Graham Bonnet
Graham Bonnet (born 23 December 1947) is an English rock singer renowned for his distinctive high tenor voice and extensive career spanning pop, hard rock, and heavy metal genres.[1][2] Born in Skegness, Lincolnshire, he first gained prominence in the late 1960s as part of the pop duo The Marbles alongside his cousin Trevor Gordon, scoring a major UK hit with "Only One Woman" (written by the Bee Gees), which peaked at number 5 on the charts in 1968.[2][3] Transitioning to hard rock in the 1970s, Bonnet launched a solo career with his self-titled debut album in 1977, which achieved significant success in Australia and featured covers like "It's All Over Now, Baby Blue."[2] His breakthrough in the international rock scene came in 1979 when he replaced Ronnie James Dio as the vocalist for Ritchie Blackmore's Rainbow, contributing to the band's Down to Earth album and delivering iconic performances of hits such as "Since You Been Gone" and "All Night Long," including a memorable appearance at the inaugural Monsters of Rock festival at Donington Park in 1980.[2][3] Bonnet departed Rainbow in 1981 amid creative differences but continued to front prominent acts, including the Michael Schenker Group on their 1982 album Assault Attack and Alcatrazz from 1983 to 1987, where he helped establish the band as a key player in the American heavy metal scene, particularly in Japan, with albums like No Parole from Rock 'n' Roll (1983) and Dangerous Games (1986).[2][4] Throughout the 1980s and beyond, Bonnet balanced solo releases—such as Here Comes the Night (1991)[5]—with stints in other groups, including Impellitteri in the 1990s and various supergroups like the Graham Bonnet Band, which remains active into the 2020s with tours and new material.[1][6] His versatile career also includes acting roles in films like Three for All (1975) and contributions to soundtracks, solidifying his legacy as a enduring figure in rock music known for his dynamic stage presence and vocal range.Early life and beginnings
Childhood and early influences
Graham Bonnet was born on 23 December 1947 in Skegness, Lincolnshire, England.[7][8] From a young age, Bonnet showed a strong interest in music, aspiring to become a solo singer inspired by performers such as Paul Anka.[9] His early influences included the operatic tenor Mario Lanza, rock and roll pioneer Buddy Holly, and energetic rocker Little Richard, which introduced him to a mix of classical vocal techniques and rhythmic pop-rock styles.[9] By his early teens, Bonnet had begun performing as a local beat singer in Skegness, where he played guitar—a instrument gifted to him by his mother—at age 14.[10] These initial experiences in the burgeoning 1960s British pop scene helped hone his distinctive vocal delivery, characterized by a blend of rock energy and melodic pop phrasing.[9] This formative period laid the groundwork for Bonnet's entry into professional music, eventually leading to his collaboration in The Marbles.Formation of The Marbles
In 1967, Graham Bonnet teamed up with his cousin Trevor Gordon (born Trevor Grunnill) to form the pop duo The Marbles after Gordon returned to England from Australia, where he had befriended the Bee Gees. The pair, both originating from Lincolnshire, initially performed as part of Bonnet's earlier group, The Graham Bonnet Set, before transitioning to a vocal duo format under the management of record producer Robert Stigwood. Signed to Polydor Records in the UK, The Marbles drew on Bonnet's developing 1960s pop vocal style to create harmonious, Bee Gees-influenced tracks.[11] The duo achieved breakthrough success with their debut single "Only One Woman," released in September 1968 and written by Barry, Robin, and Maurice Gibb of the Bee Gees. The song peaked at No. 5 on the UK Singles Chart, marking their highest chart position and establishing them as rising stars in the British pop scene. Follow-up releases included "The Walls Fell Down" in February 1969, which reached No. 28 on the UK charts, and further singles like "I Can't See Nobody" (a Bee Gees cover), though these failed to replicate the initial impact. The Marbles capitalized on their momentum by touring across Europe and making television appearances on programs such as Top of the Pops, boosting their visibility.[12][13] By 1970, The Marbles experienced a sharp decline due to waning label support from Polydor and Cotillion (in the US), coupled with diminishing chart performance after their early hits. Their self-titled album, released in 1970, featured covers and originals but sold modestly, with no major singles to promote it. The duo disbanded that year, having collectively achieved one top-10 UK single and total chart peaks reflecting limited commercial longevity—primarily driven by "Only One Woman," which also charted in Ireland (No. 8) and the Netherlands (No. 3). Bonnet subsequently pursued a solo career, while Gordon largely retired from music.[14][12]Solo debut and relocation
Following the dissolution of The Marbles, Graham Bonnet transitioned to a solo career, signing with Ringo Starr's independent label Ring O'Records, which was distributed by Polydor. His self-titled debut album, Graham Bonnet, was released in September 1977 and marked a shift toward a more rock-oriented sound while retaining pop sensibilities from his earlier work. The album opened with a cover of Bob Dylan's "It's All Over Now, Baby Blue" and included other tracks like "Will You Love Me Tomorrow" and "Tired of Being Alone," showcasing Bonnet's versatile vocal range over arrangements blending AOR and soft rock elements.[15][16] The album achieved notable commercial success in Australia, where it peaked at number 7 on the Kent Music Report chart and earned gold certification for sales exceeding 20,000 copies. This breakthrough was driven primarily by the lead single "It's All Over Now, Baby Blue," which reached number 3 on the Australian singles chart in November 1977, marking Bonnet's first major hit as a solo artist Down Under. A second single, "High School," also received airplay but did not chart as highly, underscoring the album's regional appeal amid limited promotion elsewhere.[17][16] Buoyed by this Australian momentum, Bonnet relocated to Melbourne in 1978 to pursue further opportunities in the thriving local music scene, residing there through much of the early 1980s. During this period, he recorded his follow-up album, No Bad Habits, released in September 1978 on Mercury Records and produced by Pip Williams, known for his work with Status Quo. The record featured a mix of original material and covers, including a disco-inflected rendition of the Bee Gees' "Warm Ride," originally intended for Andy Gibb, which became Bonnet's biggest solo hit by reaching No. 2 on the Australian charts in August 1978 and pushing the album to number 6.[18][19]Rainbow period
Audition and joining
After Ronnie James Dio departed from Rainbow in 1979, seeking a more accessible sound, Ritchie Blackmore initiated a search for a replacement vocalist.[20] Graham Bonnet, fresh from building momentum in his solo career following a relocation from Australia, received an invitation to audition for the role.[21] Bonnet prepared by studying Rainbow's existing material and performed "Mistreated" during the audition, as he was unfamiliar with the band's other songs at the time.[20] Blackmore selected him immediately from among over 80 candidates, impressed by his vocal range and potential fit despite Bonnet's pop-rock background.[22] Bonnet joined Rainbow in April 1979.) Initial rehearsals highlighted challenges in band chemistry, with Bonnet feeling out of place amid the hard rock intensity; he later recalled, "It felt absolutely wrong for me to be there," as he adapted his style from lighter pop influences to Rainbow's heavier, riff-driven approach.[21] Roger Glover and Blackmore guided him on the songs' origins to ease the transition. Bonnet's first public appearance with the band occurred on 12 January 1979 at the Capitol Theatre in Passaic, New Jersey.[23]Albums and performances
During his tenure with Rainbow, Graham Bonnet contributed vocals to the band's fourth studio album, Down to Earth, released on 3 August 1979.[24] The album marked a commercial breakthrough for the group, peaking at No. 6 on the UK Albums Chart and spending 37 weeks in the top 100.[25] Produced by Roger Glover and recorded primarily in Le Studio, Quebec, with additional sessions in California, it featured Bonnet's integration into the lineup alongside Ritchie Blackmore, Cozy Powell, Bob Daisley, and Don Airey.[26] The album produced Rainbow's first major hit singles, including "Since You Been Gone," a cover of Russ Ballard's 1976 track originally recorded by Argent, which reached No. 6 on the UK Singles Chart in September 1979 and charted for 10 weeks.[27] Another single, "All Night Long," followed in early 1980, further boosting the album's radio play and sales. Bonnet's performance on these tracks showcased his powerful, high-register vocal delivery, which contrasted with the band's previous operatic style under Ronnie James Dio and brought a more accessible hard rock edge.[24] Critics noted this shift as a factor in the album's polished sound, with Bonnet's timbre adding a fresh dynamic that aligned with the era's AOR trends.[28] Rainbow supported Down to Earth with extensive touring from late 1979 through 1980, encompassing over 100 dates across Europe and the United States.[29] The Down to Earth Tour kicked off in North America in January 1979, shortly after Bonnet joined, with performances at venues like the Capitol Theatre in Passaic, New Jersey.[23] European legs followed in March 1979 and intensified in 1980, including headline shows at Wembley Arena and the inaugural Monsters of Rock festival at Donington Park in August 1980, where Bonnet's commanding stage presence—marked by his James Dean-inspired look and energetic delivery—helped captivate large crowds.[26] Setlists typically blended material from Down to Earth, such as "Eyes of the World" and "No Time to Lose," with earlier Rainbow classics like "Man on the Silver Mountain" and Deep Purple-era staples, emphasizing Bonnet's ability to handle the band's demanding high-range melodies live.[30] Bonnet's vocal evolution during this period highlighted his wide range and emotive phrasing, evolving from his pop-oriented Marbles days to a harder-edged style suited to Rainbow's symphonic hard rock framework.[31] This adaptation was praised for enhancing the band's live energy, though some reviews critiqued the album's more commercial direction as diluting its progressive roots.[32] Overall, Bonnet's contributions elevated Rainbow's visibility, with Down to Earth achieving gold status in the UK and solidifying the band's arena-headlining status.[33]Departure and impact
Bonnet departed from Rainbow in August 1980, midway through the recording sessions for the band's fifth studio album, Difficult to Cure, after contributing to initial recordings including an early version of the opening track "Spotlight Kid," though all vocals were ultimately completed by replacement vocalist Joe Lynn Turner. The split stemmed from creative differences with guitarist Ritchie Blackmore, particularly regarding songwriting contributions and the band's evolving musical direction toward more orchestral and commercial elements.[34][35] Following his exit, Bonnet's visibility in the hard rock scene surged, bolstered by Rainbow's recent commercial breakthrough with Down to Earth (1979), which had peaked at No. 6 on the UK Albums Chart. This exposure opened doors for high-profile collaborations and solidified his reputation as a versatile vocalist capable of handling arena-rock anthems.[28] The long-term repercussions of Bonnet's Rainbow tenure were profound, with "Since You Been Gone"—a Russ Ballard cover from Down to Earth that reached No. 6 on the UK Singles Chart and No. 57 on the US Billboard Hot 100—emerging as his enduring signature song. It has remained a staple in his live performances across subsequent projects and inspired numerous covers, including versions by Head East (No. 46 US in 1978) and Cherie & Marie Currie (No. 95 US in 1979), while also gaining renewed cultural traction in media like the 2023 Guardians of the Galaxy Vol. 3 trailer. For Rainbow, Bonnet's departure prompted Blackmore to recruit Joe Lynn Turner as vocalist, steering the band into a polished AOR sound on albums like Difficult to Cure (1981) and achieving further hits such as "I Surrender."[36][28] In later interviews, Bonnet has reflected candidly on the experience, expressing regret over the brevity of his two-year stint despite its successes. He has described himself as "an idiot" for quitting after minimal involvement in Difficult to Cure and admitted, "I really didn't think I belonged," highlighting his initial outsider status in the heavy rock world.[35][37]Michael Schenker Group
Collaboration origins
Following his departure from Rainbow in 1980, Graham Bonnet pursued solo work before joining the Michael Schenker Group (MSG) in early 1982. He was approached about the role through a connection with drummer Cozy Powell, a former bandmate from Rainbow who had joined MSG in 1981 after Michael Schenker's split from UFO in 1978. Powell invited Bonnet to attend an MSG show at The Country Club in Los Angeles, where he sought Bonnet's assessment of the band and proposed that he replace vocalist Gary Barden, amid rumors of Barden's impending exit. Bonnet accepted the offer, initiating a brief collaboration that paired his soaring, versatile vocals with Schenker's intricate guitar leads to forge a signature hard rock intensity.[38] Although Powell had been part of the lineup, he departed during pre-production of the new album due to scheduling conflicts. Bonnet received urgent demo tapes from Schenker featuring three unfinished tracks, which he developed into full songs while staying at former Rainbow bassist Roger Glover's home. The group then convened for initial rehearsals in London with the revised lineup of Schenker (guitar), Bonnet (vocals), drummer Ted McKenna, and bassist Chris Glen, where they refined the material and gelled as a unit, emphasizing Bonnet's ability to complement Schenker's solos with emotive phrasing. Bonnet contributed significantly to songwriting by crafting lyrics and melodies for Schenker's initial riffs.[38] News of Bonnet's enlistment spread quickly through rock media outlets, generating anticipation for the revamped MSG as a powerhouse supergroup assembly of talents from UFO, Rainbow, and beyond, promising a fresh evolution in hard rock.[39]Key albums and tours
Bonnet's brief tenure with the Michael Schenker Group (MSG) resulted in his lead vocals on the band's third studio album, Assault Attack, released in October 1982 on Chrysalis Records. Produced by Martin Birch (with brief contributions from Gary Barden on promotional tracks), the album featured Bonnet's powerful vocals on tracks such as "Assault Attack," "Dancer," and "Desert Song," blending hard rock energy with melodic hooks that showcased his range from soaring leads to layered harmonies. The record peaked at No. 19 on the UK Albums Chart and reached No. 151 on the US Billboard 200, praised for its raw intensity and Bonnet's vocal prowess despite lineup tensions.[40][41] MSG undertook tours in 1982 supporting Assault Attack across the UK, Europe, the US, and Japan, building a dedicated fanbase through high-octane live sets. These performances earned acclaim for Bonnet's live vocal highlights, particularly his high harmonies that elevated Schenker's solos, contributing to the group's commercial momentum and enduring fan reception as a pinnacle of 1980s hard rock.[42]Group dissolution
The Michael Schenker Group's tenure with vocalist Graham Bonnet ended amid escalating internal tensions in 1982, shortly after the release of their album Assault Attack. These conflicts were compounded by lineup instability, including Cozy Powell's prior departure, as well as Michael Schenker's well-documented struggles with substance abuse, particularly heroin addiction, which disrupted band cohesion and performances.[43][44] The decisive incident occurred during a concert at Sheffield City Hall on October 15, 1982, when Bonnet, intoxicated from heavy drinking that afternoon, suffered a wardrobe malfunction that caused his pants to split, inadvertently exposing himself to the crowd mid-performance. This farcical mishap prompted Schenker to fire Bonnet immediately after the show, effectively dissolving Bonnet's involvement with the group.[4][45] Bonnet's only contributions to MSG came through his lead vocals on Assault Attack, produced by Martin Birch. Despite the abrupt split, Bonnet later reflected that there was no personal animosity toward Schenker, viewing the episode as a mutual shift toward new directions rather than irreparable conflict.[4][44] This departure marked Bonnet's immediate pivot to forming Alcatrazz, a new hard rock outfit where he took on a more prominent leadership role. Retrospectively, Bonnet has described his MSG period as a pinnacle of his hard rock career, enhancing his reputation for powerful vocals in high-energy collaborations with guitar virtuosos like Schenker.[4][45]Alcatrazz years
Band formation
Following his departure from the Michael Schenker Group, Graham Bonnet sought to form a new band that would showcase his vocal style in a fresh heavy metal context. In 1983, Bonnet co-founded Alcatrazz in Los Angeles alongside keyboardist Jimmy Waldo and bassist Gary Shea, both formerly of the melodic rock band New England.[46] The lineup was completed with drummer Jan Uvena, previously of Iron Butterfly, and Swedish guitarist Yngwie Malmsteen, who had recently exited Steeler.[46] This supergroup assembly aimed to blend virtuoso instrumentation with Bonnet's established presence as a frontman.[47] Bassist Gary Shea suggested the band name "Alcatrazz," intentionally misspelling the infamous prison's name to evoke a rebellious, hard-edged image suited to the era's heavy metal aesthetic.[46] The group quickly secured a deal with Rocshire Records, positioning them for a strong entry into the U.S. market.[48] Early rehearsals emphasized a dynamic sound, with Bonnet's melodic, pop-rock-inflected vocals contrasting Malmsteen's emerging neoclassical guitar techniques influenced by classical composers like Paganini and Bach.[49] Songwriting during this formative period was collaborative, primarily driven by Bonnet and Malmsteen, who co-wrote most tracks, with Waldo contributing keyboards and arrangements to several songs for added depth. This process fused Malmsteen's intricate, speed-metal riffs with Bonnet's accessible, hook-driven melodies, creating a hybrid style that appealed to both hard rock and progressive metal audiences.[50] As a teaser, Alcatrazz released the debut single "Island in the Sun," which highlighted the band's polished production and set the stage for their full-length album by generating early buzz through radio play and MTV exposure.[51]Studio albums and lineup shifts
Alcatrazz released their debut studio album, No Parole from Rock 'n' Roll, in 1983 on Rocshire Records, featuring Graham Bonnet on lead vocals, Yngwie Malmsteen on guitar, Jimmy Waldo on keyboards, Gary Shea on bass, and Jan Uvena on drums.[48] The album included the track "Island in the Sun," which highlighted Malmsteen's neoclassical guitar style alongside Bonnet's powerful vocals.[48] To support the release, the band embarked on tours in the US and Japan, including a notable Japanese run in early 1984 that was captured in the live recording Live Sentence.[46][52] Following the debut's success, Malmsteen departed the band in 1984 to pursue a solo career, citing creative differences and a desire for greater prominence.[53] He was replaced by guitarist Steve Vai, who joined for the second studio album, Disturbing the Peace, released in 1985 on Capitol Records.[54] The album retained Bonnet's vocal duties and the core rhythm section, with tracks such as "God Blessed Video" and "Mercy" showcasing Vai's technical prowess in a more melodic hard rock vein.[55] The band toured extensively to promote it, including performances in the US and a return to Japan in 1985, where live footage from Tokyo demonstrated the new lineup's energy.[56][46] Vai's tenure ended shortly after, leading to another lineup shift with Danny Johnson taking over guitar duties for the third and final 1980s studio album, Dangerous Games, issued in September 1986 on Capitol Records.[46] Bonnet remained the steadfast frontman, delivering vocals on songs like "It's My Life" and the title track, which leaned toward a more commercial AOR sound amid the band's evolving style.[57] Tours followed in support, encompassing dates in the US and Japan, though the album's reception was mixed due to shifting musical trends.[46] Persistent member turnover and declining sales ultimately led to Alcatrazz's breakup in 1987.[46]Hiatus and 2021 reunion
Following the release of their third studio album, Dangerous Games, in 1987, Alcatrazz disbanded amid internal tensions and shifting musical priorities among its members.[58] Founding vocalist Graham Bonnet shifted focus to his solo career during this period, releasing the album The Day I Went Mad in 1990 through MCA Records and collaborating with groups such as Impellitteri on their 1992 debut Stand in Line and Blackthorne on Afterlife in 1993. The band remained inactive as a collective entity for nearly two decades, with occasional interest in revivals sparked by fan demand but no full reformation until the mid-2000s. In 2006, Bonnet revived performances under the moniker Alcatrazz featuring Graham Bonnet, touring with rotating lineups including guitarists Howie Simon and Glen Sobel through 2014, primarily playing classic material from the band's 1980s era to enthusiastic audiences in Europe and Japan.[59] This iteration emphasized Bonnet's role as the frontman while highlighting the enduring appeal of Alcatrazz's neoclassical heavy metal sound. A notable milestone came in 2017 with a one-off reunion of original members Bonnet, keyboardist Jimmy Waldo, and bassist Gary Shea for three shows in Japan as part of Bonnet's tour, joined by drummer Mark Benquechea and guitarist Conrado Pesinato; the performances were later documented on the live album Parole Denied – Tokyo 2017.[59] The band's full reformation occurred in 2019, reuniting Bonnet, Waldo, and Shea with guitarist Joe Stump and Benquechea, leading to the studio album Born Innocent on July 31, 2020, via Silver Lining Music—their first new material since 1987.[60] However, creative differences prompted Bonnet's departure in December 2020, shortly after the album's release and amid the COVID-19 pandemic's disruptions to touring.[61] The remaining core members—Waldo, Shea, Stump, and Benquechea—quickly announced Scottish vocalist Doogie White (formerly of Rainbow and Yngwie Malmsteen) as Bonnet's replacement, framing the move as a commitment to the band's legacy despite the challenges of the global health crisis. This 2021 lineup solidified the band's revival, culminating in the release of their fifth studio album, V, on October 15, 2021, through Silver Lining Music—marking 34 years since their last full-length effort and their first without Bonnet.[62] The album featured 11 tracks blending neoclassical elements with modern heavy metal, receiving praise for White's dynamic vocals and the rhythm section's tight execution.[63] Motivations for the reunion included strong fan demand for new Alcatrazz music, as evidenced by sold-out shows from the 2017 Japan dates and positive reception to Born Innocent, alongside pandemic-induced reflections that encouraged Waldo and Shea to preserve the band's history rather than let it fade.[47] Post-release, Alcatrazz toured Europe in summer 2022, including festivals like Sweden Rock, and the United States in fall 2022, with subsequent North American dates in 2024; these outings showcased setlists heavy on classics like "Island in the Sun" alongside V material.[64] As of 2025, Alcatrazz remains active under the Waldo-Shea leadership, having parted ways with White and recruited vocalist Giles Lavery; they released the re-recorded classics collection Prior Convictions on November 7 via BraveWords Records, accompanied by an extensive European tour in late 2025 and plans for a new studio album in 2026.[65]Later career
Solo projects and side bands
Following the hiatus of Alcatrazz in the late 1980s, Graham Bonnet returned to solo endeavors with the 1991 album Here Comes the Night, released by Victor Entertainment in Japan. The record featured ten original hard rock tracks, including "Hiroshima" and "Maria's Song," emphasizing Bonnet's signature high-range vocals over melodic guitar riffs and anthemic choruses.[66] In 1993, Bonnet collaborated with heavy metal guitarist Chris Impellitteri on the EP Victim of the System, providing lead vocals for all four songs on the JVC release. Tracks like the title song and "Visual Prisoner" highlighted Bonnet's dynamic delivery paired with Impellitteri's neoclassical shredding, marking a brief but impactful side project in the power metal genre. The EP's promotion included a short tour across Japan and the U.S., showcasing the material live.[67] Bonnet's solo output continued with Underground in 1997, a self-produced effort distributed through niche labels that blended hard rock with subtle AOR influences across ten tracks. Two years later, he delivered The Day I Went Mad in 1999, his most guest-heavy solo album of the era, produced by Kevin Valentine and featuring renowned musicians such as ex-Kiss guitarist Bruce Kulick on the title track, Cactus/ Vanilla Fudge bassist Tim Bogert, Blue Murder bassist Tony Franklin, and Guns N' Roses guitarist Slash on "Oh! Darling." The album's hard rock energy and all-star contributions earned praise for revitalizing Bonnet's career momentum.[68] Throughout the 2000s and into the early 2010s, Bonnet maintained a lower profile with fragmented activities, including guest vocals on select tracks and occasional live spots. Notable appearances included lead vocals on tracks such as "Coronation" and "Palace Guard" from Lyraka's 2010 debut Vol. 1. Compilations like the 2017 box set Flying... Not Falling (1991-1999) repackaged his 1990s solo material, providing a retrospective overview of this period's output with remastered audio and bonus content. Sporadic live shows, often as a special guest at rock festivals or with ad-hoc bands, kept Bonnet active without a full touring commitment.[8][69]Graham Bonnet Band activities
The Graham Bonnet Band was established in 2016 as a dedicated ensemble to deliver live performances and recordings drawing from Bonnet's full career, including stints with Rainbow, the Michael Schenker Group, and Alcatrazz.[70] The initial lineup featured Bonnet on lead vocals, longtime bassist Beth-Ami Heavenstone, lead guitarist Conrado Pesinato, rhythm guitarist and keyboardist Tommy Denander, and drummer Mark Zonder, emphasizing a stable core for consistent touring and studio work.[70] This formation followed a phase of more scattered solo endeavors, offering Bonnet a unified outlet to showcase his vocal range across eras.[71] The band's debut release, The Book, arrived on November 4, 2016, via Frontiers Music Srl, blending fresh originals like "Eyes of the World" with reinterpreted classics such as Rainbow's "All Night Long" and "Since You Been Gone."[72] Building on this, their 2018 follow-up Meanwhile, Back in the Garage shifted to entirely original compositions, including tracks like "Situation" and "The Thing," produced with input from Heavenstone and Pesinato to highlight Bonnet's enduring hard rock style.[73] These albums marked a creative resurgence, prioritizing melodic hooks and guitar-driven energy without relying on past hits for filler.[74] Since inception, the Graham Bonnet Band has undertaken annual international tours, centering sets on staples from Rainbow (e.g., "Long Live Rock 'n' Roll") and Alcatrazz (e.g., "Island in the Sun"), while maintaining lineup consistency through core members and selective guests like keyboardist Jimmy Waldo for special engagements.[75] This approach has ensured dynamic shows that appeal to longtime fans, with performances often extending to Japan and Europe for multi-night residencies.[76] Particularly during the period following Alcatrazz's earlier hiatus, with the band's 2017 reunion shows and subsequent activities up to Bonnet's departure after the 2020 album, the Graham Bonnet Band sustained Bonnet's prominence by filling the gap with steady output and roadwork, preventing career stagnation amid band tensions and the COVID-19 disruptions.[77] Through these activities, it solidified Bonnet's status as a active hard rock figure into his later years.[78]Recent releases and tours (2010s–2025)
In the 2010s, the Graham Bonnet Band continued to build on Bonnet's legacy with the release of their debut album The Book in 2016, followed by the live recording Live... Here Comes the Night in 2017, captured during a performance at the Frontiers Rock Festival in Italy and featuring classic tracks from his Rainbow and Alcatrazz eras alongside band originals.[79] This live effort highlighted Bonnet's enduring vocal power and stage presence, blending high-energy renditions of hits like "All Night Long" and "Eyes of the World." The band's sophomore studio album, Meanwhile, Back in the Garage, arrived in 2018, delivering 13 new hard rock tracks with melodic hooks and Bonnet's signature range, produced by Alessio Menconi and emphasizing themes of resilience and rock 'n' roll grit. Entering the 2020s, Bonnet's involvement with Alcatrazz yielded the reunion album Born Innocent in 2020, reuniting him with founding members Jimmy Waldo and Gary Shea for a collection of 10 tracks that revisited the band's neoclassical metal roots while incorporating modern production.[80] Although Bonnet departed the group shortly after amid lineup disputes, material from this release and earlier Alcatrazz catalog, including staples like "Island in the Sun," became staples in his Graham Bonnet Band sets, bridging his band history with contemporary performances. The Graham Bonnet Band followed with their third studio album, Day Out in Nowhere, in 2022, featuring guest appearances from alumni like Michael Schenker and showcasing Bonnet's collaborations across his career.[81] From 2023 to 2025, the Graham Bonnet Band maintained a rigorous touring schedule, including a return to the UK in 2025 after a two-year hiatus, with dates supporting a Michael Schenker Group Assault Attack celebration and headline shows across Scotland and England.[82] Highlights included performances at venues like Slay in Glasgow and Manchester Academy 3 in October 2025, delivering sets heavy on Rainbow and Alcatrazz classics.[83] On October 13, 2025, the Graham Bonnet Band announced their new live album Lost in Hollywood Again, set for release on December 12, 2025, via Frontiers Music Srl, recorded from recent U.S. and European performances and including fan-favorite covers like "Since You Been Gone."[84] In interviews around this period, Bonnet reflected on his six-decade career, noting non-stop touring since 2012 and his gratitude for performing with guitar legends like Ritchie Blackmore and Yngwie Malmsteen, while expressing no plans to retire at age 77.[22]Discography
Solo albums
Graham Bonnet's solo discography spans several decades, marked by periods of activity interspersed with his commitments to prominent rock bands such as Rainbow and Alcatrazz. His solo work often features a mix of original material and covers, showcasing his versatile vocal style in hard rock and pop rock genres. The debut album achieved notable success in Australia, establishing Bonnet as a solo artist before his band collaborations took precedence.[85][86]| Album Title | Release Year | Label | Key Notes |
|---|---|---|---|
| Graham Bonnet | 1977 | Epic | Debut solo studio album; peaked at No. 20 on the Australian charts; produced by David Hitchcock; standout tracks include the Bob Dylan cover "It's All Over Now, Baby Blue" (Australian single No. 3) and "Will You Love Me Tomorrow?"; featured session musicians like Ray Fenwick on guitar. |
| No Bad Habits | 1979 | Mercury | Second studio album; peaked at No. 6 in Australia and No. 51 in the UK; produced by Pip Williams; standout tracks include "Night Games" (Australian single No. 14) and "Can't Complain"; included covers like "Warm Ride" (Bee Gees) and Bob Dylan’s "I'll Be Your Baby Tonight."[87][88] |
| Line-Up | 1981 | Vertigo | Third studio album; peaked at No. 62 in the UK; produced by John Eden and Francis Rossi (Status Quo); featured musicians from Nazareth and Cozy Powell on drums; standout tracks include "Night Games" (re-recorded) and "S.O.S."[89] |
| Here Comes the Night | 1991 | Victor (Japan) | Fourth studio album; Japan-exclusive release; produced by Kevin Chalfant and others; standout tracks include "Something About You" and "Here Comes the Night"; focused on melodic hard rock with guest appearances.[90] |
| Underground | 1997 | Victor (Japan) | Fifth studio album; Japan release; produced by Danny Johnson; reunited Bonnet with Alcatrazz guitarist Danny Johnson; standout tracks include "Underground" and "Love You to Pieces"; emphasized hard rock sound. |
| The Day I Went Mad | 1999 | Mercury (Japan) | Sixth studio album; Japan release; produced by Kevin Chalfant; featured guests like Slash (guitar on title track) and Vivian Campbell; standout tracks include "The Day I Went Mad," "Don't Look Down" (David Bowie cover), and "Desert Song." |