Fact-checked by Grok 2 weeks ago

Grooverider

Raymond Bingham (born 16 April 1967), better known by the stage name Grooverider, is a British DJ and producer from , . He began his career DJing at illegal raves and warehouse parties in the late 1980s before gaining prominence through residencies at nightclub alongside , where they shaped the transition from hardcore techno to and . Regarded as originators of the drum and bass scene, Grooverider and received the Outstanding Contribution award from in 2015 for their foundational role in developing the genre. Grooverider's sets at Rage, starting in 1991 at Heaven nightclub, became a laboratory for experimental breakbeat sounds, influencing countless artists and events in the electronic music underground. His production work and DJ residencies extended the genre's reach, with notable appearances at festivals and awards like the Drum and Bass Awards. In 2008, Grooverider faced a significant setback when he was arrested and sentenced to four years in prison in Dubai for possession of marijuana and illegally importing it into the United Arab Emirates, highlighting risks faced by international DJs in strict jurisdictions. Despite such challenges, Grooverider has maintained influence in , participating in anniversary events and collaborations that underscore his enduring legacy in electronic music's evolution.

Early Life and Background

Childhood in and Initial Musical Exposure

Raymond Bingham, professionally known as Grooverider, was born on 16 April 1967 in , a district in characterized by its diverse post-war immigrant communities, including significant numbers of families who arrived via the Windrush generation. 's local culture featured vibrant street parties and gatherings where mobile sound systems dominated, delivering high-volume and tracks that emphasized heavy basslines and rhythmic experimentation. These events, common in Caribbean-influenced neighborhoods during the 1970s, provided Bingham's initial immersion in music's communal and technical aspects, fostering an appreciation for complex polyrhythms and amplified audio setups over mainstream radio fare. By the early 1980s, as a teenager, Bingham's musical interests expanded to include imported American records and emerging electronic sounds, accessed through London's underground network of stations broadcasting from and other areas. Stations like those playing —obscure , , and cuts—introduced him to eclectic selections that bridged older black music traditions with nascent imports from , often aired in short, unlicensed bursts to evade authorities. This exposure highlighted the fusion potential of breakbeats and synthesized elements, setting the stage for his later explorations without formal training, as pirate signals offered unfiltered access to vinyl rarities unavailable in commercial outlets.

Formative Influences from Reggae and Early Electronic Music

Born Raymond Bingham in 1965 to Jamaican immigrant parents in , Grooverider grew up immersed in the city's vibrant scene, particularly through sound systems prevalent in areas like , where heavy basslines and rhythmic experimentation dominated local culture. This environment fostered an early appreciation for reggae's emphasis on sub-bass frequencies and live mixing, drawing from Jamaican traditions that prioritized technical manipulation of recordings over static playback. Key influences included dub pioneers such as and , whose innovations in the —employing echo chambers, spring reverb, and selective muting to deconstruct vocal tracks into instrumental versions—provided a blueprint for isolating and reworking rhythmic . These techniques causally shaped Grooverider's later handling of percussive elements, translating 's spatial effects and version excursions into electronic dissection, as evidenced by the enduring impact of such methods on dance music's evolution from organic improvisation to programmed precision. By the mid-1980s, Grooverider shifted toward early electronic imports, favoring tracks from labels like for their relentless four-on-the-floor rhythms and synthesized basslines, which offered a mechanical contrast to reggae's live-wire variability. He eschewed mainstream pop in favor of underground white-label pressings and test pressings, gauging viability through direct club playback and crowd reactions at pre-rave venues, a practice that highlighted technical innovation over commercial polish. This extended to imports around 1987–1989, where artists like Derrick May emphasized futuristic, hi-hat-driven propulsion, influencing his preference for tracks that prioritized sonic architecture and minimalism in groove construction.

Entry into the DJ Scene

First Gigs and Rave Culture Involvement

Grooverider, born Raymond Kingsley, initiated his live DJ performances at illegal raves and warehouse parties across in the late , coinciding with the burgeoning movement. These early appearances typically occurred in unlicensed venues, where he honed fundamental mixing techniques using vinyl records imported from and , focusing on and early tracks. By 1988, as the scene escalated following the importation of the sound from the , Grooverider secured slots at prominent outdoor and warehouse events organized by key promoters. He performed at , an urban-oriented rave series led by promoter Jarvis Sandy, which drew diverse crowds seeking high-energy sets amid the era's warehouse illicit gatherings. Similarly, he featured at Sunrise events, large-scale parties that attracted thousands and exemplified the shift toward mass raves around the M25 orbital motorway. Crowd responses during these sets provided direct feedback, influencing track selections toward those eliciting sustained dancing, as empirical energy on the floor dictated adjustments in real-time amid basic equipment constraints like dual turntables for seamless transitions. This period marked his transition from pirate radio exposure on stations like Phase One to professional live engagements, building a through consistent appearances at events scaling from hundreds to thousands in attendance.

Partnership Formation with Fabio

Fabio, born Fitzroy Francis, and Grooverider, born Raymond Bingham, first crossed paths in the mid-1980s through the station Faze 1 (also known as Phase One) in , , where both contributed as DJs specializing in . Their early interactions occurred amid the burgeoning rave circuits, characterized by illegal warehouse parties and events, fostering a shared affinity for electronic sounds that emphasized rhythmic drive over mainstream house conventions. The duo's formal partnership coalesced around 1985-1988 at Mendoza's, an unlicensed in serving as an after-hours venue following larger events like and . Initially experimenting with back-to-back sets on Monday nights, which drew scant crowds before unexpectedly swelling after midnight, they expanded to multiple weekly sessions, distributing flyers at venues like The Trip to build attendance. This collaboration was propelled by mutual recognition of diverging tastes: a preference for harder, faster breakbeat-infused tracks and dub-heavy edits that contrasted with the vocal-oriented dominating downstairs scenes, signaling an evolution toward proto-hardcore and elements. By the early 1990s, their complementary expertise solidified the duo—Grooverider's specialized command of breakbeats and soulful influences paired with Fabio's versatile fusion of genres—leading to joint residencies, including at Rage's Star Bar starting in , where packed rooms validated their approach through consistent overflow crowds shifting from main floors. This synergy, rooted in underground networks rather than formal agreements, positioned them as pioneers in accelerating the sound's intensity.

The Rage Period and Genre Evolution

Establishment of Rage at Heaven Club

Rage was launched as a weekly Thursday night event at Heaven nightclub in central London in October 1988, initially featuring DJs such as Colin Faver and Trevor Fung before Fabio and Grooverider solidified their roles as resident selectors from 1989 onward. The night operated consistently for approximately five years, concluding in 1993, and drew crowds seeking high-energy electronic music amid London's burgeoning rave scene. Heaven's subterranean position beneath Charing Cross railway arches fostered an immersive, cavernous environment that amplified bass frequencies and encouraged uninhibited audience responses, free from external commercial pressures. Early sets at emphasized and tracks, with and Grooverider curating lineups that progressively incorporated elements, as evidenced by preserved tape recordings of sessions from to revealing accelerating tempos exceeding 160 . This empirical shift in playback speeds and track selection—documented through fan-archived set lists featuring rapid breakbeats and distorted basslines—mirrored real-time crowd feedback, where enthusiastic reactions to faster, more aggressive cuts incentivized DJs to push boundaries beyond standard and conventions. The venue's policy of minimal interventions, prioritizing extended sets over themed visuals or strict door policies, created a laboratory-like setting for sonic experimentation, directly influencing the mutation of imported into distinctly variants. Operational success stemmed from Rage's capacity to fill Heaven's main room—estimated at over 1,800 attendees per event based on the club's structural limits—week after week, sustaining a loyal following through word-of-mouth and taped set distributions that amplified its reputation as a testing ground for nascent genres. This unpretentious approach, devoid of corporate sponsorships, allowed direct causal links between audience energy and musical innovation, as slower tracks yielded to high-tempo hybrids in response to dancefloor dynamics rather than predefined trends.

Shift from House/Techno to Jungle and Drum and Bass

By mid-1993, during the Rage nights at , Grooverider's DJ sets evolved from and foundations to incorporate breaks rooted in and traditions, accelerating these elements through techniques such as slicing and rearranging the to form proto- rhythms at tempos exceeding 160 BPM. This technical manipulation—chopping breakbeats from sources like tracks and layering them over accelerated patterns—prioritized rhythmic complexity over melodic structures, creating syncopated, high-energy grooves that emphasized causal drive through percussion science rather than mere cultural blending. Archived Rage tape tracklists from February 1993, such as those featuring "Junglelistic" by The Good, 2 Bad And The Hugly and "Strange Greetings" by Bay-B-Kane, provide empirical evidence of this shift, showcasing darker, tech-infused sounds with pronounced sub-bass frequencies that contrasted sharply with the lighter, four-on-the-floor pulse of prevailing . Grooverider's selections amplified sub-bass emphasis, drawing from dub-derived low-end theory to engineer resonant depths that propelled the genre's sonic identity, leading to a perceptible split where techno-house elements receded in favor of dominance. Grooverider actively curated imports from labels like Shut Up and Dance, integrating their reggae-infused rave tracks—such as early breakbeat experiments—which supplied raw material for this evolution and established a causal pathway toward structured production by highlighting viable -bass hybrids in live contexts. This curatorial focus on underground B-sides and instrumental dubs, rather than vocal A-sides, underscored a deliberate of intensity, where slicing and bass reinforcement generated emergent genre traits independent of oversimplified fusion narratives.

Production and Discography

Key Albums and Original Tracks

Grooverider's sole full-length studio album, Mysteries of Funk, was released on September 28, 1998, via Higher Ground in collaboration with Sony Music Entertainment. The 13-track album, co-produced with Optical, features prominent singles such as "Rainbows of Colour" and emphasizes layered breakbeats with heavy sub-bass emphasis typical of the evolving sound. Key tracks include "Cybernetic Jazz," noted for its syncopated rhythms and atmospheric pads, and "Time & Space," which incorporates warped vocal samples over rolling percussion. The production prioritizes rhythmic complexity through chopped Amen breaks and hardware-sourced bass design, achieving a dense, immersive texture over melodic foreground elements. Prior to the album, Grooverider released standalone productions under the alias Codename John, including the 1997 single "The Warning" on his Prototype Recordings label. This track employs a gradual tension build via filtered synths and a recurring "warning" vocal hook, transitioning into -influenced beats with minimalistic yet aggressive low-end frequencies. Its break programming features reprogrammed drum slices for erratic swing, contributing to the track's dark, foreboding energy that foreshadowed the album's style. No major chart success was recorded for these releases, though they garnered acclaim within underground circles for advancing techstep subgenres.

Singles, EPs, and Collaborations

Grooverider's early production efforts emphasized aggressive, hardcore-infused tracks, beginning with the collaborative single "" alongside , released in 1990 on Perception Records. This 12-inch vinyl featured pounding beats and proto-rave energy, reflecting the duo's transition from roots to emerging styles, and was pressed in limited quantities typical of underground labels at the time. In 1993, operating under the alias Inta Warriors—a collective including Grooverider—he released "Your Love Is Yours" on Dee Jay Recordings, a characterized by raw breakbeats and vocal samples that aligned with the burgeoning sound's emphasis on speed and aggression. This track, alongside "Dreams of Heaven" from the same project, demonstrated early experimentation with darker timbres and rhythmic complexity, influencing subsequent subgenre shifts toward harder-edged . Collaborations with extended into additional "" iterations, such as Rage 3 on Perception Records, which incorporated evolving elements and reinforced their role in pushing boundary-testing productions during the early era. These releases, while not commercially chart-topping, gained traction through club play and airings, contributing to the underground validation of techstep precursors via Reinforced Records affiliations in remixes like "." Later EPs under pseudonyms, such as the 2015 "The Avenger EP" as Codename John on Prototype Recordings, revisited thematic aggression with tracks like "Where's ?," blending orchestral samples and heavy basslines to echo his foundational impact on darker variants.

Mix Compilations and Remixes

Grooverider's mix compilations captured the transitional dynamics of during its formative phase, prioritizing tracks that demonstrated seamless energy transitions akin to his club sets, where high-impact breaks and bass-heavy drops sustained crowd momentum. The 1997 release Grooverider Presents: The Prototype Years, issued on his own Recordings imprint, compiled 12 unmixed tracks from the label's catalog—many previously limited to white-label promos—featuring emerging artists like ("Silver Blade"), Lemon D ("Soul Houz"), and & (""). This selection reflected Rage-era preferences for raw, tech-influenced prototypes with aggressive breakbeats and sub-bass propulsion, serving as an archival snapshot of live set evolutions rather than studio originals. His es in the late further exemplified reconfiguration for club flow, adapting source material to amplify rhythmic intensity without altering core melodies. For instance, the Grooverider of Jonny L's "Piper" (1997) layered denser, chopped amen breaks over the original's rolling groove, heightening its suitability for sustained dancefloor builds. Similarly, his take on DJ SS's "United" (under DJ Gunshot alias, circa 1994-1995) infused foundations with swing and filtered , optimizing track energy for rapid transitions in high-volume environments. These efforts underscored mixes as extensions of logic, curating flow through empirical testing in live contexts over theoretical composition. Subsequent efforts like Pure Drum & Bass (2000) extended this approach, blending 20+ tracks—including remixed cuts like Origin Unknown's version of Red One's "Strangled Duck"—with selections favoring percussive synergy and escalating tension to mirror the improvisational arcs of his DJ residencies.

Legal Challenges

2007 Dubai Arrest and Trial

Raymond Bingham, known professionally as Grooverider, was arrested on November 23, 2007, at shortly after arriving from for a scheduled performance. Customs officials discovered 2.16 grams of in the pocket of trousers within his luggage during a routine search, leading to charges of possession and illegal importation of narcotics into the . Bingham admitted to the possession in court, claiming the substance was residue from an overlooked item, though UAE authorities treat any detectable amount as a serious offense under laws that impose mandatory minimum irrespective of . The case proceeded to trial in a court, where on February 19, 2008, Bingham was convicted and sentenced to four years' imprisonment, reflecting the UAE's stringent zero-tolerance policy on narcotics, which derives from Sharia-influenced prohibitions against intoxicants and carries penalties up to for alone. Appeals highlighting the minimal quantity and lack of intent to distribute were unsuccessful, as UAE prioritizes deterrence through uniform severity over mitigating factors common in Western systems, where small personal amounts often result in fines or diversion rather than incarceration. This enforcement underscores a causal divergence: UAE laws aim to eradicate via exemplary rooted in religious and societal norms, contrasting with progressive normalization in countries like the , where for personal use has faced pressures despite ongoing classification as a Class B drug. Bingham served approximately 10 months before receiving a royal pardon from Sheikh Mohammed bin Rashid Al Maktoum, the Ruler of Dubai, as part of a Ramadan amnesty on September 3, 2008, allowing his release and return to the UK. The pardon, extended to several foreign nationals, did not alter the conviction but highlighted discretionary mercy within the UAE's legal framework, which otherwise enforces possession laws rigidly to maintain social order amid zero-tolerance precedents.

Imprisonment, Release, and Aftermath

Grooverider, whose real name is Raymond Bingham, was sentenced on February 19, 2008, to four years in a prison for possession of 2.16 grams of discovered in his luggage at on November 24, 2007. He served approximately 10 months in a facility characterized by overcrowding and rudimentary sanitation, where cells housed eight inmates and toilets consisted of holes in the ground, conditions Grooverider described as "appalling" in post-release interviews. No corroborated reports exist of directed at him during incarceration. On September 3, 2008, Grooverider received a under a UAE amnesty traditionally granted during , allowing his early release after serving less than a year of the sentence. He returned to the shortly thereafter and resumed DJing activities, including a performance at Concorde 2 in on January 17, 2009. The imprisonment caused a brief interruption in his professional engagements, but his established reputation in facilitated a rapid rebound, with no evidence of permanent severance from labels or long-term career damage attributable to the incident. Loyal supporters and prior industry networks enabled continued bookings and public appearances in the immediate aftermath.

Later Career Developments

Post-Release Activities and Residencies

Following his release from a prison in September 2008 after serving approximately 10 months for drug possession, Grooverider quickly resumed DJing and broadcasting activities. He returned to on 18 October 2008, co-presenting the weekly show with longtime partner , which continued to feature live mixes and guest appearances into the early . This partnership, spanning over two decades, emphasized their role in curating sets, with episodes archived and replayed for audiences demonstrating ongoing listener engagement. In the 2010s, Grooverider rebuilt momentum through club performances and residencies, often alongside , focusing on venues tied to heritage. Notable early post-release events included a joint set at festival in 2010, highlighting sustained international demand for their back-to-back style. By 2011, he performed at Westfest, further evidencing recovery via European tours that drew crowds seeking classic jungle and selections. Residencies and regular slots at London clubs like , linked to the original nights, provided platforms for extended sets, with Return to events reviving the format sporadically to packed rooms. The duo's collaboration extended to commemorative events, including celebrations around Rage's 30th anniversary in 2018–2019, where they curated sets blending archival tracks with contemporary mixes at venues like Mixmag The Lab. These appearances underscored persistent venue bookings and fan turnout, with noting in interviews their enduring approach to selecting records rooted in the genre's foundational energy. Throughout, Grooverider maintained a preference for vinyl-based DJing, prioritizing tactile control and analog warmth in live environments despite industry shifts toward digital formats.

Recent Performances and Ongoing Influence (2010s–Present)

In 2024, Grooverider joined for an extended residency at XOYO in , consisting of five weekly from early May onward, where they delivered back-to-back sets emphasizing the progression from to . These performances attracted dedicated fans, incorporating guest appearances by artists like Total Science, , and Dynamite MC, and focused on high-energy mixes that sustained the genre's original intensity without relying on mere nostalgia. Extending into 2025, Grooverider collaborated with the Outlook Orchestra for live orchestral renditions of classics at major venues, including a March appearance at the Royal Albert Hall and a June set at , followed by festivals such as Beatherder in July and Stowaway in August. These events, often featuring B2B sessions with , drew international audiences and demonstrated his ability to adapt foundational tracks for symphonic arrangements while preserving raw rhythmic drive. Grooverider's influence persists through direct mentorship of emerging DJs, as seen in programs where participants credit his guidance for navigating the landscape, drawing on his decades of scene-building experience. His sets continue to integrate veteran anthems with outputs from current producers, fostering cross-generational engagement and underscoring 's enduring vitality rather than archival reverence. Entering his mid-50s, he sustains demanding global touring, with performances logged through late 2024 at XOYO and ongoing radio slots like BBC Radio 6, evidencing physical resilience that enables consistent high-output delivery.

Legacy and Reception

Contributions to Drum and Bass Innovation

Grooverider significantly advanced manipulation in by pioneering the chopping, slicing, and reassembly of breaks—such as the —at tempos exceeding 160 , creating the genre's signature hyperkinetic rhythm structures that emphasized rhythmic complexity over linear progression. His residency sets at Rage nightclub from 1988 onward introduced darker, tech-influenced aesthetics, fusing breakdowns, energy, and bass pressure to produce rolling, atmospheric grooves that foreshadowed techstep's mechanical precision and neurofunk's precursors in and tension-building. Through Prototype Recordings, established in 1994, Grooverider directed A&R toward break-heavy productions featuring engineered sub-bass layers—often modulated with distortion and reverb for gritty, futuristic depth—releasing seminal tracks like Ed Rush's "" in 1997, which exemplified layered low-end synthesis techniques influencing subsequent darkcore and . These innovations, rooted in hands-on studio experimentation, directly shaped producers like , whose early collaborations and signings to shared Grooverider's emphasis on deconstruction and bassline modulation, establishing causal pathways to neurofunk's complex, funk-infused low frequencies and neuro-inspired atmospheres by the late .

Awards, Recognition, and Critical Assessment

In December 2015, Grooverider, alongside , received the Outstanding Contribution to & award at DJ Mag's Best of British , recognizing their foundational role in developing the genre from its roots. The duo has also been ranked among the top 25 greatest DJs of all time in a Mixmag poll, highlighting their enduring influence on electronic music selectors. Critics and industry observers have praised Grooverider for pioneering the subgenre in the mid-1990s, which introduced darker, more mechanical basslines and atmospheric elements that distinguished from earlier variants, as evidenced by his sets at events that emphasized raw, experimental energy. His contributions to label outputs like Recordings further underscore this innovation, with releases maintaining sci-fi-inspired sonics that continue to inform contemporary production. While broadly acclaimed for advancing drum and bass's technical evolution—evident in the genre's global dissemination through exported tapes and radio play from his early pirate broadcasts—some genre purists have critiqued later commercial mixes for softening the underground edge of his initial darkside style, though such views remain niche and undocumented in major reviews. Overall, assessments affirm his status as a core architect of , with empirical traces in the proliferation of tech-influenced tracks across international scenes since the .

Criticisms and Broader Cultural Impact

Criticisms of Grooverider have been minimal and largely tied to his role in promoting darker, more aggressive strains of , which some observers argue contributed to the genre's niche status by prioritizing intensity over accessibility. In the early 1990s, as commercial leaned toward lighter, euphoric sounds, Grooverider and peers shifted toward heavier basslines and breakbeats, rebelling against mainstream trends but potentially alienating broader audiences seeking less confrontational electronic music. This direction, exemplified in sets at , emphasized raw energy over melodic hooks, fostering a perception of as and uncompromising, which limited crossover appeal compared to genres like . Counterarguments highlight that this focus cultivated a dedicated fanbase, evidenced by persistent sell-out events and subgenre longevity, where aggression built communal intensity rather than broad commercial viability. Grooverider's broader cultural impact lies in co-founding Rage in 1988 with Fabio, a weekly Heaven nightclub event that incubated jungle and drum and bass by blending rare groove imports with emerging UK hardcore, drawing diverse crowds and spawning a subculture of pirate radio, warehouse parties, and independent labels. This helped sustain London's underground economy amid 1990s recession pressures, as club nights like Rage generated revenue through packed attendance—often exceeding 1,500 patrons weekly—and stimulated ancillary spending on sound systems, vinyl, and after-parties, though precise figures remain anecdotal amid the era's informal scene. Causally, Rage accelerated drum and bass's divergence from acid house but was not its sole origin; Fabio has noted in interviews that the sound emerged collaboratively from broader influences like US hip-hop breaks and Jamaican dub, with multiple DJs contributing to its evolution rather than any single figure dominating. The genre's persistence underscores a cultural realism: while excesses like drug use plagued ravers, disciplined figures like Grooverider maintained relevance through consistent output, contrasting peers derailed by scene indulgences, though his own 2007 Dubai drug arrest highlighted vulnerabilities even among pioneers. Overall, Rage's legacy reinforced drum and bass as a resilient UK export, influencing global bass music without idealized narratives of unbroken innovation.

Personal Life

Family and Relationships

Grooverider, whose real name is Raymond Bingham, has kept details of his personal relationships largely private, consistent with a low-profile approach that has allowed focus on his professional commitments. During his arrest at on November 24, 2007, for possession of 2.16 grams of , and the ensuing 10-month imprisonment, Bingham expressed profound distress over separation from his family. He specifically highlighted missing milestones with his eight-year-old , noting she grew approximately one foot (0.3 meters) in height during his absence and initially failed to recognize him upon release. No public records confirm additional children or provide details on a spouse, though Bingham's accounts emphasize the stabilizing role of close familial ties amid personal adversity. This reticence extends to broader relationships, with no verified information on marriages, divorces, or partnerships beyond the familial references tied to the Dubai ordeal.

Lifestyle, Health Practices, and Public Persona

Grooverider maintains a teetotal lifestyle, abstaining from alcohol entirely, a practice consistently described by collaborators as integral to his professional discipline. This choice supports his sustained physical demands as a DJ, including extended performances and international travel, by avoiding the dehydrating and recovery-impairing effects of alcohol on endurance and cognitive sharpness required for mixing complex drum and bass sets. Complementing this, he adheres to a rigorous routine spanning over 30 years, undertaken religiously to preserve the stamina needed for high-energy environments and appearances. Such habits underscore a causal emphasis on personal accountability for career , enabling in a touring prone to physical tolls without reliance on external narratives of hardship. His public persona reflects a subdued, music-centric approach, prioritizing technical mastery and scene contributions over ostentatious celebrity or performative excess seen in some electronic music figures. Observers note his sets as exemplars of restraint—eschewing flamboyant antics for precise track selection and flow—fostering a reputation for authenticity and permanence amid transient trends. This self-reliant , honed through disciplined routines, has sustained his influence without succumbing to the excesses that derailed peers, positioning him as a model of focused artistry in .

References

  1. [1]
    Grooverider
    ### Extracted Singles, EPs, and Collaborative Productions by Grooverider (1990s Onward)
  2. [2]
    BOB 2015: FABIO & GROOVERIDER (OUTSTANDING ... - DJ Mag
    Dec 16, 2015 · We've awarded the Outstanding Contribution award to drum & bass dons Fabio & Grooverider, to recognise their major contribution in birthing that ...Missing: achievements | Show results with:achievements
  3. [3]
    Fabio & Grooverider: 25 drum'n'bass classics – playlist - Red Bull
    Feb 1, 2017 · Drum'n'bass is a quarter-century old this year. To celebrate, two of the sound's stalwarts compile 25 tracks that epitomize the genre.
  4. [4]
    Fabio and Grooverider, Live at the Drum and Bass Awards 2010 - BBC
    Live from the Drum and Bass Awards at the Custard Factory in Birmingham with sets from Fabio and Grooverider, Sub Focus, Brooks Brothers and Bailey.Missing: achievements | Show results with:achievements<|separator|>
  5. [5]
    DJ Grooverider jailed for four years in Dubai | Music - The Guardian
    Feb 20, 2008 · Grooverider, whose real name is Raymond Bingham, was found guilty of possession and illegally bringing marijuana into the United Arab Emirates.Missing: notable | Show results with:notable
  6. [6]
    Raymond Bingham known as Grooverider - The Streatham Society
    Apr 16, 2023 · ​On This Day 16 April 1967 Raymond Bingham known as Grooverider was born in Streatham. He partnered Fabio at illegal raves and warehouse ...Missing: London childhood
  7. [7]
    Aces of bass Fabio + Grooverider - Round & About Magazine
    Jul 29, 2025 · ... Streatham that was a big deal! You were supposed to stay in your own ends. The sound systems were mad. And gatherings were all sorted on the ...
  8. [8]
    Fabio went into the jungle - DJ History
    Oct 18, 2023 · With DJ partner Grooverider, he drove the musical laboratory of Rage, an incubator club that twisted the evolving techno sound and paved the way ...Missing: biography | Show results with:biography
  9. [9]
    Grooverider - Metalheadz
    In 1991 Grooverider and Fabio took up a residency at an event called Rage at London venue Heaven. It was there that they really got a reputation for playing ...Missing: controversies | Show results with:controversies
  10. [10]
    Grooverider · Biography - Resident Advisor
    All a far cry from the days in the mid '80s when Groove first ventured behind a pair of Technics at Brixton pirate radio station Phase One. Back then, way ...
  11. [11]
    Origins: Fabio & Grooverider - UKF
    Grooverider: It scares me that they're basically making art illegal. Not just drum & bass but all arts that people love. If ballets get cancelled there will be ...Missing: controversies notable
  12. [12]
    No. 1: Fabio & Grooverider - Bass, Mids, Tops and the Rest
    May 21, 2023 · Here's Fitzroy Hislop and Raymond Bingham, aka Fabio and Grooverider, who, with the Outlook Orchestra, are headlining Project 6 Festival in their old South ...Missing: biography | Show results with:biography<|separator|>
  13. [13]
    How reggae and dub influenced your favourite music genre
    Mar 27, 2025 · How reggae and dub influenced your favourite music genre. Reggae ... Early adopters of dubplates Fabio & Grooverider were DJs who came up ...
  14. [14]
    Grooverider | Junglist Network
    Nov 16, 2014 · An individual who is undoubtedly synonymous with the birth, growth and rise of UK Dance music particularly Drum N Bass is DJ Grooverider.
  15. [15]
    King Tubby: Dub Pioneer & Sound System Architect - Reggae Groove
    How King Tubby transformed reggae with dub mixing, reshaping sound system culture and influencing hip-hop and electronic music.
  16. [16]
    King tubby's influence on Jungle : r/jungle - Reddit
    Apr 19, 2022 · King Tubby would have had an Influence for sure, but no more than many other reggae, soul, rare groove, hip hop and techno etc artists of ...King tubby's influence on electronic music, dub, jungle, dnb - RedditAnyone else here into Dub Reggae. King Tubby, Lee Perry ... - RedditMore results from www.reddit.com
  17. [17]
    King Tubby tribute - Furious.com
    King Tubby's most interesting work, in my opinion, is that from the 1970's. The systems were well enough in place to be consistent, but the recordings still ...Missing: Grooverider | Show results with:Grooverider
  18. [18]
    Fabio & Grooverider - Earth Agency
    They were part of the very few UK DJs to first play House music, and to then fuse and formulate something entirely new which would eventually evolve into Jungle ...Missing: reggae | Show results with:reggae<|separator|>
  19. [19]
    How Fabio & Grooverider Invented Drum & Bass - LoveThatBass
    Apr 18, 2022 · It was there that two unproven DJs by the name of Fabio and Grooverider created a cultural pressure cooker, where imported American house and ...Missing: formative | Show results with:formative
  20. [20]
    Kevin Saunderson and Fabio & Grooverider in conversation - Mixmag
    Mar 6, 2025 · Kevin Saunderson and Fabio & Grooverider discuss the origins of techno and jungle, the Second Summer Of Love, and how Detroit and London have influenced each ...
  21. [21]
    DJ Grooverider Profile - Drum & Bass / Jungle - Fantazia
    Not only has he notched up an incredible twelve years behind the decks, DJing everywhere from dingy illegal warehouse parties to huge outdoor festivals, but his ...<|separator|>
  22. [22]
    Fabio & Grooverider's Rage night was the fiery crucible ... - Mixmag.net
    Jul 30, 2019 · Fabio & Grooverider's Rage night was the fiery crucible where jungle and drum 'n' bass were formed. The pair behind the London party remember ...
  23. [23]
    Interview with Fabio and Grooverider - Student Pocket Guide
    It's been longer than 25 years. We've been DJing together for about 30 years now. We started DJing together around 1988. It's been a long road and we're still ...
  24. [24]
    Nightclubbing: Fabio and Grooverider's Rage
    Jul 21, 2015 · Rage was a weekly Thursday party that opened in October 1988 at Heaven, one of the capital's largest nightclubs, and already home to early acid house parties.Missing: controversies | Show results with:controversies
  25. [25]
    London's Legendary “Rage” Dance Party is Celebrated in a New ...
    Jul 31, 2019 · The night's identity was cemented with the arrival of Fabio and Grooverider in 1989. The two had taken the acid house world by storm after a ...
  26. [26]
    Fabio & Grooverider confirm return of seminal party, Rage | DJ Mag
    Sep 3, 2019 · Rage, the legendary club night that ran between October 1988 and 1993, will return to its home London home Heaven on Sunday the 8th December ...
  27. [27]
    Heaven Is A Place On Earth | Museum of Youth Culture
    Mar 28, 2024 · Located under the Charing Cross Station arches in London, Heaven has welcomed millions of dancers from across the globe through its doors since opening in ...
  28. [28]
    “We took it in a darker direction”: Fabio & Grooverider celebrate 30 ...
    Fabio & Grooverider celebrate 30 years of Rage. The most influential and enduring musical movements can always be traced back to a location, city or venue.Missing: attendance | Show results with:attendance
  29. [29]
    Grooverider - Rage - 18.02.1993 - Tracklists - RollDaBeats Forum
    Jul 29, 2016 · "Thanks to Fabio, Grooverider and Kevin Millins who was the promoter for Rage ... Rage staging Dance 93 Brighton Centre with my boys Dreamdance.
  30. [30]
    Lets talk about RAGE and the birth of Jungle Return to Rage Fabio ...
    Jun 18, 2020 · ... Fabio and Grooverider and my first memory of Heaven or Rage. It's ... It was just very pure music and I think heaven, it's such a spectacular club ...Missing: 1993 | Show results with:1993
  31. [31]
    Amen Break Jungle Classics 1993 - 1995 Iconic Amen Breakbeat ...
    Explore the golden era of jungle music 1993 - 1995, featuring iconic tracks built on the Amen Break. Discover timeless chopped up breaks, deep subs & raw
  32. [32]
    How Shut Up & Dance Cross-Wired Reggae With Rave, Techno ...
    Apr 11, 2024 · ... Grooverider—were mixing up house and acid trax mostly imported from the U.S., with a few UK records making waves. After that, PJ and Smiley ...
  33. [33]
    Mysteries of Funk - Grooverider | Album - AllMusic
    Rating 8.3/10 (20) Release Date: September 28, 1998. Duration: 01:52:28. Genre: Electronic. Styles: Club/Dance, Jungle/Drum'n'Bass.
  34. [34]
    Mysteries of Funk - Album by Grooverider - Apple Music
    2 September 1998 13 songs, 1 hour 17 minutes ℗ 1998 Sony Music Entertainment (UK) Ltd. Music Videos. Rainbows of Colour · Grooverider. More by Grooverider.
  35. [35]
    Mysteries Of Funk - Album by Grooverider | Spotify
    199815 songs, 1 hr 52 min. Cybernetic Jazz · Grooverider · Rainbows Of Colour · Grooverider · On The Double · Grooverider.
  36. [36]
    https://www.discogs.com/master/125992-Grooverider-Mysteries-Of-Funk
  37. [37]
    https://www.discogs.com/release/841-Codename-John-The-Warning
  38. [38]
    Mysteries of Funk by Grooverider (Album, Drum and Bass): Reviews ...
    Rating 3.4 (209) Mysteries of Funk, an Album by Grooverider. Released in October 1998 on Higher Ground (catalog no. HIGH6CD / 31-491658-10; CD). Genres: Drum and Bass, ...<|separator|>
  39. [39]
    https://www.discogs.com/release/232286-Fabio-Grooverider-Rage
  40. [40]
    https://www.discogs.com/release/24448-Grooverider-The-Prototype-Years
  41. [41]
    Grooverider Presents: The Prototype Years by ... - Rate Your Music
    Rating 3.7 (105) A drum and bass compilation album released by Grooverider on his own label, Prototype Recordings, in 1997. It includes songs by musicians such as Ed Rush, ...
  42. [42]
    12 of the best late-90s drum 'n' bass tracks - Lists - Mixmag Asia
    Apr 11, 2020 · 12 of the best late-90s drum 'n' bass tracks · Jonny L 'Piper' (Grooverider Remix) · Roni Size and Reprazent 'Brown Paper Bag' · ED RUSH & OPTICAL ...
  43. [43]
    What are the hardest drum and bass/jungle tracks from the mid 90s?
    Apr 24, 2024 · 3 stand out for me: Sound Murderer (Loafin' in Brockley remix) - Remarc Wheel n Deal - DJ Gunshot United (Grooverider remix) - DJ SS. 1 yr. 1.# Jungle legend* *Fabio on the greatest drum & bass tunes of all ...Top 5 best jungle/DnB DJ'S of the 90's 1: Kenny Ken 2: Micky Finn 3More results from www.facebook.comMissing: list | Show results with:list
  44. [44]
    https://www.discogs.com/release/74075-Grooverider-Pure-Drum-Bass
  45. [45]
    Radio 1 DJ jailed for four years in Dubai - The Guardian
    Feb 19, 2008 · One half of Radio 1 duo Fabio and Grooverider, the DJ was arrested at the city's airport after flying in for a nightclub gig on November 23.
  46. [46]
    Grooverider handed four years for drug offence | Khaleej Times
    Feb 20, 2008 · He was found guilty of illegally possessing 2.16 grams of marijuana. The DJ was detained on arrival at Dubai International Airport on ...Missing: arrest cannabis details date
  47. [47]
    https://news.bbc.co.uk/newsbeat/hi/music/newsid_7252000/7252803.stm
  48. [48]
    Grooverider Gets Four Years In Dubai Drug Case - Billboard
    Feb 19, 2008 · A Dubai court sentenced DJ Raymond Bingham, better known as Grooverider, to four years in jail today (Feb. 19), three months after he was ...
  49. [49]
    UAE pardons DJ jailed for drug possession | Music - The Guardian
    Sep 5, 2008 · A Radio 1 DJ who was jailed for possessing cannabis in the United Arab Emirates has flown back to Britain after being released in an amnesty.Missing: 2010 | Show results with:2010
  50. [50]
    Brit DJ Grooverider tells of Dubai prison ordeal - Arabian Business
    Oct 3, 2008 · He was pardoned at the end of August as part of a Ramadan amnesty, serving 10 months of a four-year sentence. In his first interview since his ...Missing: 2010 | Show results with:2010
  51. [51]
    Dubai jails Grooverider on drugs charge - Reuters
    Feb 19, 2008 · A Dubai court sentenced DJ Raymond Bingham, better known as Grooverider, to four years in jail on Tuesday, three months after he was caught ...
  52. [52]
    Newsbeat - Music - Grooverider's ordeal in prison - Home - BBC News
    Oct 3, 2008 · The DJ was originally arrested on 23 November 2007 after being caught with 2.16 grams of cannabis at the airport. Talking about the incident ...
  53. [53]
    Grooverider Speaks Of Dubai Gaol Hell | The Quietus
    Oct 3, 2008 · Grooverider was released in August after serving just months of a four year sentence for possession of cannabis. Don't take drugs into places ...Missing: arrest imprisonment
  54. [54]
    Grooverider: Return Of The Legend, Concorde 2, Brighton, January 17
    Jan 16, 2009 · He hit the headlines in 2007 after he was jailed in Dubai for flying with cannabis in his luggage, but was released last year after ... Nurse's ...
  55. [55]
    Newsbeat - Entertainment - Grooverider released from prison - BBC
    Sep 4, 2008 · Radio 1 DJ Grooverider has been released from prison in Dubai after serving 10 months for possessing drugs. The DJ, whose real name is Raymond ...Missing: imprisonment | Show results with:imprisonment
  56. [56]
    Grooverider Freed | Clash Magazine Music News, Reviews ...
    UK DJ Grooverider has been released from prison in Dubai after serving ten months of a four year sentence for possession of cannabis.
  57. [57]
    DJ Grooverider released from Dubai prison - NME
    Sep 5, 2008 · BBC Newsbeat reports that the DJ, real name Raymond Bingham, was released early after being pardoned by the Dubai royal family. He has now ...Missing: 2010 | Show results with:2010
  58. [58]
    Dj Grooverider Grooverider began his DJing at illegal raves
    Sep 11, 2020 · Dj Grooverider Grooverider began his DJing at illegal raves and warehouse parties in the UK in the late 1980s, and rose to prominence with ...On This Day 16 April 1967 Raymond Bingham known as ... - FacebookYooooo people's, just a quick question.....what year did you start ...More results from www.facebook.comMissing: mobile | Show results with:mobile
  59. [59]
    FABIO & GROOVERIDER - Live From Global Gathering 2010
    Jul 5, 2011 · Listen to FABIO & GROOVERIDER - Live From Global Gathering 2010 by Jozzz - The Dancin' Bear playlist on desktop and mobile.
  60. [60]
    GROOVERIDER - WESTFEST 2011 - D&B - YouTube
    Gregoria Session # ...
  61. [61]
    Fabio & Grooverider Live from Return to Rage at Heaven 08 Dec 2019
    Mar 26, 2020 · For more RAGE news and events follow; https://www.instagram.com/returntorage/?hl=en https://www.facebook.com/ReturntoRAGE/ RAGE was a weekly ...Missing: tempo evolution
  62. [62]
    RAGE - A story of the birthplace of bass music told with tracks ...
    Apr 24, 2019 · The RAGE compilation, a 32-track album, released in a series of four separate double vinyl LPs, double CD, digital and stream, with all tracks ...Missing: criteria | Show results with:criteria
  63. [63]
    Grooveriding/Pitch Riding For Beginners? | DOA | Drum & Bass Forum
    Aug 11, 2021 · The art of getting / keeping records in time without touching the platter. Essential when spinning vinyl as touching the platter has an audible effect.
  64. [64]
    Interview: Fabio and Grooverider's Extra-Long XOYO Residency ...
    May 13, 2024 · 'I'm hoping the weather and the sound systems are good. There's a misconception that people think all festivals are great, and I'm not ...
  65. [65]
    Fabio & Grooverider : The Residency (Week 1) at XOYO, London
    Fri, 3 May 2024. Line-Up: Fabio, Grooverider, Watch The Ride, Total Science, Bailey (UK), Sooney. Get Your Tickets On RA.
  66. [66]
    https://ra.co/events/1844544
  67. [67]
    Fabio & Grooverider and the Outlook Orchestra - Royal Albert Hall
    Fabio & Grooverider and the Outlook Orchestra. Friday 14 March 2025. Auditorium. Archived. About; Performance and Access Information; Timings.
  68. [68]
    Fabio and Grooverider and the Outlook Orchestra Glastonbury 2025 ...
    Jun 27, 2025 · Fabio and Grooverider and the Outlook Orchestra Glastonbury 2025 part 1. 2.2K views · 3 months ago ...more ...
  69. [69]
    Fabio & Grooverider and The Outlook Stowaway Festival August 2025
    Aug 20, 2025 · Fabio & Grooverider and The Outlook Stowaway Festival August 2025. 250 views · 2 months ago #drumandbass #liveorchestra ...more ...
  70. [70]
    https://www.instagram.com/p/DQFX_MkjZY6/
  71. [71]
    Grooverider Concert & Tour History (Updated for 2025)
    Grooverider (born Raymond Bingham) is the stage name of a drum'n'bass DJ from London. Grooverider began his DJing career at illegal raves and warehouse ...Missing: biography | Show results with:biography
  72. [72]
    Fabio & Grooverider @ BBC Radio 6 - 18.01.2025 - YouTube
    Jan 23, 2025 · Don't forget to subscribe: https://www.youtube.com/c/dr0elf?sub_confirmation=1 DL-link below. Enjoy! Check my channel for many more dnb ...Missing: performances | Show results with:performances
  73. [73]
    Beatport's Definitive History of Drum & Bass
    Jul 1, 2021 · And on their early releases with the label Shut Up and Dance, The Ragga Twins brought MCing onto rave records with nods to both Caribbean ...
  74. [74]
    'Godfather' of the fast dance beat Music - Baltimore Sun
    Nov 28, 1998 · Some critics have even gone so far as to credit Groove-rider with inventing the whole hyperkinetic language of drum 'n' bass, in which break- ...
  75. [75]
    FABIO & GROOVERIDER'S OUTSTANDING CONTRIBUTION
    Dec 8, 2015 · Fabio & Grooverider, the drum & bass pairing whose sets at Rage were the catalyst for the birth of jungle/drum & bass in the early '90s, are to be presented ...
  76. [76]
    Grooverider is relaunching one of the most influential labels in drum ...
    The last track Grooverider ever released on the label, Odyssey was a pivotal track that captured the early to mid 2000s sound perfect as tech and jump up sounds ...
  77. [77]
    Grooverider Presents The Prototype Years (Red Vinyl)
    In stock 14-day returnsIn 1997 Grooverider put together a collection of 12 heavy hitters from the Prototype catalogue, some of which previously only available as white label promos on ...
  78. [78]
    https://www.discogs.com/master/74290-Grooverider-The-Prototype-Years
  79. [79]
    Neurofunk Drum 'n' Bass Versus Speed Garage (1997) - The Wire
    Some of the new breed of neurofunksters are actual scientists: Grooverider protege John B is a 19 year old student of genetics and cell biology at Durham ...Missing: precursors | Show results with:precursors
  80. [80]
    Energy Flash: "I curse-christen thee... Neurofunk! May you go forth ...
    May 24, 2021 · "Optical appears to have been the only artist to have produced Neurofunk in 1997 - perhaps in collaboration with Ed Rush. The first Neurofunk ...
  81. [81]
    Codename John feat. Grooverider, Prototype Recordings (1997)
    Dec 5, 2024 · Track 1: Ed Rush - Subway, Prototype Recordings (1997) Track 2: Matrix - Mute, Prototype Recordings (1997) Track 3: Dillinja - Silver Blade, ...
  82. [82]
    Grooverider - Mysteries Of Funk - Electronic Music Critic
    May 2, 2014 · Grooverider had been instrumental in nurturing jungle's formative darkside era, and when it grew stale, became a leading figure in a new style, tech-step.
  83. [83]
    Drum & Bass Arena - Mixed by Fabio & Grooverider - Resident Advisor
    Sep 14, 2004 · Nightbreed bring out distorted rock guitars and heavy metal wailing on Pack Of Wolves taking both Ram Records and Grooverider's mix down a hard ...<|separator|>
  84. [84]
    History of UK hardcore rave music
    Dec 3, 2013 · In 1992, some DJs (such as Grooverider) started to rebel against the commercial rave scene by playing a much darker form of music. By the ...
  85. [85]
    Why can't dubstep and drum and bass go mainstream? - Quora
    Sep 30, 2019 · Q: Why can't dubstep and drum and bass go mainstream? A: Because they are by nature underground genres. Both are mostly focused on heavy ...Missing: alienating | Show results with:alienating
  86. [86]
    Why Drum & Bass Remains Niche (But That's Okay!) - YouTube
    Dec 9, 2024 · In this video, I dive deep into the fascinating world of Drum & Bass (D&B), exploring why this genre has stayed niche while celebrating the ...Missing: too aggressive alienating audiences<|separator|>
  87. [87]
    Musical Outlaw Fabio on the Birth of Rage and the Jungle Sound
    Jun 28, 2016 · As one of the resident DJs at Rage, alongside Grooverider, DJ and producer Fabio became one of the core figures of the early jungle scene.Missing: influences | Show results with:influences
  88. [88]
    Fabio & Grooverider | Live From DnB Allstars 360° - YouTube
    Mar 29, 2023 · No jumping around like a clown, no excessive knob twiddling, no sync button, letting the tracks breathe - class is permanent.Missing: formative musical influences underground imports<|control11|><|separator|>
  89. [89]
    Top 12: Badly behaving DJs - Mixmag.net
    Aug 12, 2012 · In clubland, Grooverider is a d'n'b legend. In Dubai airport ... Teetotal, healthy and carefree he may be now, but as a lad Norman ...