Marcia Strassman
Marcia Ann Strassman (April 28, 1948 – October 24, 2014) was an American actress and singer best known for her television roles as Julie Kotter, the supportive wife of the titular teacher on the ABC sitcom Welcome Back, Kotter (1975–1979), and as Diane Szalinski, the mother in the Disney comedy film Honey, I Shrunk the Kids (1989) and its sequel Honey, I Blew Up the Kid (1992).[1][2] Over a career spanning five decades, she appeared in numerous television series, including guest spots on MAS*H as Nurse Margie Cutler in its first season (1972–1973), and recurring roles on Providence, Tremors, and Third Watch.[1][2] Strassman also pursued music early in her career, releasing singles like "The Flower Children" in 1967, which reached the top 40 on West Coast charts as a recording artist for Uni Records.[3] Born in New York City and raised in Passaic, New Jersey, Strassman began performing as a teenager, making her stage debut at age 15 in the Off-Broadway musical Best Foot Forward (1963), where she replaced a young Liza Minnelli.[1][2] She moved to Los Angeles at 18 and transitioned to television with early guest appearances on shows like The Patty Duke Show (1963–1966), marking her TV debut.[3] Her film debut came in 1969 with the youth-oriented drama Changes, which featured original songs by Tim Buckley.[3] In addition to her on-screen work, Strassman was active in the entertainment industry off-screen, serving as a member of the Screen Actors Guild national board and organizing benefits, including a 1980 SAG strike fundraiser at the Hollywood Bowl featuring performers like Billy Crystal and Robin Williams.[1][3] She was a dedicated fundraiser for breast cancer research following her 2007 diagnosis with the disease, which she battled for seven years before her death at age 66 in her Sherman Oaks, California, home.[1][2] Strassman was married to director Robert Collector from 1984 to 1989, with whom she had a daughter, Elizabeth.[1]Early life
Family background
Marcia Ann Strassman was born on April 28, 1948, in New York City, to Sidney Charles Strassman, an auto parts wholesaler, and Jeanne Dorothy Weiner.[4][5] Strassman's family was of Jewish heritage, with her surname reflecting Ashkenazic roots common among Jewish families in the United States.[6][7] She had a close-knit family dynamic, including a younger sister, Julie Strassman, and a brother, Steven Strassman, who remained supportive throughout her life.[1][8] Although born in New York City, Strassman was raised in Passaic, New Jersey, where her family's working-class environment fostered her early curiosity about the arts. As a teenager, she worked as a model in a local children's department store and discovered her talent for singing, experiences that sparked her interest in performance and laid the groundwork for her future pursuits.[9][10][5]Entry into entertainment
Strassman began her entry into entertainment during her teenage years in New York, where she pursued modeling and stage performances. Raised in Passaic, New Jersey, she worked as a model for a local children's department store before transitioning to acting, performing as a singer-actress in off-Broadway productions. At age 15, she replaced Liza Minnelli in the role of Ethel Hofflinger in the 1963 Off-Broadway revival of the musical Best Foot Forward at the Orpheum Theatre.[11][12][13] Aspiring to establish herself as a singer, Strassman signed with Uni Records in 1967 and released her debut single, "The Flower Children," backed with "Out of the Picture." Written by Jerry Goldstein and "Lord" Tim Hudson, the A-side was arranged and conducted by Don Peake and captured the era's countercultural hippie theme. The record achieved regional success on the West Coast, peaking at No. 2 on San Francisco's KFRC and No. 4 in San Diego, while bubbling under the national Billboard Hot 100 at No. 105; it also charted for nine weeks on Vancouver's CKLG, peaking at No. 2.[14][15][16] Strassman's initial forays into television occurred in the mid-1960s, marking her shift toward acting. She appeared in multiple episodes of The Patty Duke Show in 1963, playing various teenage roles in the ABC sitcom. By the late 1960s, she secured guest spots on dramatic series.[17][18]Acting career
Early television roles
Strassman's entry into television came through sporadic guest appearances in the early 1970s, building on her prior experience as a commercial actress and singer, which honed her poised on-screen delivery. She appeared in episodes of established series such as The Paul Lynde Show, contributing to the sitcom's comedic ensemble in its short run. These early spots established her as a versatile supporting player but kept her in peripheral positions within ensemble casts.[19] Her first significant television opportunity arrived with a recurring role as Nurse Margie Cutler on MASH* during its inaugural season from 1972 to 1973.[20] Cutler, an army nurse stationed at the 4077th Mobile Army Surgical Hospital, was portrayed as a compassionate and attractive figure who became a romantic interest for both Captains Hawkeye Pierce and Trapper John McIntyre, sparking lighthearted rivalries and subplots amid the show's Korean War setting.[21] Strassman appeared in six episodes: "Requiem for a Lightweight" (Season 1, Episode 3), where Cutler arrives and draws the doctors' attention; "Yankee Doodle Doctor" (Episode 6); "Bananas, Crackers and Nuts" (Episode 7); "The Longjohn Flap" (Episode 10); "The Moose" (Episode 12); and "Showtime" (Episode 24).[22] The character's presence added romantic tension to the early episodes, humanizing the medical staff and providing contrast to the more antagonistic Nurse Margaret Houlihan, though her limited run helped maintain focus on the core ensemble.[21] Following her MASH* stint, Strassman continued with guest roles that showcased her range beyond medical characters, including a dramatic turn in the anthology series Love Story (Season 1, Episode 5, aired November 7, 1973), where she explored emotional narratives inspired by contemporary literature.[19] In 1974, she guest-starred on Marcus Welby, M.D. (Season 5, Episode 21, aired February 19), playing a patient in a family-oriented medical drama that highlighted ethical dilemmas in healthcare.[19] These appearances, along with a minor part in the anthology series Police Story (Season 2, Episode 4, aired November 26, 1974), demonstrated her adaptability to genres from drama to crime procedural.[19] However, the prevalence of nurse or supportive female roles risked typecasting her in authoritative yet secondary positions.[21] As Strassman navigated this phase, her selections leaned toward projects offering character depth to counter potential pigeonholing, transitioning from one-off guests to more integrated recurring parts while leveraging her vocal training for expressive performances. This period solidified her reputation as a reliable television presence, setting the stage for lead opportunities amid the competitive landscape of 1970s network programming.[20]Welcome Back, Kotter and breakthrough
In 1975, Marcia Strassman was cast as Julie Kotter on the ABC sitcom Welcome Back, Kotter after auditioning alongside five other actresses, including Farrah Fawcett, for the role opposite Gabe Kaplan.[23] Her prior guest appearances, such as on MAS*H, had honed her skills for ensemble comedy, paving the way for this opportunity.[24] As Julie, Strassman portrayed the patient and supportive wife of Kaplan's Gabe Kotter, a Brooklyn high school teacher tasked with educating a group of remedial students known as the Sweathogs.[25] The character provided a grounding, empathetic presence amid the show's chaotic classroom antics, often mediating between her husband and the students.[24] The series aired from September 1975 to June 1979, spanning four seasons and 95 episodes.[25] It achieved early ratings success, ranking 18th in the Nielsen standings for its debut season and climbing to 13th the following year, its peak performance that fueled merchandising like lunchboxes and comic books.[26][27] While never entering the top 10, the show drew strong viewership during sweeps periods, bolstered by the rising fame of cast member John Travolta.[26] Behind the scenes, dynamics were tense; Strassman reportedly clashed with Kaplan and expressed frustration with the production, once telling People magazine in 1978 that she "prayed every day for a cancellation."[28] By the fourth season, cast availability issues— including Travolta's film commitments and Kaplan's reduced involvement—contributed to declining ratings and the show's eventual cancellation.[28] Strassman's portrayal marked her breakthrough, elevating her from supporting roles to more prominent opportunities in television and film.[25] The series itself earned an Emmy nomination for Outstanding Comedy Series in 1976, highlighting its cultural impact.[29] Post-Kotter, she transitioned to leading parts, including Diane Szalinski in the 1989 blockbuster Honey, I Shrunk the Kids and its 1992 sequel, solidifying her status as a versatile character actress.[23]Film roles
Strassman's entry into film came early in her career with a supporting role as Kristine in the 1969 youth-oriented drama Changes, directed by Hall Bartlett, marking her screen debut alongside Kent Lane and Michele Carey.[11] Following her television breakthrough on Welcome Back, Kotter, Strassman transitioned to feature films, appearing in supporting parts such as Maria Giannini in the 1982 romantic comedy Soup for One, directed by Jonathan Kaufer, and Rose Stiller in the 1985 biographical drama The Aviator, a Christopher Reeve-led production about the early life of aviator Eddie Rickenbacker.[11] Her most prominent cinematic role arrived in 1989 as Diane Szalinski, the pragmatic and resilient wife of eccentric inventor Wayne Szalinski (played by Rick Moranis), in the Disney family comedy Honey, I Shrunk the Kids, directed by Joe Johnston; the film became a box-office success, grossing over $222 million worldwide and spawning a franchise.[30][31] Strassman reprised the character in the 1992 sequel Honey, I Blew Up the Kid, directed by Randal Kleiser, where the family deals with their toddler son's accidental enlargement, further cementing her association with the series.[30][1] In the 1990s and beyond, Strassman took on varied supporting roles in mainstream and independent productions, including Pam O'Hara, the ex-wife of a detective, in the 1993 action-comedy Another Stakeout, a sequel to the 1987 hit Stakeout starring Richard Dreyfuss and Emilio Estevez. Later, she appeared in the 2005 horror film Reeker as Rose, a mother searching for her son amid supernatural events, showcasing her versatility in genre fare.Later television and voice work
Following the conclusion of Welcome Back, Kotter, Strassman took on a regular role as Carol Younger, the office worker and love interest in the short-lived CBS sitcom Good Time Harry, which aired for one season in 1980 and focused on the misadventures of a womanizing sportswriter.[32] In 1983, she appeared in the CBS military comedy At Ease as Olivia Taylor, a role in the series' pilot and early episodes before it was canceled after 14 installments. Later in the decade, Strassman had a recurring role as Alicia Rudd, the boss of the titular detective, in the Fox crime drama Booker, a 1989–1990 spin-off of 21 Jump Street that ran for 22 episodes. Transitioning into the 1990s and 2000s, Strassman made notable guest appearances and recurring roles across a range of series, often portraying supportive maternal or professional figures. She had a recurring role as Judge Helen Reynolds on NBC's Providence from 1999 to 2002.[33] Other recurring spots included roles on shows like Third Watch (1999–2000, as Sergeant Laura Wynn) and Tremors (2003, as Nancy Sterngood in the sci-fi adventure series).[34] Strassman's voice work in animation highlighted her versatility in character-driven roles during this period. She provided the voice for Miss Applebee, the strict yet caring kindergarten teacher, in the Nickelodeon series Rugrats from 1991 to 2004, appearing in multiple episodes such as "Angelica's First Day of School" (1997) and arcs involving preschool dynamics and child development themes that underscored the show's exploration of family and imagination.[35] The series earned several Daytime Emmy Awards for Outstanding Animated Program, recognizing its ensemble voice cast and storytelling impact. Additionally, she voiced Hairyette, a recurring monster character, in the Nickelodeon animated series Aaahh!!! Real Monsters from 1994 to 1997, contributing to episodes centered on monstrous adolescence and humor in the monster world.Personal life
Marriages and family
Strassman married director and producer Robert Collector on September 22, 1984.[5] The couple collaborated on personal and charitable endeavors. Their marriage ended in divorce in 1989.[36] During the marriage, Strassman and Collector had one daughter, Elizabeth "Lizzie" Collector.[23] Elizabeth, born in 1987, pursued a career as a costume designer.[37] Strassman and her daughter shared a close bond, often appearing together at events such as the 1993 Los Angeles premiere of Tom and Jerry: The Movie.[38]Advocacy and interests
Strassman became a prominent advocate for breast cancer awareness following her 2007 diagnosis, using her platform to educate the public and support research initiatives. She engaged in public speaking engagements, including a 2008 presentation where she openly discussed living with advanced breast cancer to inspire others facing similar challenges.[39] Her advocacy extended to active participation in fundraising events, such as the annual "What a Pair!" benefit concerts organized by the John Wayne Cancer Institute, where celebrities performed duets to raise funds for breast cancer research and education programs; Strassman attended and contributed to multiple editions, including the 2007 event at the Orpheum Theatre in Los Angeles. Her efforts in these causes predated her diagnosis and continued throughout her illness, often involving collaboration with her sister Julie Strassman-Cohn.[8] In addition to her activism, Strassman pursued writing as a personal interest, authoring the 2008 memoir Life with a Side Order of Cancer, which chronicled her experiences with the disease alongside reflections on her acting career and life lessons.[40] The book, published by Palari Publishing, featured a foreword by Penny Marshall and emphasized resilience and hope. Strassman also served on the national board of the Screen Actors Guild (SAG), where she advocated for performers' rights and broader social issues, including health-related fundraisers.[41]Illness and death
Strassman was diagnosed with breast cancer in 2007.[1] She battled the disease for seven years and became a dedicated fundraiser for breast cancer research. Strassman died from complications of breast cancer on October 24, 2014, at her home in Sherman Oaks, California, at the age of 66.[1]Filmography and other work
Film
Strassman's film career included a mix of supporting roles in comedies and thrillers, spanning from the late 1960s to the mid-2000s. Her most prominent cinematic work came in family-oriented blockbusters, where she portrayed the level-headed mother Diane Szalinski opposite Rick Moranis.| Year | Title | Role | Notes |
|---|---|---|---|
| 1969 | Changes | Kristine | Her feature film debut as a reporter in this low-budget drama.[42] |
| 1982 | Soup for One | Maria | Supporting role in this romantic comedy directed by Jonathan Kaufer.[42] |
| 1984 | This Is Spinal Tap | Flower child | Uncredited cameo in the mockumentary classic.[42] |
| 1985 | The Aviator | Rose Stiller | Played the wife in this comedy starring Christopher Reeve.[42] |
| 1989 | Honey, I Shrunk the Kids | Diane Szalinski | Starred as the inventive family's mother; the film was a surprise box office hit, grossing over $222 million worldwide against an $18 million budget.[43][44] |
| 1991 | Fast Getaway | Lorraine | Portrayed the mother in this direct-to-video action comedy with Corey Haim.[42] |
| 1991 | And You Thought Your Parents Were Weird | Sarah Carson | Lead role as a widowed inventor in this family fantasy.[42] |
| 1992 | Honey, I Blew Up the Kid | Diane Szalinski | Reprised her role in the sequel, which earned $58.7 million domestically.[45][46] |
| 1993 | Another Stakeout | Pam O'Hara | Supporting comic role in the buddy-cop sequel starring Richard Dreyfuss and Emilio Estevez.[42] |
| 1994 | Honey, I Shrunk the Audience! | Diane Szalinski | 3D short film attraction at Disney theme parks.[47] |
| 1995 | Cops n Roberts | Teresa | Appeared in this independent comedy.[42] |
| 1996 | Earth Minus Zero | Debbie Heller | Role in this sci-fi thriller.[48] |
| 2002 | Gale Force | Kim Nelson | Supporting role in this action thriller directed by Jim Wynorski. |
| 2003 | The Movie Hero | Mrs. Gardner | Played the mother in this independent comedy-drama. |
| 2003 | Power Play | Susan Breecher | Role in this thriller about an energy crisis. |
| 2005 | Reeker | Rose | One of her final feature film roles in this horror film.[49] |
Television
Marcia Strassman's television career spanned over four decades, beginning with guest appearances in the mid-1960s and evolving into prominent recurring and starring roles in sitcoms and dramas during the 1970s and 1980s, before transitioning to voice work and episodic parts in the 1990s and 2000s. Her early roles showcased her versatility in supporting capacities on established series, while her breakthrough came with culturally significant shows like MASH* and Welcome Back, Kotter, which highlighted her comedic timing and helped launch her to wider recognition. She maintained a steady presence through short-lived series and guest spots, often portraying strong, relatable female characters.[25][11][50] Strassman's notable television appearances, presented chronologically, include the following:| Year(s) | Title | Role | Notes |
|---|---|---|---|
| 1965 | The Trials of O'Brien | Samantha | Guest role in 1 episode of the legal drama series.[51] |
| 1967 | Ironside | Samantha Dain | Guest role in the episode "The Man Who Believed," noted for a credit discrepancy where her character name appears as "Samantha Dian."[25][52] |
| 1972–1973 | MAS*H | Nurse Margie Cutler | Recurring role in 6 episodes of Season 1; a culturally significant early appearance on the iconic medical comedy-drama.[51][50] |
| 1975 | Journey from Darkness | J.J. | Lead role in this TV movie about a blind woman's struggle for independence.[17] |
| 1975–1979 | Welcome Back, Kotter | Julie Kotter | Starring role as the supportive wife of the lead teacher; appeared in all 95 episodes across 4 seasons, marking her breakthrough and contributing to the show's cultural impact, including launching John Travolta's career.[25][51][11] |
| 1976 | Brenda Starr, Reporter | Kentucky Smith | Supporting role in this unsold TV pilot based on the comic strip.[51][11] |
| 1977 | The Love Boat II | Pat McFarland | Role in this TV movie precursor to the anthology series.[51] |
| 1979 | The Rockford Files | Jennifer Faye | Guest role in 1 episode of the detective series.[25] |
| 1980 | Brave New World | Lenina Disney | Lead role in this NBC TV movie adaptation of Aldous Huxley's dystopian novel.[53] |
| 1980 | Good Time Harry | Carol Younger | Starring role in the short-lived sitcom; 9 episodes.[50][32] |
| 1984–1985 | E/R | Maria Salerno | Starring role as a nurse in the medical sitcom; 9 episodes.[50] |
| 1985 | Shadow Chasers | Stella Pence | Guest role in 1 episode.[51] |
| 1988–1989 | TV 101 | Dr. Sylvia Benavides | Recurring role in the high school drama; 13 episodes.[25] |
| 1989 | Booker | Alicia Rudd | Starring role as the boss in the 21 Jump Street spin-off; 22 episodes.[50][54] |
| 1996 | Murder, She Wrote | Molly Dowd | Guest role in the episode "The Dark Side of the Door."[55][25] |
| 1997 | Rugrats | Miss Appleby (voice) | Guest voice role in the episode "Educating Angelica."[56] |
| 1999 | Third Watch | Sergeant Laura Wynn | Recurring role in the police drama; 4 episodes.[57][25] |
| 2000 | Noah Knows Best | Fiona | Starring role in the teen sitcom; 13 episodes.[50] |
| 2003 | Tremors | Nancy Sterngood | Recurring role in the sci-fi series; 13 episodes.[25][58] |
Discography
Marcia Strassman's discography consists of three singles released on Uni Records between 1967 and 1968, marking her brief foray into pop music as a teenager before transitioning to acting.[59][60] Her debut single, "The Flower Children" backed with "Out of the Picture," was issued in March 1967 (Uni 55006). Written by Tim Hudson and produced in a pop rock style reflective of the era's flower power movement, it achieved modest national recognition by bubbling under the Billboard Hot 100 at #105 and reaching #95 on the Cashbox Top 100. The track performed stronger regionally on the West Coast, peaking at #2 in San Francisco and #4 in San Diego.[61][62] The follow-up, "The Groovy World of Jack and Jill" backed with "The Flower Shop," followed in July 1967 (Uni 55023). This upbeat pop single did not chart nationally but continued her lighthearted, youth-oriented sound.[63] Strassman's final single, "Self-Analysis" backed with "Star Gazer," appeared in March 1968 (Uni 55056). Like its predecessor, it failed to gain significant airplay or sales, after which she pivoted to television and film roles.[59][50]| Single | A-Side / B-Side | Label & Catalog | Release Date | Peak Positions |
|---|---|---|---|---|
| 1 | "The Flower Children" / "Out of the Picture" | Uni 55006 | March 1967 | Billboard Bubbling Under #105; Cashbox #95 |
| 2 | "The Groovy World of Jack and Jill" / "The Flower Shop" | Uni 55023 | July 1967 | None nationally |
| 3 | "Self-Analysis" / "Star Gazer" | Uni 55056 | March 1968 | None nationally |