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Has Been

Has Been is a studio album by American actor , released in 2004 as his second musical project following the 1968 album . Produced and arranged by musician , it blends spoken-word poetry, theatrical recitations, and musical collaborations with artists such as , , , and . The album's title self-referentially nods to Shatner's public persona as a former leading man navigating later career stages, featuring a mix of cover songs and originals that explore themes of mortality, fame, and irony. The record was issued by Shout! Factory on October 5, 2004, spanning 11 tracks with a total runtime of approximately 40 minutes. Key songs include a reimagined cover of Pulp's "Common People" backed by a chorus of over 60 vocalists, the duet "I Can't Get Behind That" with Rollins critiquing modern absurdities, and the introspective "You'll Have Time" addressing aging. Liner notes by Shatner and Folds provide context for the project's humorous yet candid tone, with production emphasizing Shatner's distinctive spoken delivery over eclectic arrangements ranging from swing to rock. Critically, Has Been received praise for its unexpected sincerity and wit, marking a redemption from Shatner's earlier forays into music and highlighting Folds' role in elevating the material beyond novelty. It garnered attention for tracks like "That's Me Trying," co-written by author , and has since been noted for its among fans of alternative and celebrity-driven projects. The album's release coincided with Shatner's renewed popularity from Star Trek revivals and comedic roles, cementing its place as a bold, self-aware statement.

Background and recording

Concept and development

Has Been marked William Shatner's return to music after a 36-year since his debut album in 1968, motivated by a desire to delve into spoken-word rock while reflecting on personal themes of aging, mortality, and perceived irrelevance in later life. The album's title itself derived from a tabloid headline labeling Shatner a "has been," which he embraced as a for life's cycles, akin to a flower's bloom and fade, prompting him to create honest, heartfelt content without fear of ridicule. Initially, the project envisioned collaborations with providing instrumentation and former U.S. President contributing vocals to a cover of Pulp's "," but Clinton withdrew due to concerns about his performance quality, and Weezer accepted the invitation too late for inclusion. , serving as producer, influenced the album's development by encouraging Shatner to write prose authentically, which Folds then arranged into musical structures, drawing on Shatner's extensive acting and directing background to infuse a , scene-building approach to the spoken-word elements. The final concept centered on a blend of original compositions co-written by Shatner and Folds, alongside select covers, all unified by explorations of mortality, fame's fleeting nature, and regret—songs personally chosen by Shatner to convey intimate reflections on love, family, , and creative renewal.

Studio sessions

The principal recording sessions for Has Been took place at in —Ben ' personal studio—from late 2003 to early 2004, with supplementary sessions held in . The core tracking was conducted live over approximately two weeks in Nashville, enabling a focused burst of creativity amid the overall production timeline of under a year. Shatner's spoken-word approach defined the sessions, drawing on his acting expertise to deliver emotionally resonant monologues that he refined through multiple takes, aiming to fuse dramatic phrasing with musical rhythm. For example, the Pulp cover "Common People," featuring a duet with Joe Jackson, required several iterations to capture the intended interplay between Shatner's narrative style and the backing track. Folds complemented this by arranging diverse elements, including rock, pop, and trip-hop influences, often starting with piano sketches to build layered soundscapes around Shatner's prose. Scheduling and performance challenges emerged due to differing rhythms: Shatner adhered to a disciplined early-morning routine, while the musicians typically arrived later in the day, complicating synchronization of his non-traditional timing with the band's live elements. Folds addressed these issues through meticulous editing, transforming Shatner's raw stories into structured lyrics and adding overdubs like percussion and effects to enhance rhythmic cohesion without compromising authenticity. This process allowed for efficient incorporation of guest contributions, maintaining momentum across the compact timeline.

Content

Track listing

The album Has Been features 11 tracks with a total runtime of 39:26, released in a standard CD format with no bonus tracks in the initial edition.
No.TitleDurationWriter(s)Notes
1Common People4:38Jarvis Cocker, Candida Doyle, Nick Banks, Russell Senior, Steve MackeyCover of Pulp's 1995 song; guest vocals by Joe Jackson.
2It Hasn't Happened Yet3:46William Shatner, Ben FoldsOriginal composition.
3You'll Have Time5:15William Shatner, Ben Folds, Nick HornbyOriginal composition.
4That's Me Trying3:45Ben Folds, Nick HornbyOriginal composition; guest vocals by Aimee Mann and Ben Folds.
5What Have You Done1:43William Shatner, Ben FoldsOriginal composition.
6Together5:36William Shatner, Lemon JellyOriginal composition; performed with Lemon Jelly.
7Familiar Love3:57William Shatner, Ben FoldsOriginal composition.
8Ideal Woman2:22William Shatner, Ben FoldsOriginal composition.
9Has Been2:16William Shatner, Ben FoldsOriginal composition; title track.
10I Can't Get Behind That3:00William Shatner, Ben Folds, Adrian BelewOriginal composition; guest vocals by Henry Rollins, guitar by Adrian Belew.
11Real3:08William Shatner, Brad PaisleyOriginal composition; guest vocals and guitar by Brad Paisley.

Musical style

Has Been blends and with alternative elements, incorporating lounge, , and influences through ' arrangements. The album's sound draws from power-pop, burlesque , jazzy scat-beats, and guitar textures, creating an eclectic and non-linear aesthetic that shifts between high-energy rock and introspective ballads. William Shatner's vocal delivery is characterized by dramatic, theatrical recitation rather than conventional , often employing a histrionic that alternates between bombastic intensity and sullen . This speak-sing style overlays spoken emphasis on underlying melodies, as exemplified in the cover of Pulp's "," where Shatner mimics the original's narrative drive while infusing it with overdramatic pauses and levity. Lyrically, the album explores themes of aging, lost fame, personal regrets, and the of , often with self-deprecating irony and philosophical reflection on mortality. Covers such as "" adapt to satirize class distinctions and identity, while original tracks like "That's Me Trying" delve into and self-reproach. The instrumentation centers on piano-driven rock, augmented by elements like , drum machines, and beats, which contribute to the album's varied and experimental texture. Guest contributions introduce guitar solos and rhythmic flourishes, such as salsa-inflected patterns and lounge-style swings, enhancing the overall pensive yet artful sound.

Personnel

Musicians

The album Has Been features as the lead vocalist on all tracks, delivering spoken-word and sung performances that form the narrative core of the project. serves as the primary multi-instrumentalist, contributing , keyboards, , synthesizers, , , and drums across multiple tracks, while also providing backing and guest vocals on select songs such as "That's Me Trying"; his involvement underscores the album's intimate, piano-driven arrangements. Guest artists add distinctive flavors to individual tracks, enhancing the collaborative spirit. provides guest vocals on "Common People," piano on "You'll Have Time," and cowboy vocals on "Has Been," bringing a sophisticated pop-jazz touch. contributes guest vocals on "That's Me Trying," complementing Shatner's delivery with her melodic style. delivers spoken-word guest vocals on "I Can't Get Behind That," infusing intensity into the track's . plays guitar on "I Can't Get Behind That," adding textures with his signature effects-laden style. contributes guitar and guest vocals on "Real," incorporating elements that highlight the song's humorous narrative. handles all instruments and programming on "Together," providing electronic beats and atmospheric production for a more experimental vibe. Additional musicians support the core sound through Folds' and other contributors, emphasizing small-group sessions without a full . plays drums and percussion on several tracks, including "It Hasn’t Happened Yet," "You'll Have Time," "Familiar Love," "Ideal Woman," "Has Been," and "I Can't Get Behind That," delivering dynamic propulsion. Jon Auer contributes guitar on tracks like "It Hasn’t Happened Yet," "That's Me Trying," "Familiar Love," "Ideal Woman," and "Has Been," along with backing and cowboy vocals, adding power-pop flair from his background. John Mark Painter provides bass, guitars, trumpet, and backing vocals across the album, such as on "," "That's Me Trying," "You'll Have Time," "Familiar Love," "Ideal Woman," and "Has Been," offering versatile session work. plays upright bass on "You'll Have Time," "What Have You Done," "Familiar Love," "Has Been," and "I Can't Get Behind That," contributing a warm, acoustic foundation. vocals appear on select tracks, including the Louisville Common People's on "" and various ensembles on "You'll Have Time" and "Familiar Love," enhancing thematic depth without orchestral scale.

Production staff

The production of William Shatner's 2004 album Has Been was led by , who served as the primary producer, arranger, and mixer, overseeing the integration of guest musicians and meticulously editing Shatner's spoken-word vocal takes to align rhythmically with the musical backings. Folds' hands-on approach ensured a cohesive , blending Shatner's narrative style with diverse musical elements while maintaining creative control as the album's driving force. Recording took place primarily in Nashville, with Joe Costa handling engineering duties, including capturing the sessions and assisting on mixing alongside Folds. The album was mastered by at Sterling Sound, providing the final polish to its eclectic tracks. Art direction was managed by , with package design contributed by John Heiden, Ryan Corey, and Jeri Heiden, the latter also handling photography; the cover prominently features a of Shatner, reflecting his personal involvement in the visual concept. Executive production was overseen by Alan Wolmark under Shout! Factory, the album's releasing label, which provided limited funding to preserve an independent, unpolished aesthetic amid its unconventional collaboration.

Release and reception

Commercial performance

Has Been was released on October 5, 2004, by Shout! Factory, with an initial focus on the market and limited international distribution, including editions in and . The album peaked at number 22 on the Top Heatseekers chart, a ranking for emerging artists and smaller releases, but it did not enter the mainstream 200. The "," featuring and , achieved further visibility by reaching number 21 on 's countdown for 2004. Commercial sales for Has Been were modest, benefiting from William Shatner's established celebrity status as an actor and , though the album received no certifications from the . A reissue was released by Shout! Factory in 2020. Promotion centered on Shatner's public profile and outreach, including samplers distributed to , with the album later becoming available for digital purchase on following the platform's expansion.

Critical response

Upon its release, Has Been garnered generally favorable reviews from critics, earning a Metacritic score of 68 out of 100 based on 17 aggregated reviews, with 9 positive and 8 mixed assessments. Pitchfork rated the album 7.5 out of 10, commending producer Ben Folds for providing a thematic and musical foil to Shatner's delivery, which blended gravitas and levity in tracks like "Ideal Woman" and "That's Me Trying." The review highlighted Shatner's natural charisma and the album's self-aware humor and candor, which elevated it beyond a mere novelty act, describing it as "confusing, enthralling, sincere, profound, and trite" in a way that mirrored societal incongruities. AllMusic awarded it 4 out of 5 stars, praising its innovative approach to spoken-word rock that subverted expectations of Shatner's public image through bold, introspective performances. offered a mixed take, noting the album's humor as "hilariously, brain-tearingly wrong" and its genre-hopping ballads produced by Folds, but questioning its musical depth and seriousness amid collaborations with artists like and , ultimately calling it indispensable in its super-sincerity yet challenging to categorize beyond good or bad. Overall, critics celebrated Has Been as a bold, self-aware project that transformed Shatner's into a vehicle for poignant reflection, though some viewed it primarily as an eccentric novelty.

Legacy

Cultural impact

The release of Has Been in 2004 marked a significant revival of interest in William Shatner's musical career, transforming his earlier experimental forays into spoken-word rock from niche curiosities into a respected facet of his artistry. Produced by and featuring collaborations with artists like , , and , the album's introspective lyrics and dramatic delivery highlighted Shatner's ability to blend autobiography with music, drawing renewed attention to his post- creative output. This resurgence positioned Shatner as a pioneer in celebrity musical reinvention, encouraging other actors to explore similar genre-blending projects. The album's unconventional style inspired numerous covers and parodies across pop culture, amplifying Shatner's iconic persona. Tracks like the spoken-word rendition of Pulp's "" exemplified his theatrical approach, which has been emulated and satirized in , including guest appearances and tributes that nod to his rhythmic speech patterns. For instance, Shatner's 2007 spoken-word cover of the song "Everybody Hates " from the episode "Dude, Where's My Ranch?" reflected his continued engagement with humorous spoken-word interpretations in animated . These elements contributed to a broader cultural appreciation, where Shatner's work transitioned from ironic punchline to influential template for spoken-word experimentation. Has Been exerted a lasting influence on the spoken-word genre, paving the way for actor-musician crossovers that emphasized dramatic over traditional . Its success demonstrated the viability of such formats for high-profile figures. By showcasing through music—such as in the poignant "What Have You Done"—the album encouraged celebrities to leverage their public personas for artistic depth, influencing a wave of hybrid releases in the . Media coverage of Has Been often framed it within narratives of celebrity reinvention, boosting Shatner's relevance long after Star Trek. Similarly, Shatner's autobiography Up Till Now (2008) discusses the project as a bold step in sustaining his cultural footprint, with reflections on how it reconnected him with fans seeking authentic personal stories. This exposure solidified his post-Star Trek stature, portraying music as a vehicle for ongoing relevance in an industry dominated by typecasting. Among fans, Has Been cultivated a dedicated , drawn to its raw honesty and Shatner's unapologetic vulnerability. The album's streaming presence on platforms like has grown steadily since the early , reflecting increased accessibility and discovery among younger audiences via algorithmic recommendations and playlists. With over 56,000 monthly listeners as of late 2025, it exemplifies how amplified the album's reach, turning ironic admirers into genuine enthusiasts and sustaining Shatner's musical influence into the streaming era.

Adaptations and performances

One notable adaptation of material from Has Been was the 2007 ballet production "Common People," choreographed by Margo Sappington for the Ballet Company and set to tracks from the album, including the title song and others produced by . The performance premiered in on a cold winter night, blending high art with pop culture elements from Shatner's spoken-word style. This collaboration was documented in the 2009 feature-length film William Shatner's Gonzo Ballet, directed by Patrick Buckley, Bobby Ciraldo, and Kevin Layne, which chronicles the creation process and features Shatner, Folds, Sappington, and others; the film premiered at festivals and received positive reception for its innovative fusion of music and . Following the album's release, Shatner embarked on live performances showcasing its songs, including a notable appearance with and at the in on October 21, 2004, where they performed tracks like "" in an encore that highlighted the album's collaborative energy. These 2004-2005 shows, often tied to promotional events for Has Been, featured Shatner delivering his spoken-word vocals over live instrumentation by Folds' band, drawing enthusiastic crowds and emphasizing the album's theatrical flair. Later festival appearances, such as indirect nods during Shatner's broader stage presence in the 2010s, continued to evoke the album's material through similar spoken-word rock interpretations. Tracks from Has Been have appeared in derivative media, particularly "Common People," which inspired fan edits syncing Shatner's cover with clips from his Star Trek roles to underscore its satirical themes. In the 2020s, the album saw reissues that extended its reach, including a limited-edition vinyl pressing by Shout! Factory in 2020 on green and black splatter disc, limited to 1,000 copies, preserving the original tracks without additional bonus content. While Has Been produced no direct sequels, its spoken-word-over-rock format influenced Shatner's later projects, notably the 2011 album Seeking Major Tom on , which adopted a similar structure of covers and originals with guest musicians, building on the experimental success established seven years prior.

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