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Ling Ma

Ling Ma is a Chinese-American author and professor whose debut novel (2018) depicts a fungal called Shen Fever that transforms infected individuals into zombie-like figures performing habitual routines, critiquing late and immigrant labor through the lens of Candace Chen, a Bible-collecting millennial office worker in . Born in 1983 in , province, , Ma immigrated to the at age six, growing up in , , and before attending the (AB 2005) and earning an MFA from . garnered the , Whiting Award, and Young Lions Fiction Award, while her 2022 short story collection Bliss Montage explores surreal immigrant experiences and desire. Currently an assistant professor of practice in at the , Ma received a Fellowship in 2024 for advancing that interrogates economic and cultural .

Biography

Early Life and Family Background

Ling Ma was born in 1983 in , province, . At the age of six, she immigrated to the with her parents, who relocated to . Her father worked as an professor, while her mother was an . The family resided in initially, before moving to and later during her childhood and teenage years, reflecting the migratory patterns common among academic and professional immigrant families in the American Midwest.

Education

Ma earned a Bachelor of Arts degree from the in 2005. Prior to graduate studies, she worked as a and editor in various capacities. Ma subsequently obtained a degree in fiction from in 2015, during which she drafted early versions of her Severance.

Professional Career

Academic Positions

Ma taught creative writing and English at Cornell University following her receipt of an MFA there in 2015. She joined the University of Chicago as Assistant Professor of Practice in the Arts within the Creative Writing program, a non-tenure-track role focused on instruction, holding this position through at least 2023. In this capacity, she led courses such as Beginning Fiction Workshop and advanced narrative development seminars, emphasizing scenework and risk-taking in student drafts. After a period away from the institution, Ma rejoined the University of Chicago in 2025 as Associate Professor in the Department of English Language and Literature, a tenured-track advancement reflecting her established scholarly and creative contributions. Her current responsibilities include advising on fiction manuscripts and engaging with themes of the female body, immigration, and late capitalism in pedagogical contexts.

Writing and Publishing Milestones

Ma's early writing focused on short fiction, with publications appearing in literary magazines including , where her story "" was featured in November 2015; , , , Ninth Letter, and ACM during the early 2010s. These pieces established her voice in exploring themes of displacement and modernity before her transition to longer-form work. During her tenure as a fact-checker for from 2009 to 2012, Ma conceived her debut as an apocalyptic in 2012, expanding it amid her routine. The , blending with corporate critique, was acquired by following her MFA from in 2015. Severance was released on August 14, 2018, marking Ma's entry into book publishing with initial print runs and subsequent translations into multiple languages. The book garnered immediate attention, leading to expanded editions and adaptations discussions. In 2022, Ma published her first , Bliss Montage, on September 13 through , compiling eight surreal tales that revisited motifs from her earlier magazine work. This release solidified her output in both novel and short forms, with no subsequent full-length books announced as of 2025.

Literary Works

Novels

Severance (2018) is Ling Ma's debut and, as of 2025, only published novel. Issued by on August 14, 2018, under ISBN 978-0-374-26159-7, the work unfolds in a near-future devastated by Shen Fever, a imported from that afflicts victims with a zombie-like condition, locking them into repetitive daily behaviors until fatal or . The protagonist, Candace Chen, a first-generation Chinese-American millennial employed in City's bible-packaging and sectors, embodies pre-fever routine and dissatisfaction. Immune to the , she drifts through the crumbling city before linking with a band of unaffected survivors who traverse the Midwest scavenging supplies and evading the "fevered." The plot interweaves Candace's apocalyptic with flashbacks to her upbringing in , parental struggles, and corporate ennui, probing themes of labor exploitation and cultural dislocation amid collapse. Ma structures the narrative through episodic vignettes and diary-like entries, employing a deadpan tone to satirize consumerist habits and late-capitalist inertia, drawing parallels to biblical plagues and economic precarity without overt moralizing. The novel's 291-page length and speculative framework distinguish it from traditional zombie fiction by foregrounding socioeconomic critique over action.

Short Fiction Collections

Bliss Montage is Ling Ma's debut collection of short stories, published by on , 2022. The volume comprises eight stories that blend speculative elements with realist depictions of contemporary life, often centering on Chinese-American protagonists navigating personal and societal tensions. Stories such as "Los Angeles," "Oranges," "G," "Yeti Lovemaking," "Returning," "Office Party," "P," and "Bliss Montage" explore motifs of memory, desire, and disillusionment, frequently through surreal scenarios like a house inhabited by multiple ex-partners or a drug-induced resurgence of past relationships. The collection draws on Ma's interest in the absurdities of modern existence, incorporating influences from globalized and immigrant experiences without overt didacticism. Critics have noted the stories' concise yet layered structure, allowing for simmering development over extended periods of writing, as Ma has described in interviews about her process. No prior short fiction collections precede Bliss Montage in Ma's published oeuvre, marking her return to shorter forms following her 2018 novel .

Themes and Literary Analysis

Recurring Motifs in Her Fiction

Ling Ma's fiction frequently explores the dehumanizing routines of late capitalism, portraying them as a form of existential zombification that erodes individual agency and desire. In her debut novel (2018), the Shen Fever induces victims to repeat pre-infection habits—such as office work or —until physical collapse, serving as a for the repetitive drudgery of neoliberal labor markets and global supply chains. This motif recurs in the short story collection Bliss Montage (2022), where characters navigate surreal domestic and professional entrapment, echoing the of millennial amid economic instability. Apocalyptic collapse intertwined with economic critique forms another persistent theme, framing societal breakdown not as chaotic violence but as the inevitable endpoint of unchecked . Severance depicts a world where outsourced manufacturing from accelerates the virus's spread, critiquing how capitalist efficiencies prioritize over human welfare, with survivors scavenging in abandoned malls that highlight consumerism's hollowness. Ma extends this in Bliss Montage's dreamlike vignettes, such as multiplied ex-partners invading a home, symbolizing relational and psychic fragmentation under modern pressures of and flux. Immigration, nostalgia, and cultural dislocation recur as motifs of involuntary repetition and unfulfilled longing, often tied to Asian American experiences. The protagonist Candace Chen in Severance, born in China and raised in before relocating to , grapples with parental expectations and severed ties to her heritage, manifesting in fever-dream reenactments of family rituals. Similar undercurrents appear in Bliss Montage, where stories probe bodily autonomy and ethnic expectations through surreal lenses, such as a woman's shrinking form amid societal gaze, reflecting broader anxieties of and self-erasure. These elements underscore Ma's focus on how economic perpetuates cycles of without resolution, prioritizing empirical observation of lived over idealized narratives.

Engagement with Capitalism and Globalization

In her 2018 novel Severance, Ling Ma critiques late capitalism by depicting a pandemic, Shen Fever, that spreads through global supply chains originating in Chinese manufacturing hubs, underscoring the interdependence and vulnerabilities of neoliberal economic structures. The disease transforms infected individuals into "fevered" figures who mindlessly repeat pre-apocalyptic routines—such as office work, shopping, and domestic chores—symbolizing the alienation and repetitive drudgery of commodified labor under advanced capitalism. This portrayal draws on Marxist notions of capital as "dead labour" that sustains itself by extracting living labor, rendering workers into zombie-like entities trapped in cycles of production and consumption. Ma's protagonist, Candace Chen, embodies the immigrant's entanglement in these systems; as a second-generation Chinese American employed at a firm outsourcing cheap Bible production to , she navigates the economic precarity of while grappling with personal disconnection from her . The novel highlights how American relies on East Asian , positioning the U.S. as complicit in the very circuits that import existential threats, a dynamic Ma conceived as a "work novel" set against the global economy's flows. Broader engagement appears in Ma's exploration of and amid economic disruption; the fevered's fixation on obsolete rituals evokes a critique of how fosters illusory stability through routine, even as it erodes communal ties and individual agency in a hyper-connected world. In interviews, Ma has linked these themes to real-world events like the and , viewing the apocalypse as an amplifier of labor's monotony rather than mere . This framework extends to her short fiction, where millennial ennui intersects with economic excess, though Severance remains her most direct interrogation of globalization's causal role in perpetuating and .

Reception and Recognition

Critical Reception and Reviews

Ling Ma's debut novel (2018) earned broad critical praise for its blend of apocalyptic fiction, immigrant narrative, and satire of , often drawing comparisons to works like reimagined in a zombie-infested world. Reviewers highlighted its prescient depiction of economic precarity and consumerist inertia, with noting how the novel encapsulates the "bleak, fatalistic mood of 2018" through protagonist Candace Chen's detached survival amid a Fever that turns victims into repetitive laborers. lauded it as a "shocking and ferocious" inversion of the "Why I left " genre, emphasizing its critique of corporate drudgery as the true end-times horror rather than the plague itself. Aggregated professional reviews on Book Marks rated it highly, with outlets like appreciating its transcendence of genre boundaries to probe millennial disillusionment and . Critics also commended the novel's stylistic restraint and ironic tone, as seen in a Arts review that described Ma's "sleek, light prose" as delivering an entertaining yet pointed portrait of professional life intertwined with immigrant . Inheritance Magazine framed it as a migrant's dystopian tale critiquing American capitalism through "death by remembering," underscoring the fever's metaphor for habitual stagnation. While some reader responses, such as on and , critiqued the prose for millennial self-awareness verging on cloying, professional assessments consistently valued its intellectual depth over stylistic gripes. Ma's short story collection Bliss Montage (2022) continued this acclaim, with reviewers praising its surreal, genre-bending tales that dissect identity, addiction, and relational delusions through motifs of excess and unreality. NPR observed how the stories evolve from "familiar" premises into "savagery" and poignancy, with Ma's authoritative voice ensuring "nothing is just one thing," blending satire and emotional acuity. The Los Angeles Review of Books highlighted its unsettling focus on the "gap between intimacy and its narration," positioning the collection as a probing of personal and cultural estrangement. The Harvard Crimson noted its surpassing of high expectations post-Severance, balancing "serious and absurd" elements in stories burdened by expectation and heritage. Book Marks aggregated 28 reviews into a rave consensus for Bliss Montage, emphasizing Ma's innovative ambiguity in endings that challenge reader closure. Critics like those in Clé Review of Books appreciated its kaleidoscopic structures extending Severance's corporate satire into personal psyches, affirming Ma's evolution as a voice in contemporary fiction attuned to globalized disaffection.

Awards and Honors

Ma received a (NEA) creative writing fellowship in 2018. Her debut novel (2018) was awarded the for fiction in 2018, recognizing its depiction of a pandemic-ravaged economy. It also won the Young Lions Fiction Award in 2019 and the VCU Cabell First Novelist Award in 2019, the latter carrying a $5,000 prize for outstanding debut novels. was named a New York Times Notable Book of 2018 and shortlisted for the PEN/Hemingway Award for Debut Novel. In 2020, Ma was granted the Whiting Award for Fiction, which provides $50,000 to emerging writers and cited for its innovative blend of economic critique and apocalyptic narrative. Her short story collection Bliss Montage (2022) earned the for fiction in 2023, the Story Prize in 2023—awarding $20,000 for outstanding short fiction—and saw its story "Office Hours" selected for anthology. In 2023, she received the Windham-Campbell Prize for fiction, a $165,000 award from honoring imaginative literature. Ma was named a Fellow in 2024, receiving an unrestricted $800,000 grant over five years for her distinctive exploration of labor, , and in contemporary fiction.

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