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Ian Moss

Ian Moss (born 20 March 1955) is an Australian rock musician from , best known as the founding mainstay guitarist and occasional singer of the iconic band . Born and raised in , , Moss began playing guitar in local teenage bands before moving to in the early 1970s after struggling in high school. There, he responded to an advertisement and joined what would become Cold Chisel in 1973, co-founding the group with members including Jimmy Barnes and Don Walker, and contributing to its raw, pub-rock sound that defined Australian music in the late 1970s and early 1980s. Cold Chisel achieved massive success with albums like East (1980) and Circus Animals (), selling millions and earning Moss acclaim as one of Australia's premier guitarists for his blues-inflected solos and soulful voice on tracks such as "." Following the band's 1983 breakup, Moss pursued a solo career, debuting with the multi-platinum album in 1989, which reached number one on the and won five ARIA Awards, including and Best Male Artist. Over the decades, he has released eight studio albums, with his latest, Rivers Run Dry, arriving in 2023, alongside live recordings like Live at the Enmore (2024), Live at Anita's (2025), and ongoing tours, including a sold-out national headline tour in 2025 and reunions with , such as the 50th anniversary "The Big Five-0" tour (2024–2025). Moss's contributions to Australian rock have been widely recognized, including being voted Australia's greatest guitarist in a poll by his peers.

Early life

Childhood in Alice Springs

Ian Richard Moss was born on 20 March 1955 in , , . He grew up in the remote town as the third of four children to parents Geoffrey and Lorna Moss, both of whom worked for the local council. His father, Geoffrey, had survived the Japanese during in 1942, after which he enlisted in the army and later contributed to infrastructure projects in the region through the Allied Works Council. Moss had an older brother, and the family lived in a modest environment typical of the arid, isolated Central Australian landscape. From an early age, Moss showed a keen interest in music, influenced by the sounds around him in . He was exposed to local musicians and performances in the community, which sparked his passion starting around age five. Initially, he took lessons, but at age 11, he switched to guitar, marking the beginning of his lifelong dedication to the instrument. The outback setting, with its limited options, meant radio broadcasts played a significant role in his early listening experiences, introducing him to a variety of sounds from afar. Moss's childhood musical interests centered on and genres, drawn from these radio airings and occasional live encounters with traveling or local performers. These early exposures laid the groundwork for his developing style, emphasizing guitar-driven expression amid the sparse cultural resources of the region. This foundation in ' unique outback milieu shaped his initial self-taught approach before he later pursued more formal musical opportunities elsewhere.

Move to Adelaide and musical beginnings

At the age of 17 in 1972, Ian Moss relocated from to after failing a high school year, intending initially to repeat it but ultimately committing to a full-time pursuit of music. His older siblings had already moved south, providing a familial anchor in the city. Upon arrival, Moss dove into Adelaide's emerging pub rock scene, a dynamic environment fueled by local venues and working-class audiences in the early 1970s. He quickly integrated as a , securing spots in informal lineups and performing covers of rock staples at neighborhood pubs, which allowed him to build practical experience amid the city's tight-knit music community. Moss honed his guitar skills primarily through self-teaching and repetitive live gigs, drawing inspiration from instrumentalists like of for clean, melodic phrasing and for expressive, effects-driven solos. These early performances emphasized his growing proficiency on , often involving models, as he adapted techniques to the raw energy of pub settings. No formal recordings from this pre-professional phase have been widely documented, but the gigs served as crucial rehearsals for his vocal and instrumental roles.

Career

Cold Chisel (1973–1984)

Ian Moss joined Cold Chisel in September 1973 in Adelaide, responding to a newspaper advertisement for a guitarist placed by keyboardist Don Walker, who was assembling a band initially named Orange. As the lead guitarist and occasional lead vocalist, Moss became a foundational member alongside Walker, drummer Steve Prestwich, bassist Les Kaczmarek (later replaced by Phil Small), and vocalist Jimmy Barnes (who joined in 1974). The group honed their hard-rock covers and original material through suburban pub gigs in Adelaide before relocating to Sydney in 1976, where they built a reputation in the pub rock scene with high-energy performances that blended blues, rock, and Walker-penned narratives of Australian life. Moss's guitar work and vocals were integral to 's five studio albums during this period, driving their evolution from underground favorites to national icons. On the debut (1978), his blues-inflected solo in ""—a composition evoking veterans—helped define the band's raw, anthemic sound, while his first lead vocal on "One Long Day" featured a virtuosic, guitar outro. (1979) showcased his whammy-bar-driven licks on "The Door," adding cosmic intensity to the track's brooding atmosphere. The breakthrough (1980) elevated the band to Australia's top act, with Moss delivering gritty, pentatonic bends on the title track and unison lines on "Standing on the Outside," contributing to the album's chart-topping success and themes of urban alienation. Circus Animals (1982), their highest-selling Australian album at the time, highlighted Moss's songwriting and performance on "," where he penned the lyrics, sang lead, and unleashed a blistering 40-second solo blending rapid slurs and blues-rock bends; his technically precise runs also shone on "Forever Now." The final studio release, (1984)—often paired with live recordings from their farewell shows—featured Moss's emotive guitar lines on "," a poignant of small-town longing that underscored the band's maturing . Cold Chisel's ascent included relentless Australian tours that packed pubs and festivals, cementing their status as pub rock legends with sold-out shows drawing thousands, such as the 1982 Music Bowl concert in . International efforts, including European tours in 1981 and a 1983 stint supporting acts like , exposed stylistic clashes with overseas audiences but honed their resilience amid grueling schedules. By 1984, mounting internal tensions—fueled by clashing personalities, particularly between Barnes and , and the exhaustion of constant touring—led to the band's breakup after a farewell national tour, with the final show at the on December 13, 1983, marking the end of their initial era.

Solo career establishment (1985–1996)

Following the disbandment of in 1983, Ian Moss began developing his solo career, spending several years writing and recording material before his official debut. His first solo single, "Tucker's Daughter," a duet with former bandmate , was released in November 1988 and became a major hit, peaking at number 2 on the Singles Chart in early 1989 and earning certification in for sales exceeding 70,000 copies. This success paved the way for Moss's debut solo album, Matchbook, released in August 1989 through Mushroom Records. Produced by Moss alongside American engineer Chris Lord-Alge, the album featured a polished rock sound with contributions from Cold Chisel drummer Steve Prestwich and keyboardist Don Walker on select tracks, and it debuted at number 1 on the ARIA Albums Chart, remaining in the top 10 for 14 weeks while shipping over 200,000 copies—equivalent to triple platinum status in Australia. Key singles from the album included "Telephone Booth," co-written by Moss and Walker, which reached number 7 on the ARIA Singles Chart and stayed in the top 20 for 10 weeks, showcasing Moss's songwriting prowess and his signature guitar-driven melodies reminiscent of his band era. At the 1990 ARIA Music Awards, Matchbook propelled Moss to win five honors, including Album of the Year, Best Male Artist, Breakthrough Artist – Album, Best Cover Art, and Engineering for a non-classical work, marking a triumphant establishment of his independent artistry. The momentum from led to extensive touring, including a national itinerary in late and dates in during 1990, where Moss performed to enthusiastic audiences in and , building a growing overseas following. His second album, Worlds Away, arrived in October 1991, also on , and was co-produced by Moss with Peter Walker, emphasizing a more introspective blend of rock and elements. The record peaked at number 41 on the Albums Chart and entered the top 50 in , with standout tracks like "Only Love" highlighting Moss's evolving vocal and guitar phrasing, though it achieved more modest commercial success compared to its predecessor. Supporting tours followed in and , including stops in , , and in 1993, further solidifying his live reputation. By the mid-1990s, Moss shifted toward a rawer sound for his third solo effort, Petrolhead, released in August via TWA Records. Produced by Don Walker and recorded in a near-live fashion to capture an unpolished blues-rock edge, the album featured Moss on lead guitar and vocals, with Walker contributing keyboards and songwriting on several tracks, including the poignant "All Alone on a Rock." While it did not chart as highly as earlier releases, Petrolhead received critical praise for its authenticity and was supported by a national Australian tour in –1997, where live recordings from these shows later appeared on compilations, underscoring Moss's commitment to his instrumental roots during this foundational solo phase.

Reunions and mid-career (1997–2010)

In 1998, Cold Chisel reunited after a 14-year hiatus to record their sixth studio album, The Last Wave of Summer, which was released in October and debuted at number one on the Australian ARIA Albums Chart. The album, featuring new material written primarily by Don Walker with Ian Moss contributing guitar and backing vocals on select tracks, captured the band's signature pub rock energy while reflecting on themes of aging and reflection. This reunion effort was supported by an extensive national tour that drew massive crowds to arenas across Australia, reaffirming Cold Chisel's enduring popularity and providing Moss a platform to showcase his intricate guitar solos alongside bandmates Jimmy Barnes, Phil Small, and Charley Drayton on drums. Throughout the 2000s, Moss balanced his Cold Chisel legacy with a series of introspective solo releases, emphasizing acoustic arrangements and personal songwriting. His 2005 album Six Strings, released on Liberation Music, marked a shift to unplugged performances, including acoustic renditions of earlier hits like "Telephone Booth" and covers such as Creedence Clearwater Revival's "Green River," highlighting Moss's fingerpicking technique and bluesy phrasing. This was followed in 2007 by Let's All Get Together, another acoustic collection that incorporated original compositions alongside reinterpretations of Cold Chisel classics like "Flame Trees," produced with input from longtime collaborator Don Walker to blend folk-rock intimacy with Moss's soulful delivery. These works, often performed live in smaller venues, allowed Moss to explore mature themes of relationships and resilience without the high-energy demands of full-band rock. Moss's 2009 release, Soul on West 53rd, represented a bold evolution, featuring covers of soul standards by artists including , , and , recorded in and produced by renowned session musician . The album fused Moss's rock guitar roots with jazz-inflected arrangements and horn sections, peaking at number 40 on the ARIA Albums Chart and earning praise for revitalizing classic tracks like "I've Got to Use My Imagination" through Moss's emotive vocals and subtle improvisations. During this era, Moss also engaged in select collaborations, including guest guitar work on projects tied to Don Walker, such as contributions to Walker's solo endeavors that echoed their shared history. By late 2010, Moss was involved in preliminary discussions for 's impending full reunion, navigating the band's grief over drummer Steve Prestwich's 2006 passing to plan a major 2011 tour and live album.

Later career and recent work (2011–present)

In 2011, embarked on the Light the Nitro tour to mark their 40th anniversary, performing 24 shows across and two in from October to December, with Ian Moss contributing on guitar and vocals. The band followed this with additional reunion performances through 2013, including a live recording at Sydney's in April 2012, released as The Live Tapes Vol. 1. Moss's role in these events highlighted his enduring presence in the group's high-energy sets, blending classic tracks with renewed vigor. The band returned for their 50th anniversary celebration with The Big Five-0 tour, announced in May 2024 and commencing on October 5 in , . Spanning late 2024 into early 2025, the sold-out 17-date run across and drew over 250,000 fans, featuring Moss alongside , Don Walker, and on staples like "" and "." A live album and documentary capturing the tour's highlights were released in August 2025, underscoring the milestone's cultural impact. Moss continued his solo endeavors with the self-titled album Ian Moss, released on March 2, 2018, via Liberation Music—his first collection of original material in 22 years and first studio effort in nine. This was followed by Rivers Run Dry, his eighth studio album, issued on July 21, 2023, through Mosstrooper Records, featuring 12 tracks that spanned rock, blues, and pop influences, including a duet with his son Julian Moss on "Such a Beautiful Thing." The album's lead single, the title track, was released in April 2023, and Moss promoted it with live performances, including a debut TV appearance alongside Julian in August 2023. In July 2024, Moss made rare appearances with his band, headlining Glasgow's on July 10 and London's Bush Hall on July 12, delivering sets drawn from his catalog and solo work. Returning to , he announced the One Guitar One Night Only tour in November 2024, a trio-led acoustic outing scheduled for May 2025 across major venues, including multiple nights in , , , and ; additional dates were added in 2025 due to demand. Complementing this, Moss's live album Live at Anita's, recorded at Anita's Theatre in , was released on May 2, 2025, via Mosstrooper Records, capturing 17 tracks from his extensive repertoire on double vinyl, CD, and digital formats. In December 2025, Moss performed two headline shows in , , at The Hollywood Avondale on December 19 and 20.

Personal life

Family and relationships

Ian Moss has largely kept his personal life out of the public eye, prioritizing privacy while nurturing close family ties. In the 1980s, Moss entered a long-term relationship with Australian actress Megan Williams, which lasted more than a decade before their separation in the . Williams died of on 17 April 2000, aged 43. Since the early 2000s, Moss has been in a committed relationship with jazz singer Margeaux Rolleston, whom he has referred to as his wife; the couple has a son, , born around 2004. The family resides in the coastal suburb of Thirroul, south of , where Moss balances his career with family responsibilities. Moss, Rolleston, and Julian have shared family travels, including a memorable 2012 trip to Europe that included stays in the French Alps and Provence, fostering strong familial bonds through shared experiences.

Later years and interests

In his later years, Ian Moss has reflected on the importance of good health and mobility, expressing gratitude for remaining active well into his 70s after turning 70 on 20 March 2025. Moss maintains a keen interest in jazz, naming Duke Ellington and Wes Montgomery among his favorite artists during a 2025 interview. He has embraced a quieter life in the coastal suburb of Thirroul, south of , where he values the serene beaches and natural surroundings as a respite from his performing career.

Musical style and influences

Guitar technique and vocals

Ian Moss is renowned for his blues-infused guitar technique, characterized by melodic phrasing and understated solos that prioritize emotional depth over flashy displays. His playing often features clean tones achieved through low-output pickups and amp-driven sounds, allowing for clarity and nuance in his note selection. Moss favors fewer notes with strategic gaps, emphasizing "phrasing is king" to serve the song's narrative, as he has described in interviews. This approach draws on traditions, incorporating elements like bends, rapid scale runs, and occasional whammy bar effects for expressive flair. Central to Moss's sound is his preference for , particularly a 1960 model he acquired in 1977, which he has modified over the years for enhanced playability. The guitar's brighter, twangy response suits his bluesy style, while custom builds like his 1989 Greg Fryer —with a wider and flatter —facilitate sustained bends and comfortable handling during extended performances. He occasionally employs Telecaster-inspired designs, such as slab-sided Strats, to add a sharper to his tone without sacrificing the Strat's versatility. These choices reflect his commitment to reliable, responsive instruments that support both rhythmic work and soloing. Moss's vocal style complements his guitar work with a soulful, smooth delivery that conveys warmth and introspection. In , he took occasional leads, such as on "Choir Girl," where his clear, resonant provided a melodic to the band's raw energy. His solo career elevated this aspect, as heard in hits like "Tucker's Daughter," where his silken voice rings with soulful clarity and emotional resonance. Moss identifies as a soul singer, integrating influences like to blend pop-rock structures with heartfelt phrasing. Over time, Moss's style evolved from the high-energy pub rock intensity of his days—marked by spontaneous, edge-of-your-seat solos—to a more mature, refined approach in his solo albums. Later works incorporate jazz-infused phrasing, inspired by figures like , with greater emphasis on subtle dynamics and improvisational freedom. In live settings, he thrives on this spontaneity, often "getting lost" in solos to capture the moment's emotion, likening it to "skating on the edge" while maintaining technical precision. Examples from his debut album , such as the blistering solo in "," illustrate this progression toward controlled yet vibrant expression.

Key influences

Ian Moss's primary guitar influences were of and , whose Stratocaster-based rock playing shaped his own approach to the instrument. In a 2024 interview, Moss stated, "For me, though, Blackmore and Hendrix were the main influence. They both play Strats," crediting them for inspiring his purchase of a in 1977. His early exposure to blues and soul came from local Alice Springs musician Dave Liillicut, who played boogie-woogie piano and introduced Moss to around age five, fostering a foundational appreciation for these genres from the . Growing up in during the and , Moss was immersed in a progressive live music scene that included country and emerging rock elements, further broadening his inspirations through local performers and the absence of commercial radio, where the provided key external sounds. The pub rock culture of late- , with bands playing nightly in every venue, profoundly influenced Moss and Cold Chisel's raw, energetic style. Within Cold Chisel, keyboardist and principal songwriter Don Walker significantly impacted Moss's songwriting development through close collaboration, including co-writing tracks like "All Alone on a Rock" for Moss's 1989 album Matchbook. Moss has credited Walker's perfectionist approach and innovative ideas for expanding his creative horizons during the band's formative years in Adelaide. In later years, Moss explored jazz influences, naming as a figure of admiration in a 2025 interview, reflecting a shift toward more sophisticated harmonic elements in his work during the . His partner, jazz singer Margeaux Rolleston, has likely contributed to this evolution, exposing him to jazz performance and vocal styles.

Discography

Solo studio albums

Ian Moss's solo studio albums span over three decades, showcasing his evolution from rock and blues roots to more experimental and introspective sounds. His debut effort, Matchbook, marked a commercial triumph, while subsequent releases explored varied styles, including rock, blues, jazz fusion, acoustic arrangements, and mature reflections on life. These works highlight Moss's guitar prowess and vocal depth, often co-written with collaborators like Don Walker from Cold Chisel. Matchbook, released in August 1989 by , debuted at number 1 on the Albums Chart and held a position in the top 10 for 14 weeks. The album was certified triple in , signifying sales in excess of 210,000 units. Featuring themes of and reflection, it includes standout tracks like "Telephone Booth" and "Tucker's Daughter," blending blues-rock with soulful ballads that established Moss as a solo force. Moss's second album, Worlds Away, arrived in October 1991 via Mushroom Records and peaked at number 42 on the ARIA Albums Chart. Rock-oriented with a mix of energetic tracks and poignant ballads, it demonstrated Moss's versatility, incorporating influences from his Cold Chisel days into a more personal solo narrative. In August 1996, Moss released Petrolhead through TWA Records, produced by Don Walker. The album peaked at number 21 on the ARIA Albums Chart and introduced an edgier, raw blues sound, recorded live in the studio to capture an urgent, gritty energy distinct from his earlier polished productions. Moss returned to acoustic sounds with Six Strings in May 2005 on Liberation Blue, his first all-acoustic album featuring reinterpreted classics and originals like "Song for Julian." Certified by in 2015 for sales of 35,000 units, it highlighted his guitar technique in intimate settings. Let's All Get Together, released in July 2007 by Bloodlines, peaked at number 49 on the Albums Chart. This second acoustic effort included stripped-back versions of solo and tracks, emphasizing Moss's songwriting and vocal maturity. After a , Moss ventured into -rock with Soul on West 53rd in October 2009, released by Liberation Music. The album peaked at number 40 on the Albums Chart and explored improvisational elements and sophisticated arrangements, reflecting Moss's interest in blending rock with influences during a period of artistic experimentation. Returning to original material in March 2018 with his self-titled album Ian Moss on Liberation Music, the release emphasized an acoustic focus, stripping back to intimate guitar-driven songs that highlighted Moss's songwriting maturity. It peaked at number 11 on the Albums Chart, his strongest charting solo album since 1996. The 2023 album Rivers Run Dry, released on July 21 via Mosstrooper Records and co-produced with Brent Clark, peaked at number 18 on the ARIA Albums Chart. Featuring mature songwriting centered on life's journeys, it was praised for its emotional depth and Moss's refined guitar work, solidifying his enduring relevance in Australian music.

Live albums and compilations

Moss's first live recording, Ian Moss Live, was released in 1998 by TWA Records as a standalone CD following its inclusion in the 1997 Ian Moss Box Set reissue of his debut album Matchbook. The album captures performances from his solo tours, showcasing his guitar work and vocals on tracks like "All Alone on a Rock" and "Addicted to You," emphasizing his transition from Cold Chisel's ensemble sound to a more intimate solo presentation. In 2020, Moss issued Live through his own Mosstrooper label, a double CD and digital release recorded during his 2018 Australian tour at venues including Canberra's The Playhouse. The 16-track set features reinterpreted solo material such as "Out of the Fire" and "Such a Beautiful Thing," alongside classics like "Never Before," highlighting his enduring stage presence and blues-inflected guitar solos. A vinyl edition followed in April 2024. Moss continued documenting his concert performances with Live at the Enmore in 2024, a limited-edition double on Universal Music capturing a show at Sydney's . This release underscores his ongoing solo touring commitment, blending high-energy renditions of career-spanning hits with acoustic elements. Live at Anita's, released on May 2, 2025, on as a double , features recordings from a performance at Anita's Theatre in , further extending Moss's catalog of live captures. On the compilations front, the 2019 Matchbook 30th Anniversary Edition serves as a retrospective, pairing the original 1989 album with a bonus disc of live recordings from the Hordern Pavilion, including "When You Dance" and "Tucker's Daughter." Released by Warner Music Australia, it celebrates Moss's solo breakthrough while incorporating dynamic live versions that reflect his evolution as a performer. Moss has also contributed guitar and vocals to various collaborative live projects, such as Cold Chisel's 1992 The Last Stand soundtrack, where his solos enhance the band's farewell concert energy.

Singles

Ian Moss's solo singles career is marked by a blend of rock, blues, and soul influences, often co-written with longtime collaborator Don Walker, and they have played a pivotal role in establishing his post-Cold Chisel identity. His debut single, "Tucker's Daughter", released in November 1988 as a duet with Jimmy Barnes, became one of Australia's biggest hits of the era, peaking at number 2 on the ARIA Singles Chart and earning platinum certification for over 70,000 units sold. The track's raw emotional delivery and Moss's prominent guitar work resonated widely, earning it the ARIA Award for Song of the Year in 1990 and helping to bridge his band legacy with solo success. The momentum continued with "", the second single from his debut album , released in June 1989. It climbed to number 7 on the Singles Chart, staying in the top 50 for several weeks and underscoring Moss's vocal maturity alongside his signature technique. This release solidified his commercial viability as a solo artist, contributing to 's number 1 album peak and its sweep of five Awards, including . In 1991, Moss issued singles from his second album Worlds Away, including "Slip Away", which entered the ARIA Singles Chart and peaked at number 56, reflecting a more experimental phase with layered production and introspective lyrics. Though not matching earlier heights, it highlighted his willingness to explore beyond mainstream rock formulas. Later, "The Bright Side" from the 1996 album Petrolhead emerged as a fan favorite, emphasizing themes of through its upbeat and Moss's distinctive phrasing, though it received limited commercial airplay. Moss's output in the and beyond shifted toward deeper personal narratives, with "If Another Day (Love Rewards Its Own)" released in February 2018 from his self-titled album. The single, praised for its heartfelt balladry and Moss's aged-yet-powerful vocals, supported the album's number 11 ARIA Albums Chart entry, his highest solo placement since 1989. It exemplified his enduring appeal in mature rock audiences, blending acoustic elements with emotional . More recently, "Rivers Run Dry" served as the lead promotional for his 2023 album of the same name, co-produced with Brent Clark and featuring a duet with on another track. Released in July 2023, it captures Moss's reflections on outback life and environmental themes, receiving acclaim for its authenticity and live performance potential during his subsequent tour. While not aimed at chart dominance, the reinforces Moss's as a thoughtful songwriter in contemporary music.

Awards and nominations

ARIA Music Awards

Ian Moss achieved significant recognition at the ARIA Music Awards in 1990 for his debut solo album Matchbook (1989) and its lead single "Tucker's Daughter" (1988, shared with Don Walker). He won Album of the Year for Matchbook, Best Male Artist for Matchbook, Breakthrough Artist – Album for Matchbook, Breakthrough Artist – Single for "Tucker's Daughter", and Song of the Year for "Tucker's Daughter". These victories marked Moss's breakthrough as a solo artist following his tenure with , highlighting his transition to a prominent individual presence in Australian rock music. No further solo wins were recorded in subsequent ceremonies, though his contributions as a founding member of were honored when the band was inducted into the in 1993, acknowledging their enduring impact on the industry.

Other awards

In addition to his ARIA accolades, Ian Moss has received recognition from the Australasian Performing Right Association (APRA) for his songwriting contributions. As a member of Cold Chisel, Moss was honored with the Ted Albert Award for Outstanding Services to Australian Music at the 2016 APRA Music Awards, acknowledging the band's enduring impact on the industry. More recently, his collaboration with Troy Cassar-Daley on "Nullarbor Plain" earned a nomination for Most Performed Rock Work at the 2024 APRA Music Awards. Moss has also been celebrated in the sphere through the Country Music Awards of Australia (CMAA), particularly for his later explorations blending and country elements. In 2022, he won Vocal Collaboration of the Year at the Golden Guitar Awards for "South," a with from the album The World Today, marking Moss's first such honor and highlighting his versatility in genre crossovers. Other industry honors underscore Moss's prowess as a guitarist. In a 2014 poll by Australian Musician magazine, he was voted Australia's Best Singer/Guitarist with 39% of the votes, ahead of international figures like Eric Clapton. Australian Guitar magazine ranked him third on its Definitive Top Ten Australian Guitarists of All Time list that year. Furthermore, as part of Cold Chisel, Moss was inducted into the South Australian Music Hall of Fame in 2015, recognizing the group's foundational role in Australian rock.

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