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Image Nation Abu Dhabi

Image Nation Abu Dhabi is a film production company established in as a of the government-owned Abu Dhabi Media to invest over $1 billion in feature films over five years, aiming to foster a domestic entertainment industry amid the UAE's economic diversification from oil revenues. Based at the Yas Creative Hub in , it produces Arabic-language films, international co-productions, television series, and documentaries targeted at global audiences, with a mission to develop talent and infrastructure across the GCC and MENA regions. The company has co-financed blockbusters including , , , and Dune: Part Two, while supporting local projects like the horror Watcher and Egyptian comedy Voy! Voy! Voy!. Its documentaries, such as , have garnered critical acclaim, with the company securing two for Best Documentary Feature, alongside a BAFTA and an Emmy. As the first UAE entity to stream multiple productions on , Image Nation has showcased content at over 400 international festivals, advancing Abu Dhabi's through strategic partnerships funded by state resources. Notable controversies include financing the anti-fracking film Promised Land despite the UAE's reliance on fossil fuels, highlighting potential tensions between state interests and sponsored narratives. These investments reflect a broader strategy to leverage for cultural influence and economic transition, though critics argue they serve as vehicles for UAE geopolitical promotion rather than purely artistic endeavors.

Founding and Early Development

Establishment and Initial Mandate (2008)


Image Nation Abu Dhabi was established in 2008 as a subsidiary of the government-owned Abu Dhabi Media Company, serving as its film financing arm. The launch was announced with significant publicity in October 2008, coinciding with international film events to signal Abu Dhabi's ambitions in global cinema. This creation aligned with the emirate's broader economic diversification strategy, leveraging oil revenues to invest in cultural industries.
The initial mandate focused on developing a sustainable film and entertainment sector in the , with an emphasis on nurturing local Emirati talent and fostering regional production capabilities across the () and () regions. To achieve this, Image Nation was allocated substantial funding, estimated at over US$1 billion, enabling investments in both domestic and international co-productions. A key operational approach involved financing high-profile overseas films to generate returns, which would then subsidize local initiatives and build industry infrastructure. This dual-track strategy reflected a pragmatic recognition of the nascent state of Emirati , prioritizing financial viability alongside cultural development.

Launch of Core Objectives and Funding Allocation

Image Nation Abu Dhabi was established in September 2008 as a of the government-owned Media Company, with core objectives centered on financing and producing films to cultivate a domestic sector and elevate the emirate's global cultural influence. The mandate emphasized partnerships with international entities to import expertise while investing in regional talent for Arabic-language and hybrid content, as part of economic diversification beyond oil revenues. This approach sought to build infrastructure for long-term industry sustainability across the UAE and broader region, prioritizing narrative content that could amplify Emirati perspectives on international platforms. Initial funding allocation drew from a pledged corpus exceeding $1 billion over approximately five years, earmarked for up to eight films annually, encompassing both commercial collaborations and nascent local projects. A key tranche of $250 million formed a with Participant Media to co-finance 15 to 18 narrative features, targeting socially conscious stories aligned with Participant's track record in awards-contending productions. Complementing this, a $100 million commitment partnered with Entertainment for 10 to 15 documentaries and features exploring human-environmental themes, budgeted up to $60 million per project, to leverage established nonfiction expertise for market entry. These allocations prioritized high-profile international tie-ups to mitigate risks in an unproven local , with smaller portions reserved for Emirati-led initiatives, though early outputs revealed challenges in balancing commercial viability with cultural goals.

Organizational Evolution

Leadership Transitions and Operational Base

Image Nation Abu Dhabi maintains its operational base at the Yas Creative Hub within the media free zone on in , , a facility designed to support including production. This location facilitates integration with 's broader media ecosystem, providing access to production resources and proximity to key infrastructure like Yas Bay Waterfront. The company, established in 2008 as a subsidiary of Media Company, underwent early leadership changes amid initial financial challenges. Ed Borgerding served as the inaugural CEO from October 2008 until his departure in early 2011, during a period marked by reported losses exceeding $100 million and internal restructuring. Michael Garin, previously a member of Media's executive committee, was appointed CEO in February 2011 to oversee operational stabilization and . In October 2011, Image Nation restructured by separating its Hollywood-focused division from local operations, with Mohammed Al Otaiba, a former UAE diplomat, appointed head of the newly formed Image Nation Abu Dhabi entity to prioritize regional content development. Al Otaiba led initiatives like the Arab Film Studio program before transitioning to editor-in-chief of The National in January 2014. Concurrently, Mohamed Al Mubarak assumed the role of chairman around 2011, guiding strategic oversight amid efforts to balance international co-productions with Emirati talent cultivation. Garin continued as CEO until his retirement in February 2023 after over a decade in the position, during which the company expanded into documentaries and co-financed projects like The Swimmers (2022). , who joined as chief content officer in 2018, succeeded as acting CEO by September 2024 and was elevated to full CEO status by early 2025, focusing on and MENA expansion through programs like the UAE . These transitions reflect a shift from foundational stabilization to sustainable regional growth, with leadership emphasizing empirical returns on government-backed investments.

Integration with Abu Dhabi Media Ecosystem

Image Nation Abu Dhabi was founded in 2008 as a wholly owned of Media Company (ADMC), the government-owned entity responsible for advancing the emirate's media infrastructure and content production capabilities. This structure embedded the company within 's state-directed media framework from inception, enabling it to draw on public funding—initially exceeding $1 billion over five years—to finance films, television, and talent programs aligned with the emirate's economic diversification goals beyond oil dependency. Operational integration deepened through relocation to , Abu Dhabi's designated media free zone, in 2014, where it established its base at the Yas Creative Hub to leverage specialized facilities, tax incentives, and regulatory support for . , overseen by the Media Zone Authority-Abu Dhabi (MZA), functions as a hub for over 400 media firms, providing Image Nation with access to studios, soundstages, and a networked of local and international collaborators. This alignment facilitated shared leadership, such as the joint chairmanship of and Image Nation by HE Mohamed Al Mubarak, and personnel crossovers, including the appointment of Image Nation's former CEO Michael Garin as CEO in 2020. Key partnerships exemplify this ecosystem synergy, notably the 2019 collaboration with and MBC Studios on the Arabic-language Inheritance, which produced 250 episodes annually, generated over 200 jobs, and offered 40 paid internships in areas like script development and to nurture Emirati . Such initiatives build on Image Nation's programs to train regional filmmakers, contributing to a projected $100 million in retained production spending during the period through coordinated efforts. By 2022, oversight shifted to the , which consolidates Abu Dhabi's media entities—including Image Nation as a of MZA—under a unified mandate to enhance global competitiveness via streamlined licensing, investment attraction, and content export. This evolution reflects a maturing where Image Nation serves as a production engine, fostering alliances with government-backed platforms to produce pan-Arab content while exporting Emirati narratives internationally, as evidenced by multiple originals.

Talent Development Initiatives

Arab Film Studio Program (2011–2023)

The Arab Film Studio (AFS) program, launched by Image Nation Abu Dhabi in 2011, provided specialized training to aspiring filmmakers, focusing on skill development in areas such as narrative production, , and scriptwriting to elevate the UAE's creative . Designed primarily for Emirati nationals and UAE residents, including high school students and early-career professionals, it emphasized hands-on from experts to simulate professional workflows. The initiative included annual competitions that selected finalists for intensive six-month programs, culminating in the production and screening of original works. Key components encompassed workshops on episodic storytelling, production management for those with prior credits, and youth-oriented sessions, such as three-week filmmaking intensives for ages 16-18 in collaboration with NYU Abu Dhabi. Participants developed projects under guidance, with winners receiving production grants—such as AED 100,000 (approximately $27,225) for top scripts—and internships at Image Nation. By its fifth year in 2016, AFS had established itself as a cornerstone for regional talent cultivation, fostering skills in commercial directing and digital formats like TikTok scripting by the early 2020s. Achievements included training over 120 emerging filmmakers by 2018, with program-produced shorts securing more than 275 global festival screenings that year alone. By 2019, these films had amassed over 400 screenings worldwide and earned 25 awards, highlighting the program's role in promoting Emirati voices internationally. In 2021, AFS graduated more than 150 participants across its tracks, contributing to a pipeline of local talent amid Abu Dhabi's media ecosystem growth. The program operated until 2023, after which Image Nation shifted focus to broader initiatives like international accelerators.

Post-AFS Programs and International Collaborations

Following the discontinuation of the Film Studio program in 2023, Image Nation shifted toward specialized training initiatives emphasizing , development, and innovative formats. In late 2023, the organization launched the Writers' Lab in partnership with Faraway Road Productions, a of the U.S.-based , to nurture emerging talent from the UAE and . This four-month program selected up to 12 participants aged 21 and older, providing in-person workshops in —held October 22–27, 2023, and February 29–March 6, 2024—alongside online mentorship to refine original scripts for series, feature , or short , with an emphasis on crafting narratives suitable for production. The initiative's cross-border eligibility underscored Image Nation's expanding scope, fostering collaborations between Emirati and writers to generate content with global market potential. In June 2024, Image Nation introduced the UAE Screenlife Accelerator Program, collaborating with Kazakhstani filmmaker , known for pioneering the genre in films like . Targeted at UAE nationals and residents, the program trained participants in creating stories told exclusively through digital screens such as smartphones and computers, selecting eight projects from submissions for advancement by April 29, 2025. This accelerator represented a departure from traditional narrative training, prioritizing in filmmaking to position UAE creators in a niche international format that has gained traction in productions. These post-AFS efforts highlight Image Nation's strategic pivot to targeted, genre-specific accelerators with foreign partners, aiming to build specialized skills amid the global rise of while sustaining Emirati involvement in high-potential international pipelines. No additional major programs were publicly detailed through 2025, though these initiatives built on prior NYU collaborations for youth workshops, extending reach beyond regional filmmaking basics.

Key Productions

Feature Films and Narrative Content

Image Nation Abu Dhabi has financed and co-produced numerous international feature films, often through partnerships with major studios, contributing to blockbusters that align with its mandate to elevate Abu Dhabi's global media presence. Notable examples include (2012), a depicting the CIA's pursuit of , for which Image Nation provided significant financing alongside . Similarly, the company supported Dune: Part Two (2024), Denis Villeneuve's science fiction epic continuing the adaptation of Frank Herbert's novel, grossing over $700 million worldwide through distribution. Other involvements encompass (2011), a pandemic directed by , and (2012), an action-comedy sequel, both of which benefited from Image Nation's equity investments. In narrative content, Image Nation has backed genre films emphasizing suspense and horror, such as The Crazies (2010), a remake of the George A. Romero-inspired outbreak story, and Flight (2012), Robert Zemeckis' drama starring Denzel Washington about aviation heroism and addiction. More recent efforts include Watcher (2022), a psychological thriller set in Bucharest starring Maika Monroe, and Late Night with the Devil (2023), an Australian found-footage horror film involving a possessed talk show, both co-produced to tap into global streaming audiences. These projects reflect a strategy of risk-sharing with established producers like Participant Media, yielding box office returns while exposing Emirati financing models internationally. Domestically, Image Nation has invested in Arabic-language narrative features to foster regional storytelling, including HWJN (2013), a Saudi Arabian supernatural romance-thriller adapted from a bestselling novel about , marking an early success in Arab . Emirati-focused titles like (2017), a drama centered on threats, and Malek Al Halba (2020), a exploring social dynamics, prioritize local talent and cultural themes. Recent releases such as Hoba (2024), a about marital discord and unseen entities, continue this emphasis on narrative-driven content resonant with Arab audiences. Through these, Image Nation has produced over a dozen features since 2010, often blending commercial appeal with Emirati identity promotion.

Documentaries and Non-Fiction Works

Image Nation Abu Dhabi has produced and co-produced several documentaries addressing crises, social issues, and regional history, often in collaboration with international partners to amplify Emirati perspectives on universal themes. These works emphasize empirical narratives drawn from real events and personal testimonies, focusing on amid adversity, such as eradication efforts and for marginalized groups. The company's output reflects its to foster cultural while engaging with pressing humanitarian topics, with funding directed toward projects that align with Dhabi's initiatives. Every Last Child (2014), directed by , chronicles the polio eradication campaign in amid militant opposition, featuring accounts from affected families and healthcare workers who risked violence to vaccinate children. The film highlights the human cost of the crisis, including targeted attacks on vaccinators, and underscores the determination of individuals in remote areas to combat the disease despite fatwas declaring immunization as Western conspiracy. Produced under Image Nation's banner, it premiered at DOC NYC and received acclaim for its on-the-ground reporting. As One: The Autism Project (2014), directed by Hana Makki, explores the experiences of families in the dealing with disorders, portraying daily challenges, diagnostic journeys, and community support systems. The documentary emphasizes early intervention and societal inclusion, drawing on interviews with parents, educators, and affected children to illustrate progress in awareness and services within the Gulf region. It was released during World Awareness Month to promote and advocacy. He Named Me Malala (2015), directed by , profiles laureate Malala Yousafzai's advocacy for girls' education following her survival of a assassination attempt in Pakistan's Swat Valley. Co-produced by Image Nation alongside Participant Media and Fox Searchlight Pictures, the film incorporates archival footage, family interviews, and animations to depict the cultural and political barriers to female literacy, earning and Emmy nominations for its intimate portrayal of resilience against extremism. History of the Emirates (2019), a five-part series narrated by , traces the ' evolution from prehistoric settlements dating back 125,000 years through ancient trade routes, pearl diving eras, and the 1971 federation, utilizing archaeological evidence, expert analysis, and reenactments to substantiate claims of continuity between tribal heritage and modern statehood. Co-produced with Atlantic Productions, it was made available online for free in 2020 to educate global audiences on the nation's foundational narratives, countering assumptions of abrupt oil-driven transformation. Additional non-fiction initiatives include commemorative projects such as UAE Commemoration Day (2019), which documents national martyrdom and military sacrifices through veteran testimonies and archival records, and (2019), a reflective piece on historical remembrance. Heroes of the Nation profiles Emirati figures exemplifying civic duty, aligning with Image Nation's role in promoting via evidence-based storytelling. These efforts prioritize verifiable historical data over interpretive bias, though their state-affiliated origins may emphasize unifying themes.

Emerging Media Ventures (TV, Gaming, Digital)

Image Nation has ventured into television through partnerships emphasizing -language content and regional storytelling. In 2023, it collaborated with STARZPLAY on Kaboos, a produced by , marking the platform's first Arabic original and consisting of episodes centered on themes rooted in . The company has also produced History of the , a documentary-style series developed with Emmy and BAFTA-winning Atlantic Productions, which chronicles the UAE's formation and aired across national channels to educate on national heritage. Additional TV efforts include – UAE, a reality series streaming on STARZPLAY, and Inheritance, focusing on family dynamics in a modern Gulf context. In animation, Image Nation partnered with Saudi Arabia's Vision Entertainment in December 2019 to develop Tamr, an Arabic-language animated television series featuring anthropomorphic date fruits on adventures showcasing Saudi cultural and historical sites. The project entered pilot production immediately, with full series production scheduled to commence in 2020 as part of a broader transmedia strategy incorporating digital content and merchandising, though subsequent release details remain unconfirmed in public records. Digital initiatives represent a core focus for emerging formats, with the launch of the Screenlife Accelerator Program in June 2024 in partnership with filmmaker and . This program trains UAE nationals and residents in storytelling—narratives unfolding entirely on digital screens like smartphones and laptops—and selected eight projects from local filmmakers for development, with winners announced on April 29, 2025. Complementing this, Image Nation produced A Story Called Zain, its inaugural AI-driven , which integrates audience comments to dynamically alter the plot, demonstrating experimental use of for interactive narrative engagement. Gaming efforts remain ancillary, primarily tied to transmedia extensions rather than standalone developments; the Tamr outlined plans for mobile games within its to extend the animated , but no dedicated titles or studios have been launched independently. These ventures align with Abu Dhabi's broader diversification, prioritizing talent incubation in digital-native formats over traditional gaming infrastructure.

Financial and Strategic Challenges

Early Losses and Internal Restructuring (2009–2012)

Following its establishment in 2008 with a $1 billion fund from Media Company, Image Nation Abu Dhabi incurred substantial early financial losses exceeding $100 million by early 2011, primarily from underperforming international co-productions. Notable setbacks included Fair Game (production cost $22 million, global $20 million), Furry Vengeance ($35 million cost, $35.9 million ), The Way Back (losses over $12 million), and Shorts ($15 million loss). These stemmed from aggressive investments in deals, such as partnerships with Participant Media and Entertainment, amid hundreds of millions disbursed over the prior two years on films like the forthcoming and development pacts including $10 million to Walter Parkes. Internal turmoil intensified with abrupt executive departures around late 2009 to early 2010, including the ousting of CEO Edward Borgerding and executive Stefan Brunner by the board, which Borgerding described as blindsiding. Leadership transitioned to Michael Garin as CEO and Frank Mooty (former ) to impose stricter financial oversight, alongside a chairman shift to Mohamed Mubarak al Mazrouei from Mohamed Khalaf al Mazrouei. These changes addressed infighting and perceived mismanagement in deal-making, contrasting with smaller-scale local Arab budgets of $1 million to $4 million. In October 2011, the company rebranded from Imagenation to Image Nation and restructured into two divisions to refocus operations: Image Nation Abu Dhabi for Emirati-centric projects like Sea Shadow and Djinn, emphasizing local talent development through internships and casting; and Image Nation International for global co-productions such as The Help and Contagion via ties with Participant Media, Warner Bros., and Hyde Park. Chairman Mohammed Al Mubarak and CEO Garin framed the split as balancing domestic industry-building with international knowledge transfer, with Mohammed Al Otaiba leading the local arm. This aimed to mitigate prior overreliance on high-risk foreign ventures while advancing UAE film infrastructure.

Long-Term Funding Model and Return on Investment

Image Nation 's long-term funding model relies primarily on sustained allocations from the government, reflecting its role in the emirate's economic diversification strategy beyond oil dependency. Established in with an initial $1 billion government fund, the entity has received additional injections, such as a $200 million investment in to refocus operations toward local content and Emirati talent development after early international expansion challenges. This government backing positions Image Nation as a subsidized cultural initiative rather than a purely commercial venture, with funding channeled through entities like the Media Zone to support production, training, and infrastructure. To diversify revenue streams and mitigate reliance on state support, Image Nation has pursued strategic co-financing partnerships, notably the 2016 Culture –Image Nation Content Fund with 's Intercontinental Communication Center. This seven-year vehicle began with $100 million in equal commitments from both parties, targeting up to $300 million for investments in Hollywood-style s and TV content aimed at markets, including Chinese audiences. Such alliances enable risk-sharing on high-cost projects while fostering co-productions, though they remain secondary to core government funding. Return on investment has been evaluated more through strategic and cultural metrics than strict financial profitability, given the high-risk nature of film production where individual hits offset broader losses. While specific quantitative ROI figures are not publicly disclosed, the model prioritizes long-term ecosystem building—evidenced by contributions to Abu Dhabi's filming appeal, as seen in major productions like the Dune saga—over immediate returns, aligning with government goals for soft power and industry sustainability. Critics note challenges in achieving commercial viability, with the UAE film sector facing hurdles like limited local audience scale and global competition, underscoring that Image Nation's persistence depends on continued public financing rather than self-sustaining profits.

Broader Impacts and Criticisms

Cultural Promotion and Emirati Talent Cultivation

Image Nation Abu Dhabi has promoted Emirati culture by producing films and documentaries that highlight local narratives and heritage, such as Sea Shadow directed by Emirati filmmaker Nawaf Al Janahi, which explores themes of and tradition. These works have been screened at over 400 international festivals, facilitating cultural and positioning UAE stories on global platforms. The company's initiatives align with Abu Dhabi's strategy to diversify its economy through , emphasizing authentic Emirati expression in media to build a sustainable ecosystem. Central to talent cultivation is the Arab Film Studio (AFS), launched in 2011, which provides targeted training for Emirati and regional through workshops, mentorship, and production support. Programs like the AFS Young Filmmakers Workshop, a three-week intensive for Emirati high school students aged 16-18 in collaboration with NYU , teach scriptwriting, directing, and production skills, culminating in student films screened publicly. The AFS Documentary Program, running annually since at least 2015, equips participants with filmmaking techniques, fostering skills in rooted in UAE experiences. Advanced initiatives include the AFS Mawaheb program for Arabic-speaking creatives aged 21 and over, offering nine-month narrative and specialized courses in episodic and commercial directing. These efforts extend to internships on live productions and scriptwriting workshops, prioritizing UAE nationals to build professional pipelines. In 2024, Image Nation partnered with producer on the Screenlife Accelerator Programme, selecting eight UAE-based projects for development into feature films using innovative digital formats, local in screen-based production. Such programs have supported emerging directors like Abdulla Al Kaabi, enabling them to create culturally resonant works that amplify Emirati voices internationally. By combining local expertise with international collaborations, Image Nation has contributed to a growing pool of skilled Emirati professionals, evidenced by alumni advancing to full productions and industry roles, though challenges persist in scaling output amid regional competition. This focus has elevated Abu Dhabi's status as a creative hub, with AFS initiatives directly nurturing over hundreds of participants annually in skills essential for cultural preservation and innovation.

Economic Diversification Role and Global Partnerships

Image Nation Abu Dhabi was established in as a government-backed initiative to foster a sustainable and sector, aligning with the UAE's broader to diversify its economy away from dependency by investing in that promote job creation and cultural exports. This effort supports Abu Dhabi's , announced in , to allocate approximately $6 billion toward culture and creative sectors, aiming to generate through , talent development, and inbound investments that retain production spending locally. By nurturing Emirati filmmakers and attracting international shoots, the company has contributed to retaining over $100 million in local production expenditures during economic disruptions, while building infrastructure like the hub to position Abu Dhabi as a regional center. To achieve these goals, Image Nation has pursued strategic global partnerships that facilitate , co-financing, and access to international markets, thereby enhancing the UAE's creative ecosystem without relying solely on domestic resources. In 2008, it launched with an initial $1 billion commitment for collaborations, including a $250 million multi-picture deal with Hyde Park Entertainment to produce up to 20 films over seven years, blending local and global narratives to build production expertise. Subsequent alliances expanded this model, such as a 2016 $300 million content fund with China's Culture China-Image Nation partnership for joint investments in U.S.-produced movies and TV, yielding projects like an untitled feature in 2017. These partnerships extend to producers like and Steven Schneider in 2017, as well as regional tie-ups such as the 2019 alliance with and MBC Studios for MENA-focused and TV content, which collectively enable Image Nation to co-produce high-profile titles while repatriating economic benefits through on-location filming and skill-building programs in . Such collaborations underscore a pragmatic approach to diversification, leveraging foreign capital and talent to scale local capabilities, though returns depend on selective project successes amid volatile markets.

Controversies Over Mismanagement and Content Choices

Image Nation Abu Dhabi faced early internal turmoil in 2011, marked by reported losses exceeding $100 million on several productions, including Fair Game (cost: $22 million, box office: $20 million), (cost: $35 million, box office: $35.9 million but with additional losses), The Way Back (over $12 million loss), and ($15 million loss). These setbacks, stemming from aggressive investments launched about 2.5 years prior, prompted abrupt executive changes, including the termination of CEO Edward Borgerding and No. 2 executive Stefan Brunner, amid claims of infighting and board dissatisfaction with deal selections such as a $4 million project with horror director . Borgerding sought reinstatement following his ouster, highlighting tensions in the state-backed entity's rapid expansion into Hollywood-style financing. Content decisions have drawn scrutiny for apparent inconsistencies with the UAE's economic interests and cultural priorities. In 2012, Image Nation co-financed , a film starring that portrays hydraulic fracturing () negatively, despite the UAE's daily oil production of 2.7 million barrels and reliance on exports, which could be threatened by expanded U.S. reducing OPEC demand. Critics highlighted the irony, given Image Nation's ties to Abu Dhabi government entities and the involvement of oil sector figures like chairman Mohamed Mubarak Al Mazrouei on the board of the state oil company, fueling speculation about underlying motives, though company spokesperson Danielle Perissi emphasized commercial independence in project selection via a $250 million slate deal with Participant Media. Additionally, Image Nation and the affiliated Abu Dhabi Film Commission have enforced guidelines rejecting scripts featuring terrorism or negative Arab stereotypes, prioritizing narratives that depict "normal life" to counter misconceptions of conflict or oil dominance. Executives like Image Nation COO Stefan Brunner stated a policy against portrayals of Arabs as terrorists, focusing instead on authentic, positive stories, which aligns with the entity's state-owned structure under Abu Dhabi Media Company but has raised questions about creative constraints in a conservative Gulf context. The commission receives over 30 filming inquiries monthly and declines those promoting unfavorable regional images, reflecting a broader strategy to curate content that advances Abu Dhabi's global branding.

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