Level 42
Level 42 is an English jazz-funk band formed on the Isle of Wight in 1979, renowned for fusing elements of smooth jazz, sophisticated pop, and funk rhythms, which propelled them to international success with multiple chart-topping singles and albums during the 1980s and 1990s.[1][2] The band was founded by bassist and vocalist Mark King, drummer Phil Gould, guitarist Boon Gould, and keyboardist Mike Lindup, who met through shared musical interests in jazz fusion while studying or performing in London.[1] Their early sound drew from influences like Weather Report and Herbie Hancock, leading to a self-titled debut album in 1981 that reached the UK Top 20 and established their instrumental prowess, particularly King's innovative slap bass technique.[3] By the mid-1980s, Level 42 transitioned toward more pop-oriented material, achieving commercial breakthrough with the 1985 album World Machine, featuring the UK number-one single "Lessons in Love" and the US Top 10 hit "Something About You."[1][2] Subsequent releases like Running in the Family (1987) and Staring at the Sun (1988) solidified their status as 1980s pop-funk icons, with hits including "Running in the Family" and "Heaven in My Hands" dominating UK charts.[1] Lineup changes marked the late 1980s and 1990s, including the departure of the Gould brothers in 1987 and the addition of musicians like guitarist Alan Murphy (who passed away in 1989) and later Nathan King on guitar in 2001.[1] After a hiatus, the band reunited for a 30th anniversary tour and box set in 2010, continuing to tour actively into the 2020s with a focus on their classic repertoire.[1]History
1979–1980: Formation and prehistory
Level 42 was formed in late 1979 on the Isle of Wight by drummer Phil Gould, his brother guitarist Boon Gould, bassist Mark King, and keyboardist Mike Lindup, all of whom had roots in the local music scene and connections through music education in London.[4] The group came together through informal jams, initially swapping instruments during Monday night sessions that evolved from their shared background as young musicians from the island.[5] The band's early sound centered on instrumental jazz-funk, heavily influenced by fusion pioneers such as Herbie Hancock and Weather Report, reflecting the vibrant Brit-funk movement of the era.[4] King, who had previously played drums before switching to bass out of necessity during these sessions, brought a distinctive slap technique inspired by funk bassists, while Lindup's sophisticated keyboard work added layers of harmonic complexity. The founding members decided to keep the lineup instrumental initially, prioritizing virtuosic interplay over vocals to hone their fusion style.[5] Before solidifying as Level 42, the members had worked as session musicians in London, gaining experience through gigs and studio work that informed their tight rhythmic foundation.[4] The band name itself was chosen as a nod to Douglas Adams' The Hitchhiker's Guide to the Galaxy, where 42 is humorously revealed as the "Answer to the Ultimate Question of Life, the Universe, and Everything," a reference that appealed to the group's witty, intellectual leanings amid the punk-dominated scene. These first rehearsals took place in modest spaces, including rooms at the Guildhall School of Music, where Gould and Lindup had studied, laying the groundwork for their debut performances on the Isle of Wight local circuit.[4]1980–1983: Early recordings and jazz-funk phase
In late 1980, Level 42 signed with Polydor Records after initial recordings with small label Elite, marking the beginning of their professional career.[6] Their debut single, "Love Meeting," was released that year, showcasing the band's instrumental jazz-funk style with intricate bass lines from Mark King and keyboard work by Mike Lindup.[7] This track, drawn from early sessions, helped establish their sound in underground club scenes. The band's self-titled debut album, Level 42, arrived in August 1981, produced by Richard Macphail and featuring standout tracks like "Love Games" and "Turn It On."[8] "Love Games," released as a single in April 1981, became their first UK chart entry, peaking at number 38 and earning airplay on BBC Radio 1.[9] The album blended jazz fusion with funk grooves, highlighting the group's technical prowess on bass, keyboards, and horns, and it reached number 20 on the UK Albums Chart, signaling early commercial promise.[6] Critics praised it as a fresh take on Britfunk, with King's slap bass technique drawing comparisons to innovators like Stanley Clarke.[10] In 1982, Polydor issued The Early Tapes, a compilation of demos and live cuts from July and August 1980, including "Love Meeting" and "Dune Tune," which captured the band's raw, improvisational energy.[7] Later that year, their second studio album, The Pursuit of Accidents, followed in September, incorporating more structured compositions like "The Chinese Way," released as a single in early 1983 and peaking at number 24 on the UK Singles Chart.[11] The album climbed to number 17 in the UK, reflecting growing popularity, and was lauded for evolving their jazz-funk roots with subtle pop influences while maintaining instrumental focus.[12] Tracks such as "Foundation" and "Outlier" exemplified their fusion of complex rhythms and melodic hooks. During this period, Level 42 built a dedicated cult following across Europe through relentless touring, including a notable appearance at the 1983 Montreux Jazz Festival, where their high-energy sets of "Sandstorm" and "88" impressed audiences and critics alike.[13] Performances in UK venues like the Hammersmith Odeon and continental clubs solidified their reputation as jazz-funk trailblazers, with early fans drawn to their virtuosic live improvisations and genre-blending appeal.[14]1983–1987: Pop breakthrough and lineup shifts
In 1983, Level 42 achieved their pop breakthrough with the release of their third studio album, Standing in the Light, on Polydor Records. The album emphasized vocal performances by bassist Mark King and keyboardist Mike Lindup, moving away from the band's earlier instrumental jazz-funk focus toward a more accessible pop-funk sound. Lead single "Micro-Kid" peaked at number 37 on the UK Singles Chart in November 1983.[15] The album itself reached number 9 on the UK Albums Chart, marking their first top-ten entry and signaling growing commercial appeal.[16] The following year, Level 42 released True Colours, their fourth album, which continued the evolution toward polished pop production while retaining funk grooves. Released in October 1984, it peaked at number 14 on the UK Albums Chart. Singles from the album included "Hot Water," which reached number 18 in the UK and number 3 in the Netherlands, and "The Chant Has Begun," which charted at number 41 in the UK.[12] These tracks highlighted the band's increasing emphasis on catchy hooks and layered vocals, contributing to their expanding international profile. World Machine, issued in 1985, propelled Level 42 to global recognition as their first major crossover success. The album debuted at number 3 on the UK Albums Chart and featured the breakthrough single "Something About You," which climbed to number 6 in the UK and number 7 on the US Billboard Hot 100, introducing the band to American audiences.[17] This period solidified their transition to a pop-oriented style, blending synth-driven arrangements with King's distinctive slap bass technique. The pinnacle of this era came with Running in the Family in 1987, a mega-hit that showcased the band's fully realized pop sensibility. The album peaked at number 2 in the UK and number 37 on the Billboard 200, selling over three million copies worldwide.[6] Key singles included "Lessons in Love" (number 3 UK, number 12 US Billboard Hot 100), "Running in the Family" (number 6 UK), and "To Be with You Again" (number 10 UK), all of which emphasized emotional lyrics and radio-friendly production.[12] Amid this success, guitarist Boon Gould departed the band in 1987 to prioritize family commitments.[1]1988–1994: Lineup changes, final albums, and disbandment
Following the departure of drummer Phil Gould and guitarist Boon Gould in late 1987 due to nervous exhaustion and dissatisfaction with the band's direction, Level 42 underwent significant lineup changes. The band recruited guitarist Alan Murphy and drummer Gary Husband to fill the vacancies, marking the start of a transitional period.[1] These new members contributed to the band's eighth studio album, Staring at the Sun, released in September 1988 by Polydor Records. The album featured backing vocals from Neil Lockwood and included singles "Heaven in My Hands," which reached No. 35 on the UK Singles Chart, and "Take a Look," peaking at No. 32.[18] Despite the lineup refresh, the record achieved moderate success in the UK, reaching No. 5 on the Albums Chart, but failed to replicate the commercial heights of previous releases in the US.[1] Tragedy struck in October 1989 when Alan Murphy died of AIDS-related pneumonia at age 34, prompting further adjustments.[19] For the ninth studio album, Guaranteed, released in March 1991 by RCA Records, the band retained Gary Husband on drums and keyboards while bringing in jazz fusion guitarist Allan Holdsworth for several tracks, alongside session contributions from Dominic Miller on guitar. Jakko Jakszyk also joined as lead guitarist during this era, adding to the evolving sound. The album, recorded at The Summerhouse and mixed at The Hit Factory in New York, included the single "Overture 1928," an instrumental track that highlighted the band's fusion roots and reached No. 46 on the UK Singles Chart. Guaranteed itself peaked at No. 3 in the UK but signaled declining popularity, as the band navigated internal flux and a shifting music landscape.[20] In early 1993, Gary Husband departed, leading to another rotation. Phil Gould briefly returned to the drum stool for the band's tenth and final studio album of the era, Forever Now, released in March 1994 by RCA Records. Jakko Jakszyk continued on guitar, with production handled by the band alongside Wally Badarou and Steve Anderson; notable tracks included "Love in a Peaceful World," released as a single and peaking at No. 31 in the UK. The album reached No. 16 on the UK Albums Chart but received mixed reviews and limited international traction. Amid ongoing challenges, Level 42 announced their disbandment during the supporting tour, with the final concert taking place on October 14, 1994, at London's Royal Albert Hall. This marked the end of the original run, as core members Mark King and Mike Lindup pursued solo endeavors.[21][22]1996–2000: Hiatus and solo projects
Following the release of their 1994 album Forever Now, Level 42 entered an official hiatus, with the band ceasing all collective activities until a reunion tour in 2001.[23] During this five-year period, core members focused on individual endeavors, reflecting on their past while exploring new musical directions amid a growing late-1990s revival of 1980s pop and funk sounds.[6] Mark King, the band's bassist and lead vocalist, released his second solo album, One Man, in September 1998 on Eagle Records. Recorded in the wake of Level 42's disbandment, the album featured ten original tracks co-written by King, emphasizing acoustic guitar-driven arrangements and introspective lyrics as a deliberate departure from the group's high-energy jazz-funk and pop fusion style. Despite the shift toward a more stripped-back, singer-songwriter approach, King's thumb-slap bass technique remained a prominent element, echoing his Level 42 roots while showcasing personal evolution.[24][23][25] Phil Gould, the original drummer who had departed in 1987 due to exhaustion, continued pursuing jazz-oriented projects and production work throughout the late 1990s. He immersed himself in experimental recording techniques, utilizing early digital tools such as ADAT multitrack recorders, Atari ST computers running Cubase software, and MIDI sampling to craft ambient and rhythmic compositions. These efforts represented a return to his jazz influences, distinct from Level 42's commercial phase, and included brief collaborations with fellow musicians. In August 1999, Gould organized a private performance that brought together his brother Boon Gould, keyboardist Mike Lindup, and other musician friends, hinting at lingering camaraderie.[26][27] Mike Lindup, the band's keyboardist and co-vocalist, built on his 1990 solo debut Changes by engaging in diverse session and compositional work. In 1996, he scored the soundtrack for the Audi Sport promotional video Return of the Four Rings, blending electronic and jazz elements. From 1994 to 1998, Lindup performed regularly with the Latin jazz ensemble Negrocan, contributing keyboards to their fusion explorations. He also undertook session appearances with prominent UK and US jazz artists, maintaining a profile through live and studio collaborations that highlighted his versatile piano and vocal talents outside the Level 42 framework.[28][29] As 1980s nostalgia gained momentum in the late 1990s—fueled by retrospectives and compilations—King, Lindup, and Gould engaged in informal discussions about revitalizing the band, spurred by fan interest and their shared history. These conversations laid informal groundwork for the eventual 2001 reunion, though no formal commitments materialized during the hiatus.[6][30]2001–2012: Reunion, Retroglide, and touring
In late 2001, Mark King reacquired the rights to the Level 42 name and reformed the band with a new lineup consisting of himself on bass and vocals, his brother Nathan King on guitar, Gary Husband on drums, Sean Freeman on saxophone, and Lyndon Connah on keyboards.[31] The group debuted with a performance at Reading Concert Hall on December 3, 2001, marking their return to the stage after a seven-year hiatus from official shows.[32] This reunion lineup emphasized a blend of classic material and fresh energy, with Sean Freeman adding prominent saxophone lines to tracks like "Lessons in Love" and "Something About You" during early live sets.[33] The band's first post-reunion release was the 2002 compilation The Ultimate Collection, a two-disc set spanning their career highlights from the early jazz-funk era to the 1990s pop phase, which helped reintroduce Level 42 to audiences and peaked outside the UK Top 100.[34] On July 12, 2002, they played their first official concert as the reformed Level 42 at The Circus Tavern in Purfleet, Essex, featuring reinterpreted greatest hits that showcased the new members' contributions.[35] In 2004, original drummer Phil Gould briefly rejoined for select dates, including parts of the band's 25th anniversary celebrations commemorating their 1979 formation, before departing again due to personal commitments.[36] This period saw extensive touring across Europe and the UK, with over 20 shows that year emphasizing high-energy performances of staples like "Running in the Family" and international dates in Japan and the United States to reconnect with global fans.[37] The anniversary events highlighted the band's enduring appeal, blending nostalgic sets with improvisational jazz-funk elements led by King's signature slap bass technique. Mike Lindup returned to the lineup in 2006, contributing keyboards and vocals to Retroglide, the band's first original studio album in 12 years since Forever Now (1994), released on September 18 by W14 Music.[38] Produced by King at his home studio, the album fused electronica with the group's traditional funk and pop sound, featuring tracks such as "Dive into the Sun" and "Different Light," the latter showcasing Lindup's layered harmonies and a reflective lyricism on personal growth.[39][40] Retroglide entered the UK Albums Chart at No. 77, signaling a modest but dedicated resurgence.[38] From 2006 to 2012, Level 42 maintained a rigorous touring schedule, including European arena dates, festival appearances like the Montreux Jazz Festival in 2006, and North American legs supporting Retroglide, often performing extended sets that incorporated new material alongside classics to enthusiastic crowds.[41] Lineup stability with King, Lindup, Nathan King, and Freeman allowed for cohesive live dynamics, though Husband and Connah rotated out by the late 2000s for session commitments, with the core group focusing on anniversary retrospectives and fan-favorite medleys.[42]2013–2025: Sirens series, anniversary tours, and recent activities
In 2013, Level 42 released the Sirens EP, a six-track mini-album produced and mixed by renowned remixer John Morales, marking the band's return to original studio material after several years focused on touring and retrospectives.[43] The EP blended the group's signature funk grooves with contemporary electronic and dance influences, evident in tracks like the title song "Sirens," an atmospheric chill-out piece, and "Build My World," which fused upbeat funk basslines with dance-pop elements.[44] Other tracks, such as "Too Much Time" and "Where's Yo' Head At?," incorporated retro dance formats, reflecting a re-engagement with club-oriented sounds through Morales' production expertise in house and disco remixes.[45] This release was distributed digitally via platforms like iTunes and the band's own Level 42 Records label, signaling a creative evolution while honoring their jazz-funk roots.[46] The momentum from Sirens carried into subsequent activities, including the Sirens Tour in 2014–2016, which promoted the EP alongside live renditions of classics and culminated in the double live album Sirens Tour Live, recorded at London's Indigo O2 in September 2015 and released in 2016.[47] This period saw collaborations and remixes extending the electronic dance vibe, with Morales' mixes emphasizing pulsating rhythms suitable for modern audiences. The band's lineup stabilized around core members Mark King on bass and vocals, Mike Lindup on keyboards and vocals, Nathan King on guitar, and Pete Ray Biggin on drums, augmented by horn players Dan Carpenter and Nichol Thomson, plus saxophonist Sean Freeman, allowing for a fuller, more dynamic sound on stage.[48] This configuration supported extensive touring across the UK and Europe, blending new material with hits to sustain fan engagement without a full-length studio album. Founding guitarist Boon Gould passed away on April 30, 2019, at the age of 64.[49] By 2025, Level 42 marked the 40th anniversary of their breakthrough album World Machine with a dedicated UK tour, announced in October 2024 and comprising 28 dates from September to November.[50] The itinerary included performances in Bournemouth at the BIC on October 12, Watford at the Colosseum on October 14, and Brighton Dome on October 16, among others, with special guests Roachford and Marlee King.[51] These shows celebrated the album's legacy tracks like "Something About You" and "Lessons in Love," while highlighting the enduring appeal of the band's fusion style. In recent interviews, frontman Mark King reflected on the group's four-decade journey, emphasizing the joy of live performances and fan loyalty as key to their longevity, with no plans announced for a new full studio album but a commitment to continued touring and occasional special events.[52] King noted in an August 2025 discussion that the anniversary tour allowed the band to revisit their creative peak while adapting to contemporary audiences through refined live arrangements.[53]Musical style
Jazz-funk origins and fusion elements
Level 42's early sound was rooted in jazz-funk, fusing improvisational jazz structures with infectious funk grooves and subtle rock-infused energy to create a distinctive British take on fusion. This blend allowed for extended instrumental passages that emphasized technical virtuosity and rhythmic interplay among band members, particularly bassist Mark King and keyboardist Mike Lindup. The genre's emphasis on groove and harmony provided the foundation for their debut recordings, where complex polyrhythms and modal jazz progressions met danceable bass lines, setting them apart in the late 1970s British music scene.[6][54] Central to this fusion was Mark King's innovative slap bass technique, which combined percussive thumb strikes and finger pops to produce both melodic leads and driving rhythms, elevating the bass from accompaniment to a starring role. Influenced by American fusion icons like Miles Davis's electric period, Chick Corea's Return to Forever, and bassist Stanley Clarke's thumb-pop style, King adapted these elements into a signature sound that infused jazz-funk with pop accessibility while retaining improvisational depth. His approach drew from Clarke's dynamic phrasing and Larry Graham's funk innovations but evolved into a more fluid, guitar-like expressiveness unique to Level 42's lineup.[55][56][52][5] Tracks such as "Love Games" exemplified this jazz-funk fusion through syncopated bass grooves layered with Lindup's intricate keyboard solos and the band's tight, improvisational ensemble playing. The song's structure featured interlocking rhythms—funky bass ostinatos against jazz-inflected chord changes—and moments of collective improvisation, highlighting the fusion of harmonic complexity from jazz with the propulsive energy of funk. This instrumental focus underscored Level 42's origins as a live-oriented group capable of blending technical prowess with groove-oriented accessibility.[6][4]Transition to pop and commercial sound
During the mid-1980s, Level 42 underwent a significant evolution in their musical style, moving away from their instrumental jazz-funk fusion origins toward a more accessible pop sound designed for commercial radio play. This shift was driven by a desire to expand their audience beyond niche jazz enthusiasts, incorporating tighter song structures, prominent vocals, and synth-driven arrangements while retaining core elements like Mark King's innovative slap bass technique. The band's early work had emphasized complex improvisation and grooves inspired by jazz-rock pioneers, but by 1983's Standing in the Light, they began experimenting with melodic hooks and R&B-inflected choruses to appeal to mainstream listeners.[3] The pivotal album marking this transition was World Machine (1985), produced by Wally Badarou, which polished their fusion roots into a sleek, danceable pop-funk hybrid. Tracks like the lead single "Something About You" exemplified this change, featuring upbeat rhythms, layered keyboards, and King's percussive bass lines that masked the band's technical prowess under catchy, synth-pop melodies. The album reached No. 3 on the UK Albums Chart and No. 18 on the Billboard 200, with "Something About You" peaking at No. 7 on the Billboard Hot 100, signaling their international breakthrough and validating the commercial pivot. Badarou's production emphasized glossy textures and emotional vocals from King and Mike Lindup, blending the band's jazz sophistication with pop accessibility to create a sound that resonated in clubs and on MTV.[57][58][59] This momentum carried into Running in the Family (1987), also produced by Badarou, where Level 42 leaned further into polished pop production, prioritizing concise verses, anthemic choruses, and keyboard-heavy arrangements over extended solos. Songs such as the title track and "Lessons in Love" showcased a refined blend of funk grooves and new wave synths, achieving even greater chart success with the album peaking at No. 2 on the UK Albums Chart and reaching No. 23 on the Billboard 200.[57][58][59][60][61] The transition reflected broader 1980s trends in British music, where jazz-funk acts adapted to the pop landscape dominated by acts like Duran Duran and Culture Club, allowing Level 42 to maintain their instrumental virtuosity within radio-friendly formats. Critics noted the band's ability to "masquerade" as a pop outfit while preserving fusion undertones, contributing to their status as one of the decade's top-selling acts.[57][58][59]Recognition
Awards
Level 42's contributions to jazz-funk and pop music have been recognized through several prestigious honors, often centered on the band's enduring influence and the achievements of its founder and lead member, Mark King. In 2015, Mark King received the Gold Badge Award from the British Academy of Songwriters, Composers, and Authors (BASCA, now the Ivors Academy), acknowledging his significant impact on British music composition and performance as Level 42's bassist and vocalist.[62] King further earned the Outer Limits Award at the 2017 Progressive Music Awards, celebrating his pioneering slap bass technique and the band's fusion of jazz, funk, and progressive elements that pushed musical boundaries.[63] In 2023, King was presented with the American Express Icon Award at the O2 Silver Clef Awards, organized by Nordoff and Robbins, in recognition of his lifetime body of work leading Level 42 and advancing music therapy initiatives.[64]Nominations and chart achievements
Level 42 experienced considerable commercial success on international charts during the 1980s, particularly in the UK and to a lesser extent in the United States, driven by their fusion of jazz-funk and pop elements. In the UK, the band amassed 12 Top 40 albums and 7 Top 10 albums on the Official Albums Chart, with no albums reaching number 1 but several achieving high placements. Their breakthrough album World Machine (1985) peaked at number 3, while Running in the Family (1987) and Staring at the Sun (1988) both reached number 2, marking their strongest performances. On the singles front, Level 42 secured 20 Top 40 entries and 6 Top 10 hits on the Official Singles Chart, highlighted by "Lessons in Love" at number 3 in 1986, followed by "Something About You" and "Running in the Family" both at number 6.[12] In the United States, Level 42's chart impact was more modest but notable for a British jazz-funk act crossing over to pop radio. Their highest-charting single, "Something About You" (1985), peaked at number 7 on the Billboard Hot 100, spending 22 weeks on the chart and becoming their sole Top 10 entry there. "Lessons in Love" followed at number 12 in 1987, with 16 weeks on the chart. Album-wise, World Machine performed best, reaching number 18 on the Billboard 200 in 1986. Running in the Family peaked at number 37 in 1987. Other singles like "Hot Water" reached number 87 on the Hot 100.[65][66][67] The band's achievements extended to certifications reflecting sales and streaming equivalents in select markets. In Canada, Level 42 earned two Platinum certifications for albums World Machine and Running in the Family (each 100,000 units), a Gold certification for Staring at the Sun (50,000 units), and Gold certifications for singles "Something About You" and "Lessons in Love" (each 50,000 units). In the UK, the British Phonographic Industry (BPI) certified World Machine 2× Platinum (600,000 units), Running in the Family Platinum (300,000 units), Staring at the Sun Gold (100,000 units), and the compilation The Very Best Of... Level 42 Gold (100,000 units), contributing to cumulative album sales exceeding 2.1 million units as of 2023. Globally, Level 42's discography has contributed to over 3 million album sales across various territories.[68][69][70] Regarding nominations, Level 42 received recognition from major award bodies for their commercial and artistic impact. They were nominated for the Brit Award for British Group in 1988, reflecting their prominence during the peak of their pop success. No Grammy nominations were recorded for the band.Band members
Current members
The current lineup of Level 42, as of 2025, consists of founding members Mark King and Mike Lindup, alongside long-term collaborators forming the core rhythm and horn sections for live performances and recordings.[48] Mark King serves as the band's bassist, lead vocalist, and percussionist, having founded Level 42 in 1979 on the Isle of Wight. Renowned for pioneering a distinctive slap bass technique that blends percussive funk grooves with melodic phrasing, King's style became a hallmark of the band's jazz-funk sound during the 1980s.[1][2] Mike Lindup handles keyboards, synthesizers, and co-lead vocals, an original member since 1979 who departed in 1994 before rejoining in 2001 for the band's reunion efforts. With a strong jazz foundation from his studies at the Guildhall School of Music and Drama, Lindup contributes intricate harmonic layers and falsetto harmonies that define Level 42's fusion elements.[1][29] Nathan King, Mark's brother, plays guitar and provides backing vocals, joining the band in 2001 and adding rhythmic drive and textural depth to the modern lineup.[52] Pete Ray Biggin has been the drummer since 2010, bringing a versatile jazz-rock background that supports the band's high-energy live shows.[71][72] The horn section, integral to Level 42's expanded sound since the 2010s, includes Sean Freeman on saxophone and vocals (joining around 2001), Dan Carpenter on trumpet and vocals (since 2013), and Nichol Thomson on trombone, backing vocals, and occasional percussion (since 2013). These musicians enhance the band's brass arrangements during tours, such as the 2025 World Machine 40th Anniversary Tour.[48][50]Former members
Alan Murphy was the lead guitarist from 1985 to 1989, contributing to albums like World Machine (1985) and Running in the Family (1987). A respected session musician, he worked with artists such as Mike and the Mechanics before his death from cancer in 1989 at age 36.[73] Phil Gould served as the founding drummer and a primary songwriter for Level 42 from 1979 to 1987, with a brief return in 1993–1994 for the album Forever Now and a short-lived reunion attempt in 2004.[74] He played a pivotal role in shaping the band's early jazz-funk fusion sound through his intricate drumming and percussive style, contributing to albums like Level 42 (1981) and World Machine (1985). Gould also provided lyrics for several tracks, including "Children Say" and "Heaven in My Hands." His departure in 1987 was prompted by burnout from extensive touring and a desire to focus on family life.[26] After leaving, Gould pursued a solo career, releasing albums such as The Rhythm of Life (1993) and World (2008), while working as a session musician with artists like Bernard Butler and Francis Dunnery.[74] Rowland "Boon" Gould, the band's co-founding guitarist and saxophonist, was a member from 1979 to 1987, contributing to early albums and co-writing songs like "The Chinese Way." He made studio contributions to Retroglide (2006) and a guest appearance on the 2012 tour.[49] Boon left the band in 1987 to focus on painting, retreating from the music industry amid personal challenges.[75] Post-departure, he largely devoted himself to visual art until his death by suicide in 2019 at age 64, following a bipolar disorder diagnosis.[76] Gary Husband joined Level 42 as drummer in 1988, remaining until 1993, and rejoined from 2001 to 2010, bringing a strong fusion jazz influence to the band's evolving sound.[77] His tenure included performances on albums like Guaranteed (1991) and live tours that bridged the band's pop era with more improvisational elements, drawing from his experience with jazz legends like Billy Cobham.[78] Husband departed in 1993 to focus on jazz projects and again in 2010 to prioritize his solo work and collaborations.[79] Since leaving, he has recorded extensively as a leader, including albums like Dirty & Beautiful, Vol. 2 (2012) and Songs of Love & Solace (2024), and performed with John McLaughlin's 4th Dimension for over 16 years.[80] Jakko Jakszyk served as lead guitarist from 1991 to 1994, stepping in after the death of previous guitarist Alan Murphy.[81] He contributed guitar work to the album Guaranteed (1991) and tours, adding progressive rock textures to Level 42's pop-funk framework during a transitional period.[82] Jakszyk left in 1994 to pursue solo endeavors and production work.[81] Following his exit, he became a member of King Crimson in 2013, released a memoir Who's The Boy With The Lovely Hair? (2024) and the album Son of Glen (2025), and collaborated with artists such as Tom Robinson and Peter Blegvad.[83]Discography
Studio albums
Level 42's debut studio album, Level 42, was released in March 1981 on Polydor Records and featured 8 tracks that established the band's signature jazz-funk sound, including highlights like "Love Games" and "Dune Tune," which highlighted Mark King's slap bass technique and the group's rhythmic precision.[3] The album peaked at number 20 on the UK Albums Chart.[12] The follow-up, The Pursuit of Accidents, arrived in 1982 on Polydor, expanding on the debut's fusion elements with 9 tracks such as "The Chinese Way" and "Left!" that blended funk grooves with intricate instrumentation from keyboardist Mike Lindup and drummer Phil Gould. It reached number 17 on the UK Albums Chart.[12][3] Standing in the Light, released in 1983 on Polydor, marked a breakthrough with 8 tracks that refined the band's pop-jazz fusion, featuring standout compositions like "Micro-Kid" and "Out of Sight, Out of Mind" that showcased their evolving melodic sensibility. The album climbed to number 9 on the UK Albums Chart.[12][3] In 1984, True Colours was issued on Polydor, containing 8 tracks that further polished the band's sound with tracks like "The Chant of the Ever Circling Skeletal Family" and "Hours by Hours," emphasizing atmospheric keyboards and tight rhythms. It achieved a peak of number 14 on the UK Albums Chart.[12][3] World Machine, the 1985 Polydor release, featured 8 tracks that propelled the band toward mainstream success, with highlights including "Something About You" and "Physical Presence" that incorporated more accessible pop structures while retaining funk underpinnings; it peaked at number 3 on the UK Albums Chart, number 18 on the US Billboard 200, and sold over 500,000 copies worldwide.[12][84][70] The 1987 album Running in the Family on Polydor became the band's commercial pinnacle, with 8 tracks like "Lessons in Love" and "Children Say" driving its pop-oriented evolution and family-themed lyrics; it peaked at number 2 on the UK Albums Chart and earned 3x platinum certification in the UK for sales exceeding 900,000 units.[12][70][85] Staring at the Sun, released in 1988 on Polydor, included 10 tracks that experimented with guitar-driven rock influences alongside funk, highlighted by "Heaven in My Hands" and "Take a Look," though it marked a slight commercial dip, peaking at number 2 on the UK Albums Chart.[12][6] After a lineup change, Guaranteed emerged in 1991 on RCA Records with 10 tracks that leaned into smooth jazz-pop, featuring notable entries like "Overture" and "A Kiss of Life" that demonstrated the band's resilience; it reached number 3 on the UK Albums Chart.[12][3] Forever Now, the 1994 RCA release, comprised 11 tracks exploring mature themes with sophisticated production, including highlights such as "Forever Now" and "Love in a Peaceful World"; it peaked at number 8 on the UK Albums Chart.[12][3] The band returned in 2006 with Retroglide on Polydor, a 10-track album revisiting their classic sound through covers and reimaginings like "The Genius of Ray Charles" and "Are You Ready," which peaked at number 78 on the UK Albums Chart.[12][86] In 2013, Level 42 independently released Sirens via their own label, featuring 10 new tracks that blended contemporary production with their fusion heritage, including "Sirens" and "Build Me a Bridge," marking a return to original material without major label support.[86][3] Sirens II, issued in 2016 as an EP-style studio recording on InsideOutMusic, contained 5 tracks continuing the atmospheric jazz-funk vibe of its predecessor, with highlights like "Sirens II (The Lament)" and "From the End of the Day," distributed primarily through independent channels.[86][3]Compilation and live albums
Level 42's compilation albums have served as retrospectives of their commercial peak in the 1980s, gathering key singles and tracks from their Polydor era, while live albums capture their energetic performances blending jazz-funk grooves with pop sensibilities. These releases have helped maintain the band's visibility, particularly in the UK, where several charted modestly in the 2000s. The band's debut greatest hits collection, Level Best, arrived in November 1989 and collected their most successful singles up to that point, including "Running in the Family," "Lessons in Love," and "Something About You." Released by Polydor, it marked the end of their first decade and peaked at number 5 on the UK Albums Chart, spending 15 weeks in the Top 100.[87] In 2002, The Ultimate Collection was issued as a three-CD set by Polydor, spanning their early hits, B-sides, and remixes from 1981 to 1994, providing a comprehensive overview of their jazz-funk and pop phases.[34] The Definitive Collection, released in 2006 by Universal, focused on their core singles and album tracks from the 1980s, remastered for modern listeners, and reached number 20 on the UK Albums Chart.[88] Past Lives – The Best of the RCA Years, a 2007 compilation on Snapper Music, highlighted tracks from their mid-1990s output during their RCA Records tenure, including "Guaranteed" and "Forever Now," emphasizing their shift toward more introspective material.[89] For unreleased material, The Collection in 2008 by Spectrum Music included rare demos and alternate mixes from their archives, offering fans insight into outtakes from sessions spanning their career.[90] Level 42's live discography began with A Physical Presence in 1985, a double album recorded during their 1983 European tour and released by Polydor, featuring extended improvisational takes on tracks like "Turn It On" and "The Sun Goes Down (Living It Up)"; it peaked at number 28 on the UK Albums Chart.[91] To commemorate their 25th anniversary, Live at the Apollo, London was released in 2004 by Mark King Music, capturing a full concert at the Hammersmith Apollo with the classic lineup performing hits such as "Heaven in My Hands" and "Starchild," showcasing their tight musicianship and audience interaction.[92] In 2010, during their 30th anniversary world tour, Level 42 filmed a performance at London's Indigo at the O2 on October 22, later released as a DVD in packages like Two's Company: Level 42 Live in 2015 by Wienerworld, including encores of "Mr. Pink" and "Something About You" that highlighted Mark King's signature slap bass technique.[93] In 2024, the band released Live in Switzerland, a live album recorded during their 2010 performance, available on streaming platforms as of July 15, 2024.[94]Singles and EPs
Level 42's early singles established their presence in the UK music scene. "Love Games", released in 1981, peaked at number 38 on the UK Singles Chart.[12] The follow-up "Turn It On", also from 1981, received airplay and peaked at number 57.[12] In the mid-1980s, the band transitioned toward greater commercial success with pop-infused releases. "Micro-Kid" (1983) reached number 37 in the UK.[12] Their international breakthrough arrived with "Something About You" (1985), which climbed to number 6 on the UK Singles Chart and number 7 on the US Billboard Hot 100.[12][95] "Lessons in Love" (1986) followed closely, achieving number 3 in the UK and number 12 in the US, becoming one of their signature hits.[12][96] Later singles reflected a maturing sound amid lineup changes. "Heaven in My Hands" (1988) peaked at number 12 in the UK.[12] "Guaranteed" (1991) reached number 17 on the UK chart.[12] Into the 2000s, "Different Light" was released in 2006 as part of their Retroglide album promotion. The band has issued over 20 singles across their career, with several earning certifications for sales in various markets.[97] Level 42 ventured into EPs in the 2010s with instrumental and experimental works. The Sirens EP (2013) features tracks "Sirens" and "From the End of the Day".[86] Sirens II (2016) includes "Sirens II (Part Two)" and "My World's End", continuing the thematic exploration.[86]| Single | Year | UK Peak | US Billboard Hot 100 Peak |
|---|---|---|---|
| Love Games | 1981 | 38 | - |
| Turn It On | 1981 | 57 | - |
| Micro-Kid | 1983 | 37 | - |
| Something About You | 1985 | 6 | 7 |
| Lessons in Love | 1986 | 3 | 12 |
| Heaven in My Hands | 1988 | 12 | - |
| Guaranteed | 1991 | 17 | - |
| Different Light | 2006 | - | - |