Matt Winston
Matt Winston is an American actor, producer, and screenwriter born on February 3, 1970, in Los Angeles, California, best known for his supporting roles in films such as Little Miss Sunshine (2006), Fight Club (1999), and About Schmidt (2002), as well as portraying Temporal Agent Daniels across eight episodes of Star Trek: Enterprise (2001–2005).[1][2][3] The son of acclaimed special effects artist Stan Winston, whose creations included the creatures in Jurassic Park (1993) and Terminator 2: Judgment Day (1991), Matt Winston grew up immersed in the world of Hollywood makeup and animatronics, working at his father's Stan Winston Studio during high school.[4][1] After graduating from Yale University, he pursued acting, drawing early inspiration from the collaborative environment of his family's creative legacy, though he emphasized proving himself independently in the industry.[4][5] Winston's career also extends to television, with recurring appearances in series like Six Feet Under (2001), Scrubs (2001–2010), and John from Cincinnati (2007), where he played the character Barry Cunningham—a role he has described as one of his most enjoyable.[1][5] In addition to acting, he contributed as a puppeteer on major films including Aliens (1986) and Jurassic Park, and later transitioned into screenwriting, co-authoring the 2012 drama Thanks for Sharing, which premiered at the Toronto International Film Festival and featured Mark Ruffalo, Gwyneth Paltrow, and Tim Robbins.[4][1] To honor his father's influence, Winston co-founded the Stan Winston School of Character Arts in 2009, offering courses in creature design, makeup, and storytelling to aspiring artists.[4][5]Early life and education
Family background
Matt Winston was born on February 3, 1970, in Los Angeles, California.[1][6] He is the son of renowned special effects artist Stan Winston, a four-time Academy Award winner for visual effects and makeup on films including Terminator 2: Judgment Day (1991) and Jurassic Park (1993), and Karen Winston, who supported the family through creative endeavors such as sewing costumes.[7][5][8] Winston has one sibling, a sister named Debbie Winston, who shared a similar upbringing immersed in the creative environment of their father's work.[9][5] From childhood, Winston enjoyed unique access to the film industry via his father's Stan Winston Studio, often receiving a "backstage pass" to observe the creation of iconic projects like the Terminator series and Aliens (1986), which fostered his early fascination with Hollywood production and influenced his eventual career trajectory.[5][10]Academic pursuits
Matt Winston attended Montclair Prep, a private school in Van Nuys, California, graduating in 1988.[11] He then attended Yale University, graduating in the early 1990s. His time at Yale, an institution renowned for its strong humanities curriculum, provided a foundation in storytelling and creative expression that aligned with his growing interest in performance.[6] While at Yale, Winston participated in the university's improvisational comedy group, the Exit Players, which honed his skills in spontaneous acting and character development, fostering a deeper passion for the craft.[12] This involvement in Yale's vibrant theater and drama programs significantly influenced his shift toward acting as a professional pursuit, building on childhood exposures to film sets through his family's industry ties.[5] Following graduation, Winston returned to Los Angeles and joined the digital department at his father's Stan Winston Studio, where he gained experience in computer-generated imagery (CGI) during the medium's early stages.[4] However, inspired by his theater background and a desire to create characters through performance rather than effects, he soon decided to transition to acting full-time. Leveraging his family's longstanding connections in the film industry, Winston began pursuing professional opportunities, including early auditions that marked the start of his on-screen career.[5]Career
Special effects beginnings
Matt Winston's entry into the special effects field was deeply influenced by his father, renowned makeup effects artist Stan Winston, whose studio provided an early professional avenue. While still in high school during the late 1980s, Winston began working at Stan Winston Studio, where he learned the fundamentals of creature effects and puppeteering.[13] His initial roles involved hands-on contributions to mechanical and creature effects departments, building practical skills in an environment renowned for innovative animatronics.[4] One of Winston's early credits came as part of the creature effects crew on the 1986 remake of Invaders from Mars, directed by Tobe Hooper, where he assisted in the mechanical department for the film's alien designs created at Stan Winston Studio.[14] He also contributed special effects work to episodes of the anthology series Amazing Stories in the mid-1980s, supporting the practical effects that defined Steven Spielberg's production.[1] These experiences honed his technical expertise amid high-profile projects, including puppeteering duties on Jurassic Park (1993), where Stan Winston Studio's animatronic dinosaurs brought Steven Spielberg's vision to life.[1] After graduating from Yale University in the early 1990s, Winston returned to Stan Winston Studio to train in its emerging digital department, focusing on computer-generated imagery (CGI) during a pivotal shift in visual effects technology.[10] This period allowed him to contribute to creature effects assistance on early 1990s films, bridging practical makeup with nascent digital techniques as the industry evolved from animatronics toward hybrid methods.[13] By the mid-1990s, Winston transitioned from behind-the-scenes effects work to on-camera pursuits, driven by a longstanding passion for creative storytelling and writing rather than technical production.[5] This shift marked the end of his special effects phase, though his foundational experiences informed his later appreciation for the craft.Acting breakthrough
Matt Winston transitioned from special effects work at his father's studio to on-screen acting in the mid-1990s, drawing on his puppeteering experience on Steven Spielberg's Jurassic Park (1993) as a foundation for entering the film industry.[4] His acting debut came with the role of Chuck, a special effects technician, in Wes Craven's New Nightmare (1994), a meta-horror film that mirrored his real-life background.[15] Winston's breakthrough arrived in the late 1990s through a series of supporting roles in prominent genre films. He portrayed Detective Matt Sampson, a colleague investigating eerie events at a high school, in Halloween H20: 20 Years Later (1998), the seventh installment in the Halloween franchise directed by Steve Miner.[16] The following year, he appeared as the Seminary Student in David Fincher's satirical thriller Fight Club (1999), a brief but memorable part in a support group scene that contributed to the film's cult status.[17] Building momentum into the early 2000s, Winston continued securing roles in acclaimed productions that highlighted his versatility. In Steven Spielberg's A.I. Artificial Intelligence (2001), he played an Executive at Cybertronics, the corporation central to the story's exploration of artificial life.[18] He followed this with the part of Gary Nordin, Warren Schmidt's younger successor at an insurance company, in Alexander Payne's dramedy About Schmidt (2002), opposite Jack Nicholson.[19] As a character actor, Winston faced the typical hurdles of establishing himself in Hollywood, including typecasting in minor roles and the need to audition persistently for visibility. Over time, he carved out a niche specializing in everyman supporting characters—relatable professionals or bystanders—who added depth to ensemble casts without dominating narratives, allowing him to sustain a steady career in both blockbuster and indie projects.[20]Notable television roles
Winston's most prominent television role came in the science fiction series Star Trek: Enterprise, where he portrayed Temporal Agent Daniels, a enigmatic operative from the 31st century tasked with safeguarding the timeline during the Temporal Cold War. Appearing in eight episodes between 2001 and 2005, the character frequently intervened in the affairs of Captain Archer's crew, blending elements of mystery and high-stakes temporal intrigue that became a fan-favorite arc in the series.[21][22] He also earned acclaim for his work in HBO's critically acclaimed dramas, first as Terry, a recurring character in four episodes of Six Feet Under from 2003 to 2004, where he depicted a figure entangled in the Fisher family's complex web of relationships and loss. In 2007, Winston took on the series regular role of Barry Cunningham in John from Cincinnati, appearing in all 10 episodes as an unstable lottery winner haunted by visions and personal demons, contributing to the show's surreal exploration of fate and redemption in a coastal California setting. Another significant recurring part was as Dr. Jeffrey Steadman in the medical comedy Scrubs, spanning five episodes from 2001 to 2009, portraying a quirky physician whose interactions added layers of humor and pathos to the hospital ensemble. Winston's television career further included notable guest appearances, such as Mitch Cavanaugh in The Mentalist in 2009 and Evan Hinkle in Castle (2009), often playing medical professionals in procedural dramas that underscored his versatile supporting presence on screen.[23][24]Other professional endeavors
Producing and screenwriting
In addition to his acting career, Matt Winston transitioned into producing and screenwriting roles during the 2010s, leveraging his extensive on-set experience to contribute to projects emphasizing innovative storytelling and practical effects. This shift allowed him to explore creative aspects of filmmaking influenced by his background in the industry.[4] Winston's primary screenwriting credit is the 2012 comedy-drama Thanks for Sharing, which he co-wrote with director Stuart Blumberg. The film addresses sex addiction through the intertwined lives of several men attending support groups, featuring a cast including Mark Ruffalo, Gwyneth Paltrow, Tim Robbins, and Pink; it premiered at the Toronto International Film Festival and received a limited theatrical release.[4] In an interview, Winston expressed particular pride in this project as a departure from his acting work, noting its focus on personal and relational dynamics.[5] As a producer, Winston has focused on short films and experimental formats post-2010, often in collaboration with effects specialists. Notable credits include the 2014 virtual reality short Kaiju Fury!, a Pacific Rim spin-off directed by Ian Hunter that immerses viewers in a monster battle and premiered at the Sundance Film Festival.[25] He also produced the 2014 short Some Dis-Assembly Required, which demonstrates creature assembly techniques, and the 2016 short Black Mass, both highlighting practical effects craftsmanship.[1] These efforts underscore his ongoing commitment to independent projects that blend narrative with technical innovation, extending through credits into the early 2020s.[4]Stan Winston School involvement
Following the death of his father, special effects pioneer Stan Winston, in 2008, Matt Winston co-founded the Stan Winston School of Character Arts in 2009 with family members and industry associates, including his brother-in-law Erich Grey Litoff, to perpetuate his father's legacy in character creation and practical effects.[26][27][28] As a co-founder and active instructor, Winston contributes to the school's online curriculum, delivering lessons on special effects, makeup application, and character arts drawn from his lifelong immersion in the family business.[4][13][29] The school emphasizes key initiatives such as specialized courses in creature design using tools like ZBrush for sculpting dynamic models and puppeteering techniques for building and animating practical monsters, alongside ongoing industry mentorship through live office hours and guest sessions with effects veterans, with programs actively expanding into 2025.[30][31][32] Winston's involvement stems from a deep commitment to preserving and disseminating his father's groundbreaking techniques in animatronics and creature fabrication via accessible education, exemplified by his speaking engagement at AeroDef Manufacturing 2025, where he shared insights on character arts in modern production.[25][33][34]Personal life
Marriage and family
Matt Winston married actress Amy Smallman on October 11, 1998.[35][6] The couple has two children.[6] Winston has credited his family with providing essential support during his career transition from special effects work to acting, especially as he balanced professional ambitions with the responsibilities of raising a young family.[5] As of 2025, Winston and Smallman remain married with no reported separations or divorces.[36]Philanthropy and interests
Matt Winston has demonstrated a commitment to advancing arts education by co-founding the Stan Winston School of Character Arts in 2009, an initiative aimed at providing accessible online training to aspiring artists worldwide and perpetuating his father's legacy of creative inspiration.[10] Beyond his professional pursuits, Winston maintains a personal interest in screenwriting and storytelling, pursuits that trace back to his childhood aspirations influenced by his family's creative environment. He has expressed that writing represents a core passion, allowing him to explore narratives independently of his acting career, though specific unpublished projects remain private.[5][37] Winston actively engages with fan communities through appearances at conventions and panels, often discussing the enduring impact of special effects and science fiction legacies. For instance, he participated in panels at the 2010 Official Star Trek Convention in Las Vegas alongside fellow Star Trek: Enterprise cast members, sharing insights on the franchise's cultural significance.[38] He also served as a guest speaker at the 2016 Trojan Unicorn event, contributing to discussions on animation and effects artistry.[5] These engagements highlight his connection to the genre's history.Filmography
Film credits
Matt Winston began his career in film with special effects work before transitioning primarily to acting roles. His contributions span puppeteering and creature effects in early projects, followed by a range of supporting and character parts in feature films and shorts. Below is a chronological list of his verified film acting and crew credits.Film Roles and Crew Credits
- Aliens (1986): Puppeteer (crew).[4]
- Invaders from Mars (1986): Creature effects (crew).[39]
- Jurassic Park (1993): Puppeteer (crew).[40]
- Wes Craven's New Nightmare (1994): Charles "Chuck" Wilson.[41]
- Shooting Lily (1996): David Hitchcock.[42]
- Josh Kirby... Time Warrior: Journey to the Magic Cavern (1996): Col. Beauregard Damon.[42]
- Anarchy TV (1997): Frank.[42]
- The Peacemaker (1997): UN Official.[43]
- Halloween H20: 20 Years Later (1998): Detective Matt Sampson.
- Fight Club (1999): Seminary Student.[17]
- Passport to Paris (1999): Jeremy Bluff.[42]
- Galaxy Quest (1999): Technician #1.[42]
- Rocket's Red Glare (2000): Mr. Lake.[42]
- Crocodile Dundee in Los Angeles (2001): Limo Driver.[42]
- The Amati Girls (2001): Johnny Barlotta.[42]
- Hollywood Palms (2001): Lewis.[42]
- A.I. Artificial Intelligence (2001): Executive.[43]
- About Schmidt (2002): Gary Nordin.[44]
- Deliver Us from Eva (2003): Oscar.[42]
- Death to the Supermodels (2005): Gerd.[42]
- Little Miss Sunshine (2006): Pageant MC.[45]
- Zodiac (2007): John Allen (assistant director in narrative).[46]
- I Now Pronounce You Chuck & Larry (2007): Glen Aldrich.[42]
- Logorama (2009): Haribo (voice).[42]
- Starstruck (2010): Alan Smith.[42]
- The Boy Who Cried Werewolf (2010): David Sands.[42]
- The Boys and Girls Guide to Getting Down (2011): Mr. Ortiz.[42]
- Annie Claus Is Coming to Town (2011): Chester.[42]
- FDR: American Badass! (2012): Patrick Sheehan.[42]
- Thanks for Sharing (2012): Screenwriter (crew).[42]
- Harbinger Down (2015): Stephen.[47]
- Fire City: End of Days (2015): Ron.[42]
- Sensitive Men (2024, short): Forum Leader.[48]