Jason Donovan
Jason Sean Donovan (born 1 June 1968) is an Australian actor and singer who rose to international prominence through his portrayal of Scott Robinson on the soap opera Neighbours from 1986 to 1989.[1] His performance earned him multiple Logie Awards, including Most Popular Actor in 1988.[2] Transitioning to music, Donovan achieved commercial success with his 1989 debut album Ten Good Reasons, certified five times platinum in the UK for sales exceeding 1.5 million copies and the year's highest-selling album there.[3] He secured four UK number-one singles, including "Too Many Broken Hearts" and "Sealed with a Kiss."[4] Donovan extended his career to stage musicals, starring as Joseph in Joseph and the Amazing Technicolor Dreamcoat and Frank-N-Furter in The Rocky Horror Show.[5] In the early 1990s, he faced personal setbacks, including a publicized cocaine overdose and a successful libel suit against The Face magazine for implying he had deceived the public about his sexuality.[6][7] Having overcome addiction, he maintains an active performing schedule, with tours scheduled into 2025 and 2026.[8]Early life
Family background and entry into acting
Jason Donovan was born on 1 June 1968 in Malvern, a suburb of Melbourne, Victoria, Australia.[9][10] His father, Terence Donovan, was a British-Australian actor known for roles in television series such as The Young Doctors and Cop Shop, while his mother, Sue McIntosh, worked as a television newsreader and presenter.[11][12] The couple divorced when Donovan was five years old in 1973, with Terence Donovan securing custody—a rare outcome for a father in Australia at the time—and raising Jason primarily in Melbourne.[11][13] Sue McIntosh remarried and had three daughters, resulting in limited contact between Donovan and his mother during his childhood, though her mother, Joan, remained a significant figure in his life.[14][12] Donovan's entry into acting was self-initiated rather than driven by his father's career. At age 11, he secured his first television role as a guest appearance in the Australian drama series Skyways in 1980, where his on-screen sister was portrayed by future co-star Kylie Minogue.[15][16] Terence Donovan later reflected that his son approached the opportunity independently, without parental pressure, leveraging his natural talent and appearance to break into the industry early.[15] This debut marked the beginning of Donovan's screen work, building on a foundation influenced by his family's entertainment connections but pursued through his own initiative.[9]Career
1984–1989: Television debut and Neighbours breakthrough
Donovan appeared in the Australian children's mini-series Golden Pennies in 1985, portraying the character Sean in several episodes.[16] [17] In late 1985, he auditioned successfully for the role of Scott Robinson in the soap opera Neighbours, replacing the original actor Darius Perkins, who had been dismissed for unreliability.[18] Donovan's first appearance as Scott aired on 12 February 1986 in episode 188.[19] As the rebellious son of Jim Robinson, Scott's storyline centered on family dynamics, school troubles, and a prominent romance with mechanic Charlene Mitchell, played by Kylie Minogue.[20] The couple's on-screen relationship, marked by class differences and dramatic tension, propelled Donovan to national prominence in Australia.[21] Their 1987 wedding episode drew over 2 million viewers in Australia, highlighting the soap's growing appeal.[22] When broadcast in the United Kingdom in November 1988, it attracted 19.6 million viewers, contributing significantly to Neighbours' breakthrough success there and cementing Donovan's status as a teen idol.[23] Donovan continued in the role through 1989, departing after establishing a parallel music career.[24]1988–1991: Transition to pop music and chart success
In late 1988, Donovan signed with PWL Records, produced by Stock Aitken Waterman, marking his shift from acting to pop music while still filming Neighbours.[25] His initial release was the duet "Especially for You" with Kylie Minogue, recorded during their time as on-screen couple Scott and Charlene Robinson, which entered the UK Singles Chart in November 1988 and reached number one in January 1989, selling over 1.1 million copies.[26] This success, driven by Neighbours' fanbase and radio airplay, positioned Donovan as a viable pop artist, bridging his soap opera fame to music markets in the UK and Australia. Donovan's solo debut followed with "Too Many Broken Hearts", released on 20 February 1989, which debuted at number nine on the UK Singles Chart before ascending to number one for two weeks in March, remaining in the top 40 for 13 weeks.[27] The track, a quintessential Stock Aitken Waterman production emphasizing upbeat synth-pop, capitalized on Donovan's clean-cut image and teen appeal. His first album, Ten Good Reasons, arrived on 1 May 1989, topping the UK Albums Chart and becoming the year's highest seller with certified sales exceeding 1.5 million units in the UK alone.[28] Follow-up singles from the album included "Sealed with a Kiss", peaking at number eight in July 1989, and "Every Day (I Love You More)", reaching number three later that year, yielding four top-ten UK hits overall from the project. Donovan exited Neighbours in May 1989, aligning his departure with the album's launch to focus fully on touring and promotions.[29] The momentum continued into 1990 with Donovan's second album, Between the Lines, released on 29 May and peaking at number two on the UK Albums Chart.[30] Singles such as "When You Say Nothing at All" (a cover reaching number one in Ireland but number nine in the UK) and "Rhythm of Love" sustained his chart presence, though with diminishing peaks compared to his debut. By 1991, releases like "Happy Together" and "RSVP" entered the UK top 20, signaling sustained but evolving success amid a shifting pop landscape.[31] This period established Donovan as a commercial force, with over four million records sold globally by early 1991, though critics often noted his reliance on formulaic production over vocal depth.[28]1991–1994: Stage career initiation and libel lawsuit impact
In June 1991, Donovan transitioned from television and pop music to musical theatre, starring as Joseph in a revival of Joseph and the Amazing Technicolor Dreamcoat at the London Palladium, with the production opening on 12 June.[32] Directed by Steven Pimlott and choreographed by Anthony Van Laast, the show featured an expanded version of Andrew Lloyd Webber and Tim Rice's biblical musical, emphasizing pop and varied musical styles.[32] Donovan's portrayal drew positive reviews for his vocal performance and stage presence, contributing to sold-out audiences and a run extending until January 1994, though he departed the role in June 1992, succeeded by Phillip Schofield.[32] The associated cast recording, released in 1991, topped the UK Albums Chart, marking a commercial success that bolstered Donovan's credibility in theatre.[32] Amid this theatrical breakthrough, Donovan faced a high-profile libel dispute with The Face magazine. In its March 1992 issue, journalist Julie Burchill wrote an article implying Donovan was homosexual while publicly presenting as heterosexual, thereby deceiving fans and exploiting his image for commercial gain.[33] Donovan sued for defamation, arguing the statements imputed dishonesty and damaged his professional reputation, rather than targeting his alleged sexuality directly.[33] The High Court ruled in his favor later that year, finding the article libellous on grounds of implied deceit, and awarded damages estimated at £292,000, which Donovan waived to avert the magazine's financial collapse.[34] The lawsuit generated significant media scrutiny and polarized public response, with some gay rights advocates criticizing Donovan for pursuing legal action against insinuations of homosexuality, interpreting it as reinforcing stigma.[35] Despite this, the controversy did not disrupt the Joseph production's momentum, which maintained strong attendance during Donovan's tenure, suggesting his stage appeal endured independently of the legal fallout.[36] The case highlighted tensions between celebrity privacy and journalistic speculation in the early 1990s, but Donovan continued focusing on theatre, using the period to establish a more mature artistic identity beyond his soap opera and pop origins.1995–1999: Drug addiction challenges and partial recovery
In early 1995, Donovan experienced a severe cocaine-induced seizure at a party hosted by Johnny Depp for Kate Moss at The Viper Room nightclub in Los Angeles, collapsing after repeated binges and requiring hospitalization.[37][38] This incident followed years of escalating use, with Donovan later recounting daily consumption of 2–3 grams of cocaine amid career stagnation after being dropped by his record label in 1994.[39] The overdose highlighted the physical toll, including multiple seizures and collapses from prolonged benders, which he described as a "selfish existence" driven by stress and a desire for an edgier image.[39] Throughout the mid-to-late 1990s, Donovan's addiction persisted, intensifying during the 1998 UK tour of The Rocky Horror Show, where post-performance isolation led to multi-day binges consuming "grams and grams" of cocaine.[40] He admitted to moderate continued use of cocaine and marijuana as late as 1999, alongside secondary effects like pornography addiction exacerbated by stimulants.[41] These struggles coincided with professional efforts, including stage roles, but lacked formal intervention, relying instead on personal resolve amid recurring health scares.[40] Signs of partial recovery emerged toward the decade's end through his relationship with stage manager Angela Malloch, met during the Rocky Horror production, who issued an ultimatum tying sobriety to family life.[39] This motivation, coupled with impending fatherhood, prompted initial steps to reduce usage and prioritize stability, though full abstinence was not achieved until 2000.[39][41] Donovan later characterized the addiction as an "illness" requiring sustained personal accountability rather than external programs during this period.[39]2000–2006: Theatre resurgence and media appearances
In 2004, Donovan took over the lead role of Caractacus Potts in the West End production of Chitty Chitty Bang Bang at the London Palladium, succeeding Gary Wilmot in the family musical adapted from the 1968 film.[42] This engagement marked a significant return to prominent stage work following his earlier career challenges.[43] In 2006, he starred as the title character in a UK tour of Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street, opposite Harriet Thorpe as Mrs. Lovett; the production opened on 31 January at the Theatre Royal in Brighton and received attention for Donovan's portrayal of the vengeful barber.[44] [45] Later that year, Donovan appeared in the Melbourne Theatre Company's production of David Eldridge's Festen, adapted from the Dogme 95 film, playing the role of Christian in this family drama.[43] Donovan also maintained visibility through television during this period. From 2002 to 2005, he portrayed the recurring character Richard Savage, a sharp-witted lawyer advocating for patient rights, in the Australian ABC drama series MDA (Medical Defense Australasia), which examined medico-legal cases.[46] [47] In November 2006, he competed in the sixth series of the ITV reality show I'm a Celebrity... Get Me Out of Here!, enduring jungle challenges and finishing in third place behind winner Matt Willis and runner-up David Gest.[48] Donovan later credited the experience with boosting his career momentum post-theatre roles.[43]2007–2013: Music revivals, tours, and television returns
In 2007, Donovan returned to live music performances with his concert All the Hits and More, recorded at the Hammersmith Apollo in London, marking his first major tour in 15 years.[49] The setlist featured his 1980s and 1990s hits such as "Nothing Can Divide Us," "Too Many Broken Hearts," and "Sealed with a Kiss," emphasizing a revival of his pop career origins.[50] The performance was released as a DVD in November 2007, capturing the event's focus on nostalgic appeal to fans of his Stock Aitken Waterman-produced era.[51] Donovan also appeared on television during this period, including a role as Daniel Marrack in the ITV drama series Echo Beach, which aired in 2008 and consisted of 12 episodes centered on interconnected lives in a coastal setting.[52] The series, produced as a post-watershed soap, was canceled after its initial run due to low viewership.[52] In 2010, he featured in an episode of the BBC genealogy program Who Do You Think You Are?, aired on August 30, where he explored his Australian and English ancestry, uncovering family connections to early settlers and performers.[53] By 2011, Donovan participated in the ninth series of BBC's Strictly Come Dancing, partnering with professional dancer Kristina Rihanoff and advancing to finish third overall.[54] That same year, he joined the Here and Now 10th Anniversary Tour, a UK arena series celebrating 1980s pop acts, with performances including dates at the O2 Arena on July 1 and Metro Radio Arena on June 29, featuring setlists of his classic singles like "Especially for You" and "Any Dream Will Do."[55] In 2012, he released the album Sign of Your Love on March 12, comprising big-band covers of standards such as "I Won't Dance" and "What a Difference a Day Made," shifting toward swing-influenced interpretations rather than original pop material.[56]2014–2019: Radio hosting, ongoing tours, and Joseph reprises
In August 2014, Donovan began hosting a three-hour Sunday evening radio program titled All 80s on Heart Radio, airing from 7 to 10 p.m. and focusing on 1980s music hits.[57] The show, which later rebranded as Jason Donovan's 80s Rewind, continued through at least 2019, featuring Donovan curating playlists of era-defining tracks from artists like Madonna and Duran Duran.[58] This role marked his sustained involvement in broadcasting, building on prior Heart appearances, and emphasized his connection to 1980s pop culture.[59] Throughout the period, Donovan maintained an active touring schedule, primarily through 1980s nostalgia package shows and festivals across the UK and Europe. He participated in events such as the Let's Rock festivals in 2019, performing at venues like Let's Rock the Moor on May 19.[60] Additionally, he headlined the 80s Invasion Tour in late 2019, sharing bills with acts including Sister Sledge, Martika, Five Star, and the Real Thing, though some dates faced cancellations due to external factors.[61] These outings, often comprising short sets of his hits like "Too Many Broken Hearts" and "Sealed with a Kiss," drew crowds nostalgic for his Stock Aitken Waterman-era success, with reports of multiple sold-out UK dates annually.[62] In 2019, Donovan returned to the stage production of Joseph and the Amazing Technicolor Dreamcoat, the Andrew Lloyd Webber and Tim Rice musical in which he had originated the title role at the London Palladium in 1991. He portrayed the Pharaoh in a revival at the same venue, running from June to early September, alongside Sheridan Smith as the Narrator and Jac Yarrow as Joseph.[63] Announced in March 2019, the role showcased Donovan's Elvis-inspired rendition of "Song of the King," contributing to the production's glitzy, family-oriented appeal amid positive reviews for its energetic staging. This appearance extended into select UK tour dates later that year, reaffirming his affinity for theatre amid his broader entertainment commitments.[64]2020–present: Recent theatre roles, anniversary tours, and legacy projects
In early 2020, Donovan's planned pantomime debut as the Evil Ringmaster in Goldilocks and the Three Bears at the New Wimbledon Theatre was postponed due to the COVID-19 pandemic. He later participated in the seventeenth series of Dancing on Ice on ITV, reaching the final six before elimination on 15 February 2020. Donovan returned to the West End in 2023, taking on the role of Teen Angel in Grease at the Dominion Theatre for select performances from 14 August to 28 October.[65][66] This appearance marked a brief but high-profile engagement in the long-running musical revival, sharing the stage with rotating casts including Peter Andre.[67] From August 2024, Donovan reprised his role as Frank-N-Furter in a UK and Ireland tour of The Rocky Horror Show, a character he first played over 25 years earlier.[68][8] The production continued into 2025, with performances in venues such as Glasgow's SEC Armadillo (20–25 January) and Manchester's Opera House.[69] Earlier in 2024, he had appeared in the show's Australian 50th anniversary season in the same role.[70] This revival highlighted Donovan's enduring association with the cult musical, drawing on his prior experience to lead interactive, high-energy shows.[71] In February 2025, Donovan launched the Doin' Fine 25 tour across the UK and Ireland, a career-spanning retrospective featuring hits from his Neighbours era, pop singles, and musical theatre numbers, attracting over 40,000 attendees.[72][73] The tour opened on 14 February in Cardiff and included stops in major cities like Norwich and London, emphasizing his 35-year trajectory from soap opera stardom to West End leading man.[74][75] Due to demand, an encore extension was announced for February 2026, with dates including Tunbridge Wells and Wolverhampton.[72] These tours served as legacy projects, blending archival footage, personal anecdotes, and live performances to commemorate Donovan's multifaceted career without relying on nostalgia alone.[76]Controversies
The Face libel lawsuit and accusations of homophobia
In early 1991, The Face magazine published an article by Ben Summerskill, then associate editor of the Pink Paper, which implied that Jason Donovan had deceived the public about his sexuality by presenting himself as heterosexual despite rumors suggesting otherwise.[77][78] Donovan, who had consistently identified as straight and was in a relationship with a woman at the time, initiated a libel lawsuit against the magazine, contending that the piece defamed him by imputing dishonesty rather than merely speculating on his orientation.[33][6] The case proceeded to the High Court, where a jury in May 1992 ruled in Donovan's favor, determining that the article's insinuations carried a defamatory meaning of deceit, awarding him £200,000 in damages.[79][80] Donovan waived the payout to avert the financially strained independent magazine's collapse, a decision that underscored his reluctance to fully capitalize on the victory amid broader reputational risks.[79][34] The lawsuit provoked significant backlash from segments of the gay community and media commentators, who accused Donovan of homophobia for pursuing legal action against implications of homosexuality, interpreting it as a rejection of gay identity or an endorsement of stigma in an era when outing public figures remained contentious.[39][81] This perception contributed to a decline in his public image, with critics arguing the suit reinforced heteronormative pressures on celebrities. Donovan later reflected that the action, while legally justified, inadvertently amplified accusations of prejudice and harmed his career trajectory by alienating progressive audiences.[39][82]Drug-related incidents and addiction struggles
In the mid-1990s, Donovan developed a severe cocaine addiction, consuming up to three grams per day at its peak as a means to rebel against his wholesome public image from Neighbours and early music success.[83][39] He later attributed the habit's onset to a desire to appear "cool" amid celebrity circles, though he emphasized escaping it before irreversible harm.[84] A pivotal incident occurred on January 16, 1995, at Kate Moss's 21st birthday party at the Viper Room nightclub in Los Angeles, where Donovan suffered a cocaine-induced seizure and overdose, requiring him to be stretchered out unconscious; he has described this near-fatal event as a turning point, though he was hospitalized and survived without long-term physical damage.[85][7] The episode exacerbated his existing health issues, including prior seizures linked to excessive use, and highlighted the risks of his unmanaged dependency.[86] Donovan detailed these struggles in his 2007 autobiography Between the Lines, recounting isolation, financial strain from the habit, and a gradual path to sobriety beginning around 2000, facilitated by meeting his future wife Angela Malloch during low-profile theatre tours and the responsibilities of fatherhood, which he credits as a decisive motivator for abstinence from illicit drugs.[39][87] He has maintained sobriety from cocaine since, though in 2024 he acknowledged ongoing challenges with moderating alcohol intake, describing addiction as an enduring "illness" rather than a simple choice to cease.[88][89]Public perceptions of personal conduct
Donovan's pursuit of the 1992 libel action against The Face magazine, while legally successful, led to widespread perceptions of his personal conduct as overly defensive and intolerant, with media outlets framing it as a rejection of cultural openness towards sexuality.[90][91] Some commentators argued that the lawsuit exemplified poor judgment under fame's glare, alienating industry influencers and fans who aligned with the magazine's stance, thereby accelerating a downturn in his popularity.[92] This episode fostered a narrative of Donovan as naive in navigating public scrutiny, with tabloid reporting amplifying views of his response as an attempt to rigidly control his image rather than dismiss rumors pragmatically.[90] Donovan himself later conceded the decision's fallout, noting he "didn’t expect it to explode like it did" and recognizing it as a "big mistake" that hindered his professional evolution.[92] The resulting backlash underscored perceptions of his conduct as contributing to self-sabotage, contrasting sharply with his earlier wholesome persona and reinforcing critiques of vulnerability to external validation.[39]Personal life
Relationships and family
Donovan's most publicized early relationship was with Australian singer and actress Kylie Minogue, whom he dated from 1984 to 1989 while co-starring as on-screen couple Scott and Charlene Robinson on the soap opera Neighbours.[93][94] Their romance, which mirrored their characters' storyline including a high-profile on-screen wedding in 1987, ended amicably amid Donovan's rising music career pressures, though both have spoken positively of it in later interviews.[94] In 1998, Donovan began a relationship with Angela Malloch, a former production assistant he met through professional circles, and the couple married on May 25, 2008, in a private ceremony in Bali attended by family including their children.[95][96] They reside primarily in west London and Oxfordshire, maintaining a low public profile focused on family life.[97] Donovan and Malloch have three children: daughter Jemma (born March 28, 2000), son Zac (born March 23, 2001), and daughter Molly (born March 9, 2011).[98][97] Jemma has pursued acting, appearing in Neighbours in 2022, while the family emphasizes privacy, with Donovan crediting fatherhood as a stabilizing influence post his 1990s personal challenges.[99][100]Fatherhood and recent milestones
Donovan married his longtime partner, stage manager Angela Malloch, in 2008 after more than a decade together; the couple have three children: daughter Jemma, born on March 28, 2000, son Zac, born in 2001, and daughter Molly, born on March 9, 2011.[101][102][103] Donovan has described maintaining a low public profile for his family, rarely sharing details or appearing with his children at events, though he attended the 2018 Olivier Awards with Jemma and Zac.[104] The birth of Jemma in 2000 marked a pivotal shift for Donovan, whom he has said prompted his wife to issue an ultimatum between continued drug use and fatherhood, leading him to achieve sobriety as "the sun was shining and it was a new day."[105] He has further attributed his survival and recovery from cocaine addiction to his children, stating in 2010, as he anticipated his third child, that he was "only alive today because of [his] children."[106] Donovan has emphasized fatherhood's role in providing purpose amid past struggles, noting in interviews that it redirected his focus from self-destructive behavior to family responsibilities.[11] In recent personal developments, Donovan anticipated becoming a grandfather in 2024 interviews, a milestone realized in October 2025 with the birth of his first grandchild, reportedly from daughter Jemma.[107] This event aligns with his expressed appreciation for his children's pursuits, including Jemma's acting career, which he has described as extending family legacy while he prioritizes private family time in their UK home.[108]Health management and sobriety efforts
Donovan achieved sobriety from cocaine and other illicit drugs around 2000 through personal resolve rather than formal rehabilitation or 12-step programs, crediting a self-directed decision to cease use following a period of moderate consumption admitted in 1999.[109][41] He has described the process as relying on internal determination, stating that at a certain point, he simply stopped without external interventions like therapy, which he has avoided.[110] Fatherhood played a stabilizing role, with Donovan emphasizing its steadying influence in maintaining abstinence and openness with his children about his past experiences.[39] In ongoing health management, Donovan incorporates routines such as regular massages, pedicures, and a focus on healthy eating to support physical well-being, as detailed in a 2023 interview.[111] Despite long-term drug sobriety, he has acknowledged persistent challenges with alcohol moderation, describing it as "very difficult to just stop" and requiring conscious effort to limit intake, such as enjoying wine occasionally without overindulgence.[88][112] Donovan views addiction fundamentally as an illness necessitating ongoing self-awareness, though he has not pursued clinical treatments like cognitive behavioral therapy.[89]Discography
Studio albums
Jason Donovan's debut studio album, Ten Good Reasons, released on 1 May 1989 by PWL Records, featured pop tracks produced by Stock Aitken Waterman and achieved commercial success, peaking at number 1 on the UK Albums Chart for four weeks and spending 54 weeks in the top 100.[113] His second album, Between the Lines, issued on 28 May 1990 by PWL Records, reached number 2 on the UK Albums Chart and remained on the chart for 26 weeks.[114][115] The third studio album, All Around the World, came out in August 1993 on Polydor Records, marking a shift after Donovan's departure from PWL; it peaked at number 27 on the UK Albums Chart with only two weeks in the top 100.[116][117] After a lengthy hiatus from solo releases, Donovan returned with Let It Be Me on 10 November 2008, a collection of newly recorded covers of pre-1960s standards, released by Universal.[118] This was followed by Soundtrack of the 80s in October 2010, featuring covers of 1980s hits, and Sign of Your Love in 2012, his first album of predominantly original material since the early 1990s.[119][120]| Album | Release date | Label | UK peak position |
|---|---|---|---|
| Ten Good Reasons | 1 May 1989 | PWL | 1[113] |
| Between the Lines | 28 May 1990 | PWL | 2[114] |
| All Around the World | August 1993 | Polydor | 27[116] |
| Let It Be Me | 10 November 2008 | Universal | Did not chart |
| Soundtrack of the 80s | October 2010 | - | Did not chart |
| Sign of Your Love | 2012 | - | Did not chart |
Singles and chart performance
Jason Donovan's music career launched with the single "Nothing Can Divide Us", released on 17 October 1988, which peaked at number 5 on the UK Singles Chart after 12 weeks and number 3 on the Australian charts.[4][121] His duet with former Neighbours co-star Kylie Minogue, "Especially for You", issued on 28 November 1988, became his first UK number-one single, holding the top position for three weeks and reaching number 2 in Australia.[4][121] Subsequent solo releases solidified his chart dominance in the UK, where he amassed four number-one singles between 1989 and 1991, alongside 10 top-10 entries and 16 top-40 hits overall.[4] "Too Many Broken Hearts" (February 1989) topped the UK chart for two weeks, spending 13 weeks in total, though it only reached number 7 in Australia.[4][121] "Sealed with a Kiss" (June 1989), a cover of the 1960s hit, also hit number 1 in the UK for two weeks and peaked at number 8 in Australia.[4][121] Other strong UK performers included "Every Day (I Love You More)" and "When You Come Back to Me", both reaching number 2 in 1989.[4] His UK success peaked with "Any Dream Will Do" in 1991, tied to his role in the West End production of Joseph and the Amazing Technicolor Dreamcoat, which topped the chart for two weeks.[4] Later singles like "All Around the World" (1993) marked declining commercial impact, peaking at number 41 in the UK with no Australian chart entry.[4] In Australia, Donovan's solo singles generally underperformed relative to his UK achievements, with only early releases entering the top 10.[121]| Single Title | UK Peak Position | Australia Peak Position | Release Year |
|---|---|---|---|
| Nothing Can Divide Us | 5 | 3 | 1988 |
| Especially for You (duet) | 1 | 2 | 1988 |
| Too Many Broken Hearts | 1 | 7 | 1989 |
| Sealed with a Kiss | 1 | 8 | 1989 |
| Any Dream Will Do | 1 | - | 1991 |