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Thanks for Sharing

Thanks for Sharing is a comedy-drama film written and directed by Stuart Blumberg in his feature directorial debut, co-written with , that examines the struggles of individuals grappling with through interconnected stories centered on meetings and personal journeys. The film stars as Adam, a recovering addict five years sober who begins a tentative romance with Phoebe (played by ), while confronting the temptations of his past. Supporting roles include as Adam's sponsor Mike, as his impulsive friend Neil, and as another group member, Katie, each portraying the emotional and relational challenges of maintaining sobriety. Additional cast members feature , , and singer in her acting debut as a recovering addict. Produced by Olympus Pictures and Class 5 Films, Thanks for Sharing premiered at the on September 9, 2012, and received a in the United States on September 20, 2013. Blumberg, known for his screenwriting on films like The Kids Are All Right, drew from personal consultations with sex addiction support groups to craft an authentic depiction of the recovery process. Critically, the film garnered mixed responses, with a 50% approval on based on 116 reviews, praising its honest exploration of a subject but critiquing its uneven tone and occasional preachiness. On , it holds a score of 54 out of 100 from 38 critics, reflecting divided opinions on its blend of humor and drama. Audience reception was similarly varied, earning a 6.4 out of 10 on from over 30,000 users, who appreciated the strong performances amid the sensitive themes.

Overview

Plot

Adam, an overachieving environmental consultant, has maintained sobriety from sex addiction for five years through participation in a 12-step in . At an , he meets , a confident with her own issues around control and intimacy, and the two begin a tentative romantic relationship marked by mutual attraction and vulnerability. As part of his recovery, sponsors , a young emergency room doctor recently court-ordered to the program due to his compulsive sexual behavior. , socially awkward and prone to impulsive actions like secretly filming women or excessive , attends group meetings but struggles with ; during a social gathering, he relapses by engaging in sexual activity, leading to embarrassment and a need for further guidance from . The narrative also explores Mike's life, a long-sober and Adam's who has been married for decades. Mike's family tensions escalate when his son Danny returns home after a period of drug , exhibiting rebellious behavior such as defiance and secrecy. Flashbacks reveal Mike's own past , which contributed to family strife and underscores the intergenerational impact of . The group's dynamics bring these men together for candid discussions and mutual accountability. As the plot advances, Adam's relationship with faces strain from triggers related to his , including temptations during business trips and challenges, ultimately culminating in Adam's after a moment of weakness. Group meetings intensify with interventions, where members confront each other's setbacks, and Neil forms a bond with another recovering addict, Dede, providing him emotional support without sexual undertones. Mike confronts his family issues head-on, addressing Danny's rebellion and his own history to foster reconciliation. In the resolution, the plays a pivotal role in rebuilding trust and commitment; confesses his to , leading to a deeper understanding in their partnership. The concludes at a group meeting, emphasizing ongoing recovery as a shared journey of honesty and perseverance. and also work toward reconciliation after 's overdose leads to a .

Cast

The film features an that emphasizes interconnected stories of from multiple viewpoints. stars as Adam, a recovering sex addict and overachieving environmental consultant navigating romance and his sponsorship role. portrays Phoebe, Adam's love interest, a successful businesswoman and survivor who sets firm boundaries in relationships due to past experiences with addicts. Tim Robbins plays Mike, Adam's sponsor, a long-term addict in recovery who is married and grapples with family strains alongside his commitment to the group. Josh Gad appears as Neil, Adam's impulsive sponsee, a newly emergency room doctor confronting professional repercussions from his . Patrick Fugit is Danny, Mike's son struggling with substance and . Supporting roles include Joely Richardson as Katie, Mike's wife, whose presence highlights the relational dynamics affected by long-term recovery. Pink (Alecia Moore) as Dede, a fellow group member sharing her recovery journey and contributing to the communal support structure. Emily Meade as Becky, a figure in the group's interactions that adds to the film's portrayal of temptation and solidarity. This ensemble approach allows the film to explore diverse facets of recovery without centering on a single protagonist.

Production

Development

Thanks for Sharing marked Stuart Blumberg's feature directorial debut, a project he co-wrote with Matt Winston based on extensive research into addiction support groups. Blumberg drew inspiration from attending sex addiction meetings, including those affiliated with Sex Addicts Anonymous (SAA), during the 2000s, building on his prior familiarity with 12-step programs gained through Al-Anon attendance for loved ones facing alcohol addiction. This groundwork informed the screenplay's focus on recovery dynamics and communal bonds, emphasizing the humor inherent in personal anecdotes shared at meetings without adapting any single real-life story directly. Key creative decisions centered on blending comedic elements with the gravity of sex to make the subject accessible, portraying the strict boundaries of —such as abstaining from , , and certain interactions—while highlighting relational challenges. The script aimed for a tone that normalized the topic through ensemble storytelling rather than individual descent narratives. Blumberg's approach stemmed from observations that humor often emerges in settings as a mechanism. The film was produced by Olympus Pictures and Class 5 Films, with producers and others, and entered development as an independent production, prioritizing an authentic backdrop to ground its intimate character studies. , in collaboration with , secured North American distribution rights in September 2012 following the film's premiere at the . attached early as lead actor, with serving as executive producer, leveraging Ruffalo's prior collaboration with Blumberg as writer on The Kids Are All Right.

Filming

Principal photography for Thanks for Sharing commenced in 2011 and was primarily conducted in , capturing the film's urban setting through various locations including apartments, support group rooms, and public spaces such as Bethesda Terrace in , 6th Avenue and West 26th Street, and the intersection of 121 West 10th Street and Greenwich Avenue. These choices emphasized the authenticity of the story's New York environment, with outdoor shoots in iconic areas to reflect the characters' daily lives. Cinematographer Yaron Orbach served as director of photography, contributing to the film's grounded aesthetic. In , editor Anne McCabe handled the assembly, focusing on interweaving the multiple character storylines to maintain narrative cohesion across the ensemble drama.

Release

Premiere

The world premiere of Thanks for Sharing took place on September 8, 2012, at the (TIFF), where it was selected for the Special Presentations program. The screening featured the film's ensemble cast, including , , and , and marked director Stuart Blumberg's feature debut. These appearances built early buzz ahead of its commercial release. At the festivals, audiences responded positively to the film's blend of humor and relatable portrayal of , with several screenings ending in . Promotional events at these festivals included Q&A sessions with Blumberg and the cast, where they discussed the film's exploration of sex and its impact on relationships, emphasizing the importance of open conversations about .

Distribution

Thanks for Sharing had a limited theatrical release in the United States on September 20, 2013, distributed by Roadside Attractions, before expanding to additional cities in October 2013. Internationally, the film opened in the United Kingdom on October 4, 2013, and in Australia on October 3, 2013, with limited runs in various other markets throughout late 2013 and early 2014. The marketing campaign included trailers released in June 2013 that emphasized the film's balance of comedic and dramatic elements surrounding and , alongside posters featuring the ensemble cast such as , , , and . For home media, Thanks for Sharing was released on DVD and Blu-ray in the United States on January 7, 2014, by . It subsequently became available for streaming on platforms including initially, followed by other digital services. The Motion Picture Association of America rated the film R for language and some strong sexual content.

Reception

Critical response

Upon its release, Thanks for Sharing received mixed reviews from critics, with praise centered on its ensemble performances and occasional humor amid heavy subject matter, but criticism for its uneven tone and superficial exploration of addiction. On Rotten Tomatoes, the film holds a 50% approval rating based on 116 reviews. Metacritic assigns it a score of 54 out of 100, based on 38 critics' reviews, indicating "mixed or average" reception. Critics frequently highlighted the strong as a key strength, particularly the chemistry between leads and , who portrayed recovering sex addicts with nuance and relatability. Ruffalo's performance as Adam, a man navigating and romance, was commended for its emotional depth, while Robbins brought to his role as a sponsor. Josh Gad's turn as a boisterous newcomer was noted for blending humor with vulnerability, effectively humanizing the group's dynamics. described the film as reflecting a "supportive attitude toward its characters," crediting the actors for making the recovery process feel authentic despite the script's limitations. Additionally, some reviewers appreciated the film's lighthearted approach to sensitive topics, with moments of providing ; for instance, one critic praised its "unmistakable warmth and care," evident in scenes that balanced laughs with heartfelt exchanges. On the negative side, many reviews faulted the for its superficial handling of sex addiction, often reducing complex issues to predictable rom-com tropes rather than delving into psychological depth. The Guardian's critic called it a "misjudged tale" that "falls between two stools," attempting seriousness while veering into amusement, resulting in tonal inconsistencies that undermined the narrative. likened it to a "schmaltzy" rewrite of more probing films like , criticizing its failure to confront the subject with sufficient gravity. Predictability in the romantic subplots was another common complaint, with some noting that the storylines resolved too neatly, lacking the messiness of real recovery. Several reviews addressed dynamics, pointing out the underdevelopment of characters, who often served as supportive figures to the male protagonists without fully realized arcs. observed that women like Gwyneth Paltrow's Phoebe felt portrayed from a "male perspective," limiting their agency and depth in contrast to the men's struggles. This imbalance was seen as reinforcing traditional roles in narratives, with roles like Pink's Dede offering promise but ultimately sidelined. As Stuart Blumberg's directorial debut—following his screenwriting work on The Kids Are All Right—the film was viewed by some as a promising entry into the comedy-drama genre, showcasing his ability to blend humor with emotional stakes, even if the execution was uneven. Critics like those at IonCinema noted Blumberg's evident care for the material, suggesting potential for future projects to refine this hybrid style.

Thanks for Sharing had a in the United States on September 20, 2013, distributed by . The film opened in 269 theaters and earned $536,591 during its debut weekend, averaging $1,993 per screen. This performance represented approximately 50.3% of its total domestic gross, which ultimately reached $1,065,881. Internationally, the film grossed $2,433,561, bringing the worldwide total to $3,499,442. The film's results were influenced by its limited release strategy, which targeted select markets rather than a wide rollout, as well as competition from high-profile fall releases such as and Prisoners. Its niche focus on sex addiction and through a 12-step program likely constrained mainstream appeal, contributing to a sharp 70% drop in its second weekend and an average theater run of just 2.3 weeks. Despite featuring a strong including and , the movie did not achieve significant commercial breakout, aligning with the challenges faced by many independent dramas.

Themes

Addiction portrayal

The film Thanks for Sharing represents sex through the framework of 12-step programs like (SAA), illustrating group meetings, sponsorship relationships, and relapses as integral to without glorifying the compulsion. Director Stuart Blumberg incorporated authentic elements from real SAA meetings he attended during research, depicting sobriety as abstinence from triggers such as and , while emphasizing the program's role in building self-created communities for mutual support. This approach highlights the daily trials of , portraying as a serious that disrupts intimacy and daily life, rather than an excuse for behavior. Character-specific portrayals underscore varied recovery experiences, with () embodying disciplined long-term as a who mentors others, in contrast to (), an ER doctor whose impulsive urges lead to chaotic relapses and professional consequences. Veteran addict () adds depth through his gruff guidance in group dynamics, while humor humanizes these struggles—such as in absurd temptation scenarios like distractions—making the emotional toll relatable without judgment. The film draws from real-life inspirations encountered in SAA meetings to fictionalize these arcs, focusing on the joys and setbacks of fellowship. In terms of accuracy and sensitivity, the narrative avoids clinical jargon, prioritizing the psychological and relational burdens of , and presents as an ongoing process supported by non-judgmental group interactions. Blumberg intended this lens to destigmatize sex addiction, treating it as a legitimate condition comparable to substance dependencies, and fostering empathy through honest depictions of internal conflicts during meetings and sponsorship sessions. Narrative techniques, including scenes of sponsor-mentee dialogues and group sharing, convey the internal turmoil of urges, blending drama with comedic relief to illustrate the fellowship's role in emotional healing. This method underscores the film's commitment to a balanced, empathetic exploration of recovery's challenges and triumphs.

Relationships

The film Thanks for Sharing examines how sex disrupts and reshapes personal connections, portraying relationships as fragile networks strained by secrecy, , and the demands of . Through its , the narrative illustrates the ripple effects of addiction on intimacy, emphasizing that sustained bonds require navigating and past traumas. Central to the story is the romantic dynamic between Adam (Mark Ruffalo) and Phoebe (Gwyneth Paltrow), which serves as a for post- vulnerability. Adam, five years into , initially hesitates to pursue Phoebe—a confident —fearing his history of compulsive sexual behavior will undermine . Their evolves as Adam grapples with , revealing details of his past encounters, including prostitutes and overlapping partners, which introduces tension and tests Phoebe's boundaries; she explicitly states early on that she avoids addicts. This arc highlights trust issues inherent in , where honesty about addiction risks rejection but fosters genuine intimacy if reciprocated. Friendships within the function as a surrogate family, providing essential camaraderie amid isolation from conventional ties. Members like Adam, his sponsee (Josh Gad), Mike (), and Dede (Alecia Moore, aka ) bond over shared struggles, offering mutual encouragement during relapses and milestones. Adam's sponsorship of , for instance, creates a mentor-protégé dynamic fraught with when resists change, yet it underscores the group's role in and emotional support. These interactions, depicted as a "mini religion" or , reveal tensions from differing paces but affirm the power of collective vulnerability. Family impacts are vividly shown through Mike's strained marriage and parenting challenges, illustrating addiction's intergenerational toll. Mike's long-term recovery adherence creates friction with his wife Katie (Joely Richardson), who feels caught between his rigid 12-step principles and their son Danny's (Patrick Fugit) own substance issues, leading to emotional crossfire and marital discord. His domineering approach exacerbates estrangement from Danny, a figure whose return heightens family tensions and exposes Mike's unresolved control issues rooted in his past. These dynamics parallel broader generational patterns, where parental models risky behaviors, complicating efforts. The film offers nuanced gender perspectives on women's roles in addicts' lives, balancing risks with assertions of . Phoebe embodies as a survivor who challenges Adam's secrecy, refusing to enable avoidance of accountability. Similarly, Dede navigates her by seeking connections, as seen in her supportive with , which redefines interactions beyond sexual and counters traditional codependent patterns where women absorb men's "bad behavior" without repercussions. This portrayal avoids punitive stereotypes, instead highlighting women's in demanding mutual growth. Ultimately, the narrative resolves thematically around communication and as vital to enduring relationships amid . Characters' breakthroughs—such as group sharings that expose pain and foster connection—demonstrate that , even when painful, rebuilds trust and prevents isolation. Adam's eventual disclosures to and the group's ongoing support affirm that transparency, rather than perfection, sustains bonds, portraying as a relational process of one day at a time.

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