Firefall
Firefall is an American soft rock band formed in Boulder, Colorado, in 1974.[1] The band was founded by Rick Roberts, formerly of the Flying Burrito Brothers, and guitarist Jock Bartley. Early members included bassist Mark Andes, guitarist Larry Burnett, keyboardist David Muse, and drummer Michael Clarke.[2] Firefall achieved commercial success in the late 1970s with hits such as "You Are the Woman" (1976) and "Just Remember I Love You" (1978), and albums including Firefall (1976), Luna Sea (1977), and Élan (1978), all released on Atlantic Records.[2] After disbanding in 1981, the group reunited in 1992 and has continued touring and recording, with Jock Bartley as the sole remaining original member as of 2025.[3]History
Formation and early years (1974–1975)
Firefall was founded in Boulder, Colorado, in 1974 by singer-songwriter Rick Roberts, formerly of the Flying Burrito Brothers, and guitarist Jock Bartley, previously with Zephyr, initially as a folk-rock project that soon evolved toward soft rock influences.[3][4] The duo connected through mutual associations in the Gram Parsons circle, with Roberts seeking to build on his country-rock roots and Bartley contributing his blues-oriented guitar style honed in Colorado's local scene.[4][5] The initial lineup was assembled through targeted recruitment, adding guitarist and vocalist Larry Burnett, bassist and vocalist Mark Andes from Jo Jo Gunne, drummer Michael Clarke of the Byrds, and multi-instrumentalist David Muse on keyboards, flute, and saxophone to enhance the group's texture.[3][6][4] Roberts and Burnett provided a core of 20-25 original songs from the outset, focusing on melodic structures that emphasized the band's emerging multi-part harmonies, a style shaped by their collaborative rehearsals and shared influences from folk and country traditions.[5][3] Internal dynamics during this period centered on blending individual pedigrees—Roberts's songwriting, Andes's rhythmic foundation, and Clarke's precise drumming—into a cohesive unit, with Muse's addition specifically addressing the need for atmospheric woodwinds and keys to support the vocal interplay.[6][3] The band honed its sound through early gigs in Colorado clubs, including venues in Boulder and Aspen, performing for over a year to refine their harmonious arrangements and stage presence.[3] In early 1975, they recorded a three-song demo produced by Chris Hillman, which led to a pivotal showcase at New York's The Other End, impressing Atlantic Records executives and securing a multi-album contract later that year.[3][4] These pre-debut sessions solidified Firefall's focus on vocal-driven soft rock, setting the stage for their transition to broader recognition in 1976.[3]Breakthrough and commercial success (1976–1978)
Firefall achieved their breakthrough with the release of their self-titled debut album in May 1976 on Atlantic Records, which showcased the band's blend of soft rock and country influences through tracks emphasizing tight vocal harmonies and accessible melodies.[7] The album's lead single, "You Are the Woman," written by frontman Rick Roberts, became their first major hit, peaking at No. 9 on the Billboard Hot 100 and driving significant radio play in the adult contemporary format.[8] This success propelled the album to gold certification by the RIAA on November 3, 1976, for sales exceeding 500,000 copies, later upgraded to platinum.[3] Building on this momentum, Firefall released their second album, Luna Sea, in 1977, which further solidified their reputation for melodic songwriting and harmonious arrangements that resonated in the soft rock scene. The standout single "Just Remember I Love You," co-written by Roberts and Larry Burnett, reached No. 11 on the Billboard Hot 100 and topped the Adult Contemporary chart, contributing to the album's gold certification by the RIAA. Critics praised the record for its polished production and emotional depth, with outlets noting the band's ability to craft radio-friendly tunes that echoed the West Coast sound while standing out through intricate vocal layering.[9] In 1978, Firefall's third album, Élan, marked continued commercial ascent, earning platinum certification from the RIAA on January 10, 1979, for over one million units sold.[10] The album featured "Strange Way," another Roberts composition that peaked at No. 11 on the Billboard Hot 100, highlighting the group's evolving songcraft with its introspective lyrics and soaring choruses.[11] Reception emphasized Firefall's strengths in harmonious vocals and catchy, heartfelt melodies as central to their appeal, distinguishing them amid the era's country rock landscape.[12] Throughout 1976–1978, Firefall toured extensively as an opening act for prominent bands, including Fleetwood Mac on their *Rumours* tour—playing sold-out stadiums like Folsom Field in Boulder in 1977—and the Eagles, which helped cultivate a dedicated fanbase in soft rock and country rock circles.[13][14] These high-profile gigs exposed the band to larger audiences, reinforcing their breakthrough status through live performances that showcased their vocal precision and engaging stage presence.[15]Lineup changes and peak activity (1979–1981)
In 1979, Firefall faced internal challenges during an extensive Japanese tour, where drummer Michael Clarke's excessive drinking led to his departure from the band.[16] The group temporarily hired German drummer Dan Holsten as a substitute, whose playing style closely resembled Clarke's, allowing the band to continue performing without major disruption.[17] Despite these issues, Clarke remained involved in the studio for the band's fourth album, Undertow, which was recorded primarily in Boulder, Colorado, and released in March 1980 on Atlantic Records.[18] The album peaked at number 68 on the Billboard 200 chart, marking a slight decline from prior releases but still demonstrating the band's sustained popularity in the soft rock genre.[18] The lead single from Undertow, "Love That Got Away," written by Rick Roberts, achieved moderate radio airplay and reached number 50 on the Billboard Hot 100, helping to maintain Firefall's presence on adult contemporary stations.[18] Other tracks like "Headed for a Fall" and "Stardust" contributed to the album's cohesive sound, blending the band's signature harmonies with introspective lyrics, though commercial momentum began to soften compared to their mid-1970s peaks.[18] Following the album's completion, bassist Mark Andes announced his exit in late 1980, citing burnout and a desire for new opportunities; he would later join Heart.[19] To stabilize the lineup, Firefall recruited bassist George Hawkins and drummer Tris Imboden, both formerly of Kenny Loggins' backing band, for their next project.[3] This refreshed rhythm section debuted on Clouds Across the Sun, recorded in Boulder and Nashville and released in December 1980, which charted at number 102 on the Billboard 200.[20] The album's single "Staying with It," co-written by Tom Snow and John Parker, garnered radio play and peaked at number 37 on the Billboard Hot 100 in early 1981, while tracks such as "Be in Love Tonight" and the title song underscored the band's evolving West Coast rock style.[20] Throughout 1979–1981, Firefall maintained a rigorous touring schedule across the United States and internationally, including headlining shows at venues like the Tower Theater in Philadelphia (April 1979) and the Royal Oak Music Theatre in Michigan (multiple dates in 1979–1980), as well as opening for acts like Heart and Kenny Loggins.[13] They also performed at festivals, such as the Black Canyon Music Festival in Arizona in May 1981, where their live energy—featuring tight harmonies and extended jams—solidified their reputation as a formidable concert draw despite the subtle commercial slowdown.[21] These tours, often spanning over 100 dates annually, helped sustain fan engagement and provided a platform for promoting their latest material.[13]Decline, breakup, and hiatus (1982–1988)
Following the moderate success of their previous albums, Firefall released Break of Dawn in 1982 as their fifth studio album on Atlantic Records. The album received limited promotion and commercial attention, failing to chart significantly on the Billboard 200, where it peaked outside the top 200. Its lead single, "Always," only reached number 59 on the Billboard Hot 100, underscoring the band's waning popularity. The band continued with their sixth and final album under Atlantic, Mirror of the World, released in November 1983, which adopted a harder rock edge but also failed to achieve commercial success or chart on the Billboard 200. Atlantic dropped Firefall from their roster after this release, citing financial debt and personnel shortages as contributing factors. The period was marked by escalating internal tensions, including lineup instability from frequent member departures, interpersonal conflicts within the band's democratic structure, and issues related to substance abuse. These challenges were compounded by broader shifts in music trends during the early 1980s, as soft rock gave way to the rise of synth-driven new wave, MTV-influenced pop, and more aggressive rock styles, diminishing demand for Firefall's harmonious, folk-inflected sound. Firefall's official breakup occurred amid this turmoil between 1981 and 1983, with co-founder and lead vocalist Rick Roberts exiting after a concert in Maui in 1981, followed by the departure of primary songwriter Larry Burnett. Bassist Mark Andes left to join Heart in late 1981, contributing to the band's albums Passionworks (1983) and beyond. Other members pursued individual endeavors, though Roberts did not release new solo material during this time. The ensuing hiatus from 1984 to 1988 saw no new studio recordings or extensive tours, though guitarist Jock Bartley, the sole remaining original member, sustained occasional one-off performances and regional gigs under the Firefall name with ad hoc lineups, without a major label backing.Reunions and contemporary career (1989–present)
In 1989, Firefall experienced a significant reunion when founding member Rick Roberts rejoined the band after an extended hiatus, revitalizing their live performances alongside leader Jock Bartley.[3] This reunion culminated in the 1992 release of the compilation album Firefall: Greatest Hits by Rhino Records, which included a new track, "Run Run Away," marking their return to recording activity.[3] The band followed with sporadic tours throughout the 1990s and 2000s, focusing on U.S. venues such as fairs, festivals, and clubs, while supporting causes like flood relief through the 1994 album Messenger on Redstone Records.[3] A notable milestone came in 2009 with the release of the live album Firefall Reunion Live on Winged Horse Records, capturing performances that celebrated over three decades of the band's platinum-selling catalog and drawing from concerts featuring original and longtime members.[22] During the 2010s, the lineup stabilized under Jock Bartley's leadership, incorporating reliable contributors including bassist John Bisaha, drummer Sandy Ficca—who had joined in the mid-1980s—guitarist Steve Weinmeister, and vocalist Jim Waddell, enabling consistent touring on nostalgia circuits.[3] Entering the 2020s, Firefall released their first studio album of original material in 26 years, Comet, on December 11, 2020, via Sunset Blvd. Records, featuring tracks like "Way Back When" and covers of influences such as Spirit's "Nature's Way.") The band adapted to contemporary challenges by performing select shows as a trio in 2021, featuring Bartley, keyboardist/vocalist Grass Roots veteran Mark "JB" Johnson, and Weinmeister on bass, maintaining fan engagement amid pandemic restrictions. The band marked its 50th anniversary in 2024 with special celebrations, including live performances and announcements of an upcoming anniversary album with guest musicians, highlighting their enduring legacy since forming in 1974.[23] In 2025, Firefall released Friends & Family 2 on Sunset Blvd. Records, a covers album paying tribute to influences like Stephen Stills, Fleetwood Mac, and Dan Fogelberg, building on their 2023 Friends & Family collection to connect with modern audiences via streaming platforms.[24] The band continued active touring, including a performance at The Center for Arts in Natick (TCAN) on June 26, 2025, where they delivered hits like "You Are the Woman" and "Just Remember I Love You" to enthusiastic crowds.[25] Through these efforts, Firefall has sustained relevance by blending classic rock appeal with digital distribution and targeted nostalgia tours, fostering ongoing fan loyalty.[3]Musical style and influences
Core genre and sound characteristics
Firefall is primarily classified as a soft rock band incorporating country rock and folk elements, characterized by a guitar-driven sound that prioritizes strong melodies and sophisticated multi-vocal harmonies.[26][3] The core of their musical identity lies in the blend of rock edge with folk melodies, creating euphonious and soothing tracks that emphasize acoustic and lead guitars alongside lush instrumentation.[12] Harmonious male vocals form a cornerstone, delivering melodic hooks that contribute to the band's accessible, radio-friendly appeal.[27] Signature sonic elements include multi-part vocal blends, often featuring lead vocals from Rick Roberts and Larry Burnett, which produce rich, layered textures.[12] Flute and keyboard accents by David Muse add a distinctive jazz-inflected dimension, enhancing the atmospheric quality of their arrangements.[26] The band frequently employed mid-tempo ballads centered on romantic themes, such as love and longing, which underscored their mellow pop melodies and emotional depth.[3] In terms of production, Firefall's early work in the 1970s featured organic, warm mixes that captured a live, heartfelt feel, as heard on their 1976 debut album recorded at Criteria Studios.[12] By the 1980s, their sound evolved toward more polished layers, incorporating lush production techniques and tasteful guitar solos for a refined, commercial sheen, evident in albums like Undertow (1980).[27] This progression maintained their core soft rock foundation while adapting to contemporary studio trends. This accessible style positioned Firefall alongside contemporaries like the Eagles, sharing a focus on melodic, harmony-rich songs suited for broad audiences.[26]Key influences and evolution
Firefall's primary influences were rooted in the country rock genre pioneered by acts like the Flying Burrito Brothers, from which founding member Rick Roberts emerged after contributing to their post-Gram Parsons era. The band's melodic style also drew from the folk-rock traditions of the Byrds and Buffalo Springfield, incorporating jangly guitars and introspective lyrics that echoed broader folk luminaries such as Bob Dylan. These elements combined to form Firefall's signature blend of soft rock with country and folk undertones, as the group honed their approach in the vibrant Boulder music scene of the mid-1970s.[3] The Boulder area's folk-jam culture profoundly shaped Firefall's collaborative songwriting, with the band originating from informal jam sessions at Roberts' home that fostered spontaneous creativity and group composition. This environment encouraged a democratic process where members like Roberts and guitarist Jock Bartley exchanged ideas freely, reflecting the era's emphasis on communal music-making in Colorado's thriving folk-rock community. Core vocal harmony techniques, often featuring three-part arrangements, further aligned with influences like Crosby, Stills & Nash, adding emotional layering to their tracks.[28][29][30] Firefall's sound evolved notably across decades, beginning with a 1970s foundation in country-infused soft rock that captured the era's laid-back yet polished aesthetic. By the 1980s, they shifted toward adult-oriented rock (AOR) and pop sensibilities, integrating synthesizers and programmed drums for a more contemporary production, as heard in their 1982 album Break of Dawn. Reunions from the early 2000s onward emphasized a nostalgic acoustic focus, stripping back to guitar-driven arrangements that highlighted their folk-rock origins in live settings.[31][32] In the post-2000 period, Firefall adapted their live performances for evolving audiences by incorporating covers of classic tracks—such as Beatles songs—and refreshed arrangements that blended original material with acoustic reinterpretations, maintaining relevance through a mix of nostalgia and accessibility. This approach allowed them to sustain touring vitality, often "Firefalled up" selections to fit their harmonic style while appealing to both longtime fans and newer listeners. This continued with their 2025 album Friends & Family 2, featuring additional covers of classic tracks in their harmonic style.[32][33][34][35]Band members
Current members
As of 2025, Firefall's active lineup consists of five core members who have driven the band's reunions and ongoing performances since the late 1980s, with Jock Bartley serving as the enduring leader.[3] Jock Bartley, the founding guitarist and vocalist, has been with Firefall continuously since its inception in 1974, providing leadership through multiple lineup shifts and acting as the band's primary songwriter and creative force in recent years.[4] Drummer Sandy Ficca, the longest-serving percussionist, joined in 1984 and has contributed to the band's rhythmic foundation across decades of touring and recordings, including post-reunion efforts.[3][36] Steven Weinmeister handles lead and rhythm guitars, mandolin, bass, and vocals; he joined in May 1993 following the departure of earlier vocalists, bringing stability to the front line and sharing lead vocal duties.[36][37] Jim Waddell provides lead and background vocals, acoustic guitar, keyboards, flute, and saxophone; after initial stints in the 1990s, he officially rejoined in 2022 to bolster live vocal performances and multi-instrumental support.[38][39] John Bisaha serves as bassist and lead vocalist, having joined permanently in July 2022 after substituting for the retiring Mark Andes, adding his experience from The Babys to enhance the band's harmony and low-end drive.[40][41] This lineup collaborated on Firefall's 2025 release Friends & Family 2, a tribute album featuring covers of songs by the band's historical contemporaries like Stephen Stills and Fleetwood Mac, which debuted in May and received praise for its respectful adaptations.[37][42] They have also supported extensive touring in 2025, including shows at venues like the Center for Arts in Natick and Phil Long Music Hall, maintaining the group's classic rock sound for live audiences.[25][39]Former members
Rick Roberts served as Firefall's lead vocalist and rhythm guitarist from 1974 to 1981, and briefly reunited with the band from 1989 to 1992.[43] As a co-founder and primary songwriter, he penned several of the band's signature hits, including "You Are the Woman," "Just Remember I Love You," "Strange Way," and "Colorado," which helped propel Firefall to commercial success with two platinum and four gold albums during his initial tenure.[43] After departing in 1981 amid the band's internal challenges, Roberts pursued a solo career, releasing two albums, and later joined touring bands led by Stephen Stills and Linda Ronstadt, while continuing to write songs recorded by various artists.[43] Larry Burnett, a co-founder and the band's lead guitarist and co-vocalist, contributed from 1974 to 1981.[44] His songwriting and guitar work shaped Firefall's soft rock sound, notably on tracks like "Cinderella" from the 1977 album of the same name, and he shared vocal duties with Roberts on many recordings.[44] Burnett left mid-tour in 1981 to address personal issues, including entering rehabilitation for drug use, after which he worked as a classic rock disc jockey for many years before resuming occasional live performances around 2000, often collaborating with former bandmates.[45][46] Mark Andes played bass and provided backing vocals for Firefall from 1974 to 1980, appearing on the band's first four albums.[19] His experience from earlier bands like Spirit brought a solid rhythmic foundation to Firefall's country-rock blend during their breakthrough years.[19] Andes left after a challenging 1980 tour and album session, subsequently joining Heart as their bassist in the early 1980s, and later reuniting with Spirit while contributing to projects with Stevie Nicks and others.[47][19] He rejoined Firefall in 2014, contributing to tours and the 2021 album Comet, before retiring from touring in 2022. Michael Clarke handled drums for Firefall from 1974 to 1979, bringing his pedigree as an original member of the Byrds to the band's lineup.[48] His steady playing supported Firefall's early albums, including their self-titled 1976 debut, before he departed amid lineup shifts.[48] Clarke continued session work and tours with various acts until his death from liver failure on December 19, 1993, at age 47.[49] David Muse contributed keyboards, flute, and saxophone from 1975 to 1981, adding jazz and progressive elements to Firefall's sound on their initial albums.[50] He later joined the Marshall Tucker Band for two stints (1996–2000 and 2003–2008), performed with artists like Pam Rose and Bertie Higgins, and rejoined Firefall full-time in 2011 until his death from cancer on August 6, 2022, at age 73.[50] Gary Jones served as lead vocalist and guitarist from 2014 to approximately 2021, contributing to tours and the 2021 album Comet.[51] Other short-term members in the 1980s included various vocalists and supporting musicians as Firefall navigated lineup changes and reduced activity, such as session contributors during reunion efforts.[52]Timeline of membership changes
Firefall's original lineup formed in 1974 in Boulder, Colorado, consisting of Rick Roberts on lead vocals and guitar, Jock Bartley on lead guitar, Larry Burnett on lead vocals and guitar, Mark Andes on bass and vocals, Michael Clarke on drums, and David Muse on keyboards and woodwinds.[3][4] In 1980, following a Japanese tour, bassist Mark Andes and drummer Michael Clarke departed the band due to personal differences; they were replaced by bassist George Hawkins and drummer Tris Imboden, marking the first significant shift away from the founding ensemble.[3][4] The classic lineup effectively dissolved in 1981 when Roberts and Burnett exited amid internal tensions and label issues, though Bartley retained the band name and continued performing with a rotating cast of musicians during a period of hiatus and reduced activity through 1988.[3][50][4] A partial reunion occurred in the late 1980s through 1992, with Roberts rejoining Bartley to front the group alongside additional new members, stabilizing the configuration for select performances and contributing to a 1992 compilation release.[3][9] Throughout the 1990s and 2000s, Bartley led various iterations of Firefall, incorporating longtime drummer Sandy Ficca, who joined in 1984, along with other supporting players like Steven Weinmeister (joined 1993) and Jim Waddell (initial stints in 1990s) to maintain touring commitments.[53][3] In the 2010s, the band evolved its lineup with David Muse's full-time return in 2011 and Mark Andes rejoining in 2014, alongside Gary Jones as lead vocalist and guitarist from 2014, forming a stable ensemble with Ficca and Bartley that recorded the 2021 album Comet; Jim Waddell officially rejoined in 2022 following Muse's death, and after Andes retired and Jones departed, John Bisaha joined on bass and vocals in July 2022, establishing the current quintet as of 2025.[3][50][41]Discography
Studio albums
Firefall's studio discography consists of eleven original albums, primarily released during their active periods in the 1970s and 1980s, with later independent efforts reflecting lineup changes and nostalgic projects. These releases showcase the band's evolution from soft rock to more varied influences, achieving commercial success in their early years through Atlantic Records before transitioning to smaller labels.| Album Title | Release Year | Label | Peak Chart Position | Certifications |
|---|---|---|---|---|
| Firefall | 1976 | Atlantic | No. 28 (Billboard 200) | Platinum (RIAA) |
| Luna Sea | 1977 | Atlantic | No. 27 (Billboard 200) | Gold (RIAA) |
| Élan | 1978 | Atlantic | No. 27 (Billboard 200) | Platinum (RIAA) |
| Undertow | 1980 | Atlantic | No. 68 (Billboard 200) | None |
| Clouds Across the Sun | 1980 | Atlantic | No. 114 (Billboard 200) | None |
| Break of Dawn | 1982 | Atlantic | Did not chart | None |
| Mirror of the World | 1982 | Atlantic | Did not chart | None |
| Messenger | 1994 | Redstone | Did not chart | None |
| Comet | 2020 | Independent | Did not chart | None |
| Friends & Family | 2023 | Independent | Did not chart | None (nostalgia project of covers) |
| Friends & Family 2 | 2025 | Independent | Did not chart | None (nostalgia project of covers) |
Live and compilation albums
Firefall's initial compilation album, The Best of Firefall, was released in 1981 by Atlantic Records, collecting key tracks from the band's early studio output spanning 1976 to 1980, including hits like "You Are the Woman" and "Just Remember I Love You."[54] This release served as a retrospective highlighting their pop rock sound during their most commercially active period with the label.[55] In 1992, Rhino Records issued Greatest Hits, an expanded and remastered compilation that built upon earlier collections by incorporating additional selections from the same era, such as "Livin' Ain't Livin'" and "Cinderella," providing fans with a broader overview of the band's chart successes.[56] The album emphasized Firefall's blend of soft rock and country influences, drawing directly from their original studio recordings.[57] The band's sole official live album, Reunion Live, appeared in 2009 via the independent Winged Horse Records, capturing a performance recorded on March 9, 2008, at the Boulder Theater in Boulder, Colorado, as part of reunion activities.[58] Featuring classics like "You Are the Woman," "Strange Way," and "So Long," the recording celebrated over three decades of the band's history and showcased their enduring appeal through extended arrangements.[22] Firefall's live recordings and performances are particularly noted for emphasizing the band's signature vocal harmonies, which create a layered, harmonious texture central to their concerts, though no comprehensive discography of unofficial bootlegs exists.[59]| Album | Release Year | Label | Type | Key Tracks/Notes |
|---|---|---|---|---|
| The Best of Firefall | 1981 | Atlantic | Compilation | "You Are the Woman," "Just Remember I Love You"; focuses on 1976–1980 hits. |
| Greatest Hits | 1992 | Rhino | Compilation | "Livin' Ain't Livin'," "Cinderella"; remastered expansion of early material. |
| Reunion Live | 2009 | Winged Horse | Live | "You Are the Woman," "Strange Way"; recorded 2008 reunion show. |
Singles
Firefall's singles primarily emerged from their Atlantic Records era in the late 1970s and early 1980s, blending soft rock with folk and country influences to achieve moderate commercial success on the Billboard Hot 100 and Adult Contemporary charts. The band's debut single, "You Are the Woman," marked their breakthrough, while subsequent releases like "Just Remember I Love You" and "Strange Way" solidified their presence in the soft rock landscape. These tracks often featured heartfelt lyrics and melodic hooks, contributing to Firefall's reputation for radio-friendly hits. B-sides typically drew from album deep cuts, providing additional glimpses into the band's songwriting range. The following table summarizes Firefall's key singles, including release years, peak positions on major U.S. charts, and notable B-sides where applicable:| Single Title | Release Year | Billboard Hot 100 Peak | Adult Contemporary Peak | B-Side | Album Association (Brief) |
|---|---|---|---|---|---|
| You Are the Woman | 1976 | No. 9 | No. 6 | Sad Ol' Love Song | Firefall |
| Just Remember I Love You | 1977 | No. 11 | No. 1 | Someday Soon | Luna Sea |
| Strange Way | 1978 | No. 11 | No. 24 | Wrong Side of Town | Élan |
| Cinderella | 1977 | No. 34 | No. 27 | You Are the Woman | Luna Sea |
| Livin' Ain't Livin' | 1976 | No. 42 | No. 20 | It Doesn't Matter | Firefall |
| Headed for a Fall | 1980 | No. 35 | No. 29 | Times | Undertow |
| Staying with It | 1981 | No. 37 | No. 46 | Love That Got Away | Clouds Across the Sun |
| Love That Got Away | 1980 | No. 50 | - | So Long | Clouds Across the Sun |