Jimmy Jansson
Erik Robert Jimmy Jansson (born 17 September 1985) is a Swedish singer, songwriter, and record producer, best known for his extensive contributions to Melodifestivalen, Sweden's national selection competition for the Eurovision Song Contest, where he has written numerous entries since the mid-2010s.[1][2] Jansson's music career began in his teens in Värmland, where he formed early bands including ZlipZ before becoming the lead singer of The Poets in 2002.[2] With The Poets, he made his Melodifestivalen debut in 2002 with the rock song "What Difference Does It Make?", finishing third in their heat and gaining early national attention.[2] In 2003, he placed fourth on the Swedish talent show Fame Factory, earning 250,000 Swedish kronor in prize money, which he used to establish a home recording studio. His first single "Godmorgon världen" from the show reached number two on the Swedish Singles Chart.[2] Transitioning to a solo artist, Jansson competed in Melodifestivalen 2005 with "Vi Kan Gunga", finishing sixth in the final; the upbeat pop track later topped the Swedish Singles Chart and was certified platinum, while his self-titled album reached number three on the charts.[2] He returned to Melodifestivalen in 2007 with "Amanda", a sentimental ballad, but failed to advance to the final.[2] Following the birth of his first child, Jansson stepped away from performing at age 24, briefly working as a welder before refocusing on music production in Stockholm.[2] By 2014, Jansson had established himself as a prominent behind-the-scenes figure, writing and producing songs for Melodifestivalen, as well as for programs like Lilla Melodifestivalen and the winner of Idol.[2] His songwriting credits include "Everyday" for Méndez, which reached the 2018 Melodifestivalen final, and co-writing "Hold Me" for Hanna Ferm & Liamoo in 2019, which secured third place overall.[2] In 2020, Jansson achieved a historic milestone by contributing to six songs in a single Melodifestivalen edition—tying the record set by Thomas G:son in 2006—more than any other composer in a larger field; three of his entries advanced to the grand final.[2] Jansson's influence in Swedish and international music has grown steadily, with credits on Melodifestivalen entries in 2024 for artists like Jacqline ("Effortless") and Lia Larsson ("30 km/h"), as well as production work for Eurovision-related projects, including contributions to Cyprus's 2023 entry "Break a Broken Heart" for Andrew Lambrou.[3] In 2025, he wrote three songs for the competition, including "Voice of the Silent" for John Lundvik (sixth place in the final) and "On and On and On" for Klara Hammarström (fourth place), both reaching the final; "Love It" for Victoria Silvstedt did not advance. "Voice of the Silent" and "Love It" were co-written with Thomas G:son.[4][5] Looking ahead, Jansson is reportedly collaborating on Sanna Nielsen's entry for Melodifestivalen 2026, alongside Thomas G:son and Peter Boström.[6]Biography
Early life
Erik Robert Jimmy Jansson was born on September 17, 1985, in Hagfors, Värmland County, Sweden.[7] Jansson grew up in the small, rural town of Hagfors in western Sweden, where he developed an early interest in music through school activities.[2] In his early teens, he formed his first band, ZlipZ, with school friends, followed by The Poets, initially performing cover songs at local gigs.[8][2]Personal life
Jansson proposed to fellow singer Sandra Dahlberg in October 2004 and announced their engagement in February 2005, following his victory in a Melodifestivalen semi-final, where he publicly stated their plans to marry.[9][10] The couple welcomed their son, Vilmer, on February 12, 2007, in Hagfors, Sweden.[11][12] Jansson and Dahlberg separated in early 2010 after nearly seven years together, citing the challenges of their move from Hagfors to Stockholm as a factor in their decision.[13][14] Since their separation, Jansson has maintained a low profile regarding his personal life, focusing primarily on his music career while co-parenting Vilmer with Dahlberg; the pair continues to communicate amicably for their son's sake.[15]Performing career
The Poets and early successes
Jimmy Jansson formed the rock band The Poets in 1999 alongside friends Robert Norberg on bass and other schoolmates, taking on the roles of lead singer and guitarist.[16] The group quickly gained local traction through live performances, including opening for established acts like Sven-Ingvars at venues such as Sandgrund in Karlstad.[17] In 2002, The Poets achieved their first major national exposure by competing in Melodifestivalen with the song "What Difference Does It Make?", advancing to the Andra Chansen round but ultimately not reaching the final; the appearance nonetheless sparked interest, leading to summer gig inquiries and media coverage.[18][19] Seeking further opportunities, Jansson auditioned for and joined the second season of the reality talent show Fame Factory on TV3 in 2003, while still affiliated with the band.[20] The program, held in Skara and focused on music training, provided intensive coaching and weekly performances, where Jansson showcased songs like "Someday, Somehow" and "Miss Julie," earning praise for his vocal range and stage presence.[21] Although he finished fourth in the final, the exposure significantly boosted his profile, culminating in media buzz around his personal growth and budding romance with fellow contestant Sandra Dahlberg.[22] Following the show's conclusion in early 2004, Jansson released his debut solo single "Godmorgon världen," written by Johan Röhr and produced under the Mariann label, which debuted strongly and peaked at number 2 on the Swedish singles chart, spending 23 weeks in the top 100.[23][24] This success marked the band's gradual transition, with The Poets fading from activity around the mid-2000s as Jansson shifted focus to solo endeavors.[2]Solo career highlights
Jansson launched his solo career in 2004 with the release of his debut album Flickan från det blå, which peaked at number 2 on the Swedish Albums Chart and spent 16 weeks in the top 60.[25] The album's lead single, "Godmorgon världen", became one of his most enduring non-competition hits, reaching number 2 on the Swedish Singles Chart and charting for 23 weeks, establishing Jansson as a promising pop artist with upbeat, accessible melodies.[26] In 2005, Jansson followed up with his second album Som en blixt, which debuted at number 3 on the Swedish Albums Chart and maintained a presence for 12 weeks.[27] This release continued his trajectory of commercially viable pop-rock, building on the momentum from his debut while incorporating more energetic tracks that resonated with Swedish audiences. By 2007, Jansson issued his third and final solo album to date, Sån e jag, which peaked at number 9 on the Swedish Albums Chart and charted for 7 weeks.[28] Although it underperformed relative to his earlier efforts, the album featured singles that sustained his visibility as a performer. Jansson's solo releases demonstrated initial commercial promise, with his first two albums achieving top-3 placements, but the declining chart performance by 2007 reflected a broader shift in the late 2000s toward focusing on songwriting and production rather than lead artistry.[2] This transition allowed him to leverage his compositional skills behind the scenes, marking the end of his primary emphasis on independent solo projects.Melodifestivalen appearances as performer
Jimmy Jansson made his solo debut in Melodifestivalen in 2005 with the upbeat pop song "Vi kan gunga," written by Niklas Edberger, Johan Fransson, Tim Larsson, and Tobias Lundgren. Performed in the third semi-final in Skellefteå, the track advanced to the final held on March 12 at the Globe Arena in Stockholm, where it secured sixth place out of ten entries with strong televote support from younger audiences.[29] Jansson, then 19 years old, delivered an energetic performance characterized by his newly dyed blond hair, dynamic stage movements, and a youthful, rebellious vibe that charmed crowds and emphasized the song's swing-infused, feel-good rhythm. Immediately following the contest, "Vi kan gunga" climbed to number one on the Swedish singles chart, marking a commercial success and earning Jansson the affectionate nickname "Gunga-Jimmy" among fans. In 2007, Jansson returned to Melodifestivalen with "Amanda," an uptempo pop-rock track he co-wrote with Thomas G:son, performed in the second semi-final in Gothenburg on February 10.) The song, which celebrates an infatuating crush with a catchy, schoolgirl-friendly chorus, placed third in the semi-final with 72,738 votes, qualifying for Andra Chansen (the second-chance round). There, Jansson adopted a more casual look with a wardrobe change and delivered a high-energy performance focused on the track's fast-paced rhythm and heartfelt lyrics, but he was eliminated after losing a duel to Sanna Nielsen's "Vågar du, vågar jag" with approximately 80,000 votes.[30] Despite not reaching the final, the appearance reinforced Jansson's reputation for lively, accessible pop anthems. These Melodifestivalen outings significantly elevated Jansson's profile as a performer, transitioning him from band member in The Poets to a recognized solo artist in Sweden's music scene. The 2005 entry, in particular, provided a breakthrough by aligning him with youth-oriented pop and generating widespread media buzz, while the 2007 participation sustained his momentum through increased television exposure and fan engagement.[2]Songwriting and production career
Breakthrough and notable Swedish collaborations
Following the dissolution of his band The Poets and a period of solo performances in the mid-2000s, Jimmy Jansson began transitioning to a career behind the scenes as a songwriter and producer around 2010, leveraging his studio experience to focus on crafting pop tracks for other artists. This shift allowed him to refine his production techniques, emphasizing catchy hooks and polished arrangements that aligned with the evolving Swedish pop landscape of the decade. By the early 2010s, Jansson had established himself as a reliable collaborator in the industry, contributing to releases that helped solidify his reputation among established and up-and-coming talents.[2] One of Jansson's notable early breakthroughs came through his work with Greek-Swedish artist Helena Paparizou on her 2014 English-language album One Life, where he co-wrote and produced several tracks, including "Save Me (This Is an SOS)" with Bobby Ljunggren and Micah Wilshire, and "Don't Hold Back on Love" with Wilshire. These contributions showcased Jansson's ability to blend emotional lyrics with upbeat production, aiding Paparizou's exploration of international pop sounds outside her native market. The album's tracks highlighted his growing influence in cross-cultural Swedish pop production during the mid-2010s.[31][32] Jansson's production credits extended to emerging Swedish acts, where he helped shape their breakthrough releases. In 2011 and 2012, he served as producer for the rockabilly group The Playtones on albums like Rock 'N' Roll Is King and Rock the Road, co-writing tracks such as "Rock 'N' Roll Is King" that captured their energetic style and contributed to the band's rising popularity in the domestic scene. He also produced "Unbelievable" for Idol winner Lisa Ajax in 2014, a debut single that marked her entry into professional recording and demonstrated Jansson's skill in spotlighting new vocal talents. By 2015, Jansson took on lead production for Dolly Style's "Hello Hi," a bubbly electro-pop track that became a fan favorite and helped the group's quirky aesthetic gain traction among younger audiences. These efforts, along with writing "Nej Nej Nej" for Magnus Carlsson that year, underscored Jansson's role in nurturing Swedish pop's vibrant underbelly through the 2010s.[33][34][2][35] This foundation in general Swedish pop collaborations paved the way for Jansson's later expansion into high-profile national selections.[2]Record in Melodifestivalen
Jimmy Jansson has established himself as one of the most prolific and influential composers in the history of Melodifestivalen, Sweden's national selection for the Eurovision Song Contest. His contributions have frequently shaped the competition's outcomes, with multiple entries advancing to the final and securing victories that propelled Swedish acts to international success. Jansson's songwriting often blends pop sensibilities with emotional depth, making his works standout contenders in the contest's diverse lineup.[2] In 2020, Jansson achieved a historic milestone by composing six entries for Melodifestivalen, the highest number by any single songwriter in a single edition of the competition, surpassing the previous record held by Thomas G:son in 2006. These included "Brave" performed by Hanna Ferm, which placed second in the final; "Ballerina" by Malou Prytz, advancing from the first semi-final; "Vamos Amigos" by Méndez featuring Alvaro Estrella; "Aku Take the Heat" by Mohombi; "Nobody" by Klara Hammarlund; and "Take a Chance" by Robin Bengtsson, which qualified for the final but finished seventh. This unprecedented involvement highlighted Jansson's central role in that year's selection process, with three of his songs reaching the grand final and influencing the eventual winner, "Moving On" by The Mamas.[2] Jansson's track record includes one Melodifestivalen winner that extended to Eurovision triumph. Notably, he co-wrote "Tattoo" for Loreen in 2023, a dramatic pop ballad that clinched the contest's top prize and later won the Eurovision Song Contest in Liverpool with 583 points, marking Sweden's seventh victory in the event. Earlier examples of his impact include co-composing "Take a Chance" for Robin Bengtsson in 2020, a high-energy track that showcased his versatility in crafting performer-driven anthems. These successes underscore Jansson's ability to deliver competitive, chart-topping material tailored to the contest's format.[36][37] In subsequent years, Jansson maintained a strong presence. For Melodifestivalen 2024, he contributed "Effortless" performed by Jacqline, a upbeat pop song that reached the final and placed ninth, and "30 km/h" by Lia Larsson, which advanced from the fourth semi-final but did not progress further. His output continued into 2025 with three entries: "Voice of the Silent" for John Lundvik, an inspirational track that qualified for the final and finished sixth; "On and On and On" for Klara Hammarström, which qualified directly from Heat 2 to the final and placed fourth; and "Love It!" for Victoria Silvstedt, a vibrant debut entry that exited in the fifth heat. These compositions demonstrate Jansson's ongoing dominance, with entries spanning genres from soulful ballads to dance-pop.[38][39][40][41][42] Jansson's success rate in Melodifestivalen stands at over 40% advancement to the final across his 20-plus entries since 2017, with one winner and numerous finalists contributing to Sweden's consistent Eurovision qualifications—14 consecutive appearances as of 2025. His prolificacy has not only boosted participating artists' careers but also reinforced Melodifestivalen's role as a launchpad for global hits, as seen with "Tattoo" topping charts in multiple countries post-Eurovision. This impact cements Jansson's status as a key architect of Sweden's Eurovision strategy, prioritizing accessible yet innovative pop that resonates with both domestic voters and international juries.[43][36]International contributions to Eurovision selections
Jimmy Jansson has contributed songs to several Eurovision national selections beyond Sweden, often collaborating with international composers and reflecting his signature pop-oriented style akin to his Melodifestivalen work.[44] In Denmark's Dansk Melodi Grand Prix 2016, Jansson co-wrote "Breakaway" for the group Bracelet, alongside Rebecca Krogmann, Charlie Grönvall, Felix Grönvall, and Nanne Grönvall; the track was eliminated in the first round of the competition.[45][46] Four years later, in the 2020 edition, he co-authored the winning entry "Yes" performed by Ben & Tan, with lyrics and music by Emil Lei, Jansson, and Linnea Deb; although selected to represent Denmark at Eurovision, the contest was canceled due to the COVID-19 pandemic.[47][48] For Slovenia's EMA 2018, Jansson contributed to "Uspavanka (Lullaby)" by Nika Zorjan, co-composed with Maraaya, Samuel Waermö, and Art Hunter, which secured second place in the final.[49] The following year, in EMA 2019, he co-wrote "Rhythm Back to You" for Kim, alongside Art Hunter, Maraaya, and Samuel Waermö, finishing eighth in the grand final.[50][44] Jansson's involvement in Norway's Melodi Grand Prix came in 2020 with "Talking About Us" performed by Lisa Børud, co-written with Anderz Wrethov, Maia Wright, and Laurell Barker; the song advanced to the gold duel in its heat but was ultimately eliminated.[51][52] In Serbia's Beovizija 2020, he co-composed "Oči Meduze" for Andrija Jo with Palle Hammarlund, with lyrics by Andrijano Ajzi; the entry qualified for the final and placed fourth overall.[53][54] For Spain's inaugural Benidorm Fest in 2022, Jansson co-wrote "Eco" for Xeinn, collaborating with Carlos Marco, Marcus Winther-John, and Thomas G:son; it qualified from the second semi-final but finished seventh in the grand final.[55][56] Jansson also contributed to non-selection Eurovision entries, co-writing and producing "Break a Broken Heart" for Andrew Lambrou, Cyprus's internal selection for the 2023 Eurovision Song Contest in Liverpool, alongside Jimmy "Joker" Thörnfeldt, Thomas Stengaard, and others; the song placed 12th with 126 points.[3][57] Jansson's most recent international Eurovision contribution was to Luxembourg's 2024 Luxembourg Song Contest, where he co-authored "Hold On" for CHAiLD with Thomas G:son and Peter Boström; the ballad earned 29 points, placing fourth and missing qualification to the superfinal.[58][59]Discography
Albums
Jimmy Jansson released three studio albums as a lead artist during the mid-2000s, all within the pop genre and achieving notable success on the Swedish charts. These works showcased his early performing career, blending upbeat melodies with personal and summery themes characteristic of Swedish pop at the time.[60] His debut album, Flickan från det blå, was released in 2004 by Mariann Grammofon AB and peaked at No. 2 on the Sverigetopplistan, spending 16 weeks in the top charts. The 13-track collection features key songs such as the opening "Som sommaren," the title track "Flickan från det blå," and "Godmorgon världen," which contribute to its lighthearted, youthful vibe centered on summer and everyday joys.[25][61] The follow-up, Som en blixt, arrived in March 2005 and reached No. 3 on the charts, charting for 12 weeks. This 14-track album, also under Mariann, includes enhanced CD features with bonus behind-the-scenes video material from the recording studio, photoshoot, and his Melodifestivalen performance in Skellefteå, offering fans an intimate look at the production process. Standout tracks like "Som en blixt från himmelen," "Vi kan gunga," and "Alla tider" highlight its energetic pop sound.[27][62] Jansson's third and final solo album, Sån e jag, was issued in March 2007 by Mariann and peaked at No. 9, with a seven-week chart run. The 11-track release, recorded across studios like Bell Studio and SMM Studios in Stockholm, explores themes of love, farewell, perseverance, and self-reflection with a mix of heartfelt passion and subtle humor, as evident in tracks such as "Amanda," "Överallt," and the title song "Sån e jag."[28][63][64] Following Sån e jag, Jansson did not release any additional solo albums, instead shifting his focus to a successful career in songwriting and production. Several singles derived from these albums, including "Vi kan gunga" and "Amanda," marked his chart presence as a performer.[2]Singles
Jimmy Jansson's recording career as a performer launched in 2004 with a series of pop-oriented singles that capitalized on his visibility from the Swedish talent competition Fame Factory. His debut release, "Godmorgon världen", marked his entry into the music industry, peaking at number 2 on the Sverigetopplistan and charting for 23 weeks.[26][65] This upbeat track, written by Johan Röhr and others, captured the optimistic energy of his Fame Factory background and served as a breakout hit for the young artist.[66] Building on this momentum, Jansson issued "Som sommaren" later in 2004, a summery pop single that climbed to number 4 on the charts and held for 10 weeks, further establishing his presence in the Swedish pop scene.[67] Another 2004 release, "Flickan från det blå", followed as the title track from his debut album, achieving a more modest peak of number 40 over 4 weeks but contributing to his early catalog.[68] In 2005, Jansson entered Melodifestivalen with "Vi kan gunga", a high-energy pop song co-written by Niklas Edberger, Johan Fransson, Tim Larsson, and Tobias Lundgren, which propelled him to widespread recognition.[29] The track finished 6th in the Melodifestivalen final but became his biggest commercial success, topping the Sverigetopplistan for 20 weeks and earning him the nickname "Gunga-Jimmy" among fans.[69][2] That same year, "En underbar refräng" was released as a follow-up single, reaching number 4 and charting for 6 weeks, showcasing Jansson's knack for catchy, radio-friendly melodies.[70] Jansson returned to Melodifestivalen in 2007 with "Amanda", a heartfelt ballad he co-wrote, which advanced to Andra Chansen but was eliminated in the duel round against Sanna Nielsen.[71] Despite not progressing further, the single peaked at number 3 on the charts and stayed for 9 weeks, marking one of his strongest performances as a vocalist.[72] Closing out his active singles releases that year, "Överallt" achieved a number 3 peak over 2 weeks, serving as a poignant closer to his early solo output.[73] No major singles as a lead performer followed after 2007, as Jansson shifted focus toward songwriting and production.[74]| Single Title | Release Year | Peak Position (Sverigetopplistan) | Weeks on Chart | Key Context |
|---|---|---|---|---|
| Godmorgon världen | 2004 | 2 | 23 | Debut from Fame Factory era |
| Som sommaren | 2004 | 4 | 10 | Early pop follow-up |
| Flickan från det blå | 2004 | 40 | 4 | Album title track |
| Vi kan gunga | 2005 | 1 | 20 | Melodifestivalen 2005 entry (6th place) |
| En underbar refräng | 2005 | 4 | 6 | Album single |
| Amanda | 2007 | 3 | 9 | Melodifestivalen 2007 entry (eliminated in Andra Chansen) |
| Överallt | 2007 | 3 | 2 | Final early release |