Palash Sen
Palash Sen (born 23 September 1965) is an Indian singer, songwriter, musician, composer, physician, actor, and director, best known as the founder and lead vocalist of the rock band Euphoria.[1][2] Born into a family of physicians in Lucknow, Uttar Pradesh, and raised in Delhi, Sen comes from the 17th generation of his lineage to pursue medicine alongside artistic pursuits.[3] He completed his MBBS from the University College of Medical Sciences in Delhi in 1985 and later earned an MS in Orthopedics from Guru Teg Bahadur Hospital, practicing as a doctor at his family's clinic without charging fees.[3] Despite his medical career, Sen's passion for music led him to form Euphoria during his college years at Hansraj College, initially composing English songs before shifting to Hindi rock.[3] Euphoria, founded by Sen in the early 1990s, became one of India's pioneering rock bands, blending Western rock with Hindi lyrics and gaining widespread popularity through albums such as Dhoom (1998), Phir Dhoom (2000), Gully (2003), and Mehfuz (2006). Iconic tracks like "Maeri," "Dhoom Pichuk Dhoom," and "Sha Na Na" propelled the band to perform at major venues, including the United Nations General Assembly alongside Pakistani band Junoon in 2001.[4] The band's success helped popularize Hind rock globally, with Sen serving as lyricist, composer, and frontman. In recognition of his contributions, Sen was inducted into the Hall of Fame by the Indian Recording Arts Academy in 2012.[3] Beyond music, Sen ventured into acting with his Bollywood debut in Filhaal... (2002), directed by Meghna Gulzar, and appeared in films like Mumbai Cutting (2010) and Aisa Yeh Jahaan (2015), while also directing short films such as Jiya Jaye Na (2017).[3] He maintains an active presence in the music scene, with Euphoria marking 26 years in 2025 through re-releases on streaming platforms and performances, including at the Unity Concert in Kolkata in November 2025.[5][6] Sen's multifaceted career reflects his commitment to both healing and artistic expression, influenced by his school friend Shah Rukh Khan and family ties in the arts.Early life and education
Childhood and family background
Palash Sen was born on 23 September 1965 in Lucknow, Uttar Pradesh, India, into a family of physicians with deep roots in traditional medicine. His father hailed from Varanasi and belonged to the Bengali Vaidya community, while his mother was from Jammu, bringing Dogra heritage to the family.[1][7][8] The family relocated to Delhi shortly after his birth, where Sen spent his formative years immersed in the city's vibrant cultural milieu.[7] Belonging to a lineage of Rajvaidyas spanning 17 generations, Sen's family emphasized both medicine and music, with every member across four generations practicing as doctors and engaging in musical pursuits. His mother, who left home at age 17 to pursue an MBBS degree, actively nurtured his artistic inclinations amid this medical heritage. This dual tradition provided Sen with an early and profound exposure to music, which he later described as present "from the moment I was born," shaping his identity as both a healer and a performer.[8][9][10][11] In his Delhi childhood, Sen attended St. Columba's School, where he developed a keen interest in rock music and formed his first band, Quartz, participating in school performances and co-curricular activities. He shared these early experiences with classmate Shah Rukh Khan, fostering a lifelong friendship amid shared hobbies like quizzing and sports. Local cultural events and family gatherings further fueled his passion, laying the groundwork for his musical journey before formal education took precedence.[12][13][11]Academic pursuits and medical training
Palash Sen completed his schooling at St. Columba's School in Delhi, where he balanced a strong aptitude for science—foreshadowing his medical career—with burgeoning interests in the arts through active involvement in theatre productions and singing, including performing vocals for school plays.[14][13] After schooling, Sen briefly attended Hansraj College, University of Delhi, for a B.Sc. (Hons) in Zoology for one year.[15] He then pursued higher education in medicine at the University College of Medical Sciences (UCMS), affiliated with the University of Delhi and Guru Teg Bahadur Hospital, earning his MBBS degree. While still a medical student, he founded the rock band Euphoria in 1988, marking the beginning of his dual pursuits in healthcare and music. Following his MBBS, he completed an MS in Orthopedics and served as a junior resident in the department at UCMS and Guru Teg Bahadur Hospital during the early 1990s.[8][16][17][18][19] Post-graduation, Sen practiced as an orthopedic surgeon for several years, attending to patients at his clinic until around 2003, while simultaneously advancing his musical endeavors. The breakthrough success of Euphoria's debut album Dhoom in 1998 ultimately led him to transition away from full-time medical practice toward a primary career in music, though he has continued to offer pro bono consultations and emphasizes his identity as a physician. This shift reflected his lifelong integration of disciplined scientific training with creative expression, shaping a resilient professional ethos that bridges healing through medicine and melody.[20][21][7][22]Musical career
Formation and rise of Euphoria
Euphoria was formed in 1988 in Delhi by Palash Sen, a young physician, along with a group of friends who shared his passion for music. The core lineup featured Sen on lead vocals, Debajyoti Bhaduri on bass, and percussionists Rakesh Bhardwaj on dholak and Prashant Trivedi on tabla. This formation marked Sen's shift from informal musical experiments during his college years to a structured band aimed at blending rock with Indian elements.[7] The band quickly immersed itself in Delhi's vibrant underground music scene, performing at local gigs in small venues and college events to build a grassroots following. These early performances allowed Euphoria to refine their sound, experimenting with fusion styles that incorporated Western rock influences and Indian percussion. Concurrently, Sen composed and recorded initial demos, including a tape with four selected English songs pitched to record labels, which helped showcase their unique energy and laid the groundwork for professional opportunities.[7][23] In a pivotal moment, Euphoria signed with Universal Music India after label executive Anil Mulchandani was impressed by Sen's TV interview appearance. This deal led to the release of their debut album, Dhoom, in 1998, recorded in just 11 days on a modest budget of Rs. 2.5 lakh. The album's lead single "Dhoom Pichak Dhoom" gained traction, and the breakthrough hit "Maaeri" propelled the band into the mainstream, fusing rock with Bollywood sensibilities and establishing Euphoria as pioneers in Indian rock fusion.[7][24]Key achievements with Euphoria
In 2000, Euphoria released their second studio album, Phir Dhoom, which built on the momentum of their debut and further solidified their presence in the Indian music scene with a mix of rock anthems and introspective tracks.[25] The album featured standout songs such as "Phir Dhoom (Kaise Bhoolegi Mera Naam)" and "Satyameva Jayate," which resonated with audiences through their energetic fusion of Hindi lyrics and Western rock influences.[26] Under Palash Sen's leadership, the record marked a key milestone in the band's evolution, emphasizing themes of love, patriotism, and resilience that appealed to a broadening fanbase across urban India. Euphoria played a pivotal role in popularizing Hindi rock, often credited as pioneers of "Hind Rock" for blending traditional Indian rhythms and storytelling with rock instrumentation, making the genre accessible to non-English-speaking listeners during the late 1990s and early 2000s.[27] Their innovative approach challenged the dominance of Bollywood soundtracks and English-language indie rock, inspiring a wave of fusion bands and contributing to the growth of India's independent music ecosystem. By the mid-2000s, the band had achieved substantial commercial success, establishing themselves as one of India's highest-selling rock acts through consistent album releases and widespread radio play.[24] The band's live performances during this period amplified their cultural impact, including high-profile international appearances that showcased Indian rock on global stages. In 2000, Euphoria performed at the Beale Street Music Festival in Memphis, Tennessee, marking an early foray into the U.S. market and highlighting their crossover appeal.[28] They followed this in 2001 by becoming the first Indian band to perform at the United Nations General Assembly in New York, where they presented a set blending rock with messages of unity and peace.[29] Domestically, they headlined numerous college festivals and concerts, later extending to events like the NH7 Weekender, fostering a dedicated live following through dynamic shows that emphasized audience interaction and high-energy delivery.[30] By the late 2000s, internal band dynamics began to strain under the pressures of fame, creative differences, and personal commitments, leading to a temporary hiatus around 2008-2010. Key members, including drummer Benjamine Pinto and guitarists Lokesh Madan and Hitesh Madan, departed in 2010 to form their own group, Eka, citing a desire for new creative directions. Palash Sen, as the founder and frontman, navigated these challenges by focusing on solo explorations while keeping the band's legacy intact, allowing Euphoria to regroup later without fully disbanding. This period underscored the tensions of sustaining a collaborative rock outfit in India's evolving music industry.[31]Transition to solo work and collaborations
Following the departure of key Euphoria members Benjamine Pinto, Lokesh Madan, and Hitesh Madan in 2010, who formed their own band Eka, Palash Sen restructured the group and began exploring more individual creative avenues while maintaining his role as frontman. This period marked a shift toward personal projects, including playback singing and composition for films, allowing Sen to delve into acoustic and fusion elements outside the band's rock framework.[32] Sen's collaborations extended beyond Euphoria, featuring fusion tracks with artists such as Strings on "Jeet Lo Dil" in 2004 and Tulsi Kumar on a 2014 single, blending indie rock with Bollywood influences. He also made guest appearances in indie projects, including the 2019 track "Saajna" with Akriti Kakar, showcasing his versatility in contemporary pop-rock arrangements. These partnerships highlighted Sen's ability to bridge band dynamics with external artistic ventures, often incorporating acoustic guitar and traditional Indian elements.[33][34][35] In 2016, Sen reformed Euphoria with a new lineup, releasing the single "Sha 2.0" to revitalize the band's presence through select tours and recordings, while he balanced these commitments with solo explorations in composition and direction. This revival allowed Sen to integrate his evolving acoustic style into the band's repertoire without abandoning his independent pursuits.[36] By the 2020s, Sen had become involved in mentoring emerging artists in Delhi's indie scene, producing tracks for local talents and conducting music workshops focused on songwriting and fusion genres, as evidenced by his TEDx talk "Music connects the Billions" in 2022. Albums like Phir Dhoom (2020 re-recording) and Sale (2021), credited to both Sen and Euphoria, reflected this dual focus on collaborative production and personal expression. In 2025, Euphoria celebrated 26 years with re-releases on streaming platforms and a performance at the Unity Concert in Kolkata on November 1.[37][38][5][6]Discography
Euphoria albums
Euphoria's discography, spearheaded by Palash Sen as the band's founder, lead vocalist, primary composer, and lyricist, spans over two decades and fuses rock, pop, and Indian influences to capture themes of love, youth, and social commentary. Sen's contributions shaped the majority of the band's material, often drawing from his medical background and personal experiences to craft introspective yet energetic tracks that resonated with Indian audiences. The band is positioned as India's highest-selling rock band.[39][40] The debut album Dhoom, released in October 1998, featured 10 tracks and marked Euphoria's breakthrough in the indie pop-rock scene. Produced by Sen at a Delhi studio with a modest budget, it included high-energy anthems like "Sha Na Na" and the collaborative track "Dhoom Pichuck" featuring classical vocalist Shubha Mudgal, blending Western rock riffs with Hindustani elements. The album topped independent charts and became a cultural phenomenon, with its music videos airing as some of the first homegrown content on MTV India, propelling Euphoria to national fame.[41][42][43] Phir Dhoom, the follow-up released on February 5, 2000, contained 9 tracks and built on the debut's success with more polished production, again led by Sen's songwriting. Standouts included the romantic ballad "Maaeri" and the title track "Phir Dhoom," which incorporated rhythmic hooks inspired by Bollywood sensibilities and later influenced film soundtracks. The album achieved strong commercial performance, contributing to Euphoria's reputation for multi-platinum sales in the indie market.[44] In 2003, Euphoria released Gully, a 12-track effort that experimented with urban themes and fusion sounds under Sen's compositional direction. Tracks like "Aana Meri Gully" and "Raja Rani" highlighted the band's evolving style, mixing acoustic introspection with electronic beats, and the album received praise for its innovative approach to contemporary Indian youth culture.[45][46] Subsequent releases included Mehfuz in 2006, focusing on emotional depth with Sen's heartfelt lyrics; the remix compilation ReDhoom in 2008, reinterpreting classics like "Dhoom Pichuck" for a new generation; Item in 2011, a studio album featuring satirical tracks poking fun at Bollywood item numbers; and Sharnaagat in 2012, a reflective album emphasizing spiritual motifs composed primarily by Sen. The band's most recent studio effort, Sale (2021), addressed modern societal issues like consumerism through satirical tracks, with Sen handling vocals and core arrangements to maintain Euphoria's signature sound. In 2025, to mark 26 years, several albums including Dhoom and Phir Dhoom were re-released on streaming platforms.[47][24][48][49][5]Solo albums and singles
Palash Sen's solo musical output has largely taken the form of singles and digital releases since the mid-2000s, allowing him to explore stylistic shifts beyond Euphoria's rock foundations toward devotional, recreative, and introspective genres, often leveraging streaming platforms for wider accessibility.[50] These independent efforts highlight his evolution as a self-produced artist, beginning around 2015 when he took greater control over composition and recording processes for personal projects.[51] A notable early solo single, "Mauka," released in 2015 by Sagarika Music, features Sen's vocals over a pop-rock arrangement with folk-infused melodies, marking an experimental blend of his band influences with intimate storytelling.[51] This track, available digitally on platforms like Spotify, exemplifies his transition to more accessible, platform-driven releases in the 2010s.[52] In 2019, Sen ventured into devotional music with the single "Jai Dev," a Ganpati Aarti produced under his Dhoom Records label, shifting from high-energy rock to serene, spiritual acoustics that resonate with cultural festivals.[53] The track's simple instrumentation and heartfelt lyrics underscore his willingness to experiment with genre boundaries, distributed exclusively via digital services like Apple Music and JioSaavn.[54] The 2020s saw further diversification, beginning with "Saibo (Times of Music Version)," a 90s-style recreation of the original hit, self-produced by Sen for the MX Player series Times of Music, infusing retro rock elements with contemporary digital production for a nostalgic yet innovative sound.[55] This single, released on Sony Music, highlights his adaptive approach to covers, blending experimental remixing with streaming optimization on Spotify.[56] More recent releases include "Hoon Akela" in 2024, an emotive ballad exploring themes of isolation through acoustic guitar and minimalistic arrangements, self-produced and distributed digitally to emphasize raw emotional depth over band dynamics. In 2025, Sen released the devotional single "Mahakal Chalo" in collaboration with Akshay Kumar and Vikram Montrose, dedicated to Lord Shiva for Maha Shivratri. These works, alongside occasional collaborations repurposed as solo tracks, reflect Sen's ongoing production evolution, prioritizing independent digital outlets like Spotify for experimental explorations in folk-rock hybrids and personal narratives.[57][58][59][60][61]Film and media contributions
Film composition
Palash Sen's foray into film composition began with contributions to the music department of the 2002 drama Filhaal..., where he collaborated on elements of the soundtrack alongside primary composer Anu Malik. His work emphasized integrating rock influences into emotional narratives, blending his band's signature sound with Bollywood's melodic structures.[62] In 2008, Sen and his band Euphoria provided the background score for the anthology film Mumbai Cutting, particularly for the segment "And It Rained," in which Sen also starred. This score incorporated raw, introspective rock textures to underscore themes of urban isolation and fleeting connections in Mumbai's chaotic environment.[63] Sen took on full compositional responsibilities for the 2015 film Aisa Yeh Jahaan, starring in the project while creating its original soundtrack. The album features six tracks, including the title song "Aisa Yeh Jahaan" and "Sautela Sheher," which fuse folk-rock elements with contemporary beats to capture the film's exploration of city life and personal reinvention. Tracks like "Haiyya Ho" highlight his approach to layering acoustic guitars and percussion for cinematic depth.[64] By the 2020s, Sen extended his compositional work to independent short films and videos, serving as composer for projects like I Like It (2020) and the music video short Euphoria: Iktarfa (2018), where he directed and scored narratives blending rock anthems with introspective storytelling. He also directed and composed the musical short film Jaane Khuda (2023), exploring themes of relationships and identity. These efforts reflect his ongoing commitment to fusing rock's energetic ethos with intimate, narrative-driven scores.[65]Playback singing credits
Palash Sen has contributed playback vocals to a select number of Indian films, bringing his distinctive rock-influenced timbre to soundtracks that span Hindi and regional cinema. His singing often features energetic, guitar-driven arrangements, reflecting his background with the band Euphoria, and he has collaborated with composers like Mithoon, Sachin-Jigar, and D. Imman on tracks that blend rock elements with film narratives. By 2025, Sen has contributed playback vocals to numerous Indian films, blending rock elements with cinematic narratives.[66] Sen's vocal technique has evolved from the raw, high-energy rock delivery heard in his early band work to more polished, adaptable styles suited for cinematic playback, allowing for greater emotional nuance and integration with orchestral elements in film contexts. This progression is evident in his selective film appearances, where he balances his signature grit with smoother phrasing to suit character-driven songs.[67] Representative examples of his playback singing include:| Film | Year | Song | Co-singers/Notes | Source |
|---|---|---|---|---|
| Lamhaa | 2010 | Main Kaun Hoon | Composed by Mithoon; emotional rock ballad | [68] |
| Kacheri Arambam | 2010 | Kadavule | Tamil track composed by D. Imman; fusion rock style | [69] |
| Hum Tum Shabana | 2011 | Musik Bandh Na Karo | With Abhishek Nailwal and Anushka Manchanda; upbeat party anthem composed by Sachin-Jigar | [70] |
| Bapi Bari Jaa | 2012 | Tomar Ghore | Bengali folk-rock fusion composed by Jeet Gannguli | [71] |
| Kuku Mathur Ki Jhand Ho Gayi | 2014 | Phacebook Pyaar | With Tulsi Kumar; contemporary rock-pop track | [72] |