traditional . This trend extended to , where cop-biker themes became common in advertisements for two-wheelers and energy drinks, capitalizing on the film's adrenaline-fueled aesthetic to appeal to young consumers. reports noted an increase in bike sales after Dhoom's release.

Franchise

The Dhoom series, produced by , expanded from its 2004 origins into a prominent action franchise centered on high-stakes heists pursued by officers. The original established the core template of stylish, motorcycle-riding robbers clashing with the determined cop duo of ACP Jai Dixit and his comic-relief partner , blending action, chases, and glamour to appeal to urban audiences. This formula proved commercially viable, paving the way for sequels that amplified the spectacle while retaining the central dynamic. Dhoom 2, released in 2006 and directed by , escalated the heists with more elaborate, international-scale schemes led by the charismatic thief Aryan, played by , alongside Rai as his accomplice. The film retained as Jai and as Ali, marking the first sequel in the series. It became one of the highest-grossing Indian films of its year, earning approximately ₹151 worldwide. Dhoom 3, directed by in 2013, shifted to a format and featured as the illusionist thief Sahir, opposite , while again centering the Jai-Ali partnership. This installment set box-office records as the highest-grossing Indian film at the time, with a worldwide gross of ₹524 . The franchise's evolution included casting increasingly prominent stars as antagonists— in the original, Roshan in the second, and Khan in the third—to heighten star power and narrative intrigue. By the end of 2013, the three films had collectively grossed around ₹725 worldwide, underscoring the series' commercial dominance in Bollywood. Gadhvi's direction for the first two entries emphasized kinetic action and visual flair, influencing the franchise's signature style of adrenaline-fueled pursuits and anti-hero allure. As of November 2025, Dhoom 4 remains in pre-production under , with rumors circulating since 2018 about its development. Aditya Chopra is overseeing the script, co-written with , and has reportedly cast in a lead role, potentially as the , with filming slated to begin in April 2026 and a possible 2027 release. Initially, was attached to direct but exited the project in October 2025 due to creative differences; Chopra may direct the project himself following these changes. No principal production has started by November 2025.

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