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Margaret Field

Margaret Field (May 10, 1922 – November 6, 2011) was an American actress best known for her supporting roles in science fiction and Western films of the 1950s, as well as numerous television appearances, and as the mother of two-time Academy Award-winning actress Sally Field. Born Margaret Joy Morlan in Houston, Texas, she began her career after being discovered by a talent scout, leading to a Hollywood contract with Paramount Pictures in the mid-1940s. She married salesman Richard Dryden Field in 1942, and the couple relocated to Pasadena, California, where they had two children: son Richard D. Field Jr. in 1944 and daughter Sally Margaret Field in 1946. Field's early film work included uncredited roles in movies like The Big Clock (1948), before she gained notice for her lead performance as the sympathetic scientist's assistant Enid in the low-budget sci-fi film The Man from Planet X (1951). Following her divorce from Richard Field in 1950, she married actor and stuntman (born Francis J. Mahoney) in 1952, adopting the professional name Maggie Mahoney for some later credits; the couple divorced in 1968. Throughout the and , Field appeared in over 30 films, including Westerns like (1952) and (1955), and she transitioned to television with guest roles on popular series such as , , , and . She largely retired from acting in the late 1960s to focus on raising her family, though she occasionally returned for minor roles. Field died of cancer at her home in Malibu, California, on November 6, 2011, coinciding with her daughter Sally's 65th birthday; she was 89 years old.

Early Life

Birth and Family Background

Margaret Field was born Margaret Joy Morlan on May 10, 1922, in , . She was the daughter of Wallace Miller Morlan (September 30, 1893 – February 21, 1944), originally from , and Joy Beatrice Morlan (née Bickeley; March 31, 1894 – February 18, 1986). Field had one older brother, Jack Edward Morlan (1920–1989). Details on specific family dynamics or events in her early childhood in Texas remain limited in available records, though the family resided in Houston following her birth before relocating to California in the late 1920s.

Childhood and Relocation to California

The family relocated from Houston, Texas, to Santa Ana, California, by 1930, during the onset of the Great Depression, seeking economic opportunities. They later moved to the Pasadena area by 1940. The move brought challenges, as the family navigated financial instability in their new home, including periods of economic hardship that led to the of household items on more than one occasion. Field, then in her late teens and early twenties, adjusted to life in Pasadena by enrolling at Pasadena Junior College, where she pursued studies in voice training and acting. These academic pursuits reflected her budding interest in the , fostering skills that would later shape her path, though she had not yet entered professional opportunities at this stage. During her teenage years in Pasadena, Field focused on her and life amid the wartime , without documented involvement in external jobs or activities prior to her formal entry into .

Acting Career

Discovery and Entry into Hollywood

In the early 1940s, during , Margaret Field was discovered in , by a Paramount Pictures talent scout on a street corner. Prior to her discovery, Field attended Pasadena Junior College, where she studied voice training and acting. This chance encounter led to a , after which she signed a contract with the studio, marking her entry into professional acting under the name Margaret Field. Field's initial integration into Hollywood involved training under esteemed actor and director , who mentored her in the craft. She quickly transitioned to on-screen work, securing bit parts in productions during the mid-1940s, including uncredited roles that provided essential experience in the burgeoning film industry. These early opportunities established her presence in , paving the way for more substantial roles in the postwar era.

Film Roles and Contributions

Margaret Field entered the film industry in the late 1940s under a contract with Paramount Pictures, where she took on a series of uncredited bit parts in their productions. Her early screen appearances included small roles in the musical Welcome Stranger (1947) opposite Bing Crosby, as well as The Paleface (1948) and My Friend Irma (1949), both comedies featuring Bob Hope. These initial roles established her presence in Hollywood but kept her in supporting capacities, often as chorus girls, secretaries, or background figures in light entertainment vehicles. By the early 1950s, Field transitioned to more prominent parts, particularly in low-budget films that capitalized on the era's growing interest in the genre. She earned a lead role as , the astronomer's daughter and romantic interest, in the atmospheric horror (1951), directed by , marking one of her most memorable cinematic contributions. The following year, she again took a central role as Carol Matthews, a survivor in a post-apocalyptic world, in (1952), a release that explored themes of tribal conflict among humanity's remnants. These performances highlighted her versatility in portraying resilient, everyday women amid speculative narratives, contributing to the B-movie sci-fi wave of the time. Field also appeared in mainstream dramas and Westerns, such as supporting in the aviation adventure Island in the Sky (1953). Following her 1952 marriage to actor , Field adopted the professional billing of Maggie Mahoney for later projects, reflecting a shift in her public persona. Under this name, she continued in genre films, including a small but notable role as the hat check girl in the Slim Carter (1957), which co-starred her husband. Her filmography during this period emphasized and occasional thrillers, showcasing her affinity for stories and character-driven ensemble pieces. However, by the late 1950s, Field's cinematic output diminished as she increasingly prioritized television work and family responsibilities, with her final feature role coming in the drama Desire in the Dust (1960) as Maude Wilson. This decline aligned with broader industry changes favoring television and her personal choice to step back from the demands of film production.

Television Appearances

Field began her television career in 1950, with one of her earliest credited roles as Sally Weatherby in the episode "Greed for Gold" on . She later appeared in anthology series such as Racket Squad (1951) and (1953). In 1955, she guest-starred in the science fiction anthology as Julie Tyler in the episode "Target Hurricane," directed by Leigh Jason. Throughout the decade, Field appeared in numerous other anthology programs, such as Climax!, Studio 57, , Goodyear Playhouse, , and . Following her 1952 marriage to actor Jock Mahoney, Field frequently received billing as Maggie Mahoney in television credits, including in episodes of Alcoa Theatre (1960) as Lorna Kendiss and Tombstone Territory (1958) as Sarah Medford. She also took on guest roles in western series like The Range Rider (1951–1953), where she played characters such as Carol Simpson and Deputy Nan across four episodes, Wagon Train (1958), and The Virginian. Field's television work in the 1950s encompassed dozens of guest spots across more than 20 series, with no known recurring roles or pilots, often portraying supporting characters in dramas, westerns, and narratives. These appearances provided steady employment amid the rise of television, supplementing her concurrent film roles by showcasing her versatility in the new medium.

Personal Life

Marriages

Margaret Field married Richard Dryden Field, an Army officer, in 1942 shortly after meeting him in Pasadena, California, prior to her entry into the film industry. The couple resided in Pasadena during the early years of their marriage, a period when Field was beginning to pursue acting opportunities in nearby Hollywood. The marriage lasted eight years, ending in in 1950. In 1952, Field married actor in , , marking the beginning of a professional and personal partnership in the entertainment industry. Following the union, she adopted the professional billing "Maggie Mahoney" for several of her acting credits, reflecting their shared careers. The couple collaborated on occasional projects and maintained a joint residence in until their in 1968.

Children and Family Relationships

Margaret Field's first marriage to Richard Dryden Field resulted in the birth of their son, , on April 13, 1944. Their daughter, Sally Margaret Field, was born on November 6, 1946, in . The couple divorced in 1950, after which Field retained custody of the children. Field's second marriage to actor in 1952 brought the arrival of their daughter, O'Mahoney, born on August 20, 1952, in . This union expanded the family, integrating the children from Field's previous marriage into a blended household. In the mid-1950s, Field began to largely set aside her acting career to devote herself to raising her three children. This decision allowed her to provide a stable environment for , , and during their formative years, though she occasionally took on television roles to support the household.

Later Years and Death

Retirement from Acting

Following a peak in her acting career during the 1950s, Margaret Field's professional engagements became sporadic in the 1960s, with guest appearances on television series such as and It Takes a Thief in 1968. She made an uncredited appearance as a nurse in the 1973 television movie , marking her final known involvement in the industry. Field retired from acting to devote herself fully to her family as a homemaker and full-time . Her from actor in June 1968 reinforced this transition, allowing her to prioritize domestic life over her pursuits.

Death and Immediate Aftermath

Margaret Field died on November 6, 2011, at the age of 89, at her home in , following a six-year battle with cancer. The date of her passing coincided with her daughter Sally Field's 65th birthday. The news of her death was first announced by Sally Field's publicist, Heidi Schaeffer, who confirmed the cause as cancer and noted that Field had been a dedicated mother who prioritized family after her acting career. This initial statement from the family emphasized Field's personal life and her close bond with her children, including Oscar-winning actress , son Richard D. Field Jr., and daughter Princess O'Mahoney. Public responses in the immediate aftermath included tributes in major outlets, such as and , which highlighted her contributions to film and television while underscoring her role as a supportive in . Funeral arrangements were kept private, with no public services reported. Field was cremated, and her ashes were given to family members.

Legacy

Influence on Family Career

Margaret Field played a pivotal role in nurturing her daughter Sally Field's early interest in , providing both emotional encouragement and practical guidance during Sally's formative years. Growing up in , Sally was immersed in the environment from a young age, observing her mother's intermittent work on television shows such as and , which offered a realistic view of the industry's demands. By age 13, Sally and Margaret shared what Sally described as a "secret language" of , rehearsing scenes together, including soliloquies from , fostering Sally's passion for performance. This bond culminated in Margaret actively supporting Sally's ambitions by auditioning alongside her for a workshop, performing a scene from Lillian Hellman's Toys in the Attic, which helped secure Sally's entry and paved the way for her breakout role in . In contrast, Margaret's son Rick Field, born from her first marriage, pursued a career far removed from , becoming a renowned specializing in high-energy . Rick earned a in physics and contributed significantly to experiments at CERN's , where he analyzed data from proton-proton collisions. Despite the family's Hollywood ties—Rick was raised in that milieu and even appeared briefly in related to his sister's fame—he chose over , with no evident involvement in family ventures. Margaret's influence here appeared more indirect, allowing her children the freedom to chart independent paths without pressuring them toward her profession. Margaret's daughter from her second marriage, Princess O'Mahoney, maintained a lower public profile but followed a trajectory in entertainment through behind-the-scenes roles. Born in 1952, Princess worked as a first assistant director and production manager on notable television series, including ER and Shameless, leveraging the family's industry connections while avoiding the spotlight of on-camera performance. Her career reflects a subtle extension of Margaret's legacy in Hollywood, focused on production rather than acting. Margaret's own professional sacrifices served as a profound model for her children's career decisions, demonstrating and prioritization of family amid the uncertainties of . After her marriages ended, she retired from in the late to devote herself fully to raising her three children, forgoing potential roles to provide stability during their upbringing. This choice underscored a work ethic and selflessness that Sally later cited as inspirational, influencing her approach to balancing motherhood with a demanding career in .

Posthumous Recognition

Following her death on November 6, 2011, Margaret Field received widespread acknowledgment through obituaries in major entertainment and news publications, which highlighted her acting career and personal legacy. The Hollywood Reporter published an obituary on November 7, 2011, praising her as a star of the 1951 science fiction film The Man from Planet X and noting her transition from a Paramount Pictures contract in the 1940s to supporting roles in over 30 films and numerous television appearances. The New York Times followed on November 8, 2011, detailing her early contract with Paramount, where she appeared in uncredited roles before gaining prominence in B-movies and live television anthologies like Schlitz Playhouse of Stars. The Los Angeles Times ran a notice on November 9, 2011, emphasizing her decision to prioritize family over her career after marrying actor Jock Mahoney, while crediting her influence on daughter Sally Field's path in Hollywood. Sally Field has posthumously honored her mother in memoirs and interviews, portraying Margaret as a pivotal figure in her emotional and professional development. In her 2018 memoir In Pieces, Field devotes significant portions to their relationship, crediting Margaret's resilience as an actress and for shaping her own perseverance amid personal hardships, including family and . Field reiterated this in a 2018 New York Times promoting the book, describing conversations with her mother shortly before Margaret's death that revealed mutual vulnerabilities and solidified her admiration for Margaret's sacrifices. Field's early science fiction roles have earned archival recognition in film histories and retrospectives, preserving her contributions to the genre. Her performance as Enid in The Man from Planet X (1951), directed by , is frequently cited in analyses of low-budget 1950s sci-fi, such as in the 2012 Kino Lorber Blu-ray collection of Ulmer's works, which highlights her as a key lead alongside Robert Clarke in the atmospheric tale of . Posthumous articles, including a circa 2011 Television Academy feature, have expanded on her Paramount years.

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