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Hunted Down

"Hunted Down" is a short detective story by the English author , first published in three installments on 20 August, 27 August, and 3 September 1859 in the American newspaper The New York Ledger. The narrative, told from the first-person perspective of Mr. Sampson, the chief manager of a life assurance office, centers on his growing suspicions of a charming yet duplicitous client named Julius Slinkton, who is involved in a scheme of and poisoning. Regarded as one of Dickens's few pure works of , "Hunted Down" explores themes of , , and the detection of hidden evil in , drawing inspiration from real-life reports and the of the era's popular press. The story was later reprinted in across two issues of Dickens's periodical on 4 and 11 1860, marking it as the first of his works to debut in the United States before a British publication. Set primarily in with scenes in , it features key characters including , the villainous Slinkton, and the young clerk Alfred Beckwith, whose role proves pivotal in exposing the plot. Influenced by Dickens's friend and contemporary literature, the tale highlights the author's interest in and moral judgment, contributing to his broader oeuvre of through narratives.

Background

Soundgarden's early years

was formed in 1984 in Seattle, Washington, by guitarist , bassist , and , who initially served as both the band's drummer and lead vocalist. The group drew its name from "," a kinetic wind-powered sound sculpture created by artist Douglas Hollis and installed at Seattle's Sand Point (now part of ), reflecting the band's deep ties to the local artistic and cultural landscape. From the outset, Soundgarden's sound was shaped by influences from heavy metal pioneers like and Led Zeppelin, blended with the raw energy of , positioning them as early architects of the proto-grunge style that would define Seattle's scene. Their heavy, riff-driven approach and Cornell's powerful vocals helped lay the groundwork for the movement, earning them recognition as trailblazers among the city's emerging rock acts. In , as began recording early demos and playing their first live shows, Cornell stepped away from the to concentrate on ; Scott Sundquist joined to fill the role, enabling performances at gritty venues like the Rainbow Tavern, Gorilla Gardens, and the Omni Room. These intimate gigs in the local and metal circuits built a grassroots following and showcased 's evolving intensity. By 1986, replaced Sundquist on drums, solidifying the lineup and fueling further activity, including additional shows at spots like the Central Tavern and the Ditto Tavern. This foundational period of experimentation and local immersion, including their first recorded tracks on the 1986 Deep Six compilation, led directly to Soundgarden's debut solo release, the EP, issued in October 1987 on Records.

Context in the band's discography

"Hunted Down" marked Soundgarden's entry into official recordings as their debut single, released on June 1, 1987, by the independent label Records, and it appeared as the opening track on the band's first EP, , issued on October 1, 1987. Positioned at the outset of Soundgarden's discography, the single followed the band's contributions to the 1986 Deep Six compilation and unissued informal demos from the band's formation in 1984 and preceded key early releases, including the Fopp EP in August 1988 and the debut full-length album Ultramega OK in October 1988, thereby inaugurating their raw grunge catalog on labels like Sub Pop and SST Records. Sub Pop Records, founded in 1986, became instrumental in cultivating Seattle's underground music scene by releasing early works from influential grunge acts such as Mudhoney and Nirvana alongside Soundgarden, with "Hunted Down" embodying the label's signature gritty, DIY ethos that defined the nascent genre. The single's issuance helped propel Soundgarden into visibility within the developing grunge ecosystem, facilitating their transition to a major label deal with A&M Records in 1989 as the first such band from the scene.

Songwriting and recording

Creative process

The song "Hunted Down" emerged from Soundgarden's collaborative songwriting approach, with lyrics penned by vocalist and music composed by guitarist , a dynamic that defined the band's early creative output. Thayil's riff-based style, influenced by and elements from Soundgarden's formative years, provided the foundational structure, while Cornell contributed lyrical content that complemented the music's intensity. The track developed during intensive rehearsals in from 1986 to 1987, as the band honed material for their debut EP, . Thayil introduced the core riff and chord progressions in jam sessions, initially envisioning a slower, heavier groove that evolved through collective improvisation into a more chaotic and dynamic piece. Cornell adapted his lyrics to fit this heavy guitar line, drawing from themes of pursuit and alienation rooted in his personal experiences with and emotional turmoil. The song's title and central solidified during these jams, marking a key moment in the band's pre-recording experimentation and highlighting their ability to build songs organically from raw ideas. This process reflected Soundgarden's early emphasis on tight, -driven compositions that blended metal aggression with improvisational energy.

Production and personnel

"Hunted Down" was recorded at Reciprocal Recording in in 1987. The track, part of Soundgarden's debut EP , was produced by the band alongside , who also served as engineer. The core personnel featured on vocals, on guitar, on bass, and on drums. Production choices prioritized capturing the band's , live-take energy through minimal overdubs and analog equipment, resulting in a gritty sludge-metal tone that defined the track's unpolished intensity. later described the overall EP sound as "pretty ," reflecting the straightforward approach taken in the sessions. Endino's role extended beyond this project, as his engineering on numerous releases helped shape the label's signature gritty aesthetic, which permeated and reinforced its cohesive sonic identity.

Release

Formats and editions

"Hunted Down" was first released on June 1, 1987, as a 7-inch by Records under catalog number SP12a, limited to 500 copies pressed on blue and packaged in plain blue sleeves. The single was reissued on April 17, 2010, for in a limited edition on orange translucent vinyl. The track later appeared on Soundgarden's debut EP , released October 1, 1987, by . On the 1997 compilation album , the B-side "Nothing to Say" from the original single was included instead of "Hunted Down." "Hunted Down" was featured on the 2010 career-spanning compilation , which has been made available in digital formats. In the late 1980s, "Hunted Down" served as the opening track on 's office hold music tape, providing early promotional exposure to industry callers including representatives.

Track listing

The "Hunted Down" single, released in 1987 on Records, was issued as a limited-edition 7-inch record with catalog number SP12a, pressed in 500 copies on blue translucent . Both tracks were produced by and marked the band's debut release, later appearing on the EP later that year.
SideTitleWriter(s)Length
AHunted Down (lyrics), (music)2:42
BNothing to Say, 3:57

Musical content

Style and genre

"Hunted Down" is classified as a proto-grunge track that blends elements of and , characterized by its aggressive riffs and raw energy, predating the mainstream grunge explosion of the early 1990s. The song's style draws from psychedelic punk influences, featuring distorted, down-tuned guitars that create a heavy, sludgy texture, while incorporating metal's intensity without fully embracing its conventions. Instrumentally, the track highlights guitarist Kim Thayil's looping, chorus-drenched riffs played on drop-D tuned guitars, which evoke a creeping, smothering doom atmosphere reminiscent of Black Sabbath's "War Pigs." Vocalist Chris Cornell delivers powerful, muscular screams that add a paranoid edge, supported by Hiro Yamamoto's driving bass lines and Matt Cameron's heavy, frenetic drumming, which builds to a chaotic coda with feedback and distorted harmonics. This combination produces a punkish aggression fused with metal heft, setting an early template for Soundgarden's sound. The song follows a straightforward verse-chorus structure over its 2:41 runtime, with a driving of 166 beats per minute that shifts dynamically from restrained verses to explosive choruses, enhancing its turbulent, spiky feel. These elements underscore the track's proto-grunge essence, emphasizing and sonic dissonance over polished arrangements.

Lyrics and themes

The lyrics of "Hunted Down," written by frontman , center on a of relentless pursuit, portraying the as prey in a chase led by unseen hunters and dogs, evoking imagery of , flight, and inevitable capture. Lines such as "They saw you today as you were leaving / Now they run to hunt you down" establish a tone of immediate and evasion, with the repeated "Run, run to the woods / Run, run to the trees / They hunt you down" underscoring a futile into . The song's themes delve into isolation, societal pressure, and inner turmoil, hallmarks of early introspection that captured the alienation felt by 1980s Seattle youth amid and cultural disconnection. Cornell's words reflect a broader sense of menace and emotional , aligning with the EP's overall atmosphere of and raw discontent. The of being chased and hiding in a "permanent " illustrates the exhausting cycle of evasion and loss of control in modern existence. Cornell's vocal delivery intensifies these themes, his raw, soaring screams and urgent phrasing conveying the and desperation inherent in the , mirroring the and collective struggles of Seattle's underground scene in the late 1980s. The song credits list by Cornell and by guitarist , highlighting their collaborative foundation in the band's debut single.

Reception and legacy

Critical reception

Upon its release, "Hunted Down" received praise in underground zines for its raw energy and guitarist Kim Thayil's distinctive riffs, positioning it as an early highlight of the catalog. In a review from the punk zine #51, described the as part of Washington's emerging , akin to a Led Zeppelin retread for the 1980s alongside bands like and , and suggested checking it out if interested in that style. A account describes the as a "savage, riff-riddled introduction" to Soundgarden's heavy aesthetic, one of Sub Pop's first releases. The positive buzz surrounding "Hunted Down" contributed to the underground success of the accompanying EP. The had an initial pressing of approximately 500-600 copies, with multiple subsequent pressings in various colors due to demand in the local and indie circuits.

Cultural impact

"Hunted Down," 's debut single released on Records in 1987, played a pivotal role in shaping the early movement by embodying the raw, heavy, and dissonant sound that characterized the music scene. As one of the label's inaugural releases, it helped solidify 's reputation as a cornerstone of independent rock and contributed to the aesthetic that influenced subsequent bands, including Nirvana and , in developing the genre. The track symbolizes the DIY ethos prevalent in 1980s indie rock, reflecting Sub Pop's grassroots approach to promotion and distribution in an era before widespread digital access. Notably, "Hunted Down" served as the hold music for Sub Pop's office phone lines, allowing callers to experience the band's intense sound and thereby extending the label's brand reach organically. In Soundgarden's broader legacy, "Hunted Down" appeared on the 2010 compilation album Telephantasm, a career-spanning retrospective that underscored the band's foundational contributions to alternative rock. This inclusion aligned with growing recognition of their influence, culminating in Soundgarden's induction into the Rock and Roll Hall of Fame on November 8, 2025. Retrospective assessments continue to highlight "Hunted Down" as a foundational track, with publications like ranking its parent EP among the genre's essential albums for its unpredictable energy and pioneering style. While the song has inspired minor covers in niche genres, such as renditions and live tributes by fellow acts, it has not seen major reinterpretations or widespread sampling.

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