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Elucid

Elucid is a Boston-based medical technology company founded in 2013 that develops artificial intelligence-powered software for non-invasive analysis of atherosclerotic plaque composition from coronary and carotid (CCTA) scans. The company's flagship product, PlaqueIQ, received U.S. (FDA) 510(k) clearance in September 2024 as a clinical decision support tool for assessment; a carotid version was launched in October 2025. PlaqueIQ employs Virtual —a method validated against ground-truth from and data—to objectively quantify and characterize plaque components, such as lipid-rich necrotic core, fibrous plaque, and calcified tissue, at the level. This technology addresses limitations in traditional CCTA interpretation, which relies on subjective visual estimates, by providing precise, patient-specific data to guide treatment decisions like therapy, , or lifestyle interventions. Under CEO Kelly Huang (appointed July 2024), Elucid's platform integrates seamlessly into clinical workflows, enabling rapid analysis to help identify high-risk plaques that contribute to heart attacks and strokes; in 2025, it gained expanded coverage from Administrative Contractors and UnitedHealthcare. Since its inception, Elucid has raised approximately $160 million in funding as of October 2025, including an $80 million Series C round in 2023 led by Elevage Medical Technologies, to advance its AI-driven solutions and expand clinical validation studies.

Early life

Family background

Elucid was born in , , to parents deeply involved in music. His mother worked as a singer, while his father played bass, fostering a home environment saturated with musical activity and creativity. The family's extensive collection exposed him to foundational genres like and , featuring artists such as Sly & the Family Stone, , Al , James , Deniece Williams, and , which shaped his foundational understanding of rhythm and melody. Family gatherings and performances further immersed him in this world, with his father tuning into influential radio DJs like Chuck Chillout and , and his mother bringing him to events at the Coliseum where he observed the vibrant street culture of gold chains, booming car systems, and live performances. This constant musical backdrop ignited Elucid's early fascination with sound, leading him to experiment with turntables by sneaking into his uncle's room and attempting to records, despite breaking needles in the process. At age five, he actively participated in hip-hop elements during family events, such as at his uncle's , an experience his relatives still recount as a pivotal moment in his creative development. These familial influences directly contributed to his burgeoning interest in and , blending inherited musical heritage with the raw energy of New York's emerging scene.

Upbringing in New York

Elucid was born Chaz Hall in , an urban neighborhood in known for its vibrant cultural and musical heritage. He spent much of his childhood and teenage years in Deer Park, a suburban community on in , after his family relocated from . This shift from the dense, fast-paced city environment to a quieter suburban setting marked a significant change in his early surroundings, where he navigated a blend of local school life and emerging personal interests. Around age 15 or 16, Elucid took his first job at a on Deer Park Avenue, an experience that immersed him in the everyday rhythms of life and led to chance encounters with prominent figures in the regional scene, such as member Parrish Smith. The area's proximity to influential recording studios, including Lobo Studios in nearby Dix Hills—where artists like and had worked—further exposed him to the infrastructure of New York-area music production during his formative years. These suburban experiences contrasted with the urban energy he had known in , shaping his perspective on the diverse cultural landscapes of .

Career

Early development (2013–2020)

Elucid was founded in 2013 in Boston, , by Andrew J. Buckler and James Hamilton as Elucid Bioimaging, focusing on applications for medical image analysis in cardiovascular diagnostics. The company secured its first funding round on August 28, 2013, to develop software that analyzes atherosclerotic plaque composition from coronary computed tomography angiography (CCTA) scans using validated against histological data. Throughout the 2010s, Elucid advanced its proprietary CT Virtual Histology method, which quantifies plaque components like lipid-rich necrotic core and calcified tissue. In December 2018, the company received its initial U.S. (FDA) 510(k) clearance (K183012) for an early version of its PlaqueIQ software as a clinical decision support tool. This period involved collaborations with clinical researchers and validation studies using autopsy and data to ensure accuracy against ground-truth . Elucid operated with limited resources in the competitive biotech hub, emphasizing non-invasive alternatives to traditional invasive procedures for assessing risk.

Expansion and funding (2021–2023)

Elucid experienced significant growth in the early 2020s, raising a $27 million Series B on June 22, 2022, led by investors including Breyer Capital, to support commercialization and further clinical validation of its AI-driven plaque analysis tools. This enabled expansion of its platform to integrate seamlessly into clinical workflows, addressing limitations in subjective CCTA interpretations by providing objective, patient-specific plaque quantification. In November 2023, Elucid closed an $80 million Series C round led by Elevage Medical Technologies, bringing total funding to $121 million and facilitating advanced studies and regulatory advancements. During this phase, the company deepened partnerships with healthcare providers and invested in scaling its technology to identify high-risk plaques contributing to heart attacks and strokes, aiming to optimize treatments like therapy and while reducing healthcare costs. Leadership transitions, including Marc Manley as CEO, supported this momentum in bringing precision cardiovascular care to market.

Recent developments (2024–present)

On July 22, 2024, Elucid appointed Kelly Huang, PhD, as president and CEO, leveraging his experience in medical device commercialization from roles at Obalon Therapeutics and to drive global expansion. Later that year, on September 2024, the company received expanded FDA 510(k) clearance (K241524) for its flagship PlaqueIQ software, enhancing its capabilities as a clinical decision support tool for lesion-level plaque characterization. In 2025, Elucid achieved key reimbursement milestones, with PlaqueIQ included in EviCore coverage guidelines on July 14 and new recommendations from United Healthcare on August 12, supporting non-invasive identification of high-risk patients. The company launched the commercial version of PlaqueIQ on October 31, 2025, for quantification and classification of arterial plaque to evaluate risk. On October 22, 2025, Elucid raised an additional $36.5 million in funding as part of an ongoing round. Most recently, as of November 10, 2025, announced national coverage for heart scans, including Elucid's technology, marking a pivotal step in broader adoption. These developments position Elucid to improve patient outcomes through precise, cost-effective diagnostics amid growing demand for in .

Musical style

Influences and artistic evolution

Elucid's musical influences stem from a rich blend of family exposure and early encounters with , shaping his foundational style in East Coast traditions. Growing up, he was immersed in his parents' vinyl collection featuring Black American soul and funk artists such as Sly & the Family Stone, , Al Green, and , which instilled a deep appreciation for rhythmic grooves and emotional depth in music. His uncle, a DJ, introduced him to pioneering acts around age five or six, including East Coast icons like , , , and , emphasizing lyrical precision and social commentary that would echo in Elucid's own dense wordplay. Additionally, figures such as influenced his experimental approach, particularly through intricate rhyme schemes and masked personas, while producers like inspired his sample manipulation and beat construction. His artistic evolution began in the 2000s with raw, sample-heavy mixtapes that drew heavily from , , and traditional samples, reflecting a DIY rooted in City's underground scene. Projects like the 2007 mixtape Smash & Grab showcased this period's gritty, East Coast-inflected sound, prioritizing dense over polished production. By the 2010s, Elucid's style shifted toward futuristic, abstract experimentation, incorporating noise elements, dissonant loops—as seen in tracks like "Bernadette"—and dub-influenced bass lines, marking a departure from straightforward sampling toward more abrasive and improvisational textures. Interactions with the New York underground, including collaborations with in and Milo in Nostrum Grocers, further propelled this growth, fostering a team-oriented creative process that contrasted his earlier solo introspection with layered, counterpoint flows. Post-2016, Elucid's work deepened thematically, influenced by personal experiences in Brooklyn and broader societal tensions, evolving from visceral mixtapes to conceptually rigorous albums that blend political introspection with sonic innovation. His debut solo LP Save Yourself (2016) represented a pivotal maturation, channeling raw frustration into structured narratives of survival and identity, while later releases like I Told Bessie (2022) and Revelator (2024) integrated post-punk, industrial noise, and minimalist jazz, reflecting a more outward-facing anger and resistance shaped by urban life. This progression continued into 2025 with the collaborative album Mercy (with Armand Hammer and The Alchemist), maintaining his experimental hip-hop approach through abstract production and explorations of daily life amid societal horrors.) This progression highlights his transition from underground obscurity to a vanguard voice in avant-garde hip-hop, prioritizing thematic resonance over commercial accessibility.

Themes and production techniques

Elucid's music frequently explores themes of , , , and , weaving personal introspection with broader socio-political commentary. In works like the track "" from the 2022 album I Told Bessie, he delves into introspection, reflecting on generational , Black consciousness, and familial legacy through a collaboration with that contrasts light, soulful beats with dense, vulnerable lyricism. emerges as a core motif, often tied to and , as seen in tracks like "Dutch Wax" on Valley of Grace, where Elucid questions cultural roots amid systemic erasure. manifests in gritty depictions of city life and socioeconomic oppression, critiquing capitalism's toll on Black communities in songs such as "Pommelhouse" from Armand Hammer's Shrines. recurs through religious imagery and salvation narratives, linking personal angst to cosmic and divine elements, as in the church-inspired reflections on I Told Bessie that portray as both communal refuge and oppressive . infuses his lyrics with dreamlike abstraction, evoking broken, scrambled realities—such as the mirrored distortions in ""—to challenge linear storytelling and amplify emotional disorientation. Elucid's production style emphasizes layered samples, distorted beats, and experimental arrangements, often self-produced to maintain raw immediacy. He chops diverse sources like (e.g., ) and classics into cavernous basslines and dub-influenced noise, creating disorienting soundscapes as on Smash & Grab. Distorted elements draw from glitchy experiments and abrasive textures, blending horns with minimal overdubs in tracks like "A Great Many Wishes" to foster a sense of vulnerability and transition. His approach favors instinctual, low-tech tools such as and for sampling and triggering sounds, enabling spontaneous sessions in unconventional spaces like hotel rooms, which contribute to the chaotic yet precise sonic palette on albums like Save Yourself. While minimalist in overdubs, arrangements build tension through uptempo, cacophonous grooves that mirror lyrical frustration, as in Revelator's phased drums and hypnotic refrains. Classified within hip-hop, Elucid's sound fuses raw with and experimental , pushing beyond traditional structures toward genre-blurring innovation. This manifests in bass-swamped and noisy abstractions that evoke experimental electronics and , evident in the eerie, apocalyptic tones of Shrines. His collaborations, particularly with in , amplify dystopian narratives—depicting near-apocalyptic Black existence through metaphors of isolation and systemic critique in tracks like "The " and "Dead Cars"—to heighten the project's socio-political edge. This experimental ethos, rooted in dense wordplay and unconventional recording, positions Elucid as a vanguard of New York's underground, blending with collage-like fragmentation for a sound that is both confrontational and immersive.

Discography

Solo studio albums

Elucid's debut solo studio album, ''Save Yourself'', was self-released on April 15, 2016, via and Backwoodz Studioz. Comprising 17 tracks largely self-produced by the artist, the project serves as an and reckoning with themes of personal rebirth, self-examination, and community amid societal turmoil, including references to police brutality. His second solo full-length, ''I Told Bessie'', arrived on June 10, 2022, through Backwoodz Studioz. The 13-track album, featuring contributions from producers like and The Alchemist, pays tribute to Elucid's late grandmother Bessie Hall and explores familial legacy through introspective narratives, earning praise for its emotional depth and lyrical storytelling. ''Revelator'', Elucid's third solo studio album, was issued on October 11, 2024, by . Spanning 15 tracks with guest appearances from and others, it channels a raw, urgent energy through experimental arrangements, lauded for its renegade intensity and refusal to avert from harsh realities. Later that year, on December 30, 2024, Elucid surprise-released the experimental album ''Interference Pattern'' exclusively on . Consisting of a single 41-minute track, the work delves into abstract sound collages and ambient elements, evoking a and transcendental unease.

Collaborative albums

Elucid's collaborative albums span a range of partnerships, beginning with his early duo project Cult Favorite and extending through his longstanding work with as , as well as joint efforts with other artists like and producers such as The Alchemist. These releases emphasize shared creative processes, blending abstract elements with experimental production and thematic depth drawn from social critique and personal introspection. His debut collaborative effort, For Madmen Only (2013), was released under the moniker Cult Favorite alongside producer A.M. Breakups, marking an early foray into experimental that explores cult-like dynamics and emotional manipulation through raw, post-apocalyptic soundscapes. The album features nine tracks, including guest appearances like on "Omega3," and was executive produced by Slice, highlighting Elucid's initial steps in duo-based innovation within underground rap circles. In 2018, Elucid teamed up with rapper for Nostrum Grocers, a self-titled debut that fuses abstract hip-hop with influences and philosophical lyricism, conceptualized during sessions in 2015 and fully written and produced by the duo. Comprising 10 tracks, such as "Circumcision Is The First Betrayal" and "'98 ," the project delves into personal paths and social schemes, earning praise for its layered interplay between Milo's melodic style and Elucid's grittier delivery. Elucid's most extensive collaborative body of work comes from , the duo with , which has produced several acclaimed albums since 2016. Their second album, (2017), consists of 14 tracks characterized by chaotic, violent beats and cryptic lyrics addressing radical themes, solidifying the pair's reputation for sleek, heart-filled . This was followed by (2018), comprising 15 tracks that advance their abstract sound. Shrines (2020) represents a brighter, lusher evolution with 14 tracks that push freer structures and feature contributions from artists like keiyaA, focusing on mind-expanding narratives amid darker undertones. (2021), a collaboration with producer The Alchemist, features 14 tracks of lush yet foreboding production, where Elucid and dissect taboo subjects like and through ironic, culturally ubiquitous lenses. The duo's 2023 release, , credited to , includes 16 tracks that balance moody self-reflection with societal snapshots, produced by a range of contributors including , and underscores their ongoing exploration of disorienting, vivid storytelling. Most recently, (2025), another full-length with and The Alchemist, was released on November 7 and comprises 14 tracks built from elements of empire, secrets, and everyday grit, reuniting the trio for haunting, multi-hued meditations that extend 's orbit.

Mixtapes

Elucid began releasing mixtapes in the early as part of his emergence, often distributing them as free or low-cost projects to build his audience. These works typically featured raw, experimental production and served as promotional platforms for his lyrical style before his formal studio albums. His debut mixtape, (2002), marked an early entry into the with 8 tracks focused on themes, though details remain limited due to its obscurity. Smash & Grab (2007) followed as a 15-track project comprising raw production demos and freestyles over existing beats, released digitally for free promotion. It showcased Elucid rapping over samples from artists like , highlighting his experimental approach in the mid-2000s underground circuit. In 2017, via Backwoodz Studioz, Elucid issued Shit Don't Rhyme No More (2018), a 10-track exploring the evolving landscape of through dense, introspective bars over minimalistic beats. As part of the collective Small Bills, Elucid contributed to the 2019 mixtape Every Egg I Cracked Today Was Double Yolked, a 9-track collaborative effort released digitally. Described as a collection of meditations, it featured free-form abstract hip-hop tracks blending multiple artists' inputs for promotional exposure. Additional early mixtapes include Police & Thieves (2008), The Sub Bass Diet (2009), and Super Chocolate Black Simian (2011), which continued his raw, demo-style output during a period of limited-label experimentation.

Extended plays

Elucid's extended plays represent concise, experimental forays into abstract hip hop, often blending dense lyricism with unconventional production to explore personal and societal themes. His debut EP, Bear Trapz, self-released in 2009, consists of three tracks that emphasize raw, beat-focused compositions reflective of his early style. The project captures a gritty, abstract aesthetic, with tracks like "We Don't Care" and "" showcasing nascent plunderphonic elements and rhythmic intensity. , released on March 1, 2016, is a compact 16-minute EP inspired by the in , confronting police brutality through fragmented spoken-word and ambient textures. Released as a single track digitally, later cassette editions divide it into multiple segments. Tracks such as "" and "Slumped" employ a , edge-of-consciousness delivery, underscoring systemic violence with minimalistic production. Valley of Grace, released in January 2017, spans 11 tracks over 28 minutes and draws from his experiences in , incorporating melodic structures amid noisy, corroded soundscapes to address themes of and . The EP's title track and "Maboneng Means a Place of Light" highlight a spiritual undertone, balancing industrial beats with introspective narratives. Horse Latitude, also from 2017, functions as an instrumental companion piece, featuring 10 tracks that evoke isolation and paranoia through and field recordings. Ranging from ethereal loops in "I Look Like a " to disjointed collages in "Cum in Betsy," the EP prioritizes sonic mood over vocals, establishing Elucid's versatility in beat-making. In 2020, amid the Ruby Yacht collective's activities, Elucid released Seership!, a prophetic-themed mini-project presented as a single 29-minute track blending , ambient drones, and sparse bars. Described as "a work of spirit," it immerses listeners in immersive, otherworldly soundscapes, reflecting introspective visions without traditional song structures.

Singles

Elucid's standalone singles often highlight his approach to , blending abstract with experimental outside the context of full-length albums. "Bernadette," released in 2017 via Backwoodz Studioz, features two tracks including the title song and "," serving as the lead single for the EP Valley of Grace and accompanying a by the art collective SUPERFLEX. The track's noisy, corroded reflects Elucid's early experimental style, drawing from spiritual and melodic elements. "," issued in 2024 as a promotional for the album Revelator, embodies Elucid's raw, futuristic lyricism with a heartfelt mantra-like structure, produced by P.U.D.G.E. In 2025, Elucid contributed to "Lead Paint Test," a collaborative released on with , , and producer , exploring emotional storytelling in and abstract styles. Later that year, on July 29, he delivered the rework "Don't (E L U C I D Rework)" for Honeyglaze, transforming the original track into an experimental piece with his signature production flair.

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