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Sally Field


Sally Margaret Field (born November 6, 1946) is an actress and director whose career spans over five decades, beginning with television roles in the 1960s sitcoms and , transitioning to dramatic acclaim with Emmy-winning performances in Sybil (1976) and Oscar victories for (1979) and (1984).
Field's early breakthrough came after attending workshops, where she honed techniques that enabled her shift from lightweight comedy to portraying resilient working-class women and historical figures, including union organizer Webster and widowed farmer Edna Spalding amid the . Her subsequent film roles in blockbusters like (1977), family comedies such as (1993), and supporting parts in (1994) as Mrs. Gump and (2012) as —earning another Oscar nomination—solidified her status as a character actress adept at maternal and authoritative personas.
Beyond acting, Field has directed episodes of television series like From the Earth to the Moon (1998) and received honors including the in 2015 and the Kennedy Center Honor in 2019 for her contributions to culture through authentic depictions of everyday heroism and perseverance.

Early life

Family background and childhood

Sally Field was born Sally Margaret Field on November 6, 1946, in , the younger of two children to actress (née Morlan) and Richard Dryden Field, a U.S. Army captain who later worked as a salesman. Her mother's career in , including roles in low-budget productions, exposed Field to the entertainment industry from an early age, though Margaret's work was intermittent and often secondary to family responsibilities. Field's parents divorced when she was four years old, around 1950, after which her mother relocated with the children and married stuntman and actor Jock Mahoney (stage name Jocko Mahoney) on January 21, 1952, in Tijuana, Mexico. Mahoney, known for roles in Westerns and as Tarzan in films, provided a Hollywood-adjacent household environment but introduced tensions; Field has recounted in her 2018 memoir In Pieces that he subjected her to sexual abuse starting around age six, continuing intermittently until her late teens, an experience she attributes to contributing to her feelings of isolation and self-doubt during childhood. The family dynamics were marked by financial instability and frequent moves within , with Field describing a home life strained by her mother's dependence on Mahoney and reluctance to confront his behavior toward her daughter. Despite these challenges, Field's early years in Pasadena fostered an initial interest in performance, influenced by observing her mother's auditions and the transient show-business circle around her parents. Her relationship with her biological father remained distant post-divorce, limited to occasional contact.

Education and initial career steps

Field attended Portola Middle School and in , , graduating from the latter in 1964. She participated in during high school. Field developed an interest in acting during junior high school, using it as a means of self-expression and escape from personal challenges. Following high school graduation, Field enrolled in a summer acting workshop at Columbia Studios, which provided training and exposure leading to professional opportunities. Her mother, actress Margaret Field, assisted by performing a scene with her during the workshop, resulting in additional auditions and interviews. These efforts culminated in Field securing her first major role as Frances Elizabeth "Gidget" Lawrence in the ABC sitcom Gidget, which aired from 1965 to 1966.

Acting career

Early television roles (1960s–1970s)

Field began her professional acting career in television with the lead role of Frances Elizabeth "Gidget" Lawrence in the ABC sitcom Gidget, which aired from September 15, 1965, to April 21, 1966. The series, centered on a teenage surfer navigating family life and romance in Southern California, consisted of 32 episodes but was canceled after one season owing to insufficient viewership. She next starred as Sister Bertrille, a novice capable of short distances due to strong winds and her lightweight habit, in the comedy . The program, set in a Puerto Rican , ran for three seasons from September 7, 1967, to April 3, 1970, producing 82 episodes. Field's portrayal drew on elements, including wire-assisted "flying" sequences. In the early 1970s, Field appeared in guest roles on shows such as and , transitioning from lead sitcom parts amid typecasting concerns from her earlier wholesome roles. She headlined the short-lived sitcom in 1973–1974, playing a bride discovering her abilities, which aired 22 episodes before cancellation. These television commitments marked her initial foray into serialized comedy, establishing her as a familiar face in family-oriented programming before shifting toward dramatic film work.

Film breakthrough and acclaim (1970s–1980s)

Field transitioned from television to feature films with her role as the runaway bride Carrie, nicknamed "Frog," in the 1977 action-comedy , directed by and co-starring , with whom she began a personal relationship that lasted until 1982. The film, which involved a cross-country bootlegging challenge pursued by law enforcement, marked her first major box-office success in cinema. Her dramatic breakthrough arrived with (1979), directed by , where she portrayed textile worker Norma Rae Webster, based on real-life labor organizer , who campaigns to unionize her factory despite opposition from management and colleagues. Field's performance earned her the in 1980, as well as the Best Actress award at the , signaling her shift from comedic roles to serious dramatic work. Subsequent films in the early 1980s built on this acclaim, including Absence of Malice (1981), directed by Sydney Pollack, in which she played ambitious journalist Megan Carter who publishes a false story implicating liquor distributor Michael Gallagher (Paul Newman) in a murder, exploring themes of journalistic ethics and legal repercussions. Field reunited with Reynolds for comedies like The End (1978) and Hooper (1978), but continued pursuing dramatic roles, culminating in Places in the Heart (1984), directed by Robert Benton, where she depicted widowed farmer Edna Spalding striving to maintain her Texas cotton farm during the Great Depression amid economic hardship and racial tensions. Her portrayal secured a second Academy Award for Best Actress in 1985. Later 1980s films such as Murphy's Romance (1985) opposite James Garner, Punchline (1988) with Tom Hanks, and Steel Magnolias (1989) alongside Dolly Parton, Julia Roberts, and others, further demonstrated her range in ensemble dramas and comedies, though critical and commercial reception varied. These roles solidified Field's reputation as a versatile leading actress capable of portraying resilient, everyday women facing adversity.

Later film and television work (1990s–present)

Field continued her acting career into the with roles in both film and television, often portraying strong maternal or resilient figures. In 1991, she starred in the satirical comedy as Celeste Talbert, a fading actress entangled in behind-the-scenes drama. That decade also saw her voice the wisecracking cat Sassy in the family adventure Homeward Bound: The Incredible Journey (1993). She played divorced mother Miranda Hillard opposite in the blockbuster (1993), which grossed over $441 million worldwide. In (1994), Field portrayed the titular character's devoted mother, Mrs. Gump, earning praise for her grounded performance in the Oscar-winning film. Television work included the lead in the 1995 miniseries A Woman of Independent Means, where she depicted Bess Steed Garner, a self-reliant widow navigating early 20th-century Texas society, earning an Emmy nomination. She voiced Mrs. Bailey in the 1997 TV adaptation Merry Christmas, George Bailey and appeared as astronaut Trudy Cooper in the HBO miniseries From the Earth to the Moon (1998). The 2000s marked a return to television prominence. Field played the eccentric midwife Thelma 'Sister' Husband in the dramedy Where the Heart Is (2000). She earned a Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for her recurring role as Maggie Wyczenski, a bipolar patient, on ER from 2000 to 2006. In 2003, she appeared as Congresswoman Victoria Rudd in Legally Blonde 2: Red, White & Blonde. Her portrayal of family matriarch Nora Walker on Brothers & Sisters (2006–2011) garnered another Emmy win for Outstanding Lead Actress in a Drama Series in 2007, with the series running for five seasons on ABC. In the 2010s, Field took on superhero supporting roles as in The Amazing Spider-Man (2012) and its 2014 sequel, contributing to films that collectively exceeded $1.5 billion in global box office. Her performance as in Steven Spielberg's (2012) earned an Academy Award nomination for Best Supporting Actress, highlighting her depiction of the First Lady's emotional turmoil amid political pressures. She starred as the titular character in the indie comedy (2015). Recent projects include the role of Jessie Buss in the series Winning Time: The Rise of the Lakers Dynasty (2022), Marilyn in the biographical drama Spoiler Alert (2022), and Betty in the sports comedy (2023), where she co-starred with , , and as elderly fans attending a . As of 2024, Field is in negotiations to lead the adaptation of Remarkably Bright Creatures, portraying widow Tova Sullivan in a story involving an intelligent octopus at her aquarium.

Stage performances and voice acting

Field made her Broadway debut in 2002, appearing as the wife Stevie in Edward Albee's The Goat, or Who Is Sylvia?, a role that explored themes of infidelity and bestiality, opposite Bill Pullman, Sigourney Weaver, and Jeffrey Donovan at the John Golden Theatre. In 2004, she took on the role of Amanda Wingfield in Tennessee Williams' The Glass Menagerie in a production directed by Gregory Mosher at the Kennedy Center in Washington, D.C., where critics noted her portrayal of the domineering Southern mother as intense and discordant. Field reprised Amanda Wingfield on Broadway in a 2017 revival at the Belasco Theatre, directed by Sam Gold, with performances running from March 9 to May 21; the production featured Joe Mantello as Tom Wingfield, Madison Ferris as Laura, and Finn Wittrock as Jim, earning Field Drama League and Outer Critics Circle recognition for her depiction of the faded belle clinging to illusions of gentility. In 2019, she starred as Kate Keller in Arthur Miller's All My Sons in a London production captured for National Theatre Live, alongside Bill Pullman. Field's voice acting credits include the role of Sassy, a sassy , in the 1993 live-action Disney adventure Homeward Bound: The Incredible Journey, where the pets' journey home highlighted themes of loyalty and survival. She reprised Sassy in the 1996 sequel Homeward Bound II: Lost in San Francisco. Additionally, in 2008, Field voiced the villainous Marina Del Rey, a power-hungry octopus, in the animated The Little Mermaid: Ariel's Beginning.

Personal life

Marriages and romantic relationships

Sally Field married Steven Craig in 1968 after dating during her early acting career. The couple had two sons, Peter Craig (born 1969) and Eli Craig (born 1972), before separating in 1973 and divorcing in 1975. Following her divorce, Field entered a high-profile relationship with actor Burt Reynolds in 1976, coinciding with their collaborations on films including Smokey and the Bandit (1977) and Hooper (1978). The intermittent romance, marked by Reynolds' reluctance to commit to marriage, ended around 1980 amid reports of emotional volatility. Field briefly dated actor in 1982 while working on . She married producer Alan Greisman in 1984, with whom she had a son, Sam Greisman (born 1987). The ended in in 1994, after which Field dated stunt coordinator Jerry Knight from 1995 to 1996. Field has since remained unmarried and, in a 2024 interview, stated she "can't imagine" remarrying, citing past difficulties in partner selection and a preference for independence.

Family and children

Sally Field has three sons, all of whom have pursued careers in entertainment. Her eldest, Peter Craig, was born on November 10, 1969, to Field and her first husband, Steven Craig, whom she married in 1968. Peter is a novelist and screenwriter, with credits including adaptations of his works for films such as The Town (2010) and 12 Strong (2018). Her second son, , was born on May 25, 1972, also to Steven Craig, during Field's early acting career. works as a , , and , notably directing the horror-comedy Tucker and Dale vs. Evil (2010). Field's youngest son, Sam Greisman, was born on December 2, 1987, to her , Alan Greisman, whom she married in 1984. Sam is a , , and , with projects including short films like Dinner with Jeffrey (2016). Field is a grandmother to five grandchildren through her sons' families. has three children from two marriages, while has at least one son, , born in 2006. She has described her sons as "kind and loving," each distinct in personality, reflecting her emphasis on family amid her professional life.

Health issues and personal challenges

Field was diagnosed with in 2005, just prior to her 60th birthday, after undergoing tests that revealed significant bone loss despite her active lifestyle and history of weight training. The condition, often termed a "silent disease" due to its lack of early symptoms, prompted Field to advocate publicly for bone health screening and treatment, including serving as a for medications like Boniva and launching campaigns such as "Rally with Sally for Bone Health." She has described the as initially depressing, highlighting the frustration of its unpredictability even in individuals maintaining exercise and nutrition routines, and emphasized early detection through DEXA scans to prevent fractures. In her 2018 memoir In Pieces, Field detailed enduring by her stepfather, , beginning around age 15 and continuing into her late teens, which she characterized as emotionally manipulative and physically invasive, contributing to long-term psychological challenges including suppressed anger and self-doubt. At age 17, Field became pregnant out of wedlock and traveled to , , for an illegal in 1964, an experience she later recounted as traumatic and isolating, performed under rudimentary conditions without anesthesia beyond whiskey. These events, amid a family dynamic marked by her mother's multiple marriages and financial instability, fueled Field's drive toward independence through acting, though she has noted they instilled a pattern of using performance as emotional armor.

Activism and philanthropy

Health advocacy efforts

Field was diagnosed with osteoporosis shortly before her 60th birthday in 2006, following a bone density scan that revealed thinning in her hips and spine, despite her active lifestyle involving , biking, and . Her risk factors included a small frame, Caucasian ethnicity, and accelerated bone loss after discontinuing around . Motivated by her mother's and the disease's prevalence—one in two women over 50 face an osteoporosis-related fracture—Field began advocating for early detection and prevention to empower women to maintain bone health and avoid debilitating breaks. In 2006, Field launched the "Rally With Sally for Bone Health" campaign in partnership with Therapeutics and GlaxoSmithKline, the co-marketers of the medication Boniva (ibandronate sodium), which she adopted as a once-monthly to slow bone loss. The initiative emphasized a five-step pledge: consuming adequate calcium and , adhering to prescribed medications, exercising regularly with weight-bearing activities, avoiding smoking and excessive alcohol, and undergoing testing. Field starred in television advertisements for Boniva starting that year, sharing her diagnosis to destigmatize the condition and urge postmenopausal women to consult physicians proactively. Field extended her efforts by testifying on in May 2007, where she recounted her experience as an patient and stressed fracture prevention strategies amid statistics showing one in four hip-fracture patients over 45 die within a year. She maintained involvement through blogs, support programs like MyBONIVA for medication reminders, and public on risk factors such as and lifestyle, aiming to address as a "silent " disproportionately affecting women.

Political involvement and views

Field has consistently aligned herself with Democratic candidates and causes, publicly endorsing in 2014 as part of efforts to empower women in leadership. She supported and in their presidential campaigns, participating in celebrity endorsements for Biden's 2020 bid. In 2024, Field endorsed for president, returning to social media after a hiatus to urge voting for Harris, citing threats to , , and . Field has been outspoken in criticizing , describing him as "overrated" in a interview and later calling him a "former crook of a " who turned into "public toilet paper." In December , she questioned voter support for , highlighting his perceived on campaign promises and lack of experience. Following 's election victory, Field was observed discarding Harris-Walz campaign signs outside her home on November 7, . In January 2017, she joined other celebrities in a video urging to resist 's agenda, emphasizing majority public opposition to his policies. Her political commentary often intersects with personal experiences, such as recounting a "hideous" illegal she underwent in at age 17 in 1964 without , which she cited in October 2024 to advocate for reproductive freedom and Harris's candidacy. has drawn parallels between contemporary protests and unrest, reflecting her long-standing engagement with social and political activism. While expressing openness to voting across party lines for in a , 2024, post, her statements have predominantly targeted figures and policies.

Awards and honors

Academy Awards and major film recognitions

Sally Field won the for her role as labor activist Norma Rae Webster in the 1979 film , presented at the ceremony on April 14, 1980. Her performance, depicting a worker's fight for based on real events, marked her transition from to critically acclaimed cinema. Field secured her second for portraying widowed farmer Edna Spalding in Places in the Heart (1984), awarded at the on March 25, 1985. The film, set during the , highlighted themes of resilience and community amid economic hardship and natural disasters. In 2013, Field received an Academy Award nomination for Best Supporting Actress for her depiction of in Steven Spielberg's Lincoln (2012), at the . This role earned her additional recognition from critics for capturing the historical figure's complexity and emotional turmoil. Beyond the Oscars, Field won the Best Actress award at the for , affirming the international impact of her breakthrough performance. These accolades underscore her versatility in dramatic roles, though she has not received further nominations for film work.

Emmy Awards and television accolades

Sally Field earned her first Primetime Emmy Award in 1977 for Outstanding Lead Actress in a Drama or Comedy Special for her role as Sybil Dorsett, a young woman with , in the television film Sybil. The performance, opposite as her , was widely praised for its emotional depth and physical transformation, marking a pivotal shift in Field's career from lighter television roles to dramatic acclaim. Field secured her second Emmy in 2001, winning Outstanding Guest Actress in a Drama Series for playing Maggie Wyczenski, a manic-depressive mother, in two episodes of NBC's . This recurring role showcased her ability to convey vulnerability and intensity in a limited appearance, contributing to the series' reputation for handling themes. Her third Emmy arrived at the in 2007 for Outstanding Lead Actress in a Series as family matriarch in ABC's Brothers & Sisters. Field's portrayal of the resilient widow navigating family dynamics and personal loss spanned five seasons, earning her additional recognition including a 2009 Golden Globe nomination for Best Actress in a Television Series – Drama. Beyond Emmys, Field received Screen Actors Guild Award nominations for her television work, including Outstanding Performance by a Female Actor in a Drama Series for Brothers & Sisters in 2008 and 2009, reflecting peer acknowledgment of her sustained dramatic range on the small screen. She also garnered Emmy nominations for other television projects, such as Outstanding Supporting Actress in a Miniseries or a Movie for From the Earth to the Moon (1998) and Outstanding Lead Actress in a or a Movie for A Cooler Climate (1999), though these did not result in wins.

Other honors and lifetime achievements

In 2014, Field received a star on the , recognizing her contributions to motion pictures. The following year, she was awarded the by President for her lifetime achievements in the . In 2012, prior to these honors, Field was inducted as a fellow into the American Academy of Arts and Sciences, an organization that elects members based on distinguished contributions to scholarly research, artistic creativity, and public leadership. Field's accolades continued with the Kennedy Center Honors in 2019, where she was celebrated alongside other luminaries for her profound impact on American culture through acting, with tributes from figures including Tom Hanks and Steven Spielberg highlighting her range from comedic roles to dramatic portrayals of resilience. Earlier, in 2005, she received the Golden Plate Award from the American Academy of Achievement, bestowed upon accomplished individuals for exemplary personal and professional lives. In 2023, the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) presented Field with its Life Achievement Award, the organization's highest honor, acknowledging nearly six decades of performances that advanced the craft of acting and supported labor rights in the industry; the award was given at the 29th SAG Awards ceremony, with Andrew Garfield delivering the presentation speech.

Other works

Bibliography

Field, Sally (2018). In Pieces. : Grand Central Publishing. ISBN 978-1-5387-6302-5. A detailing Field's childhood, early career struggles, dynamics, and experiences with and personal growth. The edition spans 416 pages and was released on September 18, 2018.

Discography

Sally Field's recorded music output was limited to a handful of singles and one album released in the late , primarily tied to her starring role as Sister Bertrille in the series The Flying Nun. These recordings, issued by Colgems Records, capitalized on her television popularity and featured light pop and theme-inspired tracks. Her debut single, "Felicidad" backed with "Find Yourself a " (Colgems 66-1008), was released in 1967 and marked her only entry on the , where it peaked at number 94 and charted for four weeks. The Spanish-titled A-side, meaning "happiness," reflected an upbeat style aligned with the show's whimsical tone. Field's sole , Star of "", appeared in 1967 on Colgems Records and included the single "Felicidad" alongside tracks such as "Who Needs Wings to Fly?" (the series' main ), "Count to Ten," and "Turn On the Sunshine." The briefly charted on the , spending four weeks in the lower ranks. A follow-up single, "Golden Days," was issued in January 1968, but it failed to achieve notable chart success. Field did not pursue further music releases, shifting her career focus to in film and television. Later compilations, such as Flying Nun Sings: Her Complete Recordings, have collected these tracks for retrospective availability.

Singles

YearTitleB-sideLabelPeak Position
1967FelicidadFind Yourself a Colgems 66-1008#94 ()
1968Golden DaysUnknownColgems-

Albums

YearTitleLabel
1967Star of "The Flying Nun"Colgems

Reception and legacy

Critical assessments and career impact

Field's early television roles in Gidget (1965–1966) and The Flying Nun (1967–1970) led to typecasting as a perky, lightweight ingénue, limiting her opportunities for dramatic parts despite her efforts to diversify. Critics and industry observers noted that these sitcom portrayals reinforced a "girl next door" image, making casting directors reluctant to consider her for substantive roles, as evidenced by her own accounts of audition rejections post-Flying Nun. Her portrayal of multiple personalities in the 1976 television film Sybil marked a pivotal shift, earning an Emmy Award for Outstanding Lead Actress in a Special Program and widespread praise for demonstrating emotional depth and technical skill in a challenging . This role, based on the real-life case of , showcased Field's ability to convey vulnerability and resilience, helping to dismantle perceptions of her as solely comedic and opening doors to opportunities. The 1979 film , in which Field played a worker organizing a union, represented her definitive breakthrough, garnering the on April 8, 1980, along with a Golden Globe and critical consensus for its authentic depiction of labor struggles inspired by real events at the J.P. Stevens mill. Reviewers highlighted her physical and emotional commitment—Field reportedly immersed herself in factory work and union activism—transforming her public image from television novelty to respected dramatic lead, with the film's $22 million gross against a modest budget underscoring its commercial viability. Subsequent roles, including her second Oscar-winning performance as a widowed farmer in (1984), affirmed her range across genres, from the comedic (1977) to ensemble dramas like (1989), though some assessments noted persistent challenges with Hollywood's gender dynamics, including limited roles for women over 40. Field's directorial debut with Beautiful (2000) received mixed reviews but highlighted her influence in mentoring emerging talent, contributing to her career's longevity spanning over six decades and multiple Emmys. Overall, Field's career impacted perceptions of actress versatility, proving that persistence against could yield substantive acclaim and awards totaling two Oscars, two Emmys for , and a Directors Guild nomination, while her roles often emphasized working-class tenacity, influencing portrayals of female in American cinema. Despite occasional critiques of sentimentality in her characters, her body of work—bolstered by box office successes like Mrs. Doubtfire (1993), which earned over $441 million—solidified her as a bankable performer who bridged and film without relying on conventional beauty standards.

Public persona and controversies

Field's public persona has evolved from the wholesome, effervescent ingenue of television series such as Gidget (1965–1966) and (1967–1970), which typecast her as a perky, relatable young woman, to a symbol of gritty resilience in later roles depicting working-class heroines facing adversity, as in (1979) and (1984). This shift, coupled with her candid revelations in the 2018 memoir In Pieces, where she detailed emotional and by her starting at age 15, has portrayed her as an authentic figure who overcame personal trauma to embody empowered, everyday American women, fostering admiration for her vulnerability and perseverance. In recent years, Field has leveraged this image for political advocacy, particularly on and against former . She endorsed in the 2024 presidential election, returning to social media after a to criticize as a "crook" and decry platforms as "public toilet paper" under his influence. On October 7, 2024, Field shared a graphic account of her illegal at age 17 in , , in 1964—performed without , involving molestation by the practitioner, and kept secret from her family—which she described as "beyond hideous" and "life-altering," explicitly urging voters to support Harris to protect "reproductive freedom." This disclosure, while aligning with pro-choice narratives amplified by sympathetic outlets, elicited backlash from pro-life advocates who questioned its timing and framing as electoral , viewing it as an of personal for ends rather than neutral historical reflection. Field has also voiced frustration with Hollywood ageism, calling it "awful" in a March interview, reflecting broader industry critiques but without sparking major disputes. Following Trump's victory, she was photographed on discarding Harris campaign signs outside her home, an act interpreted by some as private resignation amid her public Democratic alignment. These episodes underscore a increasingly intertwined with progressive activism, occasionally polarizing audiences beyond her acting legacy.

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