Memory of Encaustic Tile (Chinese: 昔有琉璃瓦; pinyin: Xī Yǒu Liú Lì Wǎ) is a 2022 Chinese drama television series adapted from the novelGlazed Tiles of the Past by Bei Feng San Bai Li.[1] The series stars Chen Yuqi, Lin Yi, and Yan Zidong as leads portraying characters from families specializing in the conservation of historical encaustic tiles, a traditional Chineseceramic art form used in architecture.[2] It aired from January 26 to February 24, 2022, on Youku, consisting of 34 episodes.[1]The narrative centers on three childhood friends—Shao Xue, Zheng Su Nian, and Zhang Qi—growing up in a Beijing hutong neighborhood tied to the antique restoration trade. As they mature, diverging career paths, family challenges, and unspoken romantic feelings test their bonds amid rapid societal changes.[1][3] Themes of friendship, coming-of-age, and preservation of cultural heritage underscore the story, reflecting on personal sacrifices and emotional growth.[4]Produced as a slice-of-life romance, the series received positive reception for its nostalgic portrayal of hutong life and character-driven storytelling, earning an 8.4/10 rating on IMDb from over 1,000 users and high praise on streaming platforms for its aesthetics and emotional depth.[3][4] No major controversies surrounded its production or release, distinguishing it as a feel-good drama focused on interpersonal dynamics rather than sensational elements.[5]
Overview
Synopsis
Memory of Encaustic Tile (Chinese: Xi You Liu Li Wa; lit. "There Once Were Glazed Tiles") is a Chinese romance drama television series that premiered on Youku on January 26, 2022, and concluded on February 24, 2022, spanning 34 episodes of approximately 45 minutes each.[1] Adapted from the novel Glazed Tiles of the Past by Bei Feng San Bai Li, the series stars Chen Yuqi as Shao Xue, Lin Yi as Zheng Su Nian, and Yan Zidong as Zhang Qi. Directed by Tian Yu, it explores themes of childhood friendship, unrequited love, and personal ambition within the context of cultural heritage preservation.[4]The narrative begins in 2002 in the Liuli Hutong neighborhood of Beijing, where protagonists Shao Xue, Zheng Su Nian, and Zhang Qi grow up as close childhood friends, all children of families involved in antique restoration and museum conservation.[1] As they transition from adolescence to adulthood, their paths diverge amid family challenges, such as Zheng Su Nian's mother's critical illness, which forces him to confront his responsibilities in continuing her legacy in artifact preservation.[4] Shao Xue, a tomboyish aspiring explorer, harbors secret feelings for Zheng Su Nian, while Zhang Qi, a mathematicsprodigy, develops his own affection for her and pursues opportunities to study abroad.[1]At its core, the series depicts a love triangle complicated by platonic bonds and individual dreams, set against the backdrop of rapidly changing urban landscapes and the enduring value of traditional crafts like encaustic tile restoration.[3] It examines how hidden emotions and life-altering decisions test the resilience of longstanding relationships, blending elements of nostalgia for hutong life with modern aspirations.[4] The story emphasizes causal ties between personal heritage, familial duty, and romantic fulfillment, drawing from the tactile, memory-laden world of glazed tiles as a metaphor for preserved pasts.[1]
Source Material and Adaptation
"Memory of Encaustic Tile" is adapted from the Chinese web novelGlazed Tiles of the Past (昔有琉璃瓦), authored by Bei Feng San Bai Li under the pen name 北風三百里.[6][7] The novel, serialized online prior to the drama's production, centers on characters from families specializing in cultural heritage restoration, exploring themes of friendship, romance, and professional dedication amid Beijing's hutong communities.[8]The television adaptation, produced for a 2022 broadcast, faithfully captures the novel's emphasis on the interplay between personal relationships and the preservation of encaustic tiles—vibrant, inlaid ceramic flooring historically significant in Chinese architecture.[3] Key plot elements, including the protagonist Shao Xue's journey as a restorer and her connections to childhood friends like Zheng Sunian and Zhang Qi, originate directly from the source material, which portrays their growth from adolescence to adulthood in a changing urban landscape.[9] While the drama expands on visual depictions of restoration techniques and hutong life for episodic pacing across 34 installments, no major deviations from the novel's causal narrative arcs—such as separations driven by ambition and reconciliation through shared heritage work—have been documented in production accounts.[1]Adaptation rights were secured to highlight real-world aspects of antique conservation, aligning the series with the novel's grounding in empirical practices of tile repair, where encaustic methods involve layered glazes fired at high temperatures to embed designs durably.[10] This fidelity preserves the source's causal realism, attributing character motivations to tangible pressures like family legacies and economic shifts in heritage trades, rather than fabricating unsubstantiated conflicts.[4]
Production
Development
The television series Memory of Encaustic Tile was developed as an adaptation of the 2017 novel Xi You Liu Li Wa (translated as Glazed Tiles of the Past) by author Bei Feng San Bai Li, which depicts the lives of children from cultural heritage restoration families in Beijing's hutongs amid events like the SARS outbreak and urban demolition.[11][12] The project emphasized themes of cultural relic restoration, set against the backdrop of the Palace Museum and traditional crafts, with production handled by Perfect World Pictures and Perfect Future, in joint production with Youku.[13][14]Development formally commenced with a production filing in November 2019 by Dalian Huage Times Media Co., Ltd., planning for 36 episodes in the contemporary urban genre, with a projected shooting period starting in June 2020 and a 10-month production cycle.[15] Miao Meng served as chief producer, overseeing adaptations that required significant structural modifications from the source material's narrative to suit televisual pacing and visual storytelling, including extensive internal team discussions during pre-production to align creative visions.[16] Director Tian Yu was appointed to helm the project, focusing on authentic portrayals of文物修复 (cultural relic restoration) processes, which demanded consultation with experts to ensure technical accuracy in depicting crafts like encaustic tile repair.[17][18]Pre-production emphasized cultural fidelity, incorporating real-world elements of non-material cultural heritage and the socio-economic shifts in Beijing's historic districts, while navigating challenges in transitioning introspective literary elements—such as characters' emotional growth amid family losses and pandemics—into ensemble-driven drama arcs.[16] The adaptation prioritized a youth-oriented lens on friendship and romance among heritage craftsmen, diverging from the novel's denser focus on individual introspection to broaden appeal for streaming audiences.[11] By early 2021, casting announcements highlighted leads Chen Yuqi, Lin Yi, and Yan Zidong, signaling advanced development toward filming.[19]
Casting
The principal cast for Memory of Encaustic Tile was revealed on October 11, 2020, during the production's opening ceremony at Hengdian World Studios, marking the commencement of principal photography.[20]Chen Yuqi, previously known for roles in period dramas such as The Flame's Daughter (2018), was selected for the female lead Shao Xue, a conservator from a family of antique restorers; this represented her debut in a contemporary setting.[20][1]Lin Yi, an emerging actor who had gained recognition in youth-oriented series like Put Your Head on My Shoulder (2019), was cast as Zheng Suyear, the male protagonist and a dedicated cultural heritage restorer raised in Beijing's hutongs.[1][21] Yan Zidong portrayed Zhang Qi, a mathematics prodigy and childhood companion who pursues academic excellence abroad, drawing on Zidong's prior experience in supporting roles in dramas such as The Double (2021).[1] These choices emphasized actors capable of conveying long-term friendships and personal growth amid themes of cultural preservation, aligning with director Tian Yu's vision for authentic portrayals of youth in traditional artisan communities.Supporting roles were filled by established performers including Ma Li as Yu Dongge, Tang Xu as Shao Hua, and Zhang Tianai as Lin Shiyin, contributing depth to the ensemble of interconnected families.[22][21] The casting process prioritized familiarity with ensemble dynamics, as the narrative spans from adolescence through adulthood, requiring chemistry among the trio of leads to depict evolving relationships tested by events like the 2003 SARS outbreak.[20] No public auditions or casting controversies were reported, with selections reflecting a balance of rising talents and genre-experienced actors suited to the story's emphasis on quiet perseverance in artisanal trades.[23]
Filming and Locations
Principal photography for Memory of Encaustic Tile commenced in October 2020 and concluded after 105 days of production in January 2021, primarily at Hengdian World Studios in Dongyang, Zhejiang Province, China.[24][16] This expansive studio complex, known for its versatile sets replicating urban and historical Chinese environments, facilitated the recreation of the series' Beijing hutong settings central to the narrative of cultural artifact restoration.[25]The production team constructed detailed interior and exterior sets to depict late 1990s and early 2000s neighborhood aesthetics, including workshops for encaustic tile and artifact repair, emphasizing the drama's themes of heritage preservation amid modern life. Limited on-location shooting occurred in Lishui's Shitou Village (Rock Village) in Zhejiang, capturing authentic stone-built rural backdrops that complemented the story's nostalgic and artisanal elements.[26]Filming in Hengdian provided logistical advantages during the COVID-19 pandemic, enabling contained shoots with controlled access, though the studio's distance from Beijing—where the plot is set—necessitated reliance on fabricated environments rather than actual capital locations like the Forbidden City or Palace Museum exteriors.[25]
Soundtrack and Music
The original soundtrack album for Memory of Encaustic Tile, titled Xi You Liu Li Wa Ying Shi Yuan Sheng Dai (昔有琉璃瓦影视剧原声带), features 20 tracks and was released digitally on February 8, 2022, shortly after the series premiered.[27][28] The album primarily comprises vocal theme songs and insert tracks performed by various Chinese artists, emphasizing nostalgic and youthful melodies that align with the series' themes of childhood friendship, growth, and cultural heritage preservation.[29]The opening theme, "Qing Cong Sui Yue" (青葱岁月, Green Years), is a duet by Ning Huan Yu (宁桓宇) and Zhao Beier (赵贝尔), evoking memories of adolescence with its upbeat instrumentation and lyrics reflecting youthful aspirations.[28] The ending theme, "Xi Ri De Ge" (昔日的歌, Song of the Past Days), performed by indie folk singer Ma Dian (马頔), adopts a melancholic acoustic style to underscore themes of reminiscence and loss.[28] As the emotional theme song, "Ni Shi Wo De Xing Kong" (你是我的星空, You Are My Starry Sky) by Liu Yu Ning (刘宇宁 of Modern Brothers band) highlights romantic longing through soaring vocals and orchestral elements, frequently featured in pivotal scenes involving the protagonists' relationships.[28][30]Additional insert tracks include "Xiang Yi Zhen Feng" (像一阵风, Like a Gust of Wind) by Zhao Beier, which captures fleeting emotions with light pop arrangements, and contributions from artists such as Sa Ji (萨吉) with "I Love You, Lovely," used to accentuate lighter romantic moments.[28] Background score elements, though not prominently credited to a single composer in available releases, incorporate traditional Chinese instrumental motifs to evoke the hutong alley settings and encaustic tile restoration motifs, blending acoustic guitars, piano, and subtle erhu sounds for atmospheric depth.[27] The OST's release contributed to the series' cultural resonance, with tracks gaining traction on platforms like Spotify and Apple Music, reflecting listener appreciation for its blend of contemporary pop and folk influences.[29]
Cast and Characters
Main Characters
Shao Xue, portrayed by Chen Yuqi, is the female lead and one of three childhood friends central to the narrative, raised in Beijing's hutongs by parents specializing in cultural relic restoration. Her character arc spans from adolescence to adulthood, emphasizing themes of familial legacy, romantic entanglements, and dedication to heritage preservation amid personal growth and separations.[1][4]Zheng Su Nian, played by Lin Yi, serves as the male lead and Shao Xue's longtime friend, depicted as a translator whose peripatetic career introduces elements of transience and longing into their shared history. His role highlights conflicts between professional wanderlust and emotional ties to home and companions.[1][3]Zhang Qi, enacted by Yan Zidong, completes the core trio as another childhood companion from a similar background in artifact conservation families, contributing to the dynamics of friendship, rivalry, and mutual support as the group navigates life's transitions.[1][4]
Supporting Characters
Lin Shiyin, played by Tian Ai, is a classmate and peer within the protagonists' social circle during their high school years in the Liuli Hutong neighborhood.[31][32]Wu Huan, portrayed by Sun Kai, serves as another friend among the group of childhood companions navigating adolescence and ambitions.[31][32]Family figures include Yu Dongge (Ma Li), a conservator whose professional life influences the younger generation's outlook on cultural heritage preservation.[31][3]Shao Hua, enacted by Tang Xu, represents parental support in the antique restoration community central to the series' setting.[31][21]Zheng Jin, performed by Fang Zibin, embodies the familial ties linking the main characters to their hutong roots and vocational legacies.[31][21]Additional supporting roles feature Jin Ning (Yuan Ran), contributing to interpersonal dynamics, and minor figures like Tang Ya (Mu Le En), who appear in school and community scenes across the 34-episode run.[21][33]
Release
Broadcast Schedule
The Chinese drama series Memory of Encaustic Tile premiered exclusively on the streaming platform Youku on January 26, 2022, with its 34 episodes airing over the following month.[1] Episodes were scheduled for release on Wednesdays, Thursdays, Fridays, Saturdays, and Sundays, typically in the evening to align with peak viewing hours for online audiences in China.[1] This weekday-focused broadcast pattern, common for web dramas on platforms like Youku, allowed for rapid serialization to maintain viewer engagement without weekend gaps, culminating in the finale on February 24, 2022.[1][10]No traditional terrestrial television broadcast occurred, as the series was produced and distributed primarily for digital streaming, reflecting the dominance of online platforms in China's drama market during the early 2020s.[3] Access was available to Youku VIP subscribers for ad-free viewing, with free episodes often limited to initial releases to attract new users.[4] The production secured a broadcast license in July 2021 for up to 36 episodes, though the final count was 34 to fit the narrative arc.[34]
Episode Structure
The series comprises 34 episodes, each approximately 40-45 minutes in length, presented as a serialized narrative without standalone episodes, advancing a cohesive storyline centered on interpersonal relationships, personal growth, and cultural heritage in Beijing's hutongs.[1] The structure employs a primarily linear progression across the protagonists' lives from adolescence in the early 2000s to early adulthood, incorporating sparse flashbacks to illuminate backstories such as parental histories or past sacrifices, rather than relying on frequent temporal shifts.[9] Recurring elements include community interactions like family dinners, group outings, and hutong-based activities, which serve to punctuate emotional beats and reinforce themes of collective resilience.[35]Early episodes (1-14) establish foundational arcs through introductions to the core group of childhood friends—Shao Xue, Zheng Sunian, Zhang Qi, and others—focusing on family dynamics, academic aspirations, and initial communal life in Liuli Hutong, interspersed with milestones like school events and emerging tensions over future paths.[36] Mid-series development (episodes 15-27) builds complexity via escalating challenges, including health crises like the 2003 SARS outbreak, relational strains from study abroad decisions, career apprenticeships in tile restoration, and deepening friendships tested by loss and separation, with subplots highlighting individual growth amid hutong preservation efforts.[37] The romance between cultural relic restorer Zheng Sunian and translator Shao Xue unfolds as a slow-burn element, remaining platonic for roughly the first two-thirds before accelerating with confessions and conflicts in later segments.[38]Climactic phases (episodes 28-33) intensify with adult transitions, such as overseas opportunities leading to temporary breakups, financial and health adversities, and revelations of prior emotional investments, culminating in reconciliations tied to encaustic tile conservation projects symbolizing enduring memories.[39] The resolution in the final episode integrates personal unions, including a wedding, against the backdrop of impending hutong demolition, emphasizing closure through community farewells and affirmed commitments to heritage work.[40] This phased structure, drawn from the source novel Glazed Tiles of the Past, prioritizes gradual emotional layering over rapid plot twists, with each episode typically ending on relational or aspirational cliffhangers to sustain viewer engagement during the original five-day weekly broadcast.[35]
International Availability
Following its premiere on the Chinese platform Youku in January 2022, Memory of Encaustic Tile expanded to international audiences via subtitled streaming on select global services.[1] Rakuten Viki made the full 34-episode series available starting January 23, 2022, with English subtitles and options for additional languages, targeting viewers in North America, Europe, and Southeast Asia.[4][41]Amazon Prime Video streams the series in regions including the United States, offering episodes from January 25, 2022, onward, typically with English subtitles but no dubbed audio tracks.[42] Netflix provides access in limited territories, such as Taiwan and select English-speaking markets, where it appears under international TV drama catalogs with subtitles.[43] Availability on these platforms varies by country due to licensing agreements, and free ad-supported options like Youku's international app or YouTube channels (e.g., YoYo English) offer partial episodes or clips for broader reach.[44]As of 2025, the series remains accessible on Viki and Prime Video without reported removals, though Netflix listings may rotate regionally; no official international dubs in languages like English, Spanish, or French have been produced, relying instead on subtitles for non-Chinese viewers.[4][44]
Reception
Critical Reviews
Critics and reviewers have provided mixed assessments of Memory of Encaustic Tile, praising its nostalgic evocation of early 2000s Beijing hutong life and character-driven emotional depth while critiquing its predictable plotting and subdued romance. On the Chinese review platform Douban, the series received an average user rating of 5.5 out of 10 from over 15,000 evaluations, reflecting domestic reservations about its execution amid familiar youth drama tropes.[45] In contrast, English-language drama review sites offered more favorable takes, often highlighting the ensemble's authenticity in portraying family and friendship bonds.Performances drew consistent acclaim, with Lin Yi's portrayal of Zheng Su Nian noted for its emotional range and departure from his usual roles, complemented by strong chemistry with Chen Yuqi as Shao Xue.[35][46] Supporting actors like Yan Zidong as Zhang Qi and the adult ensemble were frequently cited as standouts for conveying intergenerational relationships and community warmth.[47] The production's cinematography, including authentic hutong settings and period-specific color grading, effectively captured a slice-of-life nostalgia that resonated with viewers seeking comforting, rewatchable fare akin to Reply 1988 or Go Ahead.[35][46]Plot-related criticisms centered on clichés and pacing issues, with one reviewer describing it as "full of clichés" and predictable like A Love So Beautiful, undermining the adaptation from Bei Feng San Bai Li's novel Glazed Tiles of the Past.[47] The central romance was seen as restrained and mismatched with the slow-burn narrative, occasionally overstretched or lacking depth, alongside minor continuity errors in 2000s-era details like outfits and technology.[35][48] Despite these flaws, outlets like KDramaDiary concluded the series "succeeded in depicting a convincing and enthralling coming-of-age story set in 2002," earning scores around 7-8 out of 10 for its heartwarming focus on personal growth over dramatic twists.[35][48][46] Overall, it was recommended for fans of youth slice-of-life dramas, though not without tissues for its poignant family moments.[48]
Audience Response
Audience reception to Memory of Encaustic Tile has been generally positive among international viewers, particularly for its emotional depth in depicting family bonds, youth, and cultural heritage preservation, though domestic Chinese audiences expressed more divided opinions. On MyDramaList, the series holds an 8.1/10 rating from 2,261 users, with viewers praising the lead actors' chemistry, realistic portrayal of Beijing hutong life, and progression from a slower start to engaging family conflicts.[1] Similarly, Viki users rated it 9.3/10 based on 6,932 reviews, highlighting themes of love, loss, and friendship among childhood companions in the artifact restoration field.[4] IMDb scores stand at 8.4/10 from 82 ratings, reflecting appreciation for its slice-of-life elements and heartfelt storytelling.[3]In contrast, on the Chinese platform Douban, the drama received a lower 5.5/10 from 15,882 ratings, with criticisms centering on pacing issues in early episodes, underdeveloped plotlines, and perceived inconsistencies in character arcs despite strong production values in set design and historical details.[45] Some Douban reviewers noted improvement in later episodes, commending the authentic representation of 2003 SARS-era challenges and intergenerational dynamics, but overall faulted it for not fully capitalizing on its cultural relic theme.[49]Fan discussions on platforms like Reddit and Facebook emphasized the series' emotional resonance, with users describing it as "one of the best family dramas" for its realistic handling of grief, pandemics, and personal growth, often recommending it for viewers seeking non-fantasy, grounded narratives.[50][51] These responses underscore a niche appeal among audiences valuing authentic cultural elements over high-stakes romance, though broader viewership remained modest compared to mainstream idol dramas.[52]
Ratings and Viewership
Memory of Encaustic Tile received mixed ratings across platforms, with Chinese audiences rating it lower than international viewers. On Douban, a prominent Chinese review site, the series holds a 5.5/10 rating based on over 15,800 user reviews, reflecting criticisms of pacing and plot predictability despite praise for its nostalgic portrayal of youth.[45] In contrast, MyDramaList users, primarily international, awarded it 8.1/10 from 2,261 ratings, highlighting strong chemistry among leads and cultural authenticity.[1]IMDb reports a higher 8.4/10 from a smaller pool of 82 votes, suggesting appeal to global niche audiences familiar with Chinese dramas.[3]Viewership was modest for a streaming original, primarily on Youku, where it amassed 420 million views for full episodes by December 8, 2022.[45] During its January 26, 2022 premiere and Spring Festival run, the series topped Youku's daily charts, peaking at a heat index of 9,519 and leading Cat's Eye's web drama popularity rankings, driven by family-oriented themes amid holiday viewing.[53] However, audience demand metrics from Parrot Analytics indicate it fell below one-tenth of the average TV series globally, underscoring limited breakout success outside China.[54] No traditional TV broadcast ratings were recorded, as it aired exclusively online with 34 episodes.
Awards and Recognition
Memory of Encaustic Tile received the Top Ten Golden Angel Award for Television Dramas at the 2022 Sino-US Television Festival, recognizing its contribution among outstanding Chinese series.[55][56] The production, by Beijing Perfect World Film and Television Co., Ltd., also earned third prize in the television category at the 6th Beijing Cultural and Creative Competition, announced on February 15, 2023, for its innovative portrayal of cultural heritage themes.[57] No additional major awards or nominations for the cast or crew in connection with the series have been documented in public records as of 2025.
Themes and Cultural Context
Narrative Themes
The narrative of Memory of Encaustic Tile centers on the interplay between personal memory and cultural preservation, embodied through the protagonists' lives in Beijing's hutongs, where families specialize in restoring antique encaustic tiles and other artifacts. The story follows three childhood friends—Xue Lingqiao, a skilled conservator; Ji Chengzhou, her steadfast companion; and Lin Shen, a translator with a nomadic spirit—who navigate the tensions of growing up amid rapid urbanization that threatens traditional alleyway communities. This backdrop underscores themes of nostalgia and the fragility of heritage, as characters confront the erasure of historical elements like glazed tiles, symbolizing layered personal histories that must be meticulously uncovered and repaired, much like the restoration work they perform.[3][4]A core theme is the evolution of platonic bonds into romantic entanglements, highlighting coming-of-age struggles where youthful innocence gives way to adult ambitions and unrequited affections. Xue Lingqiao's journey from a carefree high schooler to a dedicated artisan illustrates self-discovery and resilience, as she balances familial expectations in the restoration trade with personal aspirations, often complicated by secret identities and unspoken loves among the friends. Ji Chengzhou's unwavering loyalty and Lin Shen's wandering nature further explore friendship's endurance against separation and change, with plot arcs emphasizing forgiveness, mutual support, and the pain of parting, reflecting real-world dynamics of loyalty tested by life's transitions.[1]The series also delves into ambition versus tradition, portraying how individual pursuits intersect with collective cultural duties in a modernizing China. Characters grapple with professional rivalries in the art conservation field, where restoring ancient tiles not only preserves aesthetic value but evokes emotional "memories" tied to family legacies and lost eras. This motif critiques superficial progress by contrasting hutong authenticity with encroaching development, advocating a quiet reverence for incremental, hands-on preservation over hasty innovation, as evidenced in episodes depicting collaborative restoration projects that mirror relational healing.[42][48]
Historical and Cultural Elements
The glazed tiles central to Memory of Encaustic Tile, known as liuli wa in Chinese, trace their origins to decorative applications in imperialarchitecture as early as the Northern Wei Dynasty (386–534 AD), evolving into sophisticated elements by the Tang Dynasty (618–907 AD) with advanced glazing techniques using mineral-based colors fired at high temperatures.[58] These tiles, often inlaid or molded with patterns of dragons, phoenixes, and floral motifs, served both aesthetic and protective functions on roofs, symbolizing cosmic harmony and warding off evil spirits according to traditional beliefs.[59] In the drama, this historical craft is depicted through the protagonists' families, who specialize in restoring such artifacts from Ming (1368–1644) and Qing (1644–1912) era structures, underscoring the tiles' role in preserving architectural relics from Beijing's imperial past.[60]Culturally, liuli wa embodied strict hierarchical symbolism, with yellow glazes reserved exclusively for the emperor's palaces—such as the Forbidden City, constructed between 1406 and 1420—while green denoted official residences and blue or black for common temples, enforcing social order through visual codes.[61][62] The series integrates this by portraying restoration work near the Palace Museum (formerly the Forbidden City), where characters confront the challenges of replicating original glazes and patterns, which required up to 180 days of specialized firing processes using rare clays and pigments in historical production.[63] This narrative choice highlights the tiles' status as intangible cultural heritage, passed down through familial guilds that emphasize precision and filial transmission of skills amid urbanization pressures.[9]Beijing's hutongs, the drama's primary setting, further embed these elements in a vernacular historical context, originating as alleyways in Yuan Dynasty (1271–1368) urban planning and expanding into siheyuan courtyard compounds during the Ming and Qing eras, housing over 3,000 such lanes by the early 20th century before widespread demolition reduced them to around 2,000 today.[64] These narrow passages, lined with tiled-roof homes, represent a microcosm of communal Confucian values like neighborly interdependence and ancestral reverence, which the story contrasts with modern development, using tile restoration as a metaphor for safeguarding collective memory against erasure.[65] Preservation initiatives, formalized in Beijing since the 1950s under principles of "restoring the old as it was," mirror the characters' efforts, reflecting state-endorsed cultural policies that recognize crafts like tile-making as vital to national identity.[66]
Representation of Beijing Hutongs and Art Conservation
The series depicts Beijing's hutongs, particularly Liuli Hutong, as tight-knit, historic enclaves inhabited by families of cultural relic restorers, evoking a sense of communal resilience amid early 2000s urban pressures.[1] Set against events like the 2003 SARS outbreak and widespread demolitions of old city structures, the narrative portrays hutongs not merely as backdrops but as living repositories of tradition, where childhood friendships form amid narrow alleys and courtyard homes threatened by modernization.[45] This representation underscores the causal tension between rapid development and heritage loss, with characters' lives intertwined with the fate of these neighborhoods, reflecting real historical demolitions that reduced Beijing's hutong areas by over 80% from the 1990s to 2010s in favor of high-rises.[14]Art conservation emerges as a core profession in the show, centered on the meticulous restoration of artifacts like encaustic tiles—traditional glazed ceramic roof tiles integral to imperial Chinese architecture, symbolizing layered memories and endurance.[1] Protagonists, children of restorers working near the Forbidden City, inherit this craft, with characters like Zheng Su Nian pursuing it after his mother's death, highlighting the emotional and technical demands of the field.[18] The series illustrates restoration as a patient, introspective process requiring stillness and precision, as actor Lin Yi noted after observing real restorers, contrasting it with the protagonists' youthful impulsiveness to emphasize generational continuity in preserving relics amid decay.[67]Through these elements, the drama promotes cultural heritage awareness without overt didacticism, weaving conservation challenges—such as repairing weathered tiles from demolished sites—into personal arcs of love and separation, thereby humanizing the often-overlooked labor of experts who sustain China's tangible history against erosion and urban expansion.[68] Scenes featuring palace artifacts and restoration workshops add visual authenticity, drawing from actual practices at institutions like the Palace Museum, though the portrayal idealizes the restorers' dedication amid hutong camaraderie.[69]
Legacy and Impact
Influence on Chinese Dramas
"Memory of Encaustic Tile," aired from January 26 to February 24, 2022, with 34 episodes, received strong viewer acclaim for its grounded narrative on youth, family, and cultural preservation, achieving an 8.4/10 rating on IMDb from 82 users and 9.3/10 on Viki from 6,932 ratings.[3][4] This reception positioned it as a benchmark for slice-of-life dramas emphasizing authentic professional lives, such as relic restoration in Beijing hutongs, distinct from prevalent fantasy or historical genres in Chinese television. Reviewers and fans highlighted its emotional depth in depicting intergenerational artisan legacies, drawing parallels to Korean series like Reply 1988 for evoking nostalgia and community bonds.[5]The series' focus on the niche profession of encaustic tile conservation—showcasing techniques passed down through families—brought visibility to underrepresented aspects of Chinesecultural heritage in mainstream dramas, potentially encouraging similar integrations of vocational realism in subsequent youth-oriented productions.[60] While no direct adaptations or explicit citations from later dramas have been documented, its high praise as "one of the best family dramas" among enthusiasts underscores its role in elevating expectations for heartfelt, non-sensationalized storytelling.[50] Discussions on platforms like Reddit reference it as an exemplar of well-executed modern backstories, influencing viewer discourse on preferred tropes amid criticisms of overly extended narratives in other Chinese series.[70]Critics noted some dramatized elements diverging from real restoration practices, yet the overall portrayal fostered public interest in the field, as evidenced by its alignment with broader trends in "cultural IP" content gaining traction domestically and internationally.[71][72] This may indirectly shape production choices toward more culturally rooted contemporary tales, though empirical data on specific follow-up series remains sparse as of 2025.
Fan Community and Discussions
Fans of Memory of Encaustic Tile primarily engage on platforms dedicated to Chinese dramas, including Reddit's r/CDrama subreddit, where a February 5, 2022, discussion thread described the series as heartwarming yet ambiguous in its resolution, drawing comparisons to youth-oriented shows like When We Were Young and Reply 1988.[5] On MyDramaList, user reviews highlight strong chemistry between leads Chen Yuqi and Lin Yi, praising the acting despite an initially slow pace and reliance on plot clichés adapted from the source novel Glazed Tiles of the Past.[7][47]Discussions often focus on emotional arcs, such as the heartbreak in episodes 18–20 involving characters Zhang Qi and Liu Yuning, which fans in Facebook's C-drama groups recommend for viewers seeking intense scenes.[73]TikTok features fan-created content like lyric videos and clip compilations from episode 9 onward, emphasizing romantic and nostalgic elements, with creators noting the series' blend of family saga, romance, and youth themes. Viki's community, reflected in a 9.3/10 rating from over 6,900 votes, underscores appreciation for the hutong setting and character growth amid urban change.[4]Broader conversations critique ambiguities in relationships and endings, attributing them to adaptations that prioritize emotional resonance over tight plotting, while praising the series' evocation of Beijing's cultural heritage.[5] These exchanges, active primarily post-airing from January to February 2022, reveal a dedicated but niche following, with limited spillover to mainstream Western forums beyond drama-specific sites.[7]