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Eren

Eren (Japanese: エレン・イェーガー, Eren Yēgā) is the central protagonist of Hajime Isayama's series , serialized from September 2009 to April 2021, and its adaptation produced by and . Living in a post-apocalyptic world where the remnants of humanity reside within three massive concentric walls to evade —towering, humanoid devourers of humans—Eren hails from Shiganshina District on Paradis Island, where as a child he witnesses the Colossal breach Wall Maria in 845, resulting in his mother's gruesome death by a and the displacement of countless residents. Vowing eradication of all , he enlists in the military's Training , graduates ranking fifth in the 104th class, and joins the Survey to venture beyond the walls, discovering his latent ability to transform into the Attack —a power injected into him by his father, Grisha Yeager, who stole it from a rival inheritor. Through subsequent revelations in his family's , Eren learns of the world's true history: Eldians like himself possess Titan-shifting potential due to ancestral ties to Ymir Fritz, subjected to Marleyan oppression outside the walls, prompting his acquisition of the , Armored, and ultimately Founding powers. In the series' climax, Eren activates the Founding 's full capability via contact with royal blood, unleashing —a march of millions of Colossal that flattens global civilization, exterminating roughly 80% of humanity to preempt existential threats to Paradis and secure Eldian freedom, an act driven by predestined future visions and a of inexorable over . This evolution from vengeful youth to architect of mass destruction underscores 's exploration of freedom's cost, cyclical violence, and ethical relativism, with Eren's motivations—rooted in protecting loved ones amid inherited traumas—fueling polarized interpretations of him as , flawed anti-hero, or unambiguous , as articulated by creator Isayama in reflections on the character's internal contradictions and real-world inspirations.

Etymology and Linguistic Origins

Turkish Roots and Primary Meanings

In Turkish, Eren primarily signifies a "" or "holy person," specifically an ermiş—an enlightened figure in Sufi and traditions who has achieved maturity through ascetic practices, embodying moral purity and divine insight. This core meaning derives from pre-modern Islamic-Turkic linguistic roots, where eren denoted wandering ascetics or dervishes revered for their proximity to the divine, as attested in the Association's (Türk Dil Kurumu, ) dictionary definitions of eren as one with extraordinary perception or attainment of God. Secondary connotations include "brave" or "valiant" (yiğit), alongside attributes of (akıllı), , and , which trace to Ottoman-era usages emphasizing self-reliant virtues and intellectual fortitude in Turkic . These interpretations, undiluted by later influences, are empirically verified in TDK etymological resources and traditional name analyses, confirming Eren's foundational ties to virtues of and heroism within Turkish semantic frameworks.

Historical and Semantic Evolution

The term eren, from which the derives, first gained prominence in 13th-century Anatolian Turkish Sufi texts, particularly those associated with the established by (c. 1209–1271), where it denoted spiritually enlightened ascetics or saints who embodied mystical transcendence over worldly attachments. In Alevi-Bektashi traditions, eren referred to the elect few who achieved higher levels, often portrayed as er (man or hero) in a plural or qualified form, emphasizing inner purification and detachment from ego. This usage reflected causal influences from Central Asian Turkic shamanistic roots merging with Persianate Islamic mysticism, fostering a resilient archetype of the holy wanderer amid Anatolia's heterogeneous religious landscape. During the era (14th–early 20th centuries), the semantics of eren evolved to integrate martial connotations, as seen in compounds like alperen (brave saint), where it signified "hero dervishes" blending piety with warrior ethos, per historian Mehmet Fuad Köprülü's analysis of Sufi roles in Turkic expansion. This shift arose from pragmatic adaptations in (frontier fighter) contexts, where spiritual authority legitimized military endeavors, preserving the term's core against dilution by orthodox Sunni hierarchies that marginalized heterodox orders. Empirical traces in Ottoman hagiographies, such as the Vilâyetnâme of Haji Bektash, consistently employ eren for saints embodying both and fortitude, underscoring a causal realism in which socio-military pressures reinforced rather than eroded pre-secular virtues. Post-, amid the (1919–1923), eren's pious essence persisted but accreted nationalist layers of bravery, aligning with Turkic revivalism that reinterpreted Sufi heroism as ethnic resilience, as evidenced in early literature invoking Anatolian saints as proto-national figures. This evolution, driven by causal discontinuities like the 1925 abolition of Sufi orders under secular Kemalist reforms, nonetheless sustained the name's appeal by anchoring it to undiluted ideals of self-mastery and courage, verifiable in the continuity of eren-derived nomenclature from Ottoman poetic traditions to modern Turkish usage without reliance on imported Western secular naming trends.

Cross-Linguistic Comparisons and Variants

In Turkish linguistic tradition, the plural variant Erenler denotes saintly or ascetic figures, particularly in Sufi and folkloric contexts such as Bektashi greetings or references to holy assemblies. This form extends the singular Eren's of a spiritually mature "" or , rooted in autochthonous Turkic expressions of independent of external borrowings. Conceptually analogous terms appear in neighboring languages, such as ʿerfān (mystical or esoteric knowledge, derived from roots via Iranian adaptation) or awliyāʾ (plural of walī, denoting divinely protected saints). However, these reflect and Indo-Iranian etymologies unrelated to Eren's Turkic base, which traces to Proto-Turkic er ("" or "") augmented to signify enlightened manhood, emphasizing causal distinctions in phonetic structure and semantic evolution within Altaic over superficial shared themes of sanctity. Speculative assertions of broader Indo-European linkages for Eren—occasionally advanced in diffusionist models—fail against empirical Turkic evidence, including attested derivations in texts and absence of regular sound correspondences or morphological parallels in branches. Non-Turkic adoptions remain sporadic, with global onomastic records showing phonetic variants like anglicized "Eren" rarely evoking confusion due to the term's preserved Turkic and primary incidence in Turkic-speaking regions.

Usage as a Given Name

Historical Prevalence in Turkish Culture

The term eren, meaning "" or "holy person," has roots in Old Turkish linguistic traditions, where it denoted spiritually enlightened individuals, particularly in the context of Anatolian and folk from the Seljuk era onward. This connotation is evident in medieval texts, including references to related forms in al-Kashgari's Divanü Lügati't-Türk (completed circa 1074), which documents "er" as signifying a brave or heroic man, a foundation evolving into the saintly archetype amid Turkic nomadic and rural societies. In pre-Ottoman , naming practices drew from such terms to embody ideals of moral exemplarity, driven by communal incentives to honor as a bulwark against adversity in agrarian and pastoral life. By the 13th century, eren gained prominence in as a descriptor for dervishes and mystics, exemplified in the ilahis (hymns) of (c. 1240–1321), who invoked "erenler" as humble, God-realized wanderers exemplifying and —qualities causal to their in rural Bektashi and Alevi circles. These figures, often from Anatolian heartlands, inspired naming conventions among followers seeking to emulate spiritual fortitude, with eren functioning less as a formal registry name and more as a folk epithet reflecting heterodox Islamic values over orthodox urban norms. Adoption correlated with Sufi networks, where rural communities prioritized indigenous Turkic descriptors for holiness, contrasting with Arabic-derived names prevalent in centers like or . Ottoman-era cultural records, including hagiographies of Anatolian saints, further associate eren with lineages, such as the "Kırklar" (Forty Saints) in Bektashi lore, underscoring its symbolic weight in non-elite piety without widespread attestation in elite chronicles. This pattern class-based disparities: lower incidence in millets, where Persianate influences dominated, higher resonance in village and tribal settings, where the name evoked causal aspirations for communal through revered exemplars. Empirical ties to religious devotion appear in poetic genealogies linking eren-named ascetics to moral , fostering in peripheral provinces through the 19th century. Eren is most prevalent as a given name in Turkey, where it consistently ranks among the top 50 male names in official statistics from the Turkish Statistical Institute (TÜİK) during the 2020s. In 2024 rankings derived from TÜİK data, it placed 55th among boys' names, reflecting sustained domestic popularity without sharp declines. The name's incidence is highest proportionally in Turkey at approximately 0.166% of the population bearing it as a forename. Among Turkish diaspora communities, Eren shows elevated usage in Germany and the Netherlands, countries that received significant waves of Turkish labor migrants starting in the 1960s. These patterns align with broader migration data, where guest worker programs led to established Turkish populations numbering over 3 million in Germany and around 400,000 in the Netherlands by the 2020s, sustaining cultural naming practices. Sporadic occurrences appear in other nations with Turkish expatriates, such as France and the United States, but at lower densities. Demographically, Eren exhibits near-exclusive male usage, with over 99% of global incidences assigned to boys in aggregated name databases, underscoring its traditional role in Turkish onomastics rather than broader gender fluidity. Pre-2010s trends indicate in Turkey, with rankings hovering in the top 40 male names as early as 2008, prior to any external influences. In other Muslim-majority regions beyond Turkey, adoption remains marginal, limited primarily to Turkic-influenced areas without verifiable widespread upticks tied to demographic shifts.

Factors Influencing Modern Adoption

The adoption of Eren as a given name in contemporary Turkey is predominantly influenced by familial traditions and religious heritage, with parents frequently selecting it to honor ancestors or evoke spiritual virtues. Analysis of 1,270 Turkish names from 2001 to 2013 classified 38.5% as commemorative, reflecting choices tied to deceased relatives or elders, while traditional Islamic influences persist in favoring names denoting piety, such as Eren, which translates to "saint" or "holy man." Grandparents exert significant sway in these decisions, often advocating for ancestral repetitions to preserve lineage continuity, a practice rooted in Ottoman-era customs and still prevalent despite urbanization. These drivers contribute to Eren's steady domestic popularity, ranking 39th for male births in 2023 and 55th in 2024 according to Turkish Statistical Institute data, underscoring resilience against fleeting trends. In contrast to emerging patterns of double-barreled or phonetically novel names among younger urban parents, the name's semantic stability—linked to Turkic and Sufi connotations of and bravery—reinforces its appeal for cultural continuity over innovation. Among Turkish diaspora communities in the West, Eren's usage remains niche, correlating with ethnic retention rather than broad assimilation. In the United States, it ranked 952nd among male births in 2022 with 237 instances, primarily concentrated in areas with high Turkish immigrant populations, as opposed to mainstream trends favoring unique or anglicized variants. European patterns mirror this, with limited Eurostat-tracked demographic integration yielding sporadic adoption confined to migrant enclaves, evidencing causal resistance to the novelty-driven naming shifts observed in native Western cohorts, where unconventional spellings and neologisms have proliferated since the 1990s.

Usage as a Surname

Origins in Turkish Onomastics

The surname Eren derives from Turkish onomastic traditions, where it primarily signifies "saint" or "holy person," reflecting attributes of spiritual wisdom or moral exemplarity in Turkic nomenclature. Some interpretations, drawn from user-submitted etymological data in surname databases, extend this to "orphan" or "fatherless," potentially evoking themes of resilience or communal protection in pre-modern tribal structures, though the saintly connotation predominates in documented Turkish usage. This dual semantic layer distinguishes surname adoption from the more fluid given-name applications, as surnames historically served to consolidate family or clan identity amid patrilineal customs. The formal establishment of Eren as a surname crystallized during the early Republican era, particularly following the enactment of the Surname Law on June 21, 1934, which mandated that all Turkish citizens select fixed, hereditary surnames explicitly rooted in Turkish linguistic and cultural heritage to foster national unity and discard Ottoman-era titular systems. This reform, part of broader secular and nationalist policies under , encouraged choices like Eren—a native Turkic term—for their alignment with indigenous roots, thereby stabilizing patrilineal lineages and reducing reliance on descriptive or occupational epithets prevalent in prior eras. Unlike given names, which could vary generationally, this legislative shift imposed enduring familial markers, often adapting pre-existing personal names into surnames to comply with prohibitions on foreign or religious connotations. Empirically, Eren as a surname exhibits lower prevalence than its given-name counterpart, with an estimated global incidence of 108,350 bearers, predominantly concentrated in Turkey at 103,389 individuals—or approximately 1 in 753 residents—centered in Anatolian provinces such as , , and . This distribution underscores its localization within Turkish demographics, contrasting with the given name's broader but less surname-specific adoption, and highlights the law's role in embedding such terms into fixed onomastic practice without significant diaspora dilution until recent migrations.

Notable Historical and Contemporary Bearers

Erdal Eren (September 25, 1961 – December 13, 1980) was a Turkish high school student executed by hanging following the . Accused of membership in the leftist and involvement in the killing of a soldier during clashes in 1980, Eren was tried by a military court that disregarded his age—claiming his birth year as 1962 to qualify for the death penalty despite Turkish law prohibiting execution of minors. His case drew international attention for procedural irregularities, including coerced confessions and disputed documentation, though the regime upheld the sentence as necessary for suppressing leftist militancy amid widespread political violence. Among contemporary bearers, Efkan Eren (born July 12, 1989) is a Turkish professional basketball forward standing 6'8" (203 cm), who has competed in the Turkish Basketball Super League for teams including Sakarya Büyükşehir Belediyesi. Eren also played NCAA Division II basketball at from 2009–2013, averaging 7.3 points per game in his senior season with notable rebounding contributions. Emrah Eren (born November 13, 1978) is a retired Turkish footballer who played as a right-back, appearing in over 200 professional matches primarily in the Süper Lig and lower divisions for clubs such as and . His career spanned from the mid-1990s to the mid-2010s, marked by defensive reliability but no major international caps or trophies.

Fictional Representations

Eren Yeager in Attack on Titan

Eren Yeager serves as the central protagonist of Attack on Titan, a manga series written and illustrated by Hajime Isayama, which debuted in serialization on September 9, 2009, in Bessatsu Shōnen Magazine. The character's given name, Eren, originates from Turkish etymology signifying "saint" or "holy one," contrasted with the surname Yeager, an Anglicized variant of the German Jäger meaning "hunter," a deliberate juxtaposition by Isayama that underscores Eren's thematic tension between aspirational purity and primal aggression. In the anime adaptation, produced by Wit Studio for initial seasons and MAPPA for later ones, spanning airings from 2013 to 2023, Eren is voiced by Yūki Kaji in the Japanese version and Bryce Papenbrook in the English dub, with Kaji's performance noted for its evolution to capture the character's deepening intensity. Eren's narrative arc traces a trajectory from an impulsive, freedom-obsessed youth in the walled city of Shiganshina, where he witnesses his mother Carla's death by a on July 4, 845, igniting his vow to exterminate all Titans, to a strategically ruthless figure inheriting the , , and powers. This progression intensifies upon uncovering the basement revelations in 850—detailing Eldia's historical empire, the Marleyan internment of Eldians, and global prejudices—prompting Eren to orchestrate the Rumbling in 854, unleashing Wall Titans to flatten 80% of the world's landmass and population beyond Paradis Island as a preemptive measure against inevitable annihilation. His actions reflect a deterministic fatalism, influenced by future visions via the 's abilities, prioritizing Eldian survival amid cycles of retaliatory violence over moral absolutism. The character's moral ambiguity has generated sharply divided interpretations among audiences, with empirical indicators such as online discourse and fan polls revealing a split between those who regard Eren as a tragic hero compelled by existential threats and tribal self-preservation instincts, and detractors who classify him as an irredeemable villain for endorsing mass destruction. Accusations of fascist undertones stem from Eren's ultranationalist declarations, such as "Tatakae" (fight) rallying cries and the 's authoritarian coup, which some outlets interpret as glorifying ethnocentric extremism. Counterarguments, however, emphasize the series' depiction of reciprocal oppression—Marleyan propaganda demonizing mirroring historical dehumanization tactics—and human propensities for in-group defense under siege, framing Eren's extremism as a realistic outcome of unchecked hatred loops rather than ideological endorsement, thus challenging reductive partisan framings. This layered portrayal has cemented Eren's iconic status, correlating with the manga's circulation exceeding 140 million copies worldwide by November 2023.

Other Notable Fictional Characters

In Turkish media, the name Eren occasionally appears in supporting or titular roles that align with cultural ideals of resilience and moral integrity, though such depictions remain limited compared to more widespread fictional nomenclature. For instance, in the 2019 Turkish animated series , the protagonist embarks on an adventurous quest involving peril, camaraderie, and familial devotion to procure traditional Ramadan bread, underscoring themes of perseverance rooted in everyday heroism. The 2022 film Eren: A Boy's Valor centers on a young Eren confronting relational and familial trials, portraying him as a figure of youthful resolve amid personal crossroads, reflective of narrative tropes in contemporary Turkish cinema emphasizing individual growth and duty. In interactive fiction, Eren functions as a secondary character in the "The Princess Swap" storyline of the , where he acts as a steadfast ally in an Ismari royal court, appearing from Chapter 1 to facilitate plot progression through loyalty and counsel. These instances, often confined to domestic productions, exhibit empirical scarcity in global media databases prior to the 2010s, with post-2013 examples showing no evident surge tied to external influences, maintaining a niche presence without broader cultural resonance.

Popularity and Cultural Impact

Pre-Media Popularity Metrics

In Turkey, the name Eren consistently ranked among the top 100 male given names during the 1990s and early 2000s, prior to the global media influences of the late 2000s. Data compiled from Turkish Statistical Institute records show rankings such as #91 in 1990, #85 in 1992, #73 in 1995, and #46 in 2000, demonstrating stable cultural entrenchment tied to longstanding onomastic traditions rather than emerging fads. This baseline prevalence highlights Eren's role in perpetuating ethnic naming continuity, with annual births numbering in the thousands amid a male naming pool exceeding 500,000. Outside Turkey, pre-2010 usage was empirically marginal, confined largely to Turkish diaspora pockets without broader penetration. In the United States, Eren failed to register in the Social Security Administration's top 1000 male baby names for any year before 2010, reflecting fewer than approximately 250 annual occurrences nationwide and underscoring limited cross-cultural diffusion. In England and Wales, the name's first notable appearance at #653 in 2010—equating to about 0.013% of male births—implies even scarcer prior incidence, absent from earlier Office for National Statistics top lists. Such patterns privilege quantitative evidence over anecdotal diaspora reports, confirming Eren's pre-media footprint as predominantly domestic to Turkey. The popularity of the name Eren experienced a marked surge internationally following the 2013 anime adaptation of , whose protagonist became a cultural icon through the series' exploration of themes like freedom and human resilience. Search interest and cultural references to the name aligned closely with the anime's airing, as the character's determined persona captured global audiences amid the production's high production values and narrative twists. In the United States, registrations of the name Eren for newborns remained under 100 annually prior to 2013 but climbed to 237 in 2022 and 240 in 2023, reflecting entry into broader awareness driven by the series' escalating seasons. This uptick coincided with the manga's circulation exceeding 100 million copies worldwide by the early 2020s, underscoring the media's role in disseminating the name beyond its Turkish roots. The final arcs of Attack on Titan, aired between 2020 and 2023, further amplified this trend, as Eren's shift toward morally ambiguous actions—rooted in causal responses to existential threats—drew viewers to his portrayal of unidealized ambition, fostering deeper fan engagement without reliance on conventional heroic tropes. U.S. baby name data from this period show sustained growth, with the name ranking around 950th by 2023, a development observers link directly to the character's relatable internal conflicts amid global streaming accessibility. European trends mirrored this, with increased registrations in countries like the UK, where the series' demand metrics placed it among top performers. While Turkish television series, such as Family Secrets (Yargı, 2021–present) featuring a character named Eren Duman, contributed modestly to domestic familiarity, their influence paled against Attack on Titan's transnational scale, which generated demand equivalents 70 times the industry average in key markets. The anime's dominance in this surge stems from its verifiable crossover appeal, evidenced by anecdotal cases of parents citing the character as inspiration for naming choices in the 2020s. This media-driven elevation highlights how Eren's narrative arc, emphasizing raw causal determinism over sanitized narratives, paradoxically enhanced the name's allure for parents valuing substantive depth. In the United States, the name exhibited a post-media surge pattern by entering the Social Security Administration's top 1000 boys' names for the first time in 2022 at rank 952, followed by incremental improvements to rank 936 in 2023 and 869 in 2024, reflecting approximately 300-400 annual births in the latter year based on SSA ranking thresholds. This modest upward trajectory indicates persistence beyond initial fad-driven adoption, particularly in states with sizable multicultural populations such as , , and , where immigrant communities contribute to sustained usage.
YearSSA Rank (Boys)
2022952
2023936
2024869
In England and Wales, Eren has maintained a position within the top 1000 boys' names since the mid-2010s media influence, with ongoing low-volume registrations aligned to multicultural demographics rather than broad appeal. Usage demographics reveal a skew toward Turkish-origin families, who comprise a significant portion of bearers in Western censuses—approximately 66% classified as White (encompassing Turkish ethnicity) among existing name holders, with concentrations in immigrant-heavy regions of Europe and North America. This correlates with pre-existing onomastic traditions in Turkish diaspora communities, countering assumptions of uniform cross-cultural adoption by demonstrating rooted ethnic persistence over transient popularity. Projections for 2025 and beyond suggest stabilization without further sharp increases, as evidenced by the name's plateau in recent SSA data and absence from broader trend forecasts, tied to the enduring but non-expansive legacy of 's fanbase alongside steady immigrant-driven registrations. In Turkey, where Eren ranks consistently in the top 50 boys' names independent of media effects, global dissemination patterns imply a hybrid model of cultural export via migration rather than universal fad diffusion.

Controversies and Interpretations

Debates Over Character Portrayals

Eren Yeager's character arc in Attack on Titan has elicited significant debate regarding his moral alignment, transitioning from a vengeful symbolizing and the pursuit of to an antagonist orchestrating the Rumbling, a cataclysmic event that flattens 80% of the world's population outside Paradis Island. Supporters argue his actions catalyze explorations of existential threats and self-preservation, portraying him as a flawed hero compelled by foresight of inevitable genocide against his people, where alternatives like or sterilization failed to avert total annihilation. Critics, however, contend this shift endorses moral relativism by equating defensive violence with aggression, framing the Rumbling as indefensible mass murder that undermines the series' anti-war themes. Reception studies and fan discussions reveal a polarized response, with no consensus on hero-villain status; analyses indicate roughly even splits in interpretations, where Eren's complexity—driven by deterministic visions rather than unprovoked malice—leads half of audiences to view him sympathetically as a sacrificial figure ensuring his friends' survival, while the other half condemns him as irredeemably villainous. This divide is evident in post-finale forums and essays, where causal reasoning highlights that Eren's path parallels historical imperatives, such as Allied strategies in that prioritized overwhelming force against existential foes to prevent worse outcomes, challenging pacifist critiques that ignore aggressors' unyielding intent. Left-leaning interpretations often decry his ideology as imperialistic, likening the Rumbling to unchecked nationalism, whereas right-leaning readings emphasize national self-preservation against a hostile world order, substantiated by the series' depiction of sustained oppression and betrayal by external powers. These portrayals extend to broader fictional Eren figures, though less prominently; for instance, debates over Eren in other media critique sanitized heroism by contrasting it with Yeager's unyielding realism, underscoring how violence as a response to cycles of hatred defies narratives favoring perpetual restraint over decisive resolution. Such discussions prioritize empirical story logic—where threats were not abstract but imminent and total—over ideologically driven condemnations, revealing biases in sources that equate any escalation with while overlooking the causal of prior aggressions.

Political and Cultural Readings of the Name's Associations

In Turkish cultural tradition, the name Eren derives from terms denoting a "saint" or "holy person," often connoting spiritual , , and heroic , as reflected in its etymological ties to "er" meaning "man, hero, or brave" combined with saintly attributes. This evokes archetypes of principled figures in folklore who embody moral resolve and defense of communal values against external threats, rooted in pre-Islamic Turkic and Sufi-influenced reverence for enlightened guardians rather than diluted secular interpretations that prioritize individualism over collective virtue. The name's associations gained politicized layers through its use in global media, particularly prompting debates over whether it symbolizes unyielding in preserving ethnic amid existential perils, as some Turkish and international commentators interpret via first-principles logic of survival causality over ideologically imposed harmony. Such readings emphasize empirical of in-group security, drawing on the name's inherent connotations of saintly heroism, and have fueled its appeal in contexts resisting narratives that equate defensive actions with extremism. In contrast, criticisms from left-leaning outlets portray these implications as inherently ethno-nationalist or fascist-adjacent, often without engaging the series' broader critique of cyclical violence and determinism, reflecting systemic biases in institutions that favor condemnatory framings of non-universalist motives. These interpretive tensions underscore achievements in culturally revitalizing traditional Turkic —against risks of misattribution to radical ideologies, where empirical analysis reveals the name's core associations remain grounded in verifiable historical piety and fortitude rather than modern politicized distortions. Balanced scrutiny, prioritizing causal mechanisms over biased source narratives, debunks overreach in equating the name's evocation of bravery with endorsement of aggression, affirming its role in sustaining authentic heritage amid globalized reinterpretations.

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