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In the Earth

In the Earth is a film written and directed by . The story is set during a deadly viral and follows Dr. Martin Lowery (Joel Fry), a who teams up with park scout Alma () to trek through a remote known as the Gethelburge Woods, aiming to retrieve equipment from a research outpost called ATU327A, only to face disorienting and terrifying supernatural occurrences tied to ancient . The film also features as Zach, as Dr. Olivia Wendle, and John Hollingworth as James. Conceived amid the real-world , In the Earth was written by Wheatley during the early weeks of the UK's lockdown and shot over 15 days in the summer of , adhering to strict safety protocols that limited the crew size and emphasized outdoor filming in the , . Produced on a low budget by Rook Films and , with cinematography by and a score by , the film blends elements of , eco-terror, and psychedelic thriller, drawing on themes of science versus , isolation, and humanity's fraught relationship with . Its visual style incorporates experimental techniques like strobing lights, distorted sound design, and to evoke a sense of psychological unraveling. The film had its world premiere at the Sundance Film Festival's Midnight section on 29 January 2021. It was released theatrically in the United States on 16 April 2021 by , followed by a limited release on 18 2021. Despite a modest gross of approximately $1.1 million domestically, In the Earth garnered critical acclaim for its timely and Wheatley's bold direction, earning a 79% approval rating from critics on based on 174 reviews, with praise for its atmospheric tension and innovative elements.

Story and characters

Plot

Set in a near-future world gripped by a devastating viral pandemic, society operates under strict protocols as scientists race to find a cure. Dr. Martin Lowery, a botanist, arrives at a remote outpost in England's to reconnect with his estranged colleague, Dr. Olivia Wendle, who has gone silent while investigating mycorrhizal fungi that form symbiotic relationships with plant roots, potentially offering insights into enhancing crop yields amid global food shortages exacerbated by the crisis. The opens with Lowery undergoing procedures before meeting Alma, his guide for the trek to Wendle's isolated camp. Together, they venture into the , setting up a temporary scientific camp equipped with audio recording devices, GPS markers, and sampling tools to monitor the forest's and search for signs of Wendle. As they hike, Alma shares local about Parnag Fegg, a malevolent said to haunt the trees, and they observe ritualistic carvings etched into bark, hinting at ancient pagan practices intertwined with the natural environment. The journey quickly turns harrowing as disorienting repetitive audio signals—resembling distorted chants or natural echoes—begin to echo through the forest, coinciding with Lowery's growing hallucinations, possibly triggered by exposure to the fungi's spores. Injured in a fall near a standing stone, the pair encounters a mysterious who provides but introduces tension through cryptic warnings about the forest's "old powers." Betrayals and ordeals intensify, blending scientific inquiry with elements, as blood rituals and the fungi's hallucinogenic effects reveal deeper connections between human intervention, environmental forces, and mythological beliefs in a climactic struggle for .

Cast

The cast of In the Earth consists of a compact ensemble, emphasizing the film's low-budget, isolationist tone amid its pandemic production constraints. Joel Fry stars as Dr. Martin Lowery, the film's central scientist protagonist, who contends with profound grief and psychological disorientation in a world ravaged by an unspecified . plays Dr. Olivia Wendle, Lowery's estranged colleague and a pioneering mycologist whose experimental research on fungal forms the emotional and scientific core of the story. portrays Zach Whitehead, a reclusive whose cryptic demeanor and connections to woodland infuse the narrative with unease and ritualistic undertones.
ActorRoleNotes on Character Significance
Joel FryDr. Martin LoweryLead scientist driven by personal loss
Hayley SquiresDr. Olivia WendleAbsent mycologist whose work anchors the plot
Zach WhiteheadEnigmatic hermit tied to forest mysticism
AlmaPractical park scout guiding the expedition
John HollingworthJamesMinor outpost figure in early sequences
Dr. Frank JarrekRanger overseeing the research site
The supporting roles, including those of Torchia, Hollingworth, and , bolster the film's grounded realism while maintaining its sparse interpersonal dynamics. Casting director assembled a lean group of performers, many with prior ties to director , to enable swift filming under rigorous safety measures, such as daily testing and isolated "bubbling" for the cast to minimize exposure risks during the UK's early period. This intimate mirrors the production's scale, shot in just 15 days with a to comply with restrictions. Shearsmith's involvement highlights Wheatley's affinity for genre versatility, drawing on the actor's acclaimed work in and through projects like and , where he excels in portraying unsettling, multifaceted eccentrics.

Production

Development

Ben Wheatley conceived the idea for In the Earth in March 2020, during the early days of the UK's , as a response to the pervasive and uncertainty of the . Inspired by the global crisis, he envisioned a that merged scientific elements with ancient , reflecting the era's anxieties about nature and human vulnerability. Wheatley described the concept as emerging from his desire to create something timely yet rooted in timeless fears, stating, "It started in when everything was shut down, and I was thinking about how to make a in that ." Wheatley wrote the screenplay rapidly during the early weeks of , drawing heavily from folklore—particularly myths surrounding the —and his research into , which informed the film's central motifs of fungi as both natural and malevolent forces. Influences included low-budget classics like , which shaped the intimate, found-footage-adjacent style, while the script avoided direct pandemic allegory in favor of broader existential dread. This rapid writing process allowed Wheatley to capture the raw emotional intensity of the lockdown period, blending ritualistic elements with ecological . Collaborating closely with longtime producer Andy Starke at Neon Films, Wheatley secured funding from institutions such as the (BFI) and other national sources, navigating the industry's near-total shutdown to the project. Early conceptual planning prioritized experimental to evoke disorientation and immersion, alongside practical visual effects for depicting fungal growths and pagan rituals, all calibrated to amplify the script's integration of real-world fears like and . The narrative's core themes—environmental collapse, humanity's disconnection from the natural world, and the blurring of and —were solidified during this phase, positioning the film as a on ecological and societal fragility. The project was formally announced in April 2020, with Wheatley framing In the Earth as a " movie" designed for production under strict restrictions, emphasizing its feasibility as a contained, woodland-set story. This positioning highlighted the film's origins as a creative lifeline amid creative stagnation, allowing it to proceed as one of the first major features adapted to the crisis.

Filming

Principal photography for In the Earth took place over 15 days in August 2020, marking it as one of the earliest film productions to resume after the initial lockdown. The shoot was conducted entirely on location in the , , selected for its dense, foggy forest terrain that enhanced the film's atmospheric authenticity. COVID-19 adaptations were central to the production, with a reduced of 25 members to limit exposure risks, alongside strict protocols including daily testing, , and full use of such as masks and PPE on set. These measures, overseen by designated COVID safety officers, allowed for safe outdoor filming while avoiding indoor spaces and minimizing contact; the approach also eliminated on-set makeup artists, with actors applying their own makeup. The restrictions influenced creative decisions, leading to improvised elements and a focus on practical locations to maintain momentum under the circumstances. Director collaborated closely with cinematographer to craft disorienting forest shots, using the natural environment to build tension through subjective and of fungi and foliage, evoking the film's themes of nature's otherworldly presence. Practical effects were employed for ritualistic sequences and injuries, emphasizing tangible over digital enhancements. On-set audio recordings of experimental sounds were captured to inform the film's , later integrated into composer Clint Mansell's score for a hallucinatory effect. Post-production, particularly , was expedited in the weeks following the wrap to meet festival deadlines, with minimal used to represent the organism, preserving the raw, immediate feel of the shoot. Challenges included unpredictable weather in the setting and actor isolations due to protocols, which were addressed through adaptive scheduling and contingency planning to complete the principal photography without delays.

Release

Premiere

In the Earth had its world premiere at the 2021 Sundance Film Festival on January 29, where it screened in the Midnight section as part of the virtual event. In the United Kingdom, the film's release was limited to select drive-in and virtual screenings starting in June 2021, reflecting ongoing COVID-19 lockdowns that restricted traditional cinema operations. These formats allowed audiences to experience the film's immersive sound design and visuals in controlled environments. The U.S. premiere occurred at the same Sundance screening, marking the film's North American debut amid virtual festival adaptations postponed from due to the . Early audience reactions at Sundance praised the film's atmospheric tension and psychedelic visuals, with viewers noting its effective use of sound and nature motifs to evoke unease, though some criticized its uneven pacing and abrupt narrative shifts. Similar buzz emerged at subsequent festival screenings, such as the in September 2021, where the film's timely eco-horror elements resonated. Marketing efforts tied to the premieres included the release of the official trailer on March 25, , which emphasized pandemic-themed visuals like quarantined forests and dread to build anticipation. A brief teaser had debuted in December 2020, further heightening interest in the film's rapid production. Virtual Q&A sessions with director followed the Sundance premiere, where he discussed the film's creation during the early months of the , underscoring its reflection of real-world isolation and environmental anxieties. Filming wrapped in September 2020, enabling this swift festival turnaround.

Distribution and home media

The film received its UK theatrical release on 18 June 2021, distributed by in a limited rollout amid ongoing restrictions. In the United States, In the Earth was released theatrically on 16 April 2021 by , with available from 22 April 2021 and streaming on from August 2021. International distribution included deals for theatrical and streaming releases in various territories, such as in September 2021 and via the Shudder streaming platform. For home media, the film was issued on Blu-ray and DVD in the on 25 2021 by Video, featuring special extras including behind-the-scenes footage on the protocols used during filming. Digital purchase options became available on platforms like and around the same time. The film debuted on Shudder (part of AMC+) for streaming in the and in 2021, with continued availability on the service; by 2023, it had also appeared on in select regions. As of November 2025, the film remains available on Shudder in the and , and on in select regions. No major 4K UHD re-release has occurred as of 2025.

Reception

Critical response

On , In the Earth has an approval rating of 79% based on 174 reviews, with an average rating of 6.6/10; the site's critics consensus states, "In the Earth's bleak kaleidoscope of horror is a hallucinogenic meditation on the residual pandemic fears that haunt us all." On , the film received a weighted average score of 63 out of 100 from 35 critics, signifying "generally favorable reviews." Critics frequently lauded the film's sound design and score by , which amplified its atmospheric tension through pulsating synths and immersive audio layers. The Guardian praised its "vast sonic " and hallucinogenic blend of and fungi, calling it a "breath of frightening " that innovatively weaves pandemic-era isolation into . IGN highlighted the "oppressive, bizarre trip of sight, sound, and spore-induced psychedelia," crediting director Ben Wheatley's visual style for evoking visceral dread amid the forest setting. At its Sundance premiere, reviewers noted the film's effective use of practical effects and rhythmic editing to mirror 2020's societal anxieties about nature's retaliation and human vulnerability. However, detractors pointed to confusion in plot logic, underdeveloped characters, and a rushed third act that undermined the buildup. described it as "ambitious but muddled," with the narrative's psychedelic turns feeling disjointed despite strong thematic intent. acknowledged its stirring brutality but critiqued pretentious elements and uneven pacing that left some sequences feeling hastily assembled. deemed the overall experience a "bad trip," faulting the impenetrable finale for prioritizing shock over coherence. Audience reception was more divided, with a 24% score on from over 100 verified user ratings as of November 2025, often citing the atmospheric horror as a highlight at festivals while echoing professional concerns about narrative clarity. Reviews across outlets emphasized the film's reflection of pandemic-era fears, portraying the forest as a for uncontrollable spread and humanity's fraught bond with the environment.

Box office

In the Earth was produced on a budget of approximately £1 million, funded primarily through sources including the and private investors. The film earned a total worldwide gross of $1,330,962, with $1,113,723 from the and and $217,240 from international markets. In , the film debuted on April 16, 2021, across 440 theaters, generating $505,723 in its opening weekend, which accounted for 45.4% of its domestic total. Its theatrical run extended for several weeks but tapered off quickly due to limited audience turnout. In the , released on June 18, 2021, amid easing but persistent restrictions, it opened on a limited number of screens to $80,820 over the weekend and ultimately grossed $80,887 overall. The modest results were heavily influenced by the , which led to theater capacity limits, regional lockdowns, and a rapid pivot to video-on-demand platforms shortly after release. Additionally, competition from postponed major studio blockbusters reduced visibility for independent releases like this one. Post-theatrical remained negligible, with emphasis on streaming rather than physical , and no significant re-release activity as of 2025. Relative to Ben Wheatley's prior low-budget horror outing Kill List (2011), which grossed $462,206 worldwide on a similarly constrained production scale, In the Earth achieved comparable financial outcomes, underscoring the challenges and niche appeal of his independent genre works.

Accolades

In the Earth received several nominations at genre-specific awards ceremonies, highlighting its technical achievements in sound, music, and creature design. At the 24th in 2021, the film earned nominations in the Best Music category for Clint Mansell's score and Breakthrough Performance for . These recognitions underscored the film's innovative audio elements, which played a central role in its atmospheric tension. The film also garnered attention at the in 2022, covering 2021 releases, with nominations for Best Limited Release Film and Best Score (). None of these resulted in wins, reflecting the competitive field of independent that year. Beyond formal awards, In the Earth appeared on Disgusting's list of the 12 best films released in the first half of 2021, praised for its elements and pandemic-themed dread. The film did not secure major mainstream accolades, such as or Golden Globes. By 2025, no further awards or nominations had emerged, though it received retrospective mentions in discussions of pandemic-era cinema, including the Senses of Cinema World Poll for 2023.

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