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Greenwitch

Greenwitch is a children's fantasy novel by British-American author Susan Cooper, first published in 1974 by Atheneum Books as the third volume in her five-book *The Dark Is Rising* sequence.^[1] The story follows the Drew siblings—Simon, Jane, and Barney—along with the young Old One Will Stanton, as they return to the Cornish coastal village of Trewissick to recover a priceless golden grail stolen by the forces of the Dark, under the guidance of their great-uncle Merry.^[2] Central to the narrative is the titular Greenwitch, a massive effigy constructed annually from local greenery as part of a village ritual to ensure a good fishing season; in this tale, it unexpectedly awakens with ancient, vengeful power drawn from the ocean depths and the unpredictable Wild Magic of the earth, becoming a pivotal force in the ongoing cosmic struggle between the Light and the Dark.^[2]^[3] Set against a backdrop steeped in British folklore, mythology, and Arthurian legend, Greenwitch explores themes of balance between opposing forces, the intersection of everyday childhood with supernatural destiny, and the redemptive potential of empathy and understanding—even toward misunderstood entities.^[4] The novel's atmospheric tension builds through its evocative depiction of Cornwall's rugged landscape and the eerie rituals of its inhabitants, blending contemporary realism with elements of high fantasy.^[4] Jane Drew emerges as a key protagonist in this installment, tasked with forging an unlikely alliance that underscores the series' motif of ordinary individuals contributing to the defense of the Light.^[2] Upon release, Greenwitch was well-received for its lyrical prose and intricate world-building, earning recognition as a School Library Journal Best Book of the Year and an International Literacy Association/Children's Book Council Children's Choice.^[2] It contributes to the broader acclaim of Cooper's sequence, which has influenced generations of fantasy literature through its masterful portrayal of mythic battles in a modern setting.^[5]

Introduction

Overview

Greenwitch is a contemporary fantasy novel for young adults written by Susan Cooper and published in 1974 by Atheneum Books as the third installment in her five-book The Dark Is Rising Sequence.^[2] The book blends elements of myth and adventure in a modern setting, contributing to the series' overarching conflict between the forces of Light and Dark.^[2] Susan Cooper, born in 1935 in Burnham, Buckinghamshire, England, is a British-American author renowned for her works that intertwine Arthurian legends with contemporary narratives.^[6] After emigrating to the United States in 1963 to marry Nicholas J. Grant, a professor of metallurgy at the Massachusetts Institute of Technology, Cooper settled in Massachusetts and continued her writing career, which was influenced by her transatlantic experiences and a deep interest in folklore.^[6] At its core, Greenwitch follows the Drew children—Simon, Jane, and Barney—alongside the young Old One Will Stanton as they travel to Cornwall, England, where they encounter ancient powers tied to a traditional local ritual featuring a sea effigy known as the Greenwitch.^[2] Spanning 147 pages in its original edition, the novel targets middle-grade to young adult readers, ages 8-12, emphasizing themes of adventure, magic, and personal moral development.^[7]^[8]

Publication details

Greenwitch was first published in the United States on April 17, 1974, by Atheneum Books.^[9] The United Kingdom edition appeared later that year from Chatto & Windus.^[10] Subsequent editions include a Puffin paperback released in 1977.^[11] Later reissues encompass a 2000 paperback reprint from Margaret K. McElderry Books and a 2019 paperback from Puffin featuring an introduction by Robert Macfarlane. Digital e-book and audiobook formats became available in the 2000s, with the audiobook, narrated by Alex Jennings, issued by Listening Library in 2007.^[12]^[13] While Greenwitch itself received no individual literary awards, it forms part of The Dark Is Rising Sequence, which earned a Newbery Honor for The Dark Is Rising in 1974 and a Newbery Medal for The Grey King in 1976. The series achieved significant commercial success, selling millions of copies worldwide by the late 20th century, with no major controversies or bans associated with the books.^[14]

The Dark Is Rising Sequence

Series overview

The Dark Is Rising Sequence is a five-volume fantasy series by British-American author Susan Cooper, spanning the years 1965 to 1977. The novels in publication order are Over Sea, Under Stone (1965), The Dark Is Rising (1973), Greenwitch (1974), The Grey King (1975), and Silver on the Tree (1977).^[15]^[16] At its core, the series depicts an eternal mythological conflict between the Light—embodied by ageless guardians called Old Ones, including the mentor figure Merriman Lyon and the young Will Stanton—and the encroaching forces of the Dark, which seek to overwhelm the world in chaos. This central mythology draws deeply from Arthurian legends, Celtic folklore, and Welsh traditions, weaving in motifs such as enchanted artifacts and prophetic figures to frame the cosmic struggle.^[16]^[17] The story progresses across the volumes in a largely chronological manner, with occasional overlapping timelines that connect events; the initial books center on the ordinary Drew siblings—Simon, Jane, and Barney—who stumble into the conflict during a Cornish holiday, while subsequent installments increasingly emphasize Will Stanton's awakening as the final Old One and his pivotal quests. Recurring themes highlight the potency of ancient magical signs, such as the Grail and the Harp, which hold the key to tipping the balance; the essential role of unassuming children thrust into otherworldly battles; and the seamless fusion of mid-20th-century British daily life with timeless supernatural elements.^[16]^[18]

Greenwitch's role in the series

Greenwitch occupies the third position in Susan Cooper's five-book The Dark Is Rising sequence, published in 1974, following Over Sea, Under Stone (1965) and The Dark Is Rising (1973), and preceding The Grey King (1975) and Silver on the Tree (1977).^[19] It serves as a narrative bridge between the initial recovery of the Grail in the first book—where the artifact is ultimately stolen by agents of the Dark—and the escalating cosmic conflict introduced in the second, by reuniting the Drew siblings (Simon, Jane, and Barney) with the Old One Will Stanton and the wizard Merriman Lyon in Cornwall.^[19] This reunion advances the overarching quest for the Things of Power, as the children seek a lost manuscript from the Greenwitch, a seasonal sea spirit, to decipher the Grail's inscription and reclaim its full significance for the Light.^[20] In terms of character development, Greenwitch links the human protagonists from the series' opening to its mystical core, shifting emphasis to Jane Drew as a central figure whose empathy enables the group's partial success, contrasting the male-dominated perspectives of the prior volumes.^[20] Jane's interactions highlight her intuitive role among the Drews, fostering connections that recur in later books like Silver on the Tree, while Will's involvement integrates the Old Ones' ancient struggle with the children's contemporary adventures.^[19] This development underscores the sequence's progression from localized mysteries to a unified battle against the Dark. Plot-wise, the novel resolves the incomplete victory of Over Sea, Under Stone by addressing the Grail's compromised state and sets up the Welsh mythology in The Grey King through hints of broader alliances and powers.^[19] It features Wild Magic as a neutral, primal force embodied by the Greenwitch, operating outside the Light-Dark binary and complicating the moral framework established earlier, which influences the series' climax in Silver on the Tree.^[20] Among the sequence's innovations, Greenwitch marks the first substantial focus on a female lead in Jane, emphasizing themes of compassion and the unintended repercussions of wielding magic, elements that shape the emotional depth of subsequent installments.^[20] This approach enriches the narrative's exploration of human agency within an epic fantasy, distinguishing it from the more quest-driven structure of the preceding books.^[19]

Narrative elements

Plot summary

The Drew children—Simon, Jane, and Barney—return to the coastal village of Trewissick in Cornwall during their Easter holiday, ostensibly for a family vacation but soon drawn into a quest by their great-uncle Merriman Lyon to recover a priceless golden grail stolen by agents of the Dark, along with its accompanying manuscript needed to decipher its secrets. Reuniting with Will Stanton, the young Old One who aided them in previous encounters with the forces of evil, the children become entangled in an ancient struggle between Light and Dark, where local folklore and supernatural powers converge.^[2]^[21] Upon arrival, the group settles into a rented house, where Merriman reveals the urgency of retrieving the manuscript, which holds critical knowledge for the Light's battle against encroaching darkness. Will, possessing innate powers as an Old One, senses the manuscript's location tied to the sea, while the children adjust to the familiar yet eerie Cornish landscape. Jane, the middle sibling, is unexpectedly invited by local women to observe a secretive nighttime ritual on the cliffs, where they construct the Greenwitch—a towering effigy woven from branches, twigs, and wild greenery, traditionally cast into the ocean as an offering for good fortune and a bountiful fishing season. Overcome by the ritual's primal energy, Jane whispers a compassionate wish to the lonely, sentient figure, forging an unwitting empathetic bond that later proves pivotal.^[7]^[9]^[21] As the Greenwitch is hurled into the waves, it unexpectedly seizes the lost manuscript from its underwater hiding place, drawing the attention of both Light and Dark forces. The effigy, animated by unpredictable Wild Magic—a neutral, elemental power unbound to either side—retreats to the ocean depths, guarding the document with fierce protectiveness. Merriman dispatches Will and the boys on a perilous underwater quest using magical aids, where they confront ancient sea entities, including the benevolent goddess Tethys, who reveals glimpses of the manuscript's encoded prophecy but warns of the Wild Magic's volatility. Meanwhile, Jane's connection allows her visions of the Greenwitch's pain and isolation, stemming from eons of ritual sacrifice without true freedom.^[2]^[21]^[7] Complicating the pursuit is an agent of the Dark disguised as a mild-mannered landscape painter, who lodges nearby and subtly manipulates events through enchanted paintings that summon illusions and control minds, briefly ensnaring Barney in a trance. Merriman provides cryptic guidance, drawing on his vast knowledge as an ancient ally of the Light, while Will employs his growing abilities to counter the painter's spells and navigate the mystical undercurrents. Jane's empathy deepens into a direct confrontation, as she appeals to the Greenwitch's desire for autonomy, leading to a tense underwater alliance amid swirling sea powers and ghostly Norse guardians evoked by the effigy's petulant whims.^[9]^[21] The resolution unfolds with Jane's selfless sacrifice of a personal treasure, convincing the Greenwitch to relinquish the manuscript in exchange for a moment of genuine joy, averting a catastrophic unleashing of Wild Magic that could tip the balance toward the Dark. Though the Light secures a partial victory by obtaining the document's secrets, the encounter leaves emotional scars—highlighting the toll of magic on ordinary lives—and foreshadows greater threats in the ongoing war, with the grail's power still contested.^[2]^[7]^[21]

Characters

The protagonists of Greenwitch include the Drew siblings—Simon, Jane, and Barney—who return from their earlier adventures as ordinary children thrust into the supernatural conflict between the Light and the Dark. Simon, the eldest, serves as the rational leader among the three, often relying on logic and initiative to navigate challenges, while demonstrating a degree of free will in his actions alongside his siblings.^[19] Jane, the empathetic middle child, takes a central role in this novel through her intuitive sensitivity to the mystical elements around her, sensing the otherworldly nature of key figures early on.^[20] Barney, the youngest, brings an intuitive perspective to the group, contributing to their collective efforts in uncovering hidden truths.^[19] These siblings, introduced in the first book of the sequence as relatively underdeveloped characters, receive more nuanced portrayal here, allowing their personalities to emerge more distinctly.^[22] Will Stanton, an 11-year-old boy revealed as the last of the Old Ones, plays a pivotal role with his emerging powers, including abilities suggestive of telepathy, under the guidance of his mentors.^[19] His dual nature as both a child and an ancient being creates internal tension as he grapples with his responsibilities in the cosmic struggle.^[19] The mentors include Merriman Lyon, an ancient wizard and Old One who acts as the strategic guide for the protagonists, posing as the Drew children's great-uncle Merry to maintain his human alias.^[19] Merriman employs ritualistic knowledge and spells to direct the quest, serving as a bridge between the human and immortal realms.^[19] Antagonists are represented by agents of the Dark, including an unnamed painter who operates with sneaky opportunism, using his artistic talents to advance malevolent aims, alongside broader implied forces of darkness that oppose the Light's objectives.^[19] Other figures encompass local human elements, such as Aunt Jane, Merriman's sister and the Drew children's great-aunt, who integrates them into the Cornish community under her alias.^[19] Mythical beings include Tethys, a sea goddess embodying elemental forces, who holds connections to oceanic secrets and influences the narrative's supernatural dynamics.^[20] The Greenwitch itself is a non-human entity, a seasonal spirit with tragic sentience marked by profound loneliness, which elicits a compassionate response from human observers.^[20] Character developments in Greenwitch highlight Jane's evolution from a passive observer to an active participant, driven by her compassion that fosters a unique bond with the Greenwitch and deepens her engagement with the mystical world.^[20] Will's arc emphasizes his growing mastery over his powers amid the strain of his hybrid identity, underscoring the personal costs of his predestined role.^[19]

Themes and analysis

Mythological influences

The novel Greenwitch incorporates Celtic and Arthurian mythology by portraying the Old Ones as timeless guardians akin to Arthurian knights defending Britain against encroaching darkness, with their quests mirroring the chivalric ideals and magical interventions found in medieval romances. Merriman Lyon explicitly embodies the Merlin archetype, a wise enchanter guiding young protagonists, a realization that Cooper described as emerging spontaneously during the writing of the sequence. This framework draws from traditional sources like The Mabinogion and Malory's Le Morte d'Arthur, blending historical Arthur as a Dark Age war leader with mythic elements of prophecy and enchantment to underscore themes of legacy and resistance.^[22]^[23]^[24] Cornish folklore shapes the novel's ritualistic elements, with the fictional village of Trewissick modeled after Mevagissey, a coastal community Cooper visited in her youth, evoking local legends of maritime mysticism and seasonal customs. The Greenwitch effigy ritual parallels broader British pagan traditions of the Green Man, a foliate figure symbolizing rebirth and fertility, often featured in May Day pageants where garlanded figures or effigies are paraded and symbolically offered to earth or water for bountiful harvests. These practices, rooted in pre-Christian agrarian rites, infuse the story's annual ceremony with authentic regional flavor, grounding the supernatural in Cornwall's cultural heritage.^[22]^[25]^[20] Classical mythology influences the portrayal of primordial forces, particularly through Tethys, invoked as the ancient Greek Titaness of the sea and consort of Oceanus, embodying inexorable natural powers that predate organized conflict. This figure, tied to the Greenwitch's awakening in the novel, represents a neutral, life-giving yet destructive essence beyond human or mythic binaries. Similarly, the Wild Magic unleashed by the Greenwitch evokes the unpredictable, amoral spirits of nature in Hesiod's Theogony and Ovid's Metamorphoses, where elemental deities like nymphs and Titans disrupt order with chaotic vitality.^[20] Broader mythological currents inform the sequence's cosmology, including the Light-Dark dualism, which draws from Celtic traditions of opposition such as the Children of Don versus the Children of Llyr, adapted to frame an ongoing, inconclusive struggle rather than absolute victory. Female archetypes further reflect fertility goddesses across traditions, such as the Greek Demeter's cycles of loss and renewal or Celtic figures like Danu, paralleled in Cornish piskies as mischievous nature sprites guarding wild places. These influences enrich the novel's exploration of gender, power, and the untamed aspects of existence.^[20]^[23]

Symbolism of the Greenwitch

The Greenwitch serves as a life-sized effigy constructed annually by the women of the fictional Cornish village of Trewissick from twigs, leaves, vines, and other natural materials, embodying a springtime ritual where it is cast into the sea to invoke good fortune, abundant harvests, and prosperous fishing yields.^[20] In Susan Cooper's novel, this traditional figure is animated by Wild Magic—a primal, neutral force independent of the opposing powers of Light and Dark—transforming it into a sentient entity driven by the intense pain inflicted during its hasty assembly, which instills a vengeful autonomy reflective of nature's raw, uncontrollable essence.^[20] Symbolically, the Greenwitch embodies the untamed aspects of nature and the potency of female power, manifesting as an active representation of the earth's and sea's collective forces, often tied to the Celtic Divine Feminine.^[20] It personifies repressed emotions and ecological dynamics, serving as a vessel for Wild Magic that contrasts the structured, purposeful magic of the Light with chaotic, impartial natural energies unbound by moral binaries.^[20] This duality highlights themes of harmony with the environment, where the Greenwitch's infusion of Wild Magic underscores nature's indifference to human conflicts while amplifying the disruptive potential of exploited natural resources.^[20] In the narrative's cosmic struggle, the Greenwitch functions as a guardian of hidden knowledge, its actions propelled by the torment of creation, which critiques humanity's domineering relationship with the natural world and advocates for empathetic engagement as a means to unlock deeper truths.^[20] Jane Drew's intuitive connection to the figure illustrates how understanding and compassion, rather than coercion, can bridge the gap between human intent and natural autonomy, revealing the Greenwitch's secrets and reinforcing the novel's emphasis on relational balance over conquest.^[20] The Greenwitch draws cultural parallels to British pagan traditions, including effigy rituals akin to the Green Man archetype in folklore, which symbolizes seasonal rebirth and the cyclical vitality of vegetation, as well as witch figures associated with earth-centered worship and the dual-edged nature of sacrificial rites that sustain yet harm.^[20] These elements critique the ambivalence of such customs—vital for communal renewal but inherently cruel in their objectification of natural forms—echoing broader motifs in Celtic mythology where female deities like Tethys represent ancient sea powers intertwined with terrestrial fertility.^[20]

Reception

Initial critical response

Upon its release in 1974, Greenwitch garnered praise for its atmospheric tension and the pivotal role played by Jane Drew in bridging the ordinary world and the supernatural conflict. Kirkus Reviews commended the supernatural elements, describing them as "sharply drawn and breathtakingly impressive," with particular emphasis on the eerie Greenwitch figure and its association with ghostly Norsemen.^[9] Critics also appreciated the novel's strong sense of place in Cornwall, evoking the moral depth of ancient folklore intertwined with modern settings, which enhanced the series' immersive quality without recapping prior events. The book advanced the overarching Light-Dark struggle effectively for returning readers, maintaining momentum in the sequence. It was recognized as a School Library Journal Best Book of the Year and an International Literacy Association/Children's Book Council Children's Choice.^[26]^[2] However, some reviews pointed to shortcomings in the abstract framing of the Light-Dark conflict, deeming it vague and distancing, with Will Stanton's powers occasionally functioning as a deus ex machina that reduced stakes despite the "earth-shaking fireworks." The New York Times published a contemporary assessment by Eleanor Cameron, reflecting on the story's integration of myth and character dynamics amid these cosmic forces.^[9]^[27] In libraries across the UK and US, Greenwitch was well-received as an accessible entry for young readers, bolstered by the series' rising profile after The Dark Is Rising earned a Newbery Honor in 1974, contributing to sustained circulation and the sequence's expanding popularity through the 1970s.^[28]

Legacy and modern views

The Dark Is Rising sequence, including Greenwitch, has left a lasting mark through its adaptations into other media, which have helped sustain interest in Cooper's mythological world-building. The 2007 film The Seeker: The Dark Is Rising, directed by David L. Cunningham, loosely adapts elements from multiple books in the series, incorporating aspects of the quest narrative and magical artifacts seen in Greenwitch alongside the core plot from The Dark Is Rising.^[29] BBC radio dramatizations of the series have brought elements of Cooper's themes of ancient magic and moral conflict to audio audiences.^[30] These adaptations, while not always faithful to the source material, have introduced Cooper's themes of ancient magic and moral conflict to new generations. Scholarly analysis in the 2010s and beyond has highlighted Greenwitch's feminist undertones, particularly in Jane Drew's character arc, where her empathetic connection to the titular figure represents a bridge to the Celtic Divine Feminine, empowering her amid a predominantly male quest narrative.^[20] Studies on gender and empowerment in the sequence have examined Jane's role in Greenwitch, noting its position within the series' patriarchal structures of the Light and Dark.^[31] Environmental readings have linked the Greenwitch's wild magic—tied to the sea, earth, and natural cycles—to broader ecological concerns, interpreting her as a symbol of untamed nature's power and vulnerability in the face of human and supernatural disruption.^[20] In modern reception, Greenwitch maintains strong appeal among readers, evidenced by its 4.0 out of 5 average rating on Goodreads from over 32,000 reviews, where fans often commend its atmospheric blend of folklore and personal growth.^[5] The book received renewed attention through reissues, including the 2023 editions by Margaret K. McElderry Books commemorating the 50th anniversary of The Dark Is Rising, which feature updated introductions emphasizing the series' timeless environmental and mythical resonance.^[32] Fan discussions frequently explore the ambiguity of the Wild Magic unleashed by the Greenwitch, debating its neutrality between Light and Dark as a metaphor for uncontrollable natural forces.^[33] The cultural legacy of Greenwitch extends to its influence on young adult fantasy, where Cooper's integration of Celtic myths and moral dualism paved the way for later works like Rick Riordan's Percy Jackson series, which similarly revitalizes ancient lore for contemporary quests.^[34] Susan Cooper's receipt of the 2012 Margaret A. Edwards Award from the American Library Association for the entire sequence retroactively elevated Greenwitch's visibility, recognizing its enduring contribution to teen literature through themes of identity and cosmic balance.^[35]

References

[1]
Greenwitch by Cooper, Susan - Hardcover - AbeBooks
In stock $6.50 deliveryTitle: Greenwitch ; Publisher: Atheneum, New York ; Publication Date: 1974 ; Binding: Hardcover ; Edition: First edition.
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Greenwitch | Book by Susan Cooper | Official Publisher Page
The Drew siblings must face a powerful creature from the ocean depths to reclaim the golden grail in this third installment of Susan Cooper's epic and award- ...
[3]
Greenwitch - Books of Wonder
In stock 6–8 day deliveryThe Greenwitch springs to life with vengeful power and is called forth from the ocean depths by the Dark to set loose the unpredictable Wild Magic of the earth.
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Greenwitch by Susan Cooper - She Reads Novels
Aug 28, 2020 · This is an atmospheric and eerie story, steeped in magic and ancient folklore. The 'Greenwitch' of the title is a giant effigy in the form of a woman made of ...
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Greenwitch (The Dark is Rising, #3) by Susan Cooper | Goodreads
Rating 4.0 (31,989) Jan 1, 1974 · Simon, Jane, and Barney, enlisted by their mysterious great-uncle, arrive in a small coastal town to recover a priceless golden grail stolen by the forces of ...
[6]
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In 1963 Susan left England to marry an American, a professor at the Massachusetts Institute of Technology, and went to live in the USA. She continued to write ...
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Greenwitch Book Review | Common Sense Media
Rating 4.0 · Review by Tara L. RiveraAuthor : Susan Cooper · Illustrator : Alan Cober · Genre : Fantasy · Book type : Fiction · Publisher : Simon & Schuster · Publication date : January 1, 1973 · Number ...Missing: novel biography
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Imagine evil incarnate, fighting for its very life, having no better agent than the skulking, unreliable landscape painter. Cooper never lets us forget that ...Missing: details | Show results with:details
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In stock $30.19 deliveryTitle: Greenwitch ; Publisher: Chatto & Windus, London ; Publication Date: 1974 ; Binding: Hard Cover ; Edition: First Edition.
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Dec 15, 2018 · Susan Cooper has sold more than 2 million copies of her The Dark is Rising sequence. 172) Hans Domink (2 million+). German SF pioneer Hans ...
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May 31, 1996 · Susan Cooper, with her The Dark is Rising Sequence. The first book was published in. 1965. The sequence is made up of five books--Over Sea ...
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The Dark Is Rising: Overview and Context. Susan Cooper's The Dark Is Rising sequence consists of five books, beginning with Over. Sea, Under Stone (1965) and ...
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Nov 25, 2017 · Susan Cooper wrote The Dark is Rising Sequence starting in 1965 and ... These novels are also a combination of Welsh mythology and Arthurian ...
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[PDF] Object and Character in The Dark Is Rising - VTechWorks
The meanings behind Cooper's Things of Power, however, are not so clearly defined. For example, the role of the grail, as seen in Greenwitch, seems very ...<|control11|><|separator|>
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[PDF] Jane Drew and the Celtic Divine Feminine in Susan Cooper's THE ...
Jane's relationships with Greenwitch and the Lady allow her to become the human connection to both aspects of the Celtic Divine Feminine which has guided and ...
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Jane attends a women-only all-night festival that involves the making of something called “the Greenwitch”, made of rock and branches. Tentatively she makes a ...Missing: summary - - - - | Show results with:summary - - - -
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Because she had to fly to California, I missed Susan Cooper on my first trip to the Boston area to interview authors. ... series The Dark Is Rising. Composed of ...
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From the Grail to the Globe | Children and teenagers - The Guardian
Jan 21, 2000 · The five interlocking novels that make up Susan Cooper's classic fantasy sequence The Dark is Rising represent a powerful reworking of the quest for the Holy ...
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Carved figures of the Green Man appear on our churches and cathedrals yet this is an ancient pagan symbol of rebirth, traditionally associated with May Day.
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"Susan Cooper is one of the small and very select ... School Library Journal. Though "the ... Sherman, review of Greenwitch, p. 85; June, 2002 ...
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"Greenwitch by Susan Cooper." New York Times, May 4, 1974: 43. "The ... "Sharp Up!" [letter] School Library Journal, 19 (January 1974): 4. "Afterward ...
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Dec 11, 2013 · The Dark Is Rising author recalls the events that fired her creative instincts as a child, and the importance of books and libraries in building a rich inner ...
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The Seeker: The Dark is Rising (2007) - Moria Reviews
Feb 1, 2009 · The series consists of Over Sea, Under Stone (1965), The Dark is Rising (1973), Greenwitch ... The Seeker: The Dark is Rising is a film adaptation ...<|separator|>
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Dec 12, 2023 · ... (2019). In 2017 he received The E. M. Forster ... The Dark is Rising: Susan Cooper, Natalie Haynes, Simon McBurney and Robert MacFarlane.Missing: Greenwitch | Show results with:Greenwitch
[29]
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Jan 1, 2009 · Reviewers, critics, and readers of Susan Cooper's "The Dark is Rising" sequence have widely varying opinions of her work.
[30]
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Sep 26, 2023 · Susan Cooper. This fall, Simon & Schuster imprint Margaret K ... Greenwitch; The Grey King, winner of the 1976 Newbery Medal; and ...<|separator|>
[31]
Greenwitch by Susan Cooper: Dark, Light, and Wild Magic
Apr 19, 2022 · While Greenwitch has no real language or violence, there are a number of scenes that may disturb some readers. These include the scene where the ...Missing: controversies | Show results with:controversies
[32]
Young Adult Literature: Mythology | Research Starters - EBSCO
Susan Cooper delved into Celtic myth and Arthurian legend for her ... Rick Riordan's Percy Jackson and the Olympians series consists of five books ...
[33]
Susan Cooper wins 2012 Edwards Award for The Dark Is Rising ...
Jan 23, 2012 · The award is named in honor of the late Margaret A. Edwards, a pioneer in providing library services to young adults. Through her work at Enoch ...