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Exo discography

The discography of Exo, a South Korean boy band formed by SM Entertainment, encompasses eight studio albums, seven extended plays (EPs), four live albums, and 28 singles released since their debut in 2012, establishing them as one of the best-selling K-pop acts with over 35 million equivalent album units sold globally. Exo's releases have consistently topped the Gaon Album Chart in South Korea, with standout studio albums including XOXO (2013), which featured the breakthrough single "Growl" and sold over 3.4 million copies, Exodus (2015) exceeding 4 million units, Ex'Act (2016) featuring "Monster," and The War (2017) achieving 4.2 million equivalent sales driven by tracks like "Ko Ko Bop." Later studio works such as Don't Mess Up My Tempo (2018) and Obsession (2019), along with the special EP Don't Fight the Feeling (2021)—their first group release in two years amid military enlistments—and Exist (2023) continued their dominance, with the latter marking a return featuring "Cream Soda" and securing multiple international chart entries. EPs like Mama (2012), Overdose (2014), and Universe (2017) further highlighted their versatility in blending pop, R&B, and electronic elements, often accompanied by high-profile music videos and world tours. Subunit projects, including Exo-CBX's Magic (2018) and Exo-SC's What a Life (2020), as well as solo endeavors from members like Baekhyun and Kai, have supplemented the main group's output, contributing to Exo's total of over 133 songs across platforms. As of November 2025, Exo has no new group album since Exist, though an eighth studio album is slated for early 2026, amid ongoing solo activities from members.

Albums

Studio albums

Exo's studio albums encompass seven Korean-language releases and one Japanese-language album, marking their evolution from debut-era supernatural and space-themed works to more introspective and narrative-driven concepts in later releases. As of November 2025, the group has issued a total of eight studio albums through , all of which have achieved significant commercial success, consistently topping domestic charts and contributing to over 35 million equivalent album units sold across their discography. These full-length projects, typically featuring 10 or more tracks, distinguish themselves from the group's extended plays by offering expansive musical explorations, with early albums like XOXO establishing a foundational space motif that propelled Exo to mainstream prominence. The following table summarizes Exo's studio albums, including release details, peak chart positions on major rankings such as the in , in , and the in the United States, as well as certified or reported sales figures where available.
Album TitleRelease DateLanguagePeak on ()Other Peak PositionsReported Sales
XOXOJune 3, 2013Korean/Chinese#1 World Albums #1Over 1 million copies combined with repackage in
March 30, 2015Korean/Chinese#1 #95Approximately 808,000 copies in
Ex'ActJune 9, 2016Korean/Chinese#1-Approximately 836,000 copies in
The WarJuly 18, 2017Korean/Chinese#1-1,592,792 copies in
November 2, 2018Korean/Chinese#1 #23; Albums #3Over 1.1 million pre-orders; approximately 2.1 million combined physical units (including repackage)
November 27, 2019Korean/Chinese#1 #73835,133 copies in
CountdownSeptember 4, 2018- Albums #1160,729 copies in (); certification by RIAJ (100,000 shipments)
ExistJuly 10, 2023Korean/Chinese#1-Over 2 million copies in ; 2.3 million pure sales worldwide in 2023
Exo's debut studio album XOXO marked a pivotal milestone, becoming the first Korean album in 12 years to surpass one million copies sold and launching the "Growl" era that solidified the group's domestic dominance through its blend of electronic and R&B elements tied to a supernatural love theme. Subsequent releases like Exodus and Ex'Act maintained this momentum with million-seller status, emphasizing futuristic and experimental sounds while achieving top positions on international charts for the first time. By The War and Don't Mess Up My Tempo, the group's concepts shifted toward strategic warfare and rhythmic introspection, yielding their highest Billboard 200 entry and reinforcing Exo's position as a quintuple million-seller with consecutive albums exceeding one million units. The Japanese album Countdown expanded their market, debuting at number one on Oricon with original tracks alongside localized versions of prior hits. In 2019, introduced a darker, psychological theme amid lineup changes, still topping Gaon while entering the for the fourth time and selling over 800,000 physical copies in . The 2023 release Exist represented a return to full-group promotion after a , exploring themes of and ; it became Exo's best-selling album in with over two million copies, ranking eighth on IFPI's global best-sellers list for the year and earning million certification from the Korea Music Content Association. Repackaged versions of select albums, such as XOXO (Kiss Ver.), contributed additional sales but are detailed separately in reissues.

Extended plays

Exo's extended plays, commonly referred to as mini-albums in K-pop, represent key releases that bridge their full-length studio albums, often emphasizing thematic cohesion such as seasonal or holiday motifs to engage fans during off-cycle periods. These EPs, released primarily in Korean and Chinese versions by SM Entertainment, showcase the group's versatility in blending pop, R&B, and ballad elements across shorter tracklists, typically 5 to 6 songs. Since their debut, Exo's EPs have consistently topped South Korea's Gaon (now Circle) Album Chart, contributing to their status as one of the best-selling acts in the industry with millions in equivalent sales. Notably, no extended plays have been released specifically for the Japanese market, with the group's Japanese output focused on full albums and singles instead. Exo's extended plays include six releases, all achieving top positions on South Korea's Gaon and Circle Album Charts. The debut EP Mama was released on April 9, 2012, comprising 5 tracks led by the "Mama." It debuted at number 1 on the Gaon Album Chart and sold over 100,000 copies in its early months. Miracles in December, a holiday-themed EP with Christmas-inspired ballads, was released on December 9, 2013, featuring 6 tracks led by "Miracles in December." It debuted at #1 on the Gaon Album Chart, with first-week sales nearly 90,000 for the Chinese version in Korea alone. Overdose arrived on May 7, 2014, with 5 tracks led by the title track "Overdose." It debuted at #1 on the Gaon Album Chart, with pre-orders over 650,000 and topping the 2014 annual Gaon sales. Sing for You, released December 10, 2015, contains 5 tracks with double title tracks "Sing for You" and "Unfair." It debuted at #1 on the Gaon Album Chart, with first-week Hanteo sales over 267,900. Universe, a winter special EP with reflective themes, was released on December 26, 2017, featuring 6 tracks led by "Universe." It debuted at #1 on the Gaon Album Chart, with sales over 516,000 on Gaon. The most recent EP, Don't Fight the Feeling, was released on June 7, 2021, with 5 tracks led by the title track "Don't Fight the Feeling." It debuted at #1 on the Circle Album Chart, with first-day Hanteo sales of 647,010 and total sales exceeding 1 million. The lead singles from these EPs, such as "Overdose," have also charted as singles.

Reissues

Exo's reissues consist of repackaged versions of their studio albums, typically released three to six months after the originals to prolong promotional cycles and introduce new title tracks along with additional songs and updated artwork. These editions maintain the core tracks from the parent album while adding exclusive content, primarily in and languages, with no equivalent versions produced. All reissues have achieved positions on the Gaon Album Chart (now known as the Circle Album Chart). The first reissue, XOXO (Repackage)—also promoted under the title Growl—was released on August 5, 2013, as an version of the group's debut studio album XOXO. It included three new tracks, such as the "Growl," which became a breakthrough hit. The album debuted at on the Gaon Album Chart and contributed to the combined sales of over one million copies for XOXO and its repackage by late 2013. In 2015, arrived on June 3 as the repackaged edition of , featuring four new songs including the title track "Love Me Right" and a remix of "Call Me Baby." It topped the Gaon Album Chart upon release, with first-week Hanteo sales exceeding 232,000 copies and contributing to the parent album's total surpassing 1.1 million units combined. 's repackage, titled Lotto, followed on August 18, 2016, adding four tracks such as the hip-hop-influenced lead single "Lotto" and "Lucky One." The album secured the top spot on the Gaon Album Chart, with the Korean and Chinese versions dominating real-time charts; combined with Ex'Act, it sold over 1.17 million copies in 2016 alone. The 2017 reissue The War: The Power of Music, released September 5 as a repackage of The War, incorporated three new tracks including the title song and "Ko Ko Bop (Chinese Ver.)." It held the number one position on the Gaon Album Chart for two consecutive weeks and helped the combined editions exceed 1.59 million sales by year's end. Exo's final reissue to date, Love Shot, was issued on December 13, 2018, repackaging Don't Mess Up My Tempo with four new additions like the R&B track "Love Shot" and "Wait." It debuted at number one on the Gaon Album Chart, selling approximately 412,000 copies in South Korea.
Reissue TitleOriginal AlbumRelease DateKey Added TracksGaon PeakNotable Sales
XOXO (Repackage)XOXOAugust 5, 2013"Growl"#1Contributed to 1M+ combined units
Love Me Right...ExodusJune 3, 2015"Love Me Right"#11.1M+ combined with original
LottoEx'ActAugust 18, 2016"Lotto"#11.17M combined in 2016
The War: The Power of MusicThe WarSeptember 5, 2017"The Power of Music"#1 (2 weeks)1.59M combined
Love ShotDon't Mess Up My TempoDecember 13, 2018"Love Shot," "Wait"#1Approximately 412,000 units in South Korea

Live albums

Exo's live albums capture performances from their Exo Planet concert tours, primarily released in Korean and Chinese editions by . These releases feature audio recordings of key tracks performed during encore concerts, blending popular hits with live arrangements to showcase the group's stage energy. Unlike , they emphasize the dynamic atmosphere of their world tours, with no dedicated Japanese live albums produced to date. The group's first live album, Exology Chapter 1: The Lost Planet, was recorded during their inaugural Exo Planet #1 – The Lost Planet tour encore at Olympic Park in May 2014 and released on December 22, 2014. It includes 36 tracks across two CDs, such as live versions of "Growl," "," and solo performances by members, peaking at number 2 on the Gaon Album Chart and selling 78,946 copies. Subsequent releases continued this tradition, tying directly to the Exo Planet series. Exo Planet #3 – The Exo'rdium [dot] Live Album, from the 2017 encore at Jamsil Indoor Stadium, was released on October 25, 2017, with 31 tracks including "Monster" and "Lotto" in live form, reaching number 1 on the Gaon Album Chart and selling 109,389 copies. Exo Planet #4 – The EℓyXiOn [dot] Live Album, captured from the 2018 Gocheok Sky Dome encore, arrived on January 30, 2019, featuring 35 tracks like "Ko Ko Bop" and "Power," topping the Gaon Album Chart with 202,773 copies sold. The most recent, Exo Planet #5 – EXplOration – Live Album, derived from the 2019 KSPO Dome performances (adapted for online viewing in 2020 due to circumstances), was issued on April 21, 2020, containing 27 tracks such as "Tempo" and "Love Shot," also peaking at number 1 on the Gaon Album Chart but with 20,016 copies sold amid the global pandemic. All albums were distributed in formats including 2-CD sets bundled with photobooks, lyric booklets, and photocards, available primarily through physical retail and online platforms in and . They highlight Exo's evolution across tours, from high-energy choreographed sets to intimate vocal moments, without introducing new original material.
TitleRelease DateRecorded TourTracksPeak (Gaon Album Chart)Sales (Circle Chart)
Exology Chapter 1: The Lost PlanetDecember 22, 201436#278,946
[dot] Live AlbumOctober 25, 201731#1109,389
Exo Planet #4 – The EℓyXiOn [dot] Live AlbumJanuary 30, 2019Exo Planet #4 – The EℓyXiOn35#1202,773
– Live AlbumApril 21, 202027#120,016

Singles

Korean singles

Exo's Korean singles, primarily released in Korean with accompanying Chinese versions for bilingual promotion in the market, have been central to the group's dominance in and since their debut. These promotional tracks, typically serving as title songs from albums and extended plays, have frequently topped or placed highly on the Gaon Digital Chart (renamed in 2022), accumulated millions of digital downloads, and earned certifications from the Korea Music Content Association (KMCA). Many have also secured multiple wins at major award shows, including the Mnet Asian Music Awards (MAMA), highlighting their commercial and critical impact. Post-2020 releases shifted toward digital-only formats, reflecting changes in distribution strategies amid the group's military enlistments. As of November 2025, no new group singles have been released since "". The following table summarizes key Korean singles by EXO, focusing on release details, chart performance, sales metrics, and notable awards. Data emphasizes representative examples of their chart-topping success, with most achieving #1 or top-2 positions on the Gaon/Circle Digital Chart.
TitleRelease DateAlbum AssociationGaon/Circle Digital Chart PeakDownloads/SalesNotable Awards/Certifications
MamaApril 8, 2012Mama (EP)#46N/ADebut single; KMCA none (pre-certification era)
Growl (Chinese: 狼与美女 / Láng yǔ Měinǚ)May 5, 2013XOXO#12.5 millionMAMA Song of the Year (2013); 2× Platinum (downloads)
OverdoseMay 7, 2014Overdose (EP)#11.5 millionTopped Gaon Digital Chart
Call Me BabyApril 29, 2015Love Me Right...#11.5 million#2 on World Digital Song Sales
Love Me RightJune 3, 2015Love Me Right...#11.5 millionTopped Gaon Digital Chart
LottoAugust 25, 2016Ex'Act#11 million+Multiple music show wins
MonsterSeptember 6, 2016Ex'Act#11 million+First #1 on World Digital Song Sales
Ko Ko BopJuly 18, 2017The War#11 million+MAMA Best Male Group; topped Gaon Digital Chart
TempoNovember 7, 2018Don't Mess Up My Tempo#1300K-400K EASTopped Gaon Digital Chart
Love ShotDecember 13, 2018Don't Mess Up My Tempo#155,000 U.S. downloads#1 on World Digital Song Sales
ObsessionNovember 27, 2019Obsession#2300K-400K EASFourth #1 on World Digital Song Sales
Don't Fight the FeelingJune 7, 2021Don't Fight the Feeling#8N/ADebuted at #6 on World Digital Song Sales
Cream SodaJuly 10, 2023Exist#17N/ADaesang at 2023 MAMA Awards; #1 on Billboard Hot Trending Songs
Exo's breakthrough came with "Growl" from XOXO, which amassed 2.5 million downloads and peaked at #1 on the Gaon Digital Chart. "Overdose" (2014) followed, garnering 1.5 million downloads and topping charts in . "Call Me Baby" (2015) and "Love Me Right" (2015) both exceeded 1.5 million downloads each, with "Call Me Baby" reaching #2 on the chart. "Lotto" (2016) and "Monster" (2016) continued the trend, with "Monster" earning the group's first #1 on the chart and over 1 million downloads. In 2017, "Ko Ko Bop" surpassed 1 million downloads and won multiple , including Best Male Group. "Tempo" (2018) and "Love Shot" (2018) from , with "Love Shot" achieving #1 on the chart and 55,000 U.S. downloads. "Obsession" (2019) marked their fourth #1 on the . The digital-only "Don't Fight the Feeling" (2021) debuted at #6 on the . "Cream Soda" (2023) from Exist debuted at #17 on the Circle Digital Chart and won Daesang at the . Bilingual versions, such as the "Growl" (狼与美女), were released simultaneously to target the market, contributing to EXO's pan-Asian appeal. Similar dual-language strategies were used for tracks like "Ko Ko Bop" and "". Overall, these singles have collectively surpassed tens of millions in downloads, establishing as one of 's top-selling acts.

Japanese singles

Exo's foray into the Japanese music market emphasized localization through Japanese-language adaptations of their Korean hits, enabling the group to connect with local fans while leveraging their established popularity. This approach facilitated strong chart performance on the , marking their entry as one of the few acts to achieve top positions early on. Over time, Exo expanded to original compositions, blending their signature style with elements appealing to audiences, such as upbeat rhythms and thematic suited for the market. These singles were typically released in CD+DVD formats, including music videos and exclusive content to boost fan engagement. The group's Japanese singles discography consists of four key releases, with three being versions or adaptations of Korean tracks and one original. Below is a summary of these singles:
TitleRelease DateTypeOricon Weekly PeakEstimated SalesCertificationNotes
Love Me Right Romantic UniverseNovember 4, 2015Japanese version of Korean single "Love Me Right" from the Love Me Right... special album reissue#1305,000Debut Japanese single; released in CD only and CD+DVD editions; topped daily charts for five days and achieved over 146,000 first-week sales.
Coming OverDecember 7, 2016Adaptation of Korean track "Coming Over" from the Sing for You EP#2250,000Platinum (RIAJ)Second single; released in multiple CD+DVD editions; over 140,000 first-week sales; served as a bridge to their growing Japanese fanbase.
Electric KissJanuary 31, 2018Original JapaneseLead single from debut Japanese studio album Countdown; digital and streaming release emphasizing electronic pop elements for market appeal.
BIRDNovember 4, 2019Original Japanese (tied to Korean "Bird" from Obsession album)#350,000+Third physical single; limited edition CD+DVD and CD+Blu-ray available only at live venues and mu-mo SHOP; marked their return after two years with a medium-tempo track featuring fan messages.

Other charted songs

Korean and Chinese songs

In addition to their lead singles, several non-single tracks from EXO's Korean and Chinese-language albums and extended plays have achieved significant chart success on South Korea's Gaon Digital Chart (now known as the Circle Digital Chart), often entering the top 50 without dedicated promotional activities. These B-sides and album cuts have gained popularity through fan support, seasonal relevance, and organic streaming growth, demonstrating the group's depth beyond title tracks. Notable examples include holiday-themed songs that resurge annually and high-energy tracks that resonate with listeners via platforms like . One standout is "The First Snow," a B-side from the Korean EP Miracles in December (2013) and its counterpart Miracles in December (2013). It debuted at No. 2 on the Gaon Digital Chart upon release and later reached No. 1 on the Circle Digital Chart in December 2023, marking a decade-long climb driven by its festive theme and viral challenges among fans. The track also topped Melon's Top 100 chart that month, accumulating over 100 million streams on the platform by early 2024 as a perennial favorite, and continues to chart seasonally as of November 2024. Its version similarly charted in the top 10 on regional digital lists during periods. "Thunder," from the Korean mini-album Overdose (2014) and Chinese Overdose (2014), peaked at No. 4 on the Gaon Digital Chart shortly after release, buoyed by its dynamic production and inclusion in live performances. The song's enduring appeal is evident in its steady streaming performance, contributing to the parent album's digital sales. Another strong performer from the same releases is "Run," which reached No. 7 on the Gaon Digital Chart, highlighting EXO's ability to produce multiple high-charting tracks per project. From later works, "The Eve" (전야), a track on the The War (2017) and Chinese The War (2017), entered the Gaon Digital Chart at No. 9 and maintained presence in the top 20 for weeks, thanks to its orchestral buildup and thematic tie-in to the album's narrative. It has amassed significant streams over the years. More recently, "" from the Exist (2023) and Chinese Exist (2023) debuted at No. 59 on the Circle Digital Chart but quickly rose into the top 50 amid fan campaigns, reflecting ongoing interest in EXO's mature sound; it garnered notable streams on , exceeding 50 million by mid-2024.
Song TitleAlbum/EP (Year)Peak Position (Gaon/Circle Digital Chart)Notable Facts
The First SnowMiracles in December (2013)#2 (2013); #1 (2023)Holiday resurgence; >100M streams; fan-favorite track; continues to chart seasonally as of November 2024.
ThunderOverdose (2014)#4Dynamic B-side; contributed to album's digital sales.
RunOverdose (2014)#7High-energy track; sustained top-20 presence.
The EveThe War (2017)#9Orchestral intro; significant streaming accumulation.
SignExist (2023)Top 50 (post-debut rise)Mature theme; >50M streams by 2024.
These tracks exemplify how EXO's album cuts often outperform expectations, with Chinese versions mirroring Korean chart trajectories on platforms like QQ Music due to bilingual releases.

Japanese songs

Exo's Japanese discography features a modest number of non-single tracks, mainly album cuts and B-sides from singles, which have rarely charted independently on major Japanese charts due to the group's emphasis on singles and full-length releases for promotion in the market. The 2018 studio album Countdown, their first full Japanese album, includes several non-single tracks such as "Coming Over", "Lightsaber", "TacTix", "Into My World", "Lovin' You Mo'", "Run This", and "Cosmic Railway", alongside adaptations of Korean songs like "Love Me Right romantic universe". While the album debuted at number one on the Oricon Weekly Albums Chart, selling approximately 89,000 copies in its first week, individual tracks did not secure separate positions on the Oricon Digital Singles Chart or Billboard Japan Hot 100. Similarly, B-sides from Japanese singles, such as "Drop That" from the 2015 debut single "Love Me Right romantic universe / Drop That", supported the single's strong performance—reaching number one on the Daily Singles Chart with first-week sales of 147,000 copies—but did not chart on their own. This limited charting reflects Exo's smaller output in compared to , where success is tied to collective album and single promotions rather than standalone track releases. Adaptations of Korean hits in Japanese versions, like those on Countdown, gained popularity during fan events and tours but lacked unique chart traction as non-singles.

Non-album releases

Soundtrack appearances

Exo's soundtrack appearances feature contributions from subunits and select members, typically released as digital singles for Korean dramas. These tracks, often romantic ballads, have garnered commercial success on domestic charts and enhanced the emotional depth of their associated media. While full-group OSTs are rare, subunit efforts like those from EXO-CBX highlight the versatility of EXO's vocal line in non-album contexts. The following table lists notable soundtrack singles by EXO subunits or members credited under the group umbrella, focusing on Korean drama releases:
Song TitleRelease DatePerformersAssociated MediaChart Performance
Best Luck (최고의 행운)July 23, 2014, , (SBS drama)#1 on Bugs, Olleh, Genie, and Soribada real-time charts; #2 on and Music real-time charts. Digital format via .
Beautiful (두근거려)April 22, 2015 (web drama)Over 20 million views on as of 2024. Digital OST tied to the group's own project.
For You (너를 위해)August 23, 2016, , ()Moon Lovers: Scarlet Heart Ryeo ( drama)Peaked at #5 on Gaon Digital Chart; #9 on . Performed live at 2016 One Asia Festival. Digital single.
These releases underscore EXO's influence in the K-drama landscape, with tracks like "Best Luck" and "For You" establishing key emotional moments in their respective series while achieving top-tier digital sales in . No Japanese OSTs have been released by the group, and Chinese contributions remain limited to member solos outside full credits.

Upcoming releases

On September 8, 2025, Exo released a teaser depicting a with the caption "DECEMBER 2025" and the phrase "When we become true one, a new world awakens," signaling an upcoming group project with a cosmic exploration theme that builds on motifs from their prior releases. This teaser, shared via official social media channels, generated significant anticipation among fans for the group's return. Subsequently, on October 27, 2025, officially announced that Exo would hold a fan meeting titled 'EXO'verse' on December 14, 2025 (two shows at 2 PM and 7 PM KST), at Inspire Arena in , marking their first group event since completing mandatory obligations. Following the fan meeting, the group is scheduled to release their eighth studio album in the first quarter of 2026, with promotions to commence thereafter; this represents a shift from the initial December timeline indicated in the teaser. The album will feature contributions from six members, amid ongoing resolutions to legal matters involving others. This eighth studio album will be Exo's first full-group release since Exist in July 2023, a period largely influenced by members' military enlistments that postponed collective activities. No additional group projects, such as , singles, releases, or live albums, have been confirmed as of November 2025.

Videography

Korean and Chinese music videos

Exo's Korean and Chinese music videos, produced by , emphasize cinematic storytelling, high-budget special effects, and the group's signature synchronized dance routines, often exploring themes of powers, romance, and youthful . These videos accompany title tracks from singles, , and albums, with parallel Korean (EXO-K) and Chinese (EXO-M) versions released simultaneously to target global audiences, particularly in . Many include additional formats like dance practice videos and repackaged cuts with new footage, contributing to their viral success on platforms like , where select videos have exceeded 300 million views. Directors such as Jo Soo-hyun and Beom-jin J have shaped the group's visual style, blending urban aesthetics with fantastical elements. The following table lists key official music videos for Korean and Chinese releases, focusing on title tracks and select popular B-sides, presented chronologically. Views are approximate as of November 2025, sourced from official YouTube uploads. Chinese versions are listed only where officially produced (up to 2016).
TitleRelease DateDirectorVersionsApproximate Views (YouTube)Concept Description
MAMAApril 7, 2012Kwon Soon-wook (choreography influence)Korean, Chinese160 million (Korean); 110 million (Chinese)Chaotic urban rebellion against conformity, featuring explosive effects and dynamic group formations symbolizing creation and destruction.
GrowlJuly 31, 2013Jo Soo-hyunKorean, Chinese, Repackage (August 2013)340 million (Korean); 110 million (Chinese)One-take continuous shot in a luxurious mansion, depicting confident seduction and wolf-like charisma with seamless transitions between rooms.
Miracles in DecemberDecember 4, 2013UnknownKorean, Chinese130 million (Korean); 85 million (Chinese)Winter ballad visuals with magical realism, showing members using powers to manipulate snow and time in nostalgic, heartfelt scenes.
OverdoseMay 7, 2014Beom-jin J.Korean, Chinese250 million (Korean); 120 million (Chinese)Dark, surreal dream sequences exploring obsession and addiction, with distorted visuals and intense choreography. [Note: Similar style to later works]
Call Me BabyMarch 30, 2015Hong-won (Big Pump)Korean, Chinese150 million (Korean); 80 million (Chinese)Energetic street party vibe with urban nightlife, featuring acrobatic dances and crowd interactions. [Credible K-pop news aggregate]
Lions Heart / Love Me RightJune 3, 2015Beom-jin J.Korean, Chinese120 million (combined); 65 million (Chinese)Dual-concept summer romance with playful beach scenes and heartfelt confessions, using bright colors and group harmonies.
Lucky OneJune 9, 2016UnknownKorean, Chinese140 million (Korean); 75 million (Chinese)Futuristic casino heist with high-tech gadgets and lucky charms, blending luck and fate themes.
MonsterJune 9, 2016Beom-jin J.Korean, Chinese220 million (Korean); 100 million (Chinese)Post-apocalyptic rebellion with explosive action, showcasing members as monstrous anti-heroes in dystopian settings.
Ko Ko BopJuly 18, 2017Sam PattinsonKorean230 million (Korean)Retro summer island escape with tropical vibes, hypnotic dances, and colorful, carefree escapism.
PowerSeptember 5, 2017UnknownKorean160 million (Korean)Explosive superhero narrative with energy blasts and team battles, highlighting individual powers.
TempoNovember 2, 2018Moon DawnKorean190 million (Korean)Elegant jazz club setting with seductive rhythms, featuring sophisticated suits and intimate group dynamics.
Love ShotDecember 13, 2018Wonmo YangKorean260 million (Korean)Dramatic breakup in a stormy, neon-lit world, with intense emotional performances and rain-soaked visuals.
ObsessionNovember 27, 2019Paradigm (Paranoid)Korean150 million (Korean)Psychological thriller with masked figures and reality-bending illusions, delving into fame's dark side.
Don't Fight the FeelingJune 7, 2021UnknownKorean85 million (Korean)Tropical paradise recovery theme post-military, with relaxed vibes and group camaraderie.
Let Me InJune 12, 2023UnknownKorean21 million (Korean)Intimate invitation to deeper connection, with soft lighting and emotional close-ups.
Hear Me OutJune 30, 2023UnknownKorean10 million (Korean)Casual home and bowling outing scenes highlighting group friendship and everyday moments.
Cream SodaJuly 10, 2023UnknownKorean32 million (Korean)Effervescent party atmosphere with fizzy effects and energetic dances, symbolizing addictive joy.
Dance practice videos for nearly all titles, such as "Growl" (over 200 million views), provide behind-the-scenes glimpses into , further boosting engagement. Chinese versions, where applicable, often mirror visuals but incorporate subtle cultural adaptations for markets. Overall, these videos have solidified Exo's reputation for visually stunning content, with production emphasizing narrative depth over mere performance.

Japanese music videos

Exo's Japanese music videos are produced specifically for their Japan-exclusive singles and album promotions, often featuring adaptations of Korean concepts with localized elements such as lyrics, , and settings tailored to appeal to the domestic market. These videos are typically released as part of or album DVDs, with short versions occasionally uploaded to official channels for broader promotion. Unlike their Korean counterparts, Japanese MVs emphasize sleek, performance-driven visuals with futuristic or romantic themes, and they are distributed through , EXO's Japanese label. The debut Japanese single, "Love Me Right romantic universe," released on November 4, 2015, features a music video directed by Hiroshi Usuda that adapts the original Korean version's whimsical, space-themed narrative of love and pursuit, incorporating Japanese dialogue and urban Tokyo settings for localization. The short version of the MV, uploaded to the official Avex YouTube channel, has garnered over 3.2 million views as of 2025. This video was included in the single's DVD editions, highlighting EXO's entry into the Japanese market with a blend of familiar choreography and new cultural touches. Following in 2016, the second single "Coming Over," released on December 7, presents a high-energy party concept in its MV, directed by Takayuki Kono, where the members arrive at a vibrant celebration, symbolizing unity and excitement with neon-lit interiors and group dynamics. The short version on SMTOWN's YouTube channel has exceeded 9.8 million views. Produced as an original Japanese track, the video includes English and Japanese subtitles, and the full version is bundled in the single's DVD, emphasizing promotional ties to Oricon charts. In 2018, "Electric Kiss" from the album COUNTDOWN (released January 31) showcases a futuristic, electric-themed directed by Kei Sakura, with synchronized in stark, high-tech environments that evoke a sense of intense attraction and energy. The short version on SMTOWN's channel has surpassed 33 million views by 2025, establishing it as one of EXO's most viewed visuals. This original track's video, available in full on the album's DVD, features subtitles and subtle nods to aesthetics, such as dynamic . The final major Japanese single to date, "BIRD" (released November 6, 2019), includes an MV on its limited edition DVD that conveys themes of and connection to fans through ethereal, bird-inspired imagery and soft lighting, directed by Nobuyuki Tanaka. While no official upload exists, the video's conceptual focus on uplifting messages aligns with the track's mid-tempo melody, and it incorporates Japanese-exclusive footage from fan events. A 2023 "THE BEST Ver." re-release did not feature a new video but referenced the original. Additional Japanese MVs for album tracks are limited; for instance, the COUNTDOWN album also includes off-shot videos, but no standalone for non-title tracks like "Countdown (Japanese ver.)" were produced. Overall, these seven key visuals (including full and short versions across releases) underscore EXO's strategic adaptation for , with DVDs serving as primary formats for immersive viewing.

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