Hyuk Shin
Hyuk Shin is a South Korean record producer, songwriter, and entrepreneur renowned for his contributions to both global pop and K-pop music.[1] As the founder and executive producer of 153/Joombas Music Group, established in 2012 and later rebranded following a 2018 partnership with Warner Music Group, Shin has built a prolific catalog of released songs.[1][2] His breakthrough came as the first Korean-born producer to chart on the Billboard Hot 100 with Justin Bieber's "One Less Lonely Girl" in 2009, a track certified triple-platinum by the RIAA and peaking at number 16.[1][3] In the K-pop sphere, Shin produced EXO's seminal single "Growl" in 2013, which propelled the group to international stardom and topped charts across Asia.[1][4] He has also discovered and developed talents such as R&B artist DEAN, whose career launch under Shin's guidance led to multiple Korean Music Awards, and early work with Blackbear.[1] Shin's productions have secured nine number-one debuts on domestic Korean charts and multiple number-one entries on the Billboard World Albums Chart, underscoring his influence in expanding K-pop's global reach.[1] Through 153/Joombas, he continues to bridge Eastern and Western music markets, collaborating with artists like Lola Amour and Felip in recent years.[3]Early life and education
Childhood and family
Hyuk Shin was born on June 5, 1985, in Seoul, South Korea. He grew up in a typical Korean family, though details about his parents and any siblings remain largely private and not widely disclosed in public records. Shin's father worked as a salesman for the Samick Piano Company, which facilitated early access to musical instruments in the household. As a child, Shin received a toy keyboard from his father, sparking his initial curiosity; he began experimenting with unconventional sounds and composing basic piano pieces on the family piano, developing self-taught skills without formal instruction at that stage. His early musical influences stemmed from local South Korean scenes and global R&B trends, particularly 1990s New Jack Swing and artists like Blackstreet, Tevin Campbell, and R. Kelly. By middle school, around age 15, Shin joined a computer music club, where he gained exposure to studio equipment through a mentor who had composed for singer Hyun Jin-young, further nurturing his independent learning and passion for production. At age 20, Shin relocated to Boston, USA, to attend Berklee College of Music, a step that bridged his self-directed beginnings to professional development.Berklee College of Music
In 2005, at the age of 20, Hyuk Shin enrolled at Berklee College of Music in Boston, Massachusetts, pursuing studies in music business and management with a focus on songwriting and production techniques aimed at achieving international success on charts like the Billboard Hot 100.[5][6] His decision to attend Berklee stemmed from a long-held ambition to blend Korean musical influences with Western styles, driven by exposure to global artists during his formative years in Seoul.[5] During his time at Berklee, Shin honed advanced production skills through intensive coursework and hands-on projects, including collaborations with peers that emphasized contemporary songwriting and genre fusion. A pivotal experience came in 2009, during his fourth and final year, when he co-wrote "One Less Lonely Girl" for Justin Bieber alongside songwriter Sean Hamilton, marking his first major international placement while still a student. This collaboration, which debuted at number 16 on the U.S. Billboard Hot 100 and sold over 110,000 downloads in its first week, provided early professional exposure and validated his Berklee training in crafting commercially viable pop tracks.[7][8] The college's diverse environment, drawing students from over 70 countries, immersed him in global music styles ranging from jazz and R&B to electronic and hip-hop, fostering a versatile approach that later informed his hybrid production methods.[9] Shin graduated from Berklee in 2009 with a degree in music business/management, having built foundational connections in the U.S. music industry through informal networking and project-based learning. Although specific internships are not detailed in records, his Bieber project served as an informal entry point, connecting him with publishers like EMI Music and laying the groundwork for future cross-cultural work without venturing into full-time professional roles post-graduation. Berklee's curriculum on music entrepreneurship and production equipped him with tools to navigate both American and Korean markets, shaping his signature style of integrating polished Western arrangements with K-pop's emphasis on visual and performative elements.[6][5]Career
Debut as singer-songwriter
Hyuk Shin entered the South Korean music industry as a singer-songwriter with the release of his debut album Soar in early 2004.[10] The album featured 12 tracks, blending pop and ballad elements reflective of the era's K-pop sound, and marked his initial foray into performing while still based in Korea.[11] Shin, then 19 years old, handled vocals across the project, drawing on his self-taught musical foundation to navigate the recording process.[12] The title track, "Robot," was co-composed by Shin and renowned K-pop ballad specialist Kim Hyung-seok, with lyrics penned by poet Won Tae-yeon, infusing the song with themes of emotional detachment and longing.[11][13] This collaboration highlighted Shin's emerging role in songwriting, though the track's melancholic ballad style positioned it within a saturated market dominated by established artists. Released amid intense competition in the K-pop scene, "Robot" debuted around the 30th position on domestic music charts, earning a modest "surprise entry" but failing to sustain higher rankings.[14] Despite the album's release, Shin's performing career remained brief and faced significant hurdles as a newcomer in a highly competitive landscape, where breakout success often required extensive promotion and industry connections he lacked at the time.[15] He made notable television appearances, including a live performance of "Robot" on KBS's Yoon Do-hyun's Love Letter in May 2004, showcasing his vocal delivery to a national audience.[16] Other tracks like "I Tried" and "Missing Love" received airplay on shows such as MBC's Music Camp, but overall reception was lukewarm, with the album not achieving widespread commercial success.[17] These early efforts underscored the challenges of establishing a solo presence, prompting Shin to release only this single album before pivoting toward production studies abroad.[18]Early production breakthroughs
Hyuk Shin's shift from performer to producer began in earnest after his experiences as a singer-songwriter, where he honed his songwriting skills that would soon propel him into high-profile collaborations. In 2009, Shin achieved his first major international breakthrough by co-producing "One Less Lonely Girl" for Justin Bieber's debut EP My World, working alongside the A-Rex production team. Originally crafted by A-Rex for R&B artist Noel Gourdin in 2008, the track was shopped to labels and ultimately selected by Def Jam Recordings for Bieber, with Shin contributing to its final production alongside Ezekiel Lewis, Balewa Muhammad, and Sean Hamilton. The song debuted and peaked at number 16 on the Billboard Hot 100, marking the first time a South Korean-born producer had charted on the U.S. ranking. It later received triple-platinum certification from the RIAA in 2017, signifying over three million units sold or streamed in the United States. This success garnered Shin widespread recognition in Western music circles, establishing him as a bridge between Korean talent and global pop markets and prompting his return to Korea to pursue expanded opportunities. Building on this momentum, Shin ventured into K-pop production, with his initial notable credit being the 2011 track "Supa Luv" for rookie group Teen Top's single album Transform. Produced in the United States with A-Rex input, the upbeat pop-R&B song helped propel Teen Top's debut and showcased Shin's ability to adapt his international style to the K-pop idiom, leading to subsequent invitations from major Korean labels.A-Rex Production
A-Rex Production was established around 2009 as a songwriting and production duo by Hyuk Shin and Sean Hamilton, operating primarily out of the United States.[19] The team's debut project, co-producing Justin Bieber's "One Less Lonely Girl," which peaked at number 16 on the Billboard Hot 100, established early credibility in the Western pop market.[20] The core operations of A-Rex centered on collaborative songwriting and production, blending contemporary pop elements with rhythmic structures suitable for both American and emerging Korean artists. As a boutique outfit, the duo handled end-to-end creative processes, from composition to final mixes, often partnering with additional writers and engineers to refine tracks for commercial release. This approach facilitated a bridge between Western hip-hop and pop influences and the structured, performance-oriented demands of K-pop, evident in their selective project portfolio. Notable works under A-Rex include production credits on Naughty by Nature's 2011 album Anthem Inc..[21] In 2010, they produced "The 5th Element" for R&B singer Tynisha Keli, featuring smooth vocal arrangements and mid-tempo grooves.[22] By 2011, A-Rex extended into K-pop with the remix and production credits on Teen Top's "Transform," adapting high-energy dance-pop for the group's debut single.[23] These projects highlighted the team's versatility without exhaustive listings of every contribution. Over time, A-Rex's activities tapered as Hyuk Shin transitioned to broader entrepreneurial roles, integrating production expertise into the founding of Joombas Music Group in 2012, which expanded the scale of cross-cultural collaborations.Artist discoveries
Hyuk Shin demonstrated his keen eye for emerging talent early in his production career by discovering Matthew Tyler Musto, professionally known as Blackbear, in Atlanta, Georgia, during 2011-2012. At the time, Musto was an up-and-coming producer and artist operating under his real name, and Shin recognized his potential while scouting in the local music scene. The partnership provided Musto with vital industry connections and creative guidance, significantly accelerating his trajectory toward mainstream success as a multi-platinum pop/R&B artist with hits like "Do Re Mi" and collaborations with major acts such as Justin Bieber and Post Malone.[1][24] Building on this success, Shin expanded his talent identification efforts by signing Kwon Hyuk, known artistically as DEAN, in 2012 through his burgeoning production network. DEAN, then a 20-year-old aspiring songwriter from Seoul, joined Shin's team at Joombas Music Group, where he honed his skills writing and arranging for K-pop artists like EXO and VIXX before transitioning to a solo career. Shin executive produced DEAN's debut single "I'm Not Sorry," featuring Grammy-winning R&B artist Eric Bellinger and released in July 2015 via Universal Music Group, which marked DEAN's entry into the U.S. market and garnered critical acclaim for its blend of alternative R&B and hip-hop influences. This launch propelled DEAN to international prominence, earning him multiple awards including Best R&B at the 2017 Mnet Asian Music Awards and establishing him as a trailblazer in Korean urban music.[25][26][27] Shin's approach to talent discovery relied on actively scouting via online platforms and structured auditions under his A-Rex production team, which facilitated early connections with raw talents like Blackbear and DEAN before they achieved widespread recognition. These discoveries not only boosted the artists' careers—transforming Blackbear into a global streaming sensation with over 10 billion Spotify streams and DEAN into a genre innovator with sold-out tours—but also solidified Shin's reputation as a pivotal talent spotter bridging K-pop, R&B, and international markets. By nurturing these artists through hands-on production and strategic releases, Shin exemplified a model of artist development that emphasized creative autonomy and cross-cultural appeal.[1][24]153 Joombas Music Group
Hyuk Shin founded 153/Joombas Music Group in 2012, serving as its CEO and executive producer. The company emerged as a key player in music production and publishing, initially focusing on bridging Korean and international markets through innovative songwriting and production services.[1][2] Under Shin's direction, 153/Joombas has achieved significant milestones, including nine number-one debuts on domestic charts and multiple number-one entries on the Billboard World Albums Chart. The company has built a robust catalog of hit tracks, with its producers and songwriters contributing to over 100 creators on its roster. A pivotal early success was the production of EXO's "Growl" in 2013, a breakthrough single that became a million-selling album in the digital streaming era and was performed at the PyeongChang Winter Olympics closing ceremony.[2][28][29] The group expanded by developing in-house artists and talent, such as early signee DEAN, whose career launch under the label marked an initial triumph in artist discovery. It also strengthened its publishing arm to support creators with comprehensive career development, while emphasizing global distribution to facilitate worldwide music releases and cultural exchange. This focus has positioned 153/Joombas as a disruptive force in Asian music services, prioritizing IP-based ventures for broader industry impact.[1]Recent international projects
In 2025, Hyuk Shin expanded his influence in Southeast Asia through a high-profile partnership with Vietnamese media company YeaH1 to produce the survival idol program Show It All Vietnam (Tân Binh Toàn Năng), which premiered on October 4 on national broadcaster VTV3.[30] As a judge and key creative force, Shin applied K-pop production standards to train 11 trainees in forming Vietnam's first boy group, marking a strategic push into the Vietnamese market with global ambitions.[30] The program's theme song, "Show Me," released on September 23, served as the debut single for the trainees and showcased Shin's signature blend of energetic pop and idol training elements.[3] Shin also deepened his footprint in the Philippines, collaborating with emerging artists via his 153 Joombas Music Group to bridge K-pop aesthetics with local sounds. In April 2025, he produced Lola Amour's single "Dance with My Mistakes," a feel-good track that fused the band's indie-funk style with international pop influences, highlighting themes of self-acceptance and performed live at events like UP Fair.[31][3] Earlier, in 2024, Shin co-produced Felip's "Fake Faces," an introspective hip-hop track exploring authenticity amid fame, which gained traction in regional charts and was spotlighted in a 2025 Billboard Philippines feature for its innovative sound design.[3] These efforts stemmed from intensive songwriting camps, where Shin emphasized artist-driven creativity to adapt global trends to Filipino contexts.[3] Building on this momentum, Shin produced the cross-border ballad "With You" for Lola Amour and Chinese Mandopop artist Chen Linong, released on September 21, 2025, under Warner Music.[32] The minimalist acoustic arrangement, featuring rain samples and layered vocals, captured themes of longing and connection, demonstrating Shin's versatility in multilingual, pan-Asian productions distributed via digital platforms.[32] Complementing these regional ventures, Shin continued collaborations with K-pop acts like NCT and TXT, contributing to tracks that amplified Hallyu's global reach through streaming and international tours.[3] These post-2020 initiatives underscore Shin's role in K-pop's globalization, leveraging digital streaming for cross-cultural exchanges and nurturing Southeast Asian talent to create hybrid sounds that resonate beyond Korea.[3][32] By focusing on platforms like iTunes, YouTube, and Spotify, his projects have facilitated broader accessibility, fostering a new wave of Asian pop innovation.[31]Business ventures and partnerships
Founding of music companies
Hyuk Shin began his entrepreneurial journey in the music industry by co-founding the production duo A-Rex in 2008 alongside songwriter Sean Hamilton.[33] This initial venture focused on songwriting and production, gaining early prominence with the creation of "One Less Lonely Girl" for Justin Bieber's debut album in 2009, which provided crucial revenue to support further business development.[24] A-Rex operated primarily as a creative team until around 2010, laying the groundwork for Shin's expansion into a more structured company. Building on A-Rex's success, Shin established 153/Joombas Music Group in 2012 as a comprehensive independent entity with offices in Seoul, Los Angeles, and New York.[2] This marked the evolution from a duo-based production outfit to a full-scale music group integrating multiple functions under one roof. The founding reflected Shin's vision to bridge Korean and international markets, leveraging his prior experience in global pop production.[34] The business model of 153/Joombas emphasizes an integrated approach combining music production, artist and repertoire (A&R) services, and publishing to foster comprehensive artist development.[35] This structure allows for end-to-end support, from song creation and talent scouting to rights management and global distribution, aiming to disrupt traditional industry silos while prioritizing intellectual property services.[36] By centralizing these elements, the company enables efficient collaboration among producers, writers, and artists, particularly in the fast-paced K-pop ecosystem.[1] Founding these companies presented challenges, including navigating the highly competitive K-pop industry dominated by major entertainment conglomerates and addressing complexities in international licensing for cross-border releases.[34] Shin had to balance domestic demands for synchronized visual and musical elements with global standards for originality and market adaptation, often requiring innovative approaches to secure deals and protect creative outputs abroad.[24] As of 2025, 153/Joombas Music Group remains Shin's primary entity, operating as a leading disruptive force in Asian music publishing and production with a focus on K-pop's global expansion.[35] The company continues to serve as the hub for Shin's ventures, supporting a roster of international creators and contributing to the industry's shift toward IP-driven models.[2]Warner Music Group collaboration
In 2018, Hyuk Shin established a strategic global joint-venture partnership with Warner Music Group, rebranding Joombas Music Group as 153/Joombas Music Group to integrate its record label and artist management operations with Warner's distribution capabilities for worldwide release of its artists' music.[1] The partnership yielded key outcomes by amplifying the international promotion and visibility of 153/Joombas-associated artists, including singer-songwriter DEAN—whose career Shin launched through executive production—and Blackbear, whom Shin discovered early in his rise within pop and R&B scenes—as well as K-pop acts like EXO, for which Shin produced the breakthrough hit "Growl."[1] Notable joint projects from 2018 to 2020 included the launch of 153/Joombas' flagship artist NIve under the collaboration, with his debut single "Getaway" (featuring JMSN) released in November 2018, followed by 2019 singles such as "Who I Am," "Liberated," and "Tired," and the 2020 track "Like A Fool" (with Sam Kim), all distributed globally via Warner Music Korea.[1] Strategically, the alliance provided 153/Joombas with access to Warner Music Group's robust infrastructure, particularly strengthening distribution and marketing networks across Asia and Europe to support the expanding global footprint of Korean music productions.[1]Warner Chappell Music partnership
In October 2021, 153/Joombas Publishing, founded by Hyuk Shin, signed an exclusive global publishing agreement with Warner Chappell Music, granting the latter worldwide administration rights to the Joombas catalog, which encompasses Shin's songwriting contributions alongside works by other affiliated creators.[37] The deal's scope includes the management of over 1,000 released songs from the catalog, covering sync licensing opportunities for use in films, television, and other media to expand creative and commercial reach.[38][39] This arrangement leverages Warner Chappell's global network to handle royalty collection, rights protection, and international promotion for the catalog's hits associated with artists like BTS, EXO, aespa, and SEVENTEEN. The partnership has driven significant revenue growth for Joombas songwriters, including Shin, through enhanced global monetization and licensing deals, while boosting exposure in international markets and contributing to K-pop's broader worldwide influence.[24] In November 2022, the agreement was renewed, solidifying ongoing collaborations that continue through 2025 and further integrating Joombas' output into Warner Chappell's ecosystem.[39] This publishing venture built on prior trust from Shin's 2018 recording collaboration with Warner Music Group.[39]Expansions with other labels
In addition to his established collaborations, Hyuk Shin has expanded 153/Joombas Music Group's reach through partnerships with SM Entertainment, beginning in 2011 with contributions to EXO's debut album track "Angel" and continuing through key productions for both EXO and SHINee from 2013 onward.[40][41] These efforts included producing EXO's breakthrough single "Growl" in 2013, which became a cornerstone of the group's international success, and SHINee's "Dream Girl" from the same year, showcasing Shin's ability to blend pop sensibilities with K-pop's dynamic structures.[41] Shin has also forged ties with Universal Music Group for select global releases, particularly in Southeast Asia, where his productions have supported artists under Universal's regional imprints. For instance, in 2023, he collaborated on tracks for Malaysian artist DOLLA's project under Universal Music Malaysia, emphasizing cross-cultural pop fusion.[42] This partnership has facilitated international sync licensing opportunities, allowing Joombas' catalog to appear in global media placements beyond Korea.[25] In 2025, Shin announced a significant expansion into Vietnam through a partnership with YeaH1 Group, launching the survival audition program "Show It All Vietnam" in October to develop the country's first major idol boy group. As executive producer, he oversaw the creation of the contestants' debut single "Show Me," recorded in Thailand and released via YeaH1, marking Joombas' entry into Southeast Asian talent development.[43][44] These expansions have diversified 153/Joombas' portfolio, shifting from primarily K-pop production to a broader global ecosystem that includes regional media ventures and international publishing syncs, enhancing the company's influence in emerging markets.[25]Awards and recognition
Major music awards
Hyuk Shin's production contributions have earned him significant recognition in the K-pop industry, with key wins tied to his work on landmark tracks and albums. His composition and production of EXO's "Growl" from the 2013 repackaged album XOXO secured the Song of the Year award at the Melon Music Awards, marking a pivotal moment for both the group and Shin's career as it highlighted his ability to craft chart-topping hits blending R&B and dance-pop elements.[45] The XOXO album, featuring "Growl" as its lead single, further propelled Shin's acclaim by winning Album of the Year (Daesang) at the 2013 Mnet Asian Music Awards, underscoring the production's role in EXO's breakthrough as a global act.[46] Subsequent awards recognized Shin's ongoing contributions to EXO tracks, including multiple Bonsang awards at the Golden Disc Awards between 2014 and 2018, with the 2014 Disk Daesang and Bonsang for XOXO. These accolades, often shared with collaborators, celebrated the commercial and artistic success of his work in elevating EXO's sound during their formative years.[47] Shin's portfolio of productions has contributed to several major music awards across these ceremonies as of 2025, solidifying his status as a leading figure in K-pop production.Industry milestones and honors
Hyuk Shin achieved a historic milestone in 2009 as the first South Korean-born record producer to chart on the US Billboard Hot 100, co-writing and producing Justin Bieber's "One Less Lonely Girl," which peaked at No. 16 and earned RIAA triple-platinum certification.[1][48] In 2013, Shin co-composed EXO's "Growl," which became a landmark in K-pop history as the title track for the repackaged album XOXO, marking EXO's first million-selling release in South Korea with over 1.3 million physical copies sold domestically.[49] The song's enduring popularity led to its selection for performance by EXO at the 2018 PyeongChang Winter Olympics closing ceremony, where the group represented K-pop alongside CL, showcasing the genre's global appeal to an international audience.[50][51] Under Shin's leadership, 153 Joombas Music Group, founded in 2012, has amassed a catalog exceeding 1,000 released songs, powering hits across K-pop and international markets.[52] Shin has earned industry recognition as a premier "K-pop hitmaker" through features in major outlets, including a 2025 Billboard Philippines interview highlighting his collaborations with artists like Lola Amour and Felip, underscoring his role in bridging Asian and global pop scenes.[3][53]Discography
Production credits
Hyuk Shin has amassed over 100 production credits throughout his career, with many achieving platinum status and significant chart success in both Western and K-pop markets.[54] As lead producer, he often handles beat creation, vocal arrangements, and overall track orchestration, collaborating with teams like 153 Creators Club for intricate pop-R&B fusions. His work emphasizes catchy hooks and genre-blending production, contributing to global hits. In 2009, Shin served as a key producer on Justin Bieber's "One Less Lonely Girl" from the album My World 2.0, co-producing with Ezekiel Lewis, Balewa Muhammad, and Sean Hamilton; the track features upbeat pop instrumentation with layered vocals and synth-driven beats, earning RIAA triple-platinum certification and peaking at No. 16 on the Billboard Hot 100.[55][56][2] This marked Shin's breakthrough as the first South Korean-born producer on the US Billboard Hot 100. In 2012, he co-wrote and contributed to production on EXO's "Angel" from their debut EP MAMA, with collaborators including DK and Sasha Hamilton, which helped propel the EP to No. 1 on the Billboard World Albums chart.[57] Shin's 2013 output included EXO's landmark single "Growl" from the repackaged XOXO, where he co-produced with Jordan Kyle and John Major, crafting a signature blend of rap verses, R&B melodies, and infectious pop hooks that achieved million-plus sales in Korea and international acclaim.[58][1] That same year, he produced SHINee's "Dream Girl" title track for their album Dream Girl – The Misconceptions of You, focusing on dreamy synth arrangements and vocal harmonies to create an ethereal pop sound.[59] Moving into 2015, Shin produced DEAN's debut US single "I'm Not Sorry" featuring Eric Bellinger, handling full instrumental production with smooth R&B grooves and subtle electronic elements, which garnered attention for its crossover appeal.[60] He also contributed to VIXX's album Chained Up (2015) by composing the track "Eternity".[61] In 2016, Shin co-produced SHINee's "Don't Let Me Go" from their album 1 of 1.[62] Later credits include Super Junior's "Somebody New" from their 2020 repackage album Timeless, where Shin co-composed nostalgic elements with MRey.[63] For NCT U, he co-wrote and produced "YESTODAY" in 2018, incorporating hip-hop rhythms and melodic choruses that supported the group's experimental sound.[64] Shin has also worked on projects for TXT, contributing production to tracks that align with their youthful pop style through his 153/Joombas Publishing partnership; for example, he co-wrote and produced "20cm" on TXT's 2019 album The Dream Chapter: Magic.[25][65] In recent years, Shin expanded internationally, co-producing Felip's "Fake Faces" in 2024 with Seann Bowe, featuring bold synth-pop arrangements that topped Philippine charts.[66][67] For Lola Amour in 2025, he led production on "Dance With My Mistakes" alongside CUURLEY, creating feel-good disco-infused beats, and helmed the full album Love On Loop including the single "The Moment," with upbeat rhythms and cross-border vocal mixes; he also produced the collaborative ballad "With You" featuring Chen Linong.[3][31][68][48]Songwriting credits
Hyuk Shin has amassed over 200 songwriting credits across K-pop and global pop music, often blending hybrid pop styles that incorporate R&B, funk, and electronic influences with emotional lyricism.[69] His contributions as a composer and lyricist have powered chart-topping hits for major artists, emphasizing innovative structures that bridge Western and Korean musical traditions. One of his breakthrough songwriting efforts was co-writing Justin Bieber's "One Less Lonely Girl" in 2009, a track that reached number 16 on the Billboard Hot 100 and earned triple-platinum certification in the US.[54] In K-pop, Shin co-composed EXO's "Growl" (2013) alongside collaborators like DK and Jordan Kyle, creating a dance-pop anthem with R&B flair that propelled EXO's album XOXO to over a million sales in the digital era.[70] Shin has also composed several K-pop ballads, such as EXO's "Don't Go" (2013), where he worked with John Major and Jordan Kyle to craft a heartfelt mid-tempo track highlighting vocal harmonies and introspective themes.[71] For SHINee, he contributed both composition and lyrics to "Don't Let Me Go" (2016) from the album 1 of 1, infusing the song with poetic imagery of longing and resilience.[72] His work with DEAN includes co-writing elements in tracks like EXO's "Black Pearl" (2014), where Shin's lyric contributions added layers of dramatic intensity to the rock-infused ballad.[73] Additional notable compositions include EXO's "Universe" (2017), a soaring rock ballad co-composed with MRey, JJ Evans, and Jeff Lewis, which served as the title track for EXO's holiday album and emphasized themes of eternal love.[74] Shin's songwriting portfolio, managed through his company 153/Joombas Publishing, entered a global partnership with Warner Chappell Music in 2022, facilitating worldwide administration of his extensive catalog.[39]| Song Title | Artist | Year | Role | Notes |
|---|---|---|---|---|
| One Less Lonely Girl | Justin Bieber | 2009 | Co-writer (lyrics & composition) | Triple-platinum Billboard Hot 100 hit |
| Growl (으르렁) | EXO | 2013 | Co-composer | Million-selling K-pop anthem |
| Don't Go (나비소녀) | EXO | 2013 | Co-composer & co-writer | Emotional ballad from XOXO |
| Black Pearl | EXO | 2014 | Co-writer (lyrics) | Dramatic track with DEAN collaboration |
| Don't Let Me Go (투명 우산) | SHINee | 2016 | Composer & lyricist | Poetic single from 1 of 1 |
| Universe | EXO | 2017 | Co-composer | Rock ballad holiday release |
Performer discography
Hyuk Shin's output as a performer is limited, consisting primarily of his debut album released early in his career before he shifted focus to production and songwriting.[75] His sole full-length album, Soar, was released on December 1, 2004, by EMI Music Korea Ltd. as a CD in South Korea.[75] The album features 12 tracks blending pop and R&B elements, with the title track "Robot" (로보트) highlighting his singer-songwriter style.[76] Soar received modest attention upon release but marked Shin's initial foray into performing, totaling his known contributions as a lead artist to around a dozen tracks.[75] The tracklist for Soar is as follows:| No. | Title (Korean) | Title (English Translation) | Duration |
|---|---|---|---|
| 1 | 로보트 | Robot | 3:58 |
| 2 | 아직도 | Still | 4:02 |
| 3 | 비단 | Silk | 3:45 |
| 4 | 우리 요즘 이상해 | We've Been Weird Lately | 3:50 |
| 5 | 사랑을 놓치다 | Lose One's Love | 4:10 |
| 6 | I Tried | I Tried | 3:55 |
| 7 | 회복 | Recovery | 4:20 |
| 8 | 등대지기 | Lighthouse Keeper | 4:05 |
| 9 | Blue Jelly | Blue Jelly | 3:40 |
| 10 | 그럴순 없겠죠 | That Can't Be | 4:00 |
| 11 | 놓치지 마세요 | Don't Miss It | 3:30 |
| 12 | Dear My Light | Dear My Light | 4:21 |