Marc Cohn
Marc Cohn is an American singer-songwriter renowned for his soulful, storytelling style that blends elements of rhythm and blues, soul, and gospel, with his breakthrough hit "Walking in Memphis" from his platinum-certified 1991 debut album establishing him as a prominent figure in adult contemporary music.[1][2] Born on July 5, 1959, in Cleveland, Ohio, Cohn was orphaned early in life, losing his mother at age two and his father when he was twelve, experiences that profoundly influenced his introspective songwriting.[1][3] He began playing music in junior high school and, after teaching himself piano during college, moved to Los Angeles and later New York City, where he honed his craft as a backup singer and songwriter for artists including James Taylor and Michael Bolton.[4][2] Cohn's self-titled debut album, released in 1991, featured the Top 40 single "Walking in Memphis," which earned nominations for Song of the Year and Best Male Pop Vocal Performance at the Grammy Awards, while Cohn himself won the Grammy for Best New Artist in 1992.[5] Subsequent albums include The Rainy Season (1993), Burning the Daze (1998), Join the Parade (2007)—inspired by his survival of Hurricane Katrina and a near-fatal shooting—and Listening Booth: 1970 (2010), a collection of reimagined cover songs from his youth.[1][2] In 2005, following a concert in Denver, Cohn was shot in the head during an attempted carjacking by an assailant who was later sentenced to 36 years in prison, an incident that tested his resilience but did not derail his career.[6] Throughout his career, Cohn has collaborated with notable artists such as Bonnie Raitt, David Crosby, Patty Griffin, and Michael McDonald, and in 2016, he co-wrote the Grammy-winning album This Is Where I Live for soul singer William Bell.[2] His 2019 collaborative album Work to Do with the Blind Boys of Alabama further highlighted his gospel influences, and compilations like Careful What You Dream: Lost Songs and Rarities (2016) have celebrated milestones such as the 25th anniversary of his debut.[1][2] In January 2025, Cohn announced he had been diagnosed with Parkinson's disease around 2020 but continues to tour and perform, maintaining a reputation for compelling live shows that draw on his personal history and musical depth.[2][7]Biography
Early life and education
Marc Cohn was born on July 5, 1959, in Cleveland, Ohio, to a Jewish family. His parents were observant Jews, with his mother leading the women's organization at The Temple-Tifereth Israel synagogue near Cleveland.[8] Cohn's early childhood was marked by profound loss; his mother died when he was just two years old, leaving him orphaned young and contributing to a traumatic upbringing that he later described as filled with "ghosts" he processed through songwriting.[3] His father passed away when Cohn was 12, deepening the emotional challenges of his formative years and influencing the introspective themes in his later music.[9] Raised in the Cleveland area, Cohn attended Beachwood High School in the suburb of Beachwood, Ohio, graduating in 1977. During junior high and high school, he developed an early interest in music, learning to play guitar and beginning to write his own songs. His initial exposure came through local influences, including hours spent listening to records at a Cleveland record shop near his home starting at age 11 and tuning into the radio for emerging singer-songwriters of the early 1970s era. Family dynamics played a role in this budding passion, as the musical environment shaped by his father's presence before his death provided foundational inspirations.[10][11][12] In 1977, Cohn enrolled at Oberlin College in Ohio to study music, where he taught himself to play piano amid the school's vibrant artistic community. However, after two years, he left the institution to pursue a professional music career, eventually relocating to New York City to focus on songwriting and performance. This transition marked the end of his formal education and the start of his dedicated immersion in the music world.[13][14]Early musical influences and beginnings
Growing up in Cleveland, Ohio, Marc Cohn was profoundly influenced during his teenage years by the singer-songwriter movement of the early 1970s, particularly albums such as James Taylor's Sweet Baby James, Van Morrison's Moondance, and works by Joni Mitchell and Neil Young.[15][16] He also drew inspiration from Motown soul artists like Smokey Robinson and the Miracles, whose emotive storytelling and rhythmic depth shaped his early appreciation for blending personal narrative with soulful expression.[17] At age 14, Cohn began writing songs and taught himself guitar, soon performing with a local high school band called Doanbrook Hotel, where he honed his skills as a vocalist and songwriter amid the vibrant Northeast Ohio music scene.[18] After briefly attending Oberlin College, Cohn transferred to the University of California, Los Angeles, before moving to New York City around 1979 to pursue music professionally.[19] In the city, he established himself as a demo singer, recording vocal tracks for renowned songwriters including Jimmy Webb and the team of Jerry Leiber and Mike Stoller, which provided crucial exposure and honed his interpretive abilities.[14] These sessions immersed him in the competitive New York music environment, allowing him to observe professional production techniques and build a network of industry contacts. Cohn's songwriting evolved through personal experiences, including travels that sparked creative breakthroughs; for instance, a 1985 visit to Memphis influenced reflective compositions drawing on urban landscapes and emotional introspection.[20] Throughout the 1980s, he took on backing vocal and session musician roles, notably playing piano on Tracy Chapman's 1989 album Crossroads, which further solidified his reputation and connections within the recording industry.[21] These formative steps laid the groundwork for his distinctive style, emphasizing heartfelt lyrics rooted in real-life observation.Professional career
Debut album and rise to fame
After working as a session musician, including backing Tracy Chapman on piano for her 1989 album Crossroads, Marc Cohn submitted a demo tape to Atlantic Records, which led to his signing with the label in 1989.[21] This opportunity came through his connections in the industry, notably with engineer and co-producer Ben Wisch, who played a key role in shaping Cohn's early recordings.[22] Cohn's self-titled debut album, Marc Cohn, was released on February 12, 1991, co-produced by Cohn and Ben Wisch, with significant contributions from guitarist and arranger John Leventhal.[23] The album blended piano-driven pop, soul, and storytelling lyrics, drawing from Cohn's experiences and influences in adult contemporary music. It peaked at number 38 on the Billboard 200 chart and was later certified platinum by the RIAA in 1996.[24] The lead single, "Walking in Memphis," became Cohn's breakthrough hit, reaching number 13 on the Billboard Hot 100 in 1991.[25] Inspired by a 1985 visit to Memphis, Tennessee—where Cohn immersed himself in the city's rich musical heritage, including visits to Beale Street and encounters with local figures like Muriel Davis—the song captured the spiritual and cultural essence of the blues and soul mecca.[26] It also achieved international success, charting at number 3 in Canada, number 7 in Ireland, number 11 in Australia, and number 22 in the UK. Other tracks, such as the heartfelt ballad "True Companion"—a staple for weddings and praised for its emotional depth and melodic warmth—earned critical acclaim and peaked at number 80 on the Billboard Hot 100, contributing to the album's reception as a strong entry in the singer-songwriter genre.[27][28] The album's success propelled Cohn to rapid prominence, culminating in his win for Best New Artist at the 34th Annual Grammy Awards in 1992, recognizing his fresh voice in pop and adult contemporary music.[5] This accolade underscored the debut's impact, establishing Cohn as a compelling storyteller amid the early 1990s music landscape.Mid-career challenges and comebacks
Following the breakthrough success of his debut album, Marc Cohn released his second studio album, The Rainy Season, on May 25, 1993.[29] Featuring the lead single "Walk Through the World," the record showcased Cohn's continued exploration of introspective singer-songwriter material but met with lower commercial reception compared to his 1991 self-titled effort.[30] This relative underperformance contributed to a creative hiatus in the late 1990s, during which Cohn shifted focus to songwriting for other artists and prioritizing time with his growing family, resulting in reduced personal releases until 1998's Burning the Daze.[31] Cohn's mid-career trajectory faced its most severe challenge on August 8, 2005, when he was shot in the head during an attempted carjacking in a Denver parking garage following a performance at the Botanic Gardens.[32] The bullet grazed his temple, and despite the life-threatening nature of the incident, Cohn was released from the hospital after just one day with no significant long-term physical impairments, though he later described experiencing post-traumatic stress.[33] In the aftermath, Cohn drew on songwriting as a form of therapy to process the trauma, leading to his comeback album Join the Parade, released on October 9, 2007.[34] The introspective collection, produced by Charlie Sexton, included tracks like "Dance Back from the Grave," which explicitly reflected on his survival and resilience.[34] This period also saw Cohn engaging in notable collaborations, such as contributing the track "The Things We've Handed Down" to the soundtrack of the 2007 film Reign Over Me, and working alongside artists including Michael McDonald on shared performances and recordings.[35]Recent activities and collaborations
In 2010, Cohn released Listening Booth: 1970, a covers album that paid homage to the songwriters and tracks that shaped his early musical tastes from that decade, including renditions of songs by Cat Stevens, Billy Joel, and James Taylor; the project was produced by longtime collaborator Ben Wisch.[36][37] Following this, Cohn pursued a series of sporadic singles and contributions to various projects, such as the 2014 holiday single "The Coldest Corner in the World," which evoked themes of winter solitude and reflection.[38] He also participated in tribute albums and archival releases, including the 2016 compilation Careful What You Dream: Lost Songs and Rarities, featuring previously unreleased material from his career.[37] Cohn experienced a resurgence in touring during the 2010s and 2020s, with performances at venues and festivals highlighting his enduring catalog; notable appearances included a set at the 2025 Bourbon & Beyond festival, where he performed staples like "Walking in Memphis."[39] He has maintained an active schedule of residencies and headlining shows, including a fall 2025 tour with singer-songwriter Shawn Colvin, featuring joint performances across theaters in the northeastern United States, with a date at Groton Hill Music Center in Massachusetts on November 16, 2025.[40][41][42] In terms of collaborations, Cohn partnered with the Blind Boys of Alabama for the 2019 gospel-infused album Work to Do, blending his songwriting with their harmonies on tracks that explored faith and perseverance; the release marked his first full collaborative studio effort in over a decade.[43] He has also appeared on podcasts such as Songcraft: Spotlight on Songwriters and The Great Song Podcast, sharing insights into his songcraft process and the inspirations behind hits like "Walking in Memphis."[44][45] Beyond music, Cohn has engaged in advocacy efforts supporting music education through events like the 2025 Music Will benefit concert, where he presented an award to artist Jackson Browne to raise funds for youth programs in under-resourced communities.[46] As a survivor of a 2005 shooting incident, he has spoken publicly about resilience and recovery, contributing to discussions on survivor support in interviews and performances that emphasize healing through art.[14]Personal life
Marriages and family
Marc Cohn's first marriage was to designer Jennifer George, the granddaughter of cartoonist Rube Goldberg, on May 20, 1988, in Stamford, Connecticut.[47] The couple had two children: daughter Emily and son Max.[48] Their marriage ended in divorce around 2001.[49] Cohn married journalist Elizabeth Vargas on July 20, 2002, at the Council on Foreign Relations in New York City.[50] The couple welcomed two sons: Zachary Raphael Cohn, born on January 31, 2003, and Samuel Wyatt Cohn, born on August 16, 2006.[51][52] They separated in early 2014, with Cohn filing for divorce while Vargas was in rehabilitation; the divorce was finalized later that year, and they agreed to joint custody of their sons.[53][54] Following his divorce from Vargas, Cohn maintained a co-parenting arrangement with her, prioritizing their children's well-being amid limited public disclosure about family matters.[54] As of 2025, Cohn has kept details of his personal relationships private, though he announced his third marriage to Lisa Cohn on January 1, 2023, seven years after their first date; no children have been reported from this union.[48][55] Cohn's experiences as a father have notably shaped his songwriting, particularly in the 2000s, where themes of parenthood and family legacy appear in tracks reflecting his role as a parent to his children.[56]Health incidents and recovery
On August 7, 2005, singer-songwriter Marc Cohn was shot in the head during an attempted carjacking outside the Boettcher Concert Hall in Denver, Colorado, shortly after performing a concert. While signing autographs near his tour van, Cohn was approached by 26-year-old Joseph Yacteen, who demanded the vehicle; when refused, Yacteen fired a single shot point-blank into Cohn's right temple from a .38-caliber handgun.[57][32][58] Cohn remained conscious throughout the immediate aftermath and was rushed to Denver Health Medical Center, where surgeons successfully removed the bullet, which had lodged in the soft tissue beneath his temple without penetrating the skull or striking vital brain structures. The bullet's shallow path, stopping just short of the bone, was credited by medical staff with preventing fatal damage, and Cohn required no extensive neurosurgery beyond the extraction. He was discharged from the hospital after approximately eight hours of treatment, including an intravenous drip and monitoring, with initial assessments indicating only minor injuries such as swelling and bruising.[59][60][61] Cohn's recovery focused on managing physical shock and emotional trauma, with no reported permanent cognitive or neurological impairments; he described entering a state of severe shock post-shooting but emphasized his full return to health within weeks. The process involved rest at home, supported by his wife, ABC News anchor Elizabeth Vargas, and included psychological adjustment to the near-death experience, aided by journaling and creative outlets. Cohn later stated that the incident profoundly shifted his perspective on life, instilling a deep gratitude for survival and appreciation for medical teams who treated him.[33][62][63] Since the 2005 incident, Cohn has reported no significant ongoing health issues related to the shooting, with routine medical check-ins confirming sustained recovery and no lasting effects.[64][65] In January 2025, Cohn publicly announced that he had been diagnosed with Parkinson's disease approximately five years earlier. He stated his intention to continue touring and performing despite the condition.[66]Artistry
Musical style
Marc Cohn's music blends elements of adult contemporary, folk-rock, and soul, often featuring introspective lyrics paired with melodic, piano-driven arrangements that emphasize emotional resonance.[1] His songwriting employs a storytelling approach, drawing from personal anecdotes and vivid American heartland imagery to create narrative-driven songs, as exemplified by the evocative journey in "Walking in Memphis," which captures a sense of place and spiritual discovery.[44] Over his career, Cohn's sound has evolved from the polished production of his 1991 debut album, characterized by well-crafted pop structures and singalong choruses, to more acoustic and reflective aesthetics in later works, such as the intimate, piano-focused covers on Listening Booth: 1970, where small-ensemble arrangements highlight a mellow, bluesy intimacy.[67][68] His lyrics balance emotional depth on themes of loss and redemption with occasional humor and irony, weaving personal reflection into broader human experiences.[69] Cohn's vocal style features a warm baritone delivered with subtle phrasing influenced by R&B and soul traditions, allowing for nuanced expression that enhances the confessional quality of his performances.[67] This approach draws briefly from influences like Van Morrison, contributing to an inward-looking yet accessible aesthetic.[13]Influences and songwriting approach
Marc Cohn's musical influences draw heavily from the singer-songwriter tradition of the 1970s, particularly the poetic lyricism of Van Morrison, whose album Astral Weeks profoundly impacted Cohn during his formative years, leading him to explore similar introspective and mystical themes in his own work.[16][70] He has cited early records by Morrison, Joni Mitchell, Bob Dylan, and James Taylor as key inspirations that encouraged him to blend personal storytelling with piano-driven melodies.[16][71] Additionally, Cohn's affinity for soul and gospel legacies, including artists like Aretha Franklin and Otis Redding, infuses his compositions with emotional depth and rhythmic soulfulness, reflecting a balance between heartfelt confession and spiritual resonance.[2] Personal travels have significantly shaped Cohn's location-based narratives, most notably his 1985 trip to Memphis, which directly inspired the song "Walking in Memphis" by immersing him in the city's musical and cultural landmarks like Beale Street and the Full Gospel Tabernacle Church.[72][73] This experience exemplified how Cohn draws from real-life journeys to craft songs that weave factual details with personal introspection, creating vivid, evocative stories. Cohn's songwriting method is inherently personal yet occasionally collaborative, often beginning with simple piano demos that capture raw emotions from life events, which he then refines over time to achieve emotional authenticity.[74][75] He started writing songs in junior high school on guitar before teaching himself piano at Oberlin College, emphasizing a process rooted in mining childhood memories and daily experiences for resonant lyrics.[74] Thematically, Cohn's work centers on spirituality, relationships, and resilience, themes that have evolved with his life stages, including fatherhood and personal losses like the deaths of his parents, which he processes through songwriting as a form of healing.[76] In later projects, such as his 2010 covers album Listening Booth: 1970, Cohn selects 1970s songs that align with his interpretive voice, transforming them to highlight personal connections and interpretive depth rather than mere replication.[15]Awards and honors
Grammy Awards
Marc Cohn achieved significant recognition at the 34th Annual Grammy Awards held on February 25, 1992, at Radio City Music Hall in New York City, where he won the award for Best New Artist. This victory was attributed to the impact of his self-titled debut album, released in 1991, which featured his breakthrough single "Walking in Memphis" and marked his emergence as a notable singer-songwriter in the pop and adult contemporary genres.[77][78] In addition to the win, Cohn received two nominations at the same ceremony for "Walking in Memphis": Best Pop Vocal Performance, Male, and Song of the Year, though he did not prevail in those categories. The song's nominations highlighted its critical acclaim and commercial success, underscoring Cohn's songwriting prowess and vocal delivery, but the Best New Artist award stood as his sole Grammy honor to date.[77][78][79] The 1992 ceremony represented a pivotal moment for Cohn, elevating his profile amid competition from acts like Boyz II Men, Seal, and Color Me Badd in the Best New Artist category. The win itself propelled his career forward by validating his unique blend of soulful storytelling and melodic craftsmanship.[78][80] Over the long term, the Grammy win established Cohn's credibility within the industry, solidifying his reputation as a compelling singer-songwriter and opening doors for subsequent collaborations and releases, even as his output shifted toward more introspective works. This early accolade continues to define much of his legacy, distinguishing him among Best New Artist recipients for his enduring, if understated, influence on pop songwriting.[2][76]Other recognitions and nominations
In 1992, Marc Cohn received a nomination for Favorite New Adult Contemporary Artist at the American Music Awards, recognizing his breakthrough debut album and the hit single "Walking in Memphis."[81] Cohn co-wrote several tracks for William Bell's album This Is Where I Live (2016), which won the Grammy Award for Best Americana Album at the 59th Annual Grammy Awards in 2017. He also co-wrote "Let My Mother Live" for the Blind Boys of Alabama's album Almost Home (2017), which was nominated for Best American Roots Performance at the 60th Annual Grammy Awards in 2018.[2] Cohn has earned peer respect within the songwriting community through his involvement in prestigious events, notably as a presenter and performer at the Songwriters Hall of Fame ceremonies. In 2007, he honored longtime friend Jackson Browne by introducing and performing Browne's song "Too Many Angels" during Browne's induction.[82] He also participated in the 38th Annual Songwriters Hall of Fame Ceremony in 2011, contributing to tributes for influential songwriters.[83]Discography
Studio albums
Marc Cohn's debut studio album, Marc Cohn, was released in February 1991 by Atlantic Records. Produced by Cohn and Ben Wisch, the album features introspective singer-songwriter tracks highlighted by the hit single "Walking in Memphis," which drew critical acclaim for its vivid storytelling and soulful piano-driven arrangement.[24][84] The record peaked at number 38 on the Billboard 200 chart, earned gold certification in 1992, and achieved platinum status in 1996, reflecting its commercial success and enduring appeal through Cohn's sophisticated songcraft.[24][85] His second studio album, The Rainy Season, arrived in 1993, also on Atlantic Records, and explored themes of emotional maturity, loss, and personal reflection. Co-produced by Cohn, Ben Wisch, and John Leventhal, it included guest appearances from David Crosby, Graham Nash, and Bonnie Raitt, adding layers of harmonic depth to tracks like the title song and "Walk Through the World."[30][29] The album reached number 63 on the Billboard 200 but received mixed reviews, with some critics praising its lyrical introspection while others found it less immediate than the debut.[86][87] In 1998, Cohn released Burning the Daze on Atlantic, marking a period of personal rejuvenation amid life changes including divorce and fatherhood. Primarily produced by Cohn and John Leventhal, with additional contributions from Malcolm Burn and Paul Samwell-Smith, the album blended folk-rock elements with introspective narratives, featuring the single "Close to You."[88][89] Critics appreciated its graceful songwriting and emotional resonance, awarding it a 7.1 out of 10 on AllMusic, though it peaked at number 114 on the Billboard 200.[89][90] Join the Parade, Cohn's fourth studio album, was issued on October 9, 2007, by Decca Records, serving as a thematic comeback influenced by his 2005 shooting incident and the aftermath of Hurricane Katrina. Produced by Charlie Sexton, it delves into survival, loss, and resilience across tracks like "Dance Back from the Grave" and the title song, capturing a raw, personal intensity.[91][92] The album was well-received as a poignant return, highlighting Cohn's storytelling prowess in the face of adversity.[93][94] Cohn's fifth studio effort, Listening Booth: 1970, came out on July 20, 2010, via Saguaro Road Records, reinterpreting songs from 1970 that shaped his musical youth. Produced by John Leventhal, the covers album includes fresh takes on tracks like Cat Stevens' "Wild World," Paul McCartney's "Maybe I'm Amazed," and James Taylor's "Fire and Rain," emphasizing emotional authenticity over replication, and peaked at number 28 on the Billboard 200.[95][96][97] Reviewers lauded its conceptual focus and heartfelt interpretations, viewing it as a tribute to influential pop and rock from Cohn's formative year.[98][68] In 2019, Cohn released the collaborative album Work to Do with the Blind Boys of Alabama on BMG, featuring a mix of three new studio tracks (including the title song), four live recordings from a 2016 performance, and four previously unreleased songs from 2005 sessions, highlighting gospel and soul influences.[37][99] No additional full-length original studio albums have been released as of November 2025.Live and compilation albums
Cohn's first foray into live recordings came with the self-released album Marc Cohn Live 04/05 in 2005, capturing performances from his tour earlier that year across various U.S. venues, including an acoustic emphasis that highlighted his piano-driven songwriting and intimate delivery.[100] The album, distributed primarily at concerts and through his official website via the United Musicians label, served to document the raw energy of his return to touring after a period of relative quiet following his 1998 studio release, featuring stripped-down arrangements of hits like "Walking in Memphis" alongside deeper cuts.[101] With 13 tracks spanning over an hour, it included live renditions such as "Lost You in the Canyon," "Paper Walls," and "The Rainy Season," emphasizing Cohn's vocal warmth and audience interaction without extensive production overlays. The following year, Atlantic Records issued The Very Best of Marc Cohn on June 20, 2006, a retrospective compilation drawing from his early career highlights across his first three studio albums, remastered for enhanced clarity to appeal to longtime fans and newcomers.[102] Spanning 18 tracks, the collection prioritized iconic singles like "Walking in Memphis" and "True Companion," alongside fan favorites such as "Silver Thunderbird" and "Ghost Train," offering a cohesive overview of his singer-songwriter style without new material.[103] Released during a transitional phase before his next studio effort, it underscored Cohn's enduring appeal from the 1990s, though it did not achieve significant chart placement. In 2008, Cohn released Join the Parade: Live EP on Miles Away Records, a five-track live recording featuring songs from his 2007 album, including "Live Out the String" and "Listening to Levon," captured during tour performances to showcase his evolving stage presence.[104] In 2016, Cohn self-released Careful What You Dream: Lost Songs and Rarities, a compilation celebrating the 25th anniversary of his debut album, containing 16 tracks of previously unreleased songs, demos, and rarities spanning his career, produced with Ben Wisch and offering insights into his songwriting evolution.[37] In 2020, Rhino/Atlantic issued The Complete Atlantic Albums Collection, a box set compiling Cohn's first four studio albums (Marc Cohn, The Rainy Season, Burning the Daze, and selections from early work) in remastered form, aimed at collectors and providing a comprehensive overview of his Atlantic Records era.[105] Additional live recordings include In New York (Live 1992) and Lake Harriet Bandshell 1991 (Live), digital releases of early performances available on streaming platforms as of 2025. Cohn has also shared select digital live recordings from 2010s tours via streaming platforms, such as performances from his 2015–2019 dates, but no additional full-length live albums have been released as of November 2025.| Album | Release Date | Label | Key Tracks | Notes |
|---|---|---|---|---|
| Marc Cohn Live 04/05 | 2005 | United Musicians (self-released) | "Lost You in the Canyon," "Paper Walls," "The Rainy Season," "She's Becoming Gold" | Live recordings from 2004–2005 tour; acoustic-focused setlist; limited distribution at shows.[106] |
| Join the Parade: Live EP | 2008 | Miles Away Records | "Live Out the String," "Listening to Levon," "Giving Up the Ghost" | 5-track live EP from 2007 tour; promotional and digital availability.[104] |
| The Very Best of Marc Cohn | June 20, 2006 | Atlantic/WEA | "Walking in Memphis," "True Companion," "Silver Thunderbird," "Perfect Love" | Remastered compilation of early hits; 18 tracks total; no new content. |
| Careful What You Dream: Lost Songs and Rarities | 2016 | Self-released | "25th of May," "Dance Back from the Grave" (demo), various unreleased | 16 tracks of lost songs, demos, and rarities; 25th anniversary of debut.[37] |
| The Complete Atlantic Albums Collection | 2020 | Rhino/Atlantic | Selections from Marc Cohn, The Rainy Season, Burning the Daze | Box set compilation of early Atlantic releases; remastered.[107] |