Irán Castillo
Irán Castillo Pinzón is a Mexican actress and singer born on January 4, 1977, in Veracruz, Veracruz.[1] She began her artistic career as a child model in television commercials and later transitioned into acting and music, becoming prominent in the 1990s and 2000s through roles in popular Televisa telenovelas and pop albums.[1] Known for her versatile performances in youth-oriented dramas and her contributions to Latin pop, Castillo has maintained a steady presence in Mexican entertainment across television, film, and music.[2] The daughter of Carlos Castillo and Martha Pinzón, she showed early interest in the arts, starting with modeling gigs at a young age before making her acting debut at 17 in the telenovela Agujetas de color de rosa (1994).[1] In parallel, she entered the music scene in 1991 by joining the vocal group Mosquitas Muertas, which laid the foundation for her singing career.[3] Her breakthrough in acting came with key roles in telenovelas such as Soñadoras (1998), where she played Ana Linares, and the lead role in Preciosa (1998), portraying relatable young characters that resonated with audiences.[2] Castillo's music career gained momentum with her solo debut album Tiempos Nuevos in 1997, featuring pop tracks that highlighted her vocal style. She followed this with acting highlights in Clase 406 (2002), a teen drama that solidified her status as a telenovela star, and later ventured into films such as El tigre de Santa Julia (2002).[4] After a period focusing on television and reality shows in the 2000s, she continued blending her acting and singing pursuits, returning to music with the album Amanecer in 2014 and releasing further works including Eterno Sol (2020) and Voy a Casarme Conmigo (2025), alongside recent television roles in series like Las Bravas F.C. (2022), maintaining a multifaceted career spanning over three decades as of 2025.Early life
Childhood and family background
Irán Castillo was born on January 4, 1977, in Veracruz, Veracruz, Mexico, to parents Martha Pinzón and Carlos Castillo.[1][5] Raised in the coastal port city of Veracruz, she showed an early interest in entertainment.[5]Initial entry into entertainment
Irán Castillo entered the entertainment industry at the age of seven, beginning with modeling gigs and television commercials in Mexico. These early opportunities provided a foundation for her artistic interests.[6][7] At age twelve, in the late 1980s, Castillo enrolled in formal acting classes at the workshop led by instructors Martha Zabaleta and Pedro Damián. This training marked her transition from casual modeling to structured preparation for on-screen work, including small roles in anthology programs and unitarios on Mexican television, such as her debut as Biela in the telenovela Ángeles blancos (1990). The classes emphasized foundational techniques, enabling her to secure minor appearances that built her confidence and visibility in the industry.[8][6][9] In 1991, Castillo joined the vocal group Mosquitas Muertas, produced by Julissa, alongside other young talents. The ensemble performed pop songs aimed at teenage listeners, releasing a self-titled debut album that year featuring tracks like "Habla conmigo" and "Me ha llegado el amor." The group conducted live shows and television spots, but disbanded after approximately one year due to shifting musical priorities among members. This experience represented her first foray into professional music, bridging her acting training with vocal performance.[8][7]Career
Breakthrough in music and television (1989–1997)
Irán Castillo entered the music industry in 1991 at the age of 14 by joining the vocal group Mosquitas Muertas, a short-lived ensemble that blended pop and teen-oriented sounds. The group released a self-titled album that year through Discos America, featuring tracks such as "Me ha llegado el amor" and "Habla conmigo," which gained modest airplay on Mexican television programs like Siempre en Domingo and Mi Barrio.[3][10] These performances provided her initial media exposure, including live appearances that showcased her vocal abilities alongside group members, helping to build a young fanbase amid the vibrant 1990s Mexican pop scene. However, the group's disbandment shortly after the album's release marked a pivotal challenge, prompting Castillo to pursue solo opportunities while balancing emerging acting roles.[1] Transitioning to television, Castillo made her acting debut in 1994 with a supporting role as Cecilia Zamora in the Televisa telenovela Agujetas de color de rosa, a youth-oriented drama produced by Luis de Llano Macedo that explored themes of family and adolescence. Her character, a dreamy and resilient teenager, contributed to the show's popularity among young audiences, and she also performed the soundtrack single "La vida es rosa," which highlighted her dual talents in acting and singing.[11][12] Building on this breakthrough, she appeared as Cristina Preciado Mariscal in Retrato de familia (1995–1996), portraying a family member in a multi-generational saga starring Helena Rojo and Diana Bracho, further solidifying her presence in prime-time programming. In 1996, she secured her first lead role as Jackie in Confidente de secundaria, a teen drama where she also sang the theme song of the same name, enhancing her visibility through integrated musical performances. By 1996–1997, Castillo shifted focus to her solo music career, recording demos that led to her signing with Sony Music Mexico. This culminated in the release of her debut album Tiempos Nuevos on September 2, 1997, a collection of 10 pop ballads and upbeat tracks produced in Mexico City and Los Angeles. The lead single "Yo por él" achieved top-ten status on Mexican charts, marking her establishment as a solo artist and reflecting her evolution from group performer to individual star amid the competitive landscape of Latin pop.[13][1]Youth telenovelas and musical releases (1998–2005)
In 1998, Irán Castillo gained prominence as a teen idol through her lead role as Ana Linares in the youth-oriented telenovela Soñadoras, a production by Emilio Azcárraga Milmo for Televisa that followed the lives of young women navigating love and dreams in Mexico City.[14] The series, which aired from October 1998 to May 1999, resonated with adolescent audiences for its relatable themes of friendship and romance, earning a 7.5/10 rating on IMDb based on viewer feedback reflecting its enduring popularity among youth demographics. That same year, Castillo starred as the titular character Preciosa San Román Ruiz in Preciosa, another Televisa telenovela produced by Pedro Damián, where she portrayed a resilient young woman aspiring to be a circus performer despite physical challenges.[15] The show, which premiered in July 1998, achieved a 7.7/10 IMDb rating, highlighting its strong fan reception for blending drama with uplifting messages of perseverance, and Castillo's performance earned her a nomination for Best Young Actress at the 1999 TVyNovelas Awards.[16] Building on her television success, Castillo released her second studio album, Tatuada en tus besos, in June 1999 under Sony Music Mexico, marking a pivotal moment in her music career as it capitalized on her rising fame from the telenovelas.[17] The album featured pop tracks with romantic themes, including the lead single "Por ti, por mí," which peaked on Mexican airplay charts and was promoted through music videos that echoed her on-screen personas from Soñadoras and Preciosa. Additionally, the bonus track "Girando en el tiempo" served as the theme song for Preciosa, directly tying her music to her acting roles and boosting cross-media visibility among young fans.[18] Other notable singles like "Vuelveme a tocar" and the title track "Tatuada en tus besos" further solidified her image as a multifaceted teen artist, with the album receiving positive reviews for its energetic production and relatable lyrics. Castillo's youth phase peaked with her role as the antagonist Magdalena Rivera in Clase 406 from 2002 to 2003, a groundbreaking Televisa telenovela by Pedro Damián that explored high school dynamics, bullying, and social issues, marking her final major foray into teen-centric storytelling.[19] Airing over 350 episodes, the series garnered a 6.9/10 IMDb rating and cult status for its realistic portrayal of adolescent struggles, with Castillo's nuanced depiction of a complex villain earning praise from viewers for adding depth to the ensemble cast. To leverage this popularity, she participated in promotional concert tours and media appearances across Mexico in the early 2000s, performing hits from Tatuada en tus besos at youth events and TV specials, which helped maintain her status as a beloved figure in Latin American pop culture during this era.[20] By 2005, at age 28, Castillo began transitioning away from youth roles, signaling the end of her teen idol period as she sought more mature characters in projects like the historical drama Alborada, reflecting a natural evolution in her career amid changing audience expectations for aging performers in telenovelas.Transition to film and independent projects (2006–2013)
Following her success in youth-oriented telenovelas, Irán Castillo shifted her professional emphasis toward cinema and independent projects in the mid-2000s, marking a deliberate move to diversify her portfolio with more complex characters. In 2006, she starred as Melisa in the romantic drama Amor Xtremo, directed by Chava Cartas, where her role involved navigating themes of family, love, and extreme sports alongside leads Aarón Díaz and Ximena Sariñana.[21] That same year, she appeared in a supporting capacity as Gabriela in the ensemble comedy Efectos Secundarios, directed by Issa López, which explored adult friendships and regrets during a high school reunion.[22] Castillo continued building her film credentials in 2007 with the lead role of Diana in the television movie El secuestro, directed by José Miguel Romero, portraying a woman thrust into crisis when her husband is kidnapped, highlighting her ability to handle tense, dramatic narratives.[23] By 2008, she took on the character of Sarita in the comedy Chiles xalapeños, directed by Fabrizio Prada, a lighthearted ensemble piece addressing everyday Mexican life challenges. She also starred as Gabriela in the crime drama Victorio, directed by Armando Croda and Alex Noppel, depicting a prostitute entangled in gang violence and redemption in urban Mexico. In 2009, Castillo portrayed Angélica in the satirical drama Cabeza de Buda, directed by Salvador Garcini, a film centered on an actor's moral reckoning after an accidental killing.[24] That year, she expanded into voice acting, lending her voice to the character Isha in the animated adventure Sabel Redemption, a Mexican production about a young warrior's quest for justice.[25] Complementing her screen work, she returned to the stage in an independent theater production, starring as Annabella Smith in the Mexican adaptation of Alfred Hitchcock's thriller The 39 Steps (Los 39 escalones), opposite Arath de la Torre, under the direction of Rafael Perrin at the Teatro Julio Prieto.[26] Throughout this era, Castillo's television commitments diminished significantly compared to her earlier career, enabling deeper exploration of mature, multifaceted roles in film and theater that distanced her from previous youth archetypes. Her choices reflected a strategic pivot toward independent storytelling, prioritizing character-driven projects over mainstream broadcast formats.Musical revival and thematic albums (2014–2021)
After a hiatus from music spanning nearly 15 years, Irán Castillo returned to recording in 2014 with her third studio album, Amanecer, marking a shift toward introspective and empowering themes reflective of personal growth. Released independently on September 23, 2014, via iZone Records, the album features 12 tracks blending indie pop and Latin influences, with a runtime of approximately 40 minutes.[27] The title track "Amanecer" served as the lead single, emphasizing renewal and self-discovery, while other notable songs include "Sabes Que" and "Libertad." Production was handled by Joan Romagosa, with Federico Vega serving as co-producer and co-writer on most tracks, contributing to a mature, acoustic-driven sound that contrasted her earlier pop releases.[28] The album's creation was deeply intertwined with Castillo's life changes, particularly her experiences as a mother to her daughter Irka, born in October 2011, which influenced lyrics exploring resilience and emotional healing. Following Amanecer, Castillo entered a phase of thematic releases focused on healing and empowerment, releasing singles like "De Repente" in December 2018, a reflective piece on unexpected life turns, and "Eterno Sol" in May 2020, a collaboration with musician Luis Cardoso that incorporates soothing, meditative elements to promote well-being.[29][30] These works laid conceptual groundwork for her later healing music endeavors, prioritizing sound frequencies and positive affirmations over commercial pop structures. Castillo promoted this revival through live performances, including acoustic sets and events that highlighted empowerment themes, such as self-love and maternal strength, often integrating her music with personal storytelling to connect with audiences on emotional recovery.[31] While the releases did not achieve major chart dominance, they received attention for their authentic, evolved artistry, resonating with fans through digital platforms and independent distribution.Family-oriented music, podcast, and recent endeavors (2022–present)
In 2023, Irán Castillo launched El Castillo de Irán, a family-oriented music project in collaboration with her partner Pepe Ramos, aimed at creating child-friendly content that promotes education and joy through songs and audiovisual material. The initiative, which debuted with initial tracks on platforms like Spotify and a dedicated YouTube channel, was inspired by Castillo's experiences as a mother and seeks to offer wholesome entertainment away from digital noise. However, the project drew criticism and mockery on social media, with detractors questioning her entry into the children's genre at age 46, suggesting she "retire with dignity" or that it felt "cringe."[32][33][34] Castillo responded to the backlash by defending the project's authenticity, stating that her intention was "very healthy" and rooted in genuine expression, regardless of age, emphasizing that artists like her continue creating for children throughout their careers. This phase builds briefly on her prior exploration of healing music, shifting toward collaborative, family-inclusive outputs. In 2024, alongside Ramos, she co-launched the podcast Me late ser humano, which delves into themes of personal growth, spirituality, empathy, and motivational stories through interviews with public figures and personal anecdotes. Episodes cover topics like relationships, self-reflection, and facing life's challenges, fostering a community for emotional connection.[35][36][37] Her recent musical releases include the healing single "El Perdón" in September 2023, which focuses on forgiveness and emotional release, followed by the live EP En Vivo Desde El Foro Del Tejedor in February 2024, capturing performances of nostalgic tracks like "La Flor Del Paraíso" and a 90s medley. In April 2025, she released the pop single "Voy a casarme conmigo," a self-love anthem symbolizing independence and continuing her evolution in thematic songwriting. Looking ahead, Castillo is set to revive her debut album era with the Tiempos Nuevos concert on May 31, 2025, celebrating 28 years of her career through live performances of classic hits. Additionally, she took on the role of Liliana in the 2025 film Mesa de Regalos, a comedy exploring family dynamics and relationships, marking her return to acting in feature films. In November 2025, she joined the cast of the telenovela Mi verdad oculta as Nuria Campuzano de Lizárraga, which premiered on November 10.[38][39][40][41][42][43]Personal life
Relationships and marriage
Irán Castillo's romantic life has been marked by several high-profile relationships, often intersecting with her career in entertainment. In 2014, she began dating actor José Ron, with whom she shared a public and affectionate partnership that lasted until 2015. The couple frequently expressed mutual admiration in interviews, with Castillo describing the relationship as a source of joy during a challenging professional period, though they ultimately parted ways amicably due to differing priorities.[44][45] Following this, Castillo entered shorter relationships, including one with businessman Pascacio López from 2019 to 2020, which she later characterized as tumultuous and a learning experience about personal boundaries.[46] Prior to these, Castillo welcomed her daughter Irka on October 29, 2011, as a single mother, stemming from a brief relationship with a partner whose identity she has kept private; she has publicly stated that this experience reinforced her independence and focus on self-love before entering new commitments.[47][48][49] No prior marriages are documented in her personal history. Since around 2021, Castillo has been in a committed partnership with life coach Pepe Ramos, whom she credits with restoring her faith in love after previous hardships. The couple announced their engagement and her second pregnancy in September 2021, leading to the birth of their son Demian on February 10, 2022; they have since referred to each other as spouses in public appearances, though no formal wedding details have been disclosed as of November 2025.[50][51][52] Their relationship has influenced career pauses for family, and Castillo has shared statements emphasizing commitment and emotional growth, noting how Ramos supports her balance between personal fulfillment and professional revival. Together, they collaborate on projects like the podcast Me Late Ser Humano, launched in 2024 to explore motivational themes, and a collaborative music track titled "Código Sagrado" released in 2022 that blends their creative interests.[53][54][55]Family and motherhood
Irán Castillo welcomed her first child, daughter Irka, on October 29, 2011, born from a previous brief relationship.[56] As a single mother, she dedicated herself fully to Irka in the initial months following the birth, prioritizing her daughter's needs amid the challenges of solo parenting.[47] Co-parenting dynamics with the father remained limited; he briefly connected with Irka around age five for approximately one year before stepping back, a situation Castillo has described without judgment, attributing it to his youth and personal circumstances at the time.[47] Motherhood profoundly shaped Castillo's priorities during the 2010s, leading her to take intentional pauses from demanding schedules to focus on family. The arrival of Irka marked a significant life shift, prompting her to reassess her professional path and forgo immediate returns to intensive television work in favor of more flexible opportunities that supported her role as a parent.[57] This emphasis on work-life balance continued as Irka grew, influencing choices like selecting projects that accommodated family time while maintaining her career momentum.[58] Key milestones in Irka's life have highlighted Castillo's commitment to her daughter's upbringing, such as Irka's first communion on September 7, 2024, which Castillo publicly celebrated as a moment of pride and growth for her 12-year-old.[59] Through interviews, Castillo has openly shared her family values, discussing the joys and trials of motherhood, the importance of unconditional love, and how Irka has inspired personal reinvention.[48] Her current partner, Pepe Ramos, supports this family structure, contributing to a nurturing environment for Irka alongside their shared son.[47]Discography
Studio albums
Irán Castillo's studio discography consists of three full-length albums released over nearly two decades, marking key phases in her musical evolution from youthful pop to more introspective and empowering themes. Her debut established her as a rising star in Mexican pop, while subsequent releases reflected her growth amid her acting career. The albums were primarily issued by major labels early on before shifting to independent production. Tiempos Nuevos (1997) served as Castillo's pop debut, targeting a youth audience with upbeat tracks and ballads that captured the era's vibrant Latin pop sound. Released on September 2, 1997, by Sony Music in both Mexico and the United States, the album features 10 tracks in its Mexican edition, including the lead single "Yo por él," which achieved top-ten status on Mexican charts.[4] Other highlights include "La Flor Del Paraíso" and "Locos De Amor," blending romantic narratives with energetic rhythms to appeal to teenage listeners. No official sales figures are available, but the album's promotion tied into her early television roles, helping it gain traction in youth-oriented media.[60] Tatuada En Tus Besos (1999), her second studio album, built on her rising fame from telenovelas like Soñadoras, incorporating Latin pop and ballad elements with a focus on passionate romance. Issued on June 15, 1999, by Columbia (a Sony imprint), it contains 14 tracks, with the titular "Tatuada En Tus Besos" as the standout single, emphasizing themes of enduring love and emotional intensity. Key songs like "Por Ti Por Mi" and "Y Pienso en Ti" highlight her vocal maturity, produced in a polished style suited for radio play. The album reinforced her status in the late-1990s Mexican music scene, though specific sales data remains unreported.[17][18] Amanecer (2014) marked Castillo's mature return to music after a 15-year hiatus, exploring empowerment and personal renewal through indie pop arrangements. Independently released on September 23, 2014, via iZone Records, the 12-track album was co-produced by Federico Vega and Joan Romagosa, featuring introspective lyrics on self-discovery and resilience. Standout tracks include the title song "Amanecer," "Sabes Que," and "Libertad," which received positive reception for their emotional depth and modern production. It signified a thematic shift toward introspection, aligning with her life experiences, and was well-regarded by fans for its authenticity, though commercial metrics like sales were not widely publicized.[61][62]Singles and EPs
Irán Castillo has released several non-album singles throughout her career, often tied to thematic explorations or promotional efforts, alongside a few EPs capturing live performances and experimental sounds. These standalone releases highlight her versatility, from pop anthems in her early years to introspective healing tracks in recent decades.[63] Her debut solo single, "Yo por él," marked her entry into the Latin pop scene in 1997, achieving commercial success on Mexican airwaves as a ballad from her initial musical phase. Followed by "Girando en el tiempo" in 1998, which served as a promotional track emphasizing youthful romance, these early efforts established her as a rising star in telenovela soundtracks and radio play.[64] In 2000, "Y pienso en ti" emerged as a remix-driven single, blending pop with electronic elements to extend the reach of her contemporary album era. Shifting toward personal growth themes, Castillo released "El Perdón" in 2023, a reflective track on self-forgiveness that resonated with audiences seeking emotional depth in her music.[65] This was followed by "Voy a casarme conmigo" in 2025, an empowering pop anthem celebrating self-love and independence, complete with a thematic music video that nods to her 1990s roots.[66] In 2024, she issued the live EP En Vivo Desde El Foro Del Tejedor, recorded during an intimate concert series, featuring medleys of her hits like "Medley 90s (Tiempos Nuevos / Locos de Amor / Y por Él)" and reinterpreted tracks such as "La Flor del Paraíso (En Vivo)," showcasing her evolution through acoustic arrangements.[67] From 2022 onward, under the family-oriented project El Castillo de Irán, Castillo ventured into children's music with a series of upbeat, educational singles aimed at young listeners, including "Los Animalitos," "Mi Papá," and "El Mundo de los Sueños," which incorporate playful narratives to promote values like organization and gratitude; these releases have gained traction on streaming platforms popular with families.[68]| Title | Type | Year | Label/Notes |
|---|---|---|---|
| Yo por él | Single | 1997 | Sony Music Mexico; Promotional CD, peaked in Mexican top 10 radio charts. |
| Girando en el tiempo | Single | 1998 | Columbia; Tied to telenovela promotion, slimcase promo edition.[64] |
| Y pienso en ti (Remix) | Single | 2000 | Sony Music; Maxi-single with remixes, extended pop variant. |
| El Perdón | Single | 2023 | Independent; 5:42 runtime, focuses on acceptance themes.[65] |
| Voy a casarme conmigo | Single | 2025 | Independent; 3:50 runtime, self-empowerment hit with video release in April.[66] |
| En Vivo Desde El Foro Del Tejedor | EP | 2024 | Independent; 5 tracks, 28:58 total, includes live medleys from Mexico City performance.[67] |
| Los Animalitos (from El Castillo de Irán) | Single | 2022–2024 | Independent; Children's educational track on animals.[68] |
| Mi Papá (from El Castillo de Irán) | Single | 2022–2024 | Independent; Family-themed song, streamed widely among parents.[68] |
| El Mundo de los Sueños (from El Castillo de Irán) | Single | 2024 | Independent; Lullaby-style track for bedtime routines.[68] |
Filmography and stage work
Television roles
Irán Castillo made her television debut in 1994 as Cecilia Zamora in the telenovela Agujetas de color de rosa, a youth-oriented series produced by Televisa that explored themes of adolescence and friendship.[69] In 1998, she portrayed Verónica in Soñadoras, another popular Televisa production focusing on the dreams and romances of young women, which helped solidify her presence in Mexican soap operas.[69] Her role as Magdalena Rivera in the 2002 telenovela Clase 406 further showcased her versatility, depicting a high school student navigating personal and academic challenges in this ensemble cast drama.[70] During the 2000s, Castillo made several guest appearances in the anthology series Mujer, casos de la vida real, including episodes such as "Tal como soy" in 1997 where she played a supporting character in a story about self-acceptance, and "Morir de envidia" in 2002, addressing themes of jealousy and social pressures.[71][72] These roles allowed her to tackle diverse real-life narratives under the direction of Silvia Pinal.[8] In the late 2010s, she transitioned to more mature streaming content, appearing as Vanessa Espinoza in the third season of the Netflix series El Chapo (2017–2018), a fictionalized portrayal inspired by actress Kate del Castillo's real-life encounters with Joaquín "El Chapo" Guzmán.[73] More recently, in the 2020s, Castillo starred as Sofía Fernández Ávila de Miranda in the 2021–2022 telenovela S.O.S. Me estoy enamorando, a romantic drama centered on family secrets and love. She also appeared in the 2022 sports comedy series Las Bravas F.C. as a key team member in a story about an all-women's soccer club challenging gender norms. In 2024, she took on a role in the series Juegos interrumpidos, contributing to its exploration of interrupted lives and relationships.[2] Looking ahead, Castillo appears in the 2025–2026 telenovela Mi verdad oculta as Nuria Campuzano de Lizárraga.[43]Film roles
Irán Castillo transitioned to film in the early 2000s, building on her television prominence with roles in Mexican independent productions that showcased her range from youthful dramas to complex character studies. Her cinematic debut came in La segunda noche (2000), directed by Alejandro Gamboa, where she portrayed Rosalía, a resilient teenager dealing with parental divorce and budding independence while working as a model and exploring relationships with friends.[74] This coming-of-age story highlighted her early ability to convey emotional vulnerability in ensemble settings.[75] A pivotal moment arrived with El tigre de Santa Julia (2002), a historical action-drama based on the life of outlaw Jose de Jesus Negrete, in which Castillo played Gloria Galicia, the bold and flirtatious woman whose affection prompts the protagonist's desertion from the army and entry into banditry.[76] Her nuanced performance as a catalyst for rebellion earned her the Best Actress award at the 2003 Premios Heraldo, solidifying her status in Mexican cinema. Throughout the decade, she embraced independent projects, including the supporting role of Angélica in Cabeza de buda (2009), a dark satire where her character aids a fame-obsessed actor's moral reckoning after he accidentally kills a burglar with a Buddha statue.[24] This film exemplified her involvement in introspective, socially commentary-driven narratives.[77] Castillo's evolution continued into genre-blending and international collaborations in the 2010s and 2020s, demonstrating versatility in horror, comedy, and drama. In the Mexico-U.S. co-production The Exorcism of God (2021), directed by Alejandro Hidalgo, she portrayed Magali, a devoted nun whose possession during a botched exorcism unleashes the film's central trauma and themes of guilt and redemption.[78] The role marked a shift toward intense psychological portrayals in global horror.[79] More recently, she led Síncopa (2023) as Mariana, a professional ballerina confronting loss and reinvention amid personal turmoil, blending dance with emotional depth in this independent drama.[2] In the road-trip comedy All the Places (2023), she played Elena, a free-spirited traveler seeking self-discovery across Mexico. Her latest work, Mesa de regalos (2025), features her as Liliana, a pragmatic woman entangled in chaotic family preparations for a wedding registry event, showcasing her comedic timing in contemporary ensemble fare. The following table summarizes Castillo's key feature film roles, focusing on independent and co-produced works with brief role insights:| Year | Title | Role | Description |
|---|---|---|---|
| 2000 | La segunda noche | Rosalía | A divorced teen modeling and forming bonds amid adolescent challenges.[74] |
| 2002 | El tigre de Santa Julia | Gloria Galicia | Flirtatious partner inspiring a soldier's outlaw path in historical drama.[76] |
| 2006 | Amor xtremo | Melisa | Romantic lead in a high-energy action-romance hybrid.[80] |
| 2008 | Victorio | Gabriela | Supportive figure in a revolutionary-era tale; Ariel Award nominee.[81] |
| 2008 | Chiles xalapeños | Sarita | Energetic character in a family comedy about small-town antics.[80] |
| 2009 | Cabeza de buda | Angélica | Ally to a troubled actor in a morality-driven satire.[24] |
| 2016 | Compadres | Comadre | Witty ally in an action-comedy revenge plot.[82] |
| 2019 | Ready to Mingle (Me Late Que Rayo) | Eva | Ambitious woman in a pyramid scheme thriller-comedy.[80] |
| 2020 | Los networkers multinivel | Rebeca | Skeptical participant in a multi-level marketing satire.[81] |
| 2021 | The Exorcism of God | Magali | Possessed nun triggering a priest's crisis in horror co-production.[78] |
| 2023 | Síncopa | Mariana | Ballerina rebuilding life after tragedy in dance-infused drama.[2] |
| 2023 | All the Places (A Todas Partes) | Elena | Adventurous lead on a soul-searching journey.[83] |
| 2025 | Mesa de regalos | Liliana | Family mediator in wedding chaos comedy.[84] |