Eiffel 65 is an Italian Eurodance group formed in 1998 in the studios of the Turin-based record label Bliss Corporation. Originally comprising vocalist and songwriter Jeffrey Jey (born Gianfranco Randone), keyboardist and composer Maurizio Lobina (also known as Maury), and DJ and producer Gabry Ponte, the trio blended catchy electronic beats, futuristic themes, and multilingual lyrics to pioneer a distinctive sound in the late-1990s Eurodance scene. They catapulted to global fame with their debut single "Blue (Da Ba Dee)", a 1999 release that topped charts in over a dozen countries, including the UK and Ireland, and peaked at number six on the USBillboard Hot 100, selling millions of copies worldwide.[1][2][3][4]The group's debut album, Europop (1999), expanded on their breakthrough with additional hits like "Move Your Body", "Too Much of Heaven", and "Lucky (In My Life)", achieving multi-platinum certification in Europe and peaking at number four on the Billboard 200 chart while selling over two million units in the United States alone. Follow-up releases included the sophomore album Contact! (2001), which featured singles such as "I Need Love", "Lucky (In My Life)", and "New Life", and the self-titled Eiffel 65 (2003), incorporating more rock and pop elements amid shifting musical trends. Throughout their early career, Eiffel 65 contributed to soundtracks, remixes, and official anthems, including "One Goal" for UEFA Euro 2000 and "Living in My City" for the 2006 Winter Olympics, amassing over 20 million records sold globally and earning numerous gold and platinum awards.[4][5][6]In 2005, Gabry Ponte left to pursue a successful solo career as a DJ and producer, leading to a hiatus for the group. Jeffrey Jey and Maurizio Lobina revived Eiffel 65 in 2010, focusing on live performances and new material, including singles like "Panico" (2016) and "Bestiale" (2024, featuring Loredana Bertè). As of November 2025, the duo continues to tour extensively across Europe, celebrating their legacy with anniversary shows and maintaining a presence in the electronic dance music community.[7][6][1]
History
Formation and early career (1997–1998)
Eiffel 65 was formed in late 1997 in Turin, Italy, by vocalist and songwriter Jeffrey Jey, keyboardist Maurizio Lobina, and DJ Gabry Ponte within the studios of the Bliss Corporation record label, under the guidance of its founder Massimo Gabutti.[8][9] The trio emerged from the local dance music scene, with Gabutti—Bliss Corporation's general manager and a veteran producer since the 1980s—providing key guidance and resources.[10] Jeffrey Jey, who had prior associations with the Spanish label Blanco y Negro through remix and production work, brought experience in electronic dance music to the collaboration.Upon formation, the group was immediately signed to Bliss Corporation, the Turin-based label established by Gabutti in 1994, which served as both their creative hub and commercial home.[8] There, they honed their Eurodance sound through intensive demo recordings and studio sessions, experimenting with synthesizers, beats, and vocal hooks to blend catchy melodies with electronic production.[9] These early efforts focused on internal label projects, allowing the members to refine their collaborative process amid Turin's burgeoning dance music environment.In 1998, the group officially adopted the name Eiffel 65, derived from a random selection process: "Eiffel" was picked from a computer-generated list created in an Excel database during brainstorming, while "65" stemmed from a misunderstanding by the graphic designer, who incorporated the last two digits of a phone number (6 and 5) from a label copy into the artwork.[11] This period also saw the production of their first unreleased singles through ongoing label experiments, which solidified their distinctive electronic style characterized by futuristic synths and upbeat rhythms, laying the groundwork for future releases.[8]
Breakthrough with Europop (1999–2000)
Eiffel 65 achieved their breakthrough with the release of their debut single "Blue (Da Ba Dee)" in early 1999, following its initial Italian launch the previous year. The track rapidly gained popularity through heavy rotation on Italian radio stations and MTV Europe, where its quirky vocoder vocals and infectious Eurodance beat captured widespread attention, leading to a viral spread across the continent.[12][4] To capitalize on this momentum, several remix versions were produced, including the Gabry Ponte Ice Pop Mix and the Extended Remix, which extended the song's appeal in clubs and on airwaves.[13]The success of "Blue (Da Ba Dee)" paved the way for the band's debut album, Europop, released on November 22, 1999, via Bliss Corporation and Universal Records. The album featured standout tracks such as "Move Your Body," an upbeat Eurodance anthem emphasizing rhythmic synths and dancefloor energy, and "Too Much of Heaven," a melodic ballad with electronic flourishes that showcased the group's versatility within the genre. Europop highlighted Eiffel 65's signature style, blending catchy hooks with innovative production techniques typical of late-1990s Eurodance.[14][15]"Blue (Da Ba Dee)" dominated international charts, reaching number one in the UK for six weeks and in France, while peaking at number six on the USBillboard Hot 100, marking a significant crossover success for an Italian act.[16][17] The album Europop followed suit, certified double platinum in the US (2 million units shipped) and contributing to the group's global sales of over 20 million records.[1] To promote the release, Eiffel 65 undertook extensive tours across Europe in late 1999 and entered the US market in 2000 with a North American promotional run, including live performances that amplified their rising fame. The iconic music video for "Blue (Da Ba Dee)," directed by Celestino Gianotti, further boosted visibility with its surreal, blue-tinted visuals aired heavily on MTV.[18][19]
Contact! era and initial disbandment (2001–2003)
Eiffel 65 released their second studio album, Contact!, on July 24, 2001, through the Bliss Corporation label.[20] The album featured a mix of English and Italian lyrics across 17 tracks, produced by the band's core members Jeffrey Jey, Maurizio Lobina, and Gabry Ponte, with contributions from Bliss Corporation founders Massimo Gabutti and Luciano Randone on select songs.[21] Unlike the upbeat, novelty-driven sound of their debut Europop, Contact! incorporated more mature production techniques, including layered synthesizers and atmospheric elements, reflecting the group's experiences from global touring.[22]The lead single, "Lucky (In My Life)", was released on June 5, 2001, and peaked at number 13 on the Italian Singles Chart, showcasing introspective lyrics about personal fortune and spirituality.[21] Follow-up singles included "'80s Stars" on November 3, 2001, which reached number 22 in Italy and evoked nostalgic themes through retro-inspired synth-pop, and "Back in Time", emphasizing a blend of dance rhythms with reflective storytelling.[23] Tracks like "King of Lullaby" and "Brightly Shines" further highlighted the album's shift toward spiritual and emotional depth, departing from the lighthearted escapism of earlier hits.[24] Despite moderate commercial success in Europe, with the album charting in Italy and Spain, it faced challenges in replicating Europop's global momentum amid shifting trends in electronic music.[22]By 2002, internal tensions arose over creative direction and label expectations at Bliss Corporation, leading producers Gabutti and Randone to step back from direct involvement in the band's projects. This contributed to production delays for subsequent material, as the band experimented with new sounds under increased pressure to evolve beyond their initial formula. In 2003, Eiffel 65 issued a self-titled third album on April 8, primarily in Italian with some English tracks, marking a further pivot to domestic markets.[20] The release included the single "Una Notte E Forse Mai Più", but received limited international promotion.[25]These developments culminated in the original lineup's initial disbandment announcement later in 2003, as members pursued individual paths following the album's underwhelming reception and ongoing creative differences.[26]The band ceased activities under the Eiffel 65 name, entering a hiatus that lasted until their reformation in 2010, with final outputs like the 2003 single serving as transitional efforts with an interim configuration involving session contributors.[27]
Hiatus and solo endeavors (2004–2009)
Following the release of their self-titled third album in 2003, Eiffel 65 entered a period of reduced activity, marked by a special edition re-release of the album in 2004 that included new tracks and remixes.[28] The group made sporadic appearances, including live performances at Italy's Festivalbar in 2004, where they showcased "Voglia Di Dance All Night" across multiple dates in Catania, Milano, and Lignano Sabbiadoro.[29][30][31]In March 2005, DJ Gabry Ponte departed to pursue a solo career, releasing his debut album Gabry Ponte later that year, which featured tracks like "Time to Rock" and collaborations with artists such as Benassi Bros.[32] On May 16, 2005, the remaining members, Maurizio Lobina and Jeffrey Jey (Gianfranco Randone), announced their departure from Bliss Corporation, the label that owned the Eiffel 65 trademark, preventing immediate revival under the original name.[10] This legal and branding constraint shifted focus to individual paths, with Massimo Gabutti continuing to manage Bliss Corporation and support other acts within the label's roster, such as Da Blitz remixes and emerging electronic projects.[33]Jeffrey Jey remained largely inactive as a solo artist during this period, contributing vocals to select collaborations under Bliss Corporation, including features on tracks like "Depends On You" by Gabry Ponte in 2004. Lobina and Jey eventually reunited for non-Bliss projects, but the hiatus underscored fragmented pursuits amid contractual limitations. No full band revival occurred until 2010, with occasional one-off Eiffel 65-branded events limited by ownership disputes.[10]
Reforms, later albums, and reunions (2010–present)
In June 2010, Jeffrey Jey and Maurizio Lobina reformed Eiffel 65 with a new lineup, including a replacement DJ, to resume touring and develop new material following the hiatus. The group, operating under the Bliss Corporation, focused on live performances across Europe and planned original compositions, marking a shift from solo projects to collective efforts.The reformed band released their first new single in over a decade, "Panico," on May 26, 2016, an Italian-language track blending eurodance elements with introspective lyrics about anxiety.[34] This release, produced by the Bliss Corporation, received moderate airplay in Italy and signaled a return to their signature electronic sound.[35]To celebrate the 20th anniversary of their debut single "Blue (Da Ba Dee)," Eiffel 65 undertook a European tour in 2019, including headline shows and festival appearances, with the original duo of Jey and Lobina joined by supporting musicians.[36] The tour extended to international dates, such as in Australia, where they performed nostalgic sets drawing large crowds nostalgic for late-1990s eurodance.[37]The COVID-19 pandemic severely disrupted the band's touring schedule in 2020, leading to cancellations and postponements amid global lockdowns, similar to impacts on the broader live music industry.[38] Despite this, they collaborated with Italian rapper Shiva on the EP Auto Blu, released March 26, 2020, featuring remixes of a new track that fused rap and eurodance.[39]"Blue (Da Ba Dee)" saw a significant revival on TikTok starting around 2020, driven by user-generated content, challenges, and remixes like Flume's official version, boosting global streams by millions and reintroducing the track to younger audiences.[40] This digital resurgence contributed to renewed interest in the band's catalog.From 2023 to 2025, Eiffel 65 maintained an active touring presence, performing at festivals and venues across Europe, including shows in Milan and Kaunas in late 2024, and Legnano in 2025.[41] These appearances emphasized high-energy sets centered on their classic hits.The band issued the single "Heaven" on December 14, 2022, in collaboration with Italian group Boomdabash, a upbeat dance track that charted modestly in Italy.[42] In May 2024, they released "Bestiale" featuring Loredana Bertè, an energetic eurodance number addressing modern stress, produced by Warner Music Italy.[43] In April 2025, Eiffel 65 released the single "Fare a meno di te" featuring Guè, revisiting their 2003 track "Viaggia con me" with modern production.[44] These efforts reflect ongoing creative output amid reunion activities.
Side projects
Zorotl
Zorotl is a virtualelectronic music act created by the Bliss Corporation, the production company founded by Massimo Gabutti, as a side project involving key members of Eiffel 65 during the group's early success period. The project revolves around the fictional aliencharacter Zorotlekuykauo "Zorotl" Sushik IV, introduced in Eiffel 65's music videos for "Blue (Da Ba Dee)" and "Move Your Body" in 1999, where the character serves as a narrative mascot from the planet Tukon4. Jeffrey Jey (lead vocals), Maurizio Lobina (keyboards), and Gabry Ponte (DJ/producer) recorded the material under the Zorotl moniker, blending eurodance rhythms with playful, sci-fi-themed lyrics to extend the Eiffel 65 universe. This setup allowed the Bliss Corporation to experiment with character-driven releases while leveraging the band's popularity.[45][46]The project's sole release, the single "I Wanna Be," debuted in 2000 on Bliss Corporation, featuring multiple mixes including the "Ice Pop Mix" and "Original Mix." Produced by the Eiffel 65 trio with additional contributions from Robert Molinaro on artistic production, the track captures upbeat eurodance energy with synthesized melodies and Jey's distinctive vocals, echoing the parent group's style but framed through Zorotl's alien persona seeking human connection. An official music video, directed by the Bliss team, depicts the character in animated adventures, reinforcing the lore of intergalactic communication through music. The single achieved modest chart performance in European markets, appearing on compilations like Dance All Stars 2001, but received limited international push amid Eiffel 65's touring commitments.[47][48]Promotion for Zorotl was tied closely to Bliss Corporation's ecosystem, including a dedicated website (zorotl.com) that expanded the character's backstory as a scientist exploring universal languages via sound. While no full album materialized, the project included narrative tie-ins, such as fictional accounts of Zorotl performing onstage with Eiffel 65 to symbolize cultural exchange. No live shows were conducted under the Zorotl name, though the character's presence in Eiffel 65's visuals and lore kept it culturally relevant in eurodance circles. The initiative highlighted Gabutti's innovative approach to branding, treating Zorotl as a multimedia extension rather than a standalone band.[49][10]Since the 2000 release, Zorotl has remained inactive, with no new music or developments from the Bliss Corporation as of 2025. The project's dormancy coincided with Eiffel 65's shift toward their second album Contact! and internal changes, including Ponte's eventual departure in 2005. Despite its brevity, Zorotl exemplifies early 2000s experimental marketing in electronic music, using virtual personas to build fan engagement without substantial additional output.[45]
Other ventures
Jeffrey Jey (real name Gianfranco Randone) has contributed to soundtracks for several animated films and video games, with credits including Smallfoot (2018), Smurfs: The Lost Village (2017), and Fortnite (2017).[50]During the group's hiatus, Jeffrey Jey and Maurizio Lobina formed the electronic music project Bloom 06 in 2006, releasing the albums Crash Test 01 (2007) and Universo (2008), which explored similar eurodance and electronic styles. The duo continued until reuniting with Gabry Ponte as Eiffel 65 in 2010.Beyond their core discography, Eiffel 65's music has influenced and appeared in video game soundtracks, particularly in the rhythm game series Dance Dance Revolution. The track "Blue (Da Ba Dee)" was featured on the Dance Dance Revolution 2000 soundtrack, helping to popularize the song within gaming communities.[51]Massimo Gabutti, co-founder and managing director of Bliss Corporation, continued label management and production activities post-2005, overseeing releases for various dance acts. This included the reformation of Da Blitz as D.B. Reloaded in 2004, with subsequent compilations like Da Blitz Greatest Hits Recap 1994–2005 extending their legacy into the mid-2000s.[52][10]
Musical style and influences
Core elements
Eiffel 65's foundational sound blended Eurodance, Italo dance, and bubblegum pop genres, relying heavily on synthesizers to create pulsating electronic beats and melodic lines.[6][2] This fusion produced upbeat, accessible tracks designed for dance floors and radio play, with vocoders and harmonizers adding a robotic, otherworldly texture to the vocals.[53] The group's early productions emphasized layered synth arrangements, drawing from the energetic rhythms of Eurodance while incorporating the catchy, youthful melodies characteristic of bubblegum pop.[6]Central to their style were signature elements like infectious, repetitive hooks that facilitated instant memorability, often paired with futuristic and surreal themes in the lyrics. Jeffrey Jey's high-pitched, processed vocals served as a distinctive hallmark, delivering lines with a playful yet ethereal quality that amplified the songs' whimsical narratives.[54] These vocals, frequently pitch-shifted for effect, contributed to the group's innovative approach to pop songwriting, blending humor and escapism in a digital-age context.[53]The production techniques employed by Eiffel 65, primarily through their collaboration with Bliss Corporation and releases on labels like Blanco y Negro, involved sampling elements from 1980ssynth-pop to evoke nostalgic electronic vibes while utilizing early digital audio workstations for precise sound design.[55] This method allowed for the creation of dense, futuristic soundscapes with shimmering synth leads and basslines that underscored the dance-oriented structure. For instance, tracks from their debut album Europop exemplified this by layering vintage-inspired samples with modern Eurodance production.[56]Complementing the auditory elements was a cohesive visual style featuring neon aesthetics in music videos and album artwork, heavily inspired by science fiction motifs. Bright, glowing colors and CGI-driven imagery reinforced the otherworldly themes, establishing a bold, immersive brand identity that extended the music's playful futurism into visual media.[57]
Evolution over time
Following the success of their debut albumEuropop, Eiffel 65's second studio albumContact! (2001) represented a significant evolution in their sound, incorporating stronger French house influences reminiscent of Daft Punk alongside synthpop elements, while dialing back the high-energy pure dance structures that defined their earlier work.[21] This shift introduced a more mechanical and futuristic rhythmic foundation, with repetitive motifs and uplifting melodies that emphasized production depth over relentless Europop hooks.[22] The album's style blended Euro house and Italodance, reflecting the band's growing experimentation with global electronic trends during their international touring period.[58]After a period of hiatus and lineup adjustments, during which Jeffrey Jey and Maurizio Lobina released Crash Test 01 in 2006 under the name Bloom 06, the material showcased experimentation leaning into electro-pop aesthetics with alternative electronic textures and occasional guest features to refresh their formula.[59] This collection of previously unreleased material from the mid-2000s highlighted a departure toward more introspective and layered productions, incorporating electronica and pop elements that contrasted the band's earlier upbeat dance focus.[60]In the 2010s and into the 2020s, Eiffel 65's reformed lineup as a duo—Jeffrey Jey and Maurizio Lobina—infused their work with contemporary EDM influences and retro revivals, particularly evident in releases like the 2015 EP The Unexpected Tracks and anniversary material celebrating hits like "Blue (Da Ba Dee".[61][4] Remixes for the song's 25th anniversary in 2025, such as the Samuele Sartini & Cire collaboration, updated the original's vocoder-heavy core with modern house and EDM drops, blending nostalgic Europop callbacks with high-energy electronic builds.[62] These developments contributed to a more organic live sound during 2020s tours, where improvised elements and updated arrangements allowed for greater dynamism in performances, adapting their foundational style to festival circuits and anniversary events.[63]
Members
Current members
As of 2025, the active lineup of Eiffel 65 consists of its two core members, who reformed the group in 2010 following a period of solo projects.[64]Jeffrey Jey (born Gianfranco Randone, January 5, 1970) serves as lead vocalist and primary songwriter, positions he has maintained since the band's formation in 1997.[65] His contributions include writing lyrics and handling vocal production for recent releases and tours.[61]Maury Lobina (born Maurizio Lobina, October 30, 1973) acts as keyboardist, producer, and multi-instrumentalist, providing keytar, piano, and electronic elements in both studio and live settings.[66] He has been integral to the group's sound since 1997 and continues to co-produce tracks post-reformation.[61]This duo has ensured lineup stability since the 2010 reunion, with Jey focusing on vocal performances and Lobina managing DJ sets and live instrumentation during tours, including European dates in 2024 and 2025.[36]
Former members
Gabry Ponte, who served as the group's DJ and co-producer alongside Maurizio Lobina from Eiffel 65's inception in 1997, departed in early 2005 to focus on his solo career. His exit prompted the remaining core members, Jeffrey Jey and Maurizio Lobina, to rebrand as the duo Bloom 06 and release two albums, Crash Test 01 (2007) and The Bridge (2008), during the band's hiatus period.During the 2005–2009 hiatus, Eiffel 65 had no permanent interim core members, though Maurizio Lobina remained active with Jey under Bloom 06, and brief live vocalists and session musicians supported select performances and recordings. Post-departure, Ponte achieved international success as a solo DJ and producer, founding the Dance & Love label in 2006 and earning a Grammy nomination for Eiffel 65's "Blue (Da Ba Dee)" in the Best Dance Recording category.[67]
Discography
Studio albums
Eiffel 65's debut studio album, Europop, released in November 1999, features 12 tracks blending Eurodance, pop, and electronic elements with prominent use of vocoder effects and futuristic themes.[56] The album achieved significant commercial success, selling over 2.5 million copies worldwide, driven by the global hit "Blue (Da Ba Dee)."[68] Critics praised its infectious dance-pop fusion and energetic production, though some noted its reliance on repetitive hooks; AllMusic awarded it 3 out of 5 stars for capturing the late-1990s Eurodance vibe effectively.[56]The follow-up album, Contact!, arrived in July 2001 with 13 tracks exploring themes of love, relationships, and emerging technology, incorporating bilingual English-Italian lyrics and a slightly more synthpop-oriented sound compared to the debut.[69] It experienced moderate sales, falling short of Europop's figures but still charting in several European markets.[4] Reception was mixed, with AllMusic giving it 3 out of 5 stars and highlighting its melodic accessibility, while acknowledging a shift toward more introspective elements.[69]The group's third studio album, the self-titled Eiffel 65, was released in October 2003, featuring 14 tracks primarily in Italian with dance-pop and electronic styles, including singles like "Quelli che non hanno età" and "Una notte e forse mai più". It marked a return to more varied production amid lineup stability, receiving mixed reviews for its melodic tracks but limited international commercial success compared to earlier releases; AllMusic rated it 2.5 out of 5 stars.[70] No new studio albums have been released as of 2025, though remixes and reissues of earlier material continue to appear.[1]
Singles and EPs
Eiffel 65's singles discography features a mix of original tracks and remixes, primarily released in CD, 12-inch vinyl, and digital formats, with variations across international markets including Italy, the United States, and the United Kingdom. Their breakthrough came with the 1999 single "Blue (Da Ba Dee)", initially issued as a CD single and vinyl EP in Italy by Bliss Corporation, followed by widespread international releases that included extended mixes and radio edits.[13] This track, produced by the group's core members, marked their entry into the Eurodance scene and was distributed in multiple languages and regional pressings.[71]The following year, "Move Your Body" followed as a single from the same debut era, available in CD maxi-single and vinyl formats with remixes tailored for club play, and saw releases in Europe and North America.[55] Later singles from their 2001 album Contact!, such as "Lucky (In My Life)", were issued primarily as digital and CD singles in Italy and select European markets, emphasizing the group's shift toward more introspective lyrics within dance structures.[71]In the post-2020 period, Eiffel 65 embraced digital platforms for new releases and anniversary celebrations. The 2020 "Blue (Flume Remix)" updated their signature hit for modern audiences, released exclusively as a digital single worldwide.[72] This was followed by "Heaven" in 2022, a digital single blending nostalgic Eurodance elements with contemporary production in collaboration with Boomdabash, available on streaming services globally.[73] Further remixes, including "Blue (GenErixPhonic Remix)" in 2022, continued the anniversary theme for the original track's enduring legacy.[73] By 2024, they collaborated on "BESTIALE" with Loredana Bertè, released as a digital single featuring vocal interplay in Italian.[74] Into 2025, releases like "FARE A MENO DI TE (feat. Guè Pequeno)" and the "Blue (Da Ba Dee) Samuele Sartini & Cire Remix" maintained their digital focus, with the latter serving as a fresh take on the classic for club and streaming rotation.[73]Regarding EPs, Eiffel 65 issued remix-focused extended plays early in their career to capitalize on club demand. Episode I (1999) compiled remixes of tracks from Europop, released on 12-inch vinyl in Italy with extended versions like the "No Fear Trance" mix of "Europop".[75]Episode II (2000) similarly featured remixed material from Contact!, including the "Eiffel Superclassic Mix" of "Back in Time", distributed on vinyl for European markets.[55] A 2010 anniversary edition, "A Decade in Blue (Da Ba Dee) - Gabry Ponte Edit", was released digitally as a standalone remixsingle commemorating the original's impact.[72]
Recognition
Awards and nominations
Eiffel 65 received several notable awards and nominations during the peak of their career in the late 1990s and early 2000s, primarily recognizing the global success of their debut single "Blue (Da Ba Dee)" and album Europop. These accolades highlighted their impact on the Eurodance genre and international music markets. The group has not secured major awards since 2010.
Eiffel 65's breakthrough single "Blue (Da Ba Dee)" marked a major commercial milestone, reaching number one in 18 countries worldwide, including the UK, Ireland, France, Sweden, Norway, Denmark, Finland, the Netherlands, Belgium (Flanders), Austria, Switzerland, Germany, Hungary, Australia, Canada, New Zealand, and others.[78] The track peaked at number six on the USBillboard Hot 100 and received Platinum certification from the RIAA for one million units sold in the United States.[79]The group's debut album Europop, propelled by the success of "Blue (Da Ba Dee)," achieved strong sales across multiple territories, earning 2× Platinum certification from the RIAA for two million shipments in the US alone.[4] Globally, the album garnered certifications including 2× Platinum in the United States, Platinum in Canada and New Zealand, 2× Gold in France, Gold in Australia and Switzerland, reflecting certified sales exceeding 2.5 million units.[68]Europop peaked at number 14 on the UK Albums Chart.[80]In the digital era, "Blue (Da Ba Dee)" has sustained enduring popularity, with its primary version accumulating approximately 741 million streams on Spotify as of November 2025, while all versions combined surpass one billion streams.[81] The song experienced a notable resurgence in the 2020s, driven by viral trends on platforms like TikTok, which contributed to heightened streaming figures.[81] This long-term digital impact underscores the track's lasting market presence, further amplified by high-profile samplings such as in David Guetta and Bebe Rexha's "I'm Good (Blue)," which itself exceeded two billion Spotify streams.[82]