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Let Us In

Let Us In is a written and directed by . The story centers on , a spirited 12-year-old girl, and her best friend Christopher, who investigate a series of mysterious disappearances of teenagers in their small town, leading them to uncover otherworldly forces at play. The film stars Makenzie Moss as , O'Neill Monahan as Christopher, and features veteran actor in a supporting role. Produced by Just Wanna Make Movies and released digitally on July 2, , by , Let Us In blends elements of mystery and supernatural thriller, targeting a audience while exploring themes of and bravery. Upon release, the film received mixed to negative critical reception, earning a 22% approval on based on nine reviews, with critics noting its uneven tone and execution despite an intriguing premise. It holds a Metascore of 56/100 on based on four critic reviews, with the user score based on four s, reflecting polarized viewer responses. On IMDb, it has a 4.4 out of 10 from 864 users (as of November 2025), often praised for its youthful leads but criticized for pacing and plot inconsistencies.

Narrative elements

Plot summary

Let Us In is a 2021 American directed by , centering on a plagued by the mysterious disappearances of . The story follows 12-year-old , an outcast student who has been traumatized by the death of her in a prior unexplained incident, leading to her and by peers led by the popular girl played by . spends her time with her younger neighbor and , nine-year-old , a tech-savvy who assists her in projects and investigations. As reports of missing teens escalate in their community, and begin probing the incidents, suspecting a connection to eerie urban legends. One night, while home alone, encounters pale-skinned teenagers with solid black eyes—known as —who insist on being allowed inside her home, evoking a chilling sense of dread. Guided by their eccentric science teacher and inspired by communication ideas, the duo constructs a device to contact potential otherworldly forces, drawing them deeper into the town's supernatural disturbances. They also cross paths with the reclusive Mr. Munch, portrayed by , a neighbor who claims to have survived similar encounters and offers cryptic warnings about the entities. The narrative builds tension through the children's amateur sleuthing amid everyday suburban life, blending elements of sci-fi with rooted in the creepypasta , as the pair uncovers layers of the abductions that challenge their understanding of reality.

Themes and analysis

Let Us In draws heavily from the of the "," a originating in online around the late , where mysterious children with solid black eyes appear at doors requesting entry, often evoking an inexplicable sense of dread and danger. In the film, this is reimagined as a science fiction- premise involving entities disguised as teens who abduct others in a small town, symbolizing an intrusion of the unknown into everyday life. The narrative uses the to explore themes of and the between the familiar and the , with the children's plea—"Let us in"—serving as a literal and metaphorical warning against toward seemingly innocuous strangers. A central theme is the empowerment of youth in the face of adult obliviousness, evoking nostalgia for and 1990s coming-of-age adventure films like , where children band together to confront threats while grown-ups remain unaware or dismissive. Emily, a 12-year-old aspiring , and her friend Christopher investigate the disappearances independently, highlighting themes of childhood , resourcefulness, and the transition from innocence to agency. This dynamic underscores a message about the competence of young people in navigating dangers that elude adults, blending horror with elements of tween to appeal to a younger audience. The also delves into and , particularly through Emily's involving the recent of her , which motivates her scientific experiments to extraterrestrials as a means of seeking and . This personal intersects with the larger of communal vanishings, blurring the lines between and external peril, and examining how children process and bereavement in a world that feels increasingly unsafe. Critics note that while the execution sometimes falters in maintaining tension, the theme effectively contrasts youthful against overwhelming , using the black-eyed entities as symbols of unresolved voids in and relationships. Symbolism of light versus permeates the story, with the black-eyed children's void-like eyes representing pure and , countered by literal beams of light as a defensive that protagonists discover. This binary evokes classic good-versus- motifs in , where illumination signifies and protection against obscurity. The film's often critiques its simplistic handling of these elements, arguing that it prioritizes accessible scares for preteens over deeper nuance, resulting in a toned-down menace that aligns with its family-oriented tone but limits thematic resonance.

Personnel

Cast

The cast of Let Us In (2021) primarily consists of emerging young actors portraying the film's teenage and child characters, alongside veteran performers in supporting roles. The story centers on a group of friends uncovering mysteries in their small town, with the ensemble emphasizing youthful curiosity and tension. Key cast members include:
  • Makenzie Moss as Emily Sparks, the 12-year-old protagonist determined to solve the disappearances plaguing her community.
  • O'Neill Monahan as Christopher, Emily's best friend and investigative partner.
  • Sadie Stanley as Jessie, one of Emily's peers involved in the unfolding events.
  • Mackenzie Ziegler as Ivy, another friend contributing to the group's dynamics.
  • Siena Agudong as Scarlett, a member of the teenage circle facing the town's threats.
  • Tobin Bell as Frederick Munch (also credited as Mr. Munch), a sinister adult figure central to the horror elements.
  • Eric Callero as Mr. Jayo, an authoritative character in the narrative.
  • Seneca Paliotta as Bianca, supporting the ensemble of young investigators.
  • Heidi Kramer as Carol Sparks, Emily's mother providing familial context.
Additional supporting roles are filled by actors such as and Sky Alexis, contributing to the film's atmospheric small-town setting.

Filmmaking team

The team for Let Us In was led by director and co-writer , who also served as a on the project. Moss, known for his previous work on action-comedy films such as Bad Ass (2012) and Bad Ass 2: Bad Asses (2014), brought his experience in low-budget genre filmmaking to this horror-mystery tale inspired by the of the "." Co-writer (also credited as J.W. Callero) collaborated with Moss on the screenplay, marking Callero's writing debut. Callero additionally functioned as an , contributing to the film's development through their shared , Just Wanna Make Movies. Cinematographer Rudy Harbon handled the visual capture, employing a mix of practical locations and controlled sets to evoke the small-town isolation central to the story. Editing was overseen by Josh Noyes, who focused on building tension through rhythmic pacing in the investigative sequences. The score was composed by Todd Haberman, incorporating eerie, atmospheric sounds to underscore the supernatural elements without overpowering the narrative.

Production process

Development and pre-production

The development of Let Us In originated from director and co-writer Craig Moss's fascination with urban legends, particularly the "Black-Eyed Kids" phenomenon, which he described as "the most interesting and creepiest" among them. Moss, aiming to fill a perceived gap in family-friendly horror aimed at middle school audiences, collaborated with co-writer Joe Callero to craft a screenplay blending sci-fi adventure with elements of the legend, centering on a 12-year-old girl protagonist. The writing process involved detailed beat sheets to outline the three-act structure, ensuring a cohesive narrative before finalizing the script with minimal on-set revisions. Pre-production emphasized efficient planning due to the film's nature and limited resources. cast his daughter, Makenzie Moss, in the lead role of to anchor the story's youthful perspective, while casting director helped secure talents like , , and as the antagonist , who was drawn to the screenplay's potential. The team, including cinematographer Rudy Harbon, conducted extensive preparation to optimize a tight 14-day shooting schedule, incorporating visual directives directly into the script for streamlined execution. focused on sites such as Altadena, the City of Orange, , Santa Clarita, and Franklin Canyon to capture the small-town setting efficiently. The project reached completion in May 2021, shortly before its digital release.

Principal photography

Principal photography for Let Us In took place over 14 days in early 2021, wrapping production by May of that year. The shoot was conducted on a modest of $700,000, emphasizing efficient planning to maximize limited resources. Filming occurred primarily in and around , , utilizing diverse locations to capture the film's small-town suburban atmosphere and eerie outdoor sequences. Key sites included Altadena for wooded areas, the City of Orange for residential scenes, for urban elements, Santa Clarita for additional exteriors, and Franklin Canyon, whose lake and forest settings—previously featured in classic television like —provided a nostalgic yet haunting backdrop for pivotal moments. Director , working closely with cinematographer , prioritized a locked with minimal on-set rewrites to adhere to the tight schedule, focusing on precise timing and to build in the family-oriented sci-fi . The faced challenges inherent to casting young actors under 18, including mandatory on-set tutors, structured work hours, and restricted daily filming limits to comply with child labor regulations, which necessitated real child performers to authentically portray their ages without relying on older actors. Moss later highlighted the lake and sequences as favorites, praising how the natural locations enhanced the film's visual tension despite logistical hurdles.

Release and aftermath

Distribution and release

acquired worldwide distribution rights to Let Us In, excluding , in April 2021, marking the company's commitment to the independent family sci-fi thriller directed by . The film received a (VOD) and digital release in the United States on July 2, 2021, bypassing a traditional theatrical rollout in favor of home entertainment platforms. This strategy aligned with the post-pandemic shift toward streaming and on-demand viewing for mid-budget genre films. Internationally, the distribution leveraged the acquired rights for digital availability across multiple territories, though specific platform partnerships outside were not publicly detailed at launch. The release positioned Let Us In as a PG-13 family-oriented title, emphasizing its appeal to younger audiences through accessible online channels.

Reception and commercial performance

Upon its release on July 2, 2021, Let Us In received mixed to negative reviews from critics, who praised its tone and young leads but criticized its lack of depth and originality in handling the urban legend. On , the film holds a 22% approval rating based on nine reviews. described it as "creepy-cute and cheerfully corny," likening it to The Goonies and but highlighting its lighthearted approach over genuine scares. Roger Ebert's review called it a "pretty bad " that briefly improves with a star but ultimately fails to deliver effective thrills or humor. Audience reception was somewhat more favorable, particularly among younger viewers, with an average rating of 4.4 out of 10 on from over 860 users, who appreciated the adventure elements and performances by Makenzie Moss and O'Neill Monahan. On , it scores 56 out of 100 based on four critic reviews, reflecting a middling response that acknowledges its promising premise but faults its execution for lacking nuance or resonance. Original Cinema deemed it unlikely to impress young adults despite its "" angle rooted in an online . Commercially, Let Us In was released primarily through and digital platforms, resulting in no reported earnings and indicating modest performance in a post-pandemic market favoring streaming. Distributed by , the low-budget production targeted niche horror audiences but did not achieve significant financial success, with its availability on platforms like Fandango at Home contributing to home entertainment revenue.