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People I Know

People I Know is a 2002 American thriller film directed by Daniel Algrant and written by Jon Robin Baitz, starring Al Pacino as Eli Wurman, a weary New York City publicist desperate to revive his fading career by orchestrating a high-profile benefit event for a prominent client.^[1] The story unfolds over 24 frantic hours as Wurman, entangled with celebrities, politicians, and illicit activities, uncovers a scandal involving a senator's aide, drugs, and potential murder, forcing him to confront the corrupt underbelly of power and fame.^[2] Featuring supporting performances from Kim Basinger as Wurman's ex-wife, Ryan O'Neal as the actor client Cary Launer, and Téa Leoni as an ambitious actress, the film critiques the moral compromises of Hollywood and political elites.^[3] Production on the film began prior to the September 11, 2001 attacks, incorporating establishing shots of the World Trade Center, which contributed to its delayed release; originally slated for late 2001, it premiered at the Toronto International Film Festival in September 2002 and received a limited U.S. theatrical run in April 2003.^[4] Despite Al Pacino's intense portrayal drawing some praise for capturing a character's descent into paranoia and exhaustion, the movie garnered mixed critical reception, with a 45% approval rating on Rotten Tomatoes and criticism for uneven pacing and underdeveloped subplots, though it highlights themes of ethical decay in elite circles without romanticizing vice.^[1] No major box office success or awards followed, positioning it among Al Pacino's lesser-known works amid his post-Scent of a Woman output.^[2]

Synopsis

Plot summary

Eli Wurman, a jaded and cocaine-dependent New York publicist on the brink of irrelevance, is enlisted by his primary client, actor-turned-aspiring politician Cary Launer, to manage a crisis involving Launer's former lover, actress Jilli Hopper, who has become entangled in drug use and a potentially scandalous recording made at a decadent after-hours party.^[5] ^[1] Wurman retrieves the intoxicated Hopper from the event and escorts her to her hotel room, where, while recovering from his own drug binge in the bathtub, he hazily witnesses her strangulation murder by unidentified assailants, subsequently staged as an accidental overdose.^[5] Desperate to protect Launer and salvage his own fading career amid an upcoming benefit gala, Wurman reluctantly participates in the cover-up, attempting to dispose of incriminating evidence including a toy camera containing compromising footage of elite figures.^[5] ^[6] His actions draw him deeper into a web of betrayals from associates and pressure from powerful connections, fueling escalating paranoia exacerbated by continued cocaine abuse and fragmented memories of the night's events.^[1] ^[6] As Wurman pieces together the conspiracy—revealing Hopper's killing as a silencing tactic by influential elites to shield their secrets—he confronts his isolation and confronts old ties, including an encounter with his late brother's widow, Victoria.^[1] In the film's climax, overwhelmed by the realization of his entrapment, Wurman is fatally stabbed on a darkened New York street, succumbing to the perils of the shadowy world he once navigated.^[6]

Cast and characters

Principal cast

Al Pacino portrays Eli Wurman, an aging, burnt-out publicist of Jewish descent whose career is defined by wrangling scandals among New York's entertainment and political elite, culminating in a frantic 24-hour ordeal that exposes his exhaustion and desperation.^[7]^[8] Téa Leoni plays Jilli Hopper, Wurman's unstable actress client who, under the influence of drugs, witnesses a pivotal illicit encounter that ignites the central crisis.^[2]^[1] Ryan O'Neal depicts Cary Launer, a U.S. senator eyeing a presidential run whose involvement in a prostitution scandal underscores themes of elite hypocrisy and vulnerability.^[1]^[8] Kim Basinger stars as Victoria Gray, Wurman's ex-wife, whose strained relationship reveals layers of his personal isolation amid professional chaos.^[2] Bill Nunn appears as the Reverend Lyle Blunt, a peripheral figure adding texture to the narrative's mosaic of influential contacts.^[9]

Production

Development

The screenplay for People I Know was written by playwright Jon Robin Baitz as a satire on fame, centering on a once-prominent New York publicist navigating the city's elite circles and scandals.^[10] Baitz, known for stage works like The Substance of Fire, drew from observations of the publicity industry's underbelly to craft the script, emphasizing moral decay amid high-society intrigue.^[11] Daniel Algrant directed the film, marking his second feature-length project following the 1994 romantic comedy Naked in New York, which he co-wrote and directed.^[12] Algrant's vision prioritized a gritty, character-driven portrayal of New York's power dynamics, with Al Pacino cast in the lead role of Eli Wurman shortly after his intense performance in The Insider (1999), lending star power to this independent production financed outside major studios.^[13] The pre-production phase, spanning the late 1990s into 2001, focused on securing authentic locations and talent to underscore the script's themes of ambition and ethical compromise without relying on blockbuster-scale resources.^[13]

Casting

Al Pacino was cast in the lead role of Eli Wurman prior to January 2001, when international sales were secured for the project.^[14] In early 2001, Kim Basinger, an Academy Award winner for L.A. Confidential (1997), entered final negotiations for the role of Victoria Gray, reflecting her selective approach to projects following her Oscar win.^[14] Téa Leoni, coming off leading roles in films like Deep Impact (1998) and The Family Man (2000), was similarly in final talks for Jilli Hopper, marking her return to features after a period focused on family.^[14]^[15] Ryan O'Neal joined the cast as Cary Launer, leveraging his experience in high-profile dramas such as Paper Moon (1973).^[9] Supporting roles, including those requiring New York authenticity, drew from local talent pools, though specific audition details remain undocumented in production records.

Filming

Principal photography for People I Know took place primarily in New York City during early 2001, utilizing urban locations to depict the film's setting amid the pre-9/11 era.^[16] Specific shoots occurred at the Waldorf-Astoria Hotel on March 8, 2001, and the Palm Restaurant on March 12, 2001, where cast members including Al Pacino and Kim Basinger filmed key scenes.^[17] Exteriors incorporated Lower Manhattan, with sequences around the World Trade Center contributing to the authentic portrayal of New York City's pre-attack skyline and street-level grit.^[4] The production emphasized interior settings such as apartments and party venues to heighten narrative tension through confined spaces, relying on practical locations rather than extensive sets.^[2] Cinematographer Peter Deming oversaw the visual capture, focusing on the city's dense, bustling environment to underscore the protagonist's chaotic professional life.^[18] Filming concluded prior to September 11, 2001, avoiding any direct disruptions from the subsequent events, though the inclusion of World Trade Center imagery influenced later release decisions.^[4] No major logistical challenges or on-set incidents were documented in production reports.^[19]

Release

Post-production and delays

Post-production on People I Know concluded in early September 2001, approximately ten days prior to the September 11 attacks.^[20] The film, which features several New York City skyline shots including the World Trade Center, was initially slated for a 2001 release by Miramax Films.^[21] Following the attacks, Miramax halted distribution plans and initiated edits to excise visible Twin Towers imagery, citing its perceived insensitivity amid national mourning.^[21] This included removal of a key scene depicting Al Pacino's character awakening disoriented on a street with a stylized side view of the towers in the background, as well as other landscape establishing shots; the alterations relied on digital editing rather than reshoots to obscure or eliminate the structures.^[21]^[22] These changes reflected broader Hollywood caution against disaster-related visuals, delaying the film's premiere to the Toronto International Film Festival in September 2002 and limiting its theatrical rollout thereafter.^[23]^[24]

Distribution and premiere

The film had its earliest international release in Mexico on September 6, 2002.^[25] Italy followed with a theatrical rollout on October 4, 2002.^[25] Subsequent releases occurred in Peru on November 21, 2002, and Norway on November 21, 2002.^[25] In the United States, Miramax Films distributed the film for a limited theatrical release starting April 25, 2003.^[1]^[26] The marketing emphasized Al Pacino's portrayal of a crisis-weary publicist entangled in a high-stakes scandal involving political and celebrity intrigue, positioning it as a tense drama of paranoia and moral compromise.^[1] International distribution continued into 2003 and 2004, with theatrical openings in markets including the United Kingdom on May 2, 2003, and France on May 21, 2003, alongside video premieres in regions such as Australia in December 2002.^[25] These rollouts varied by territory, often prioritizing European arthouse circuits before broader platform availability.^[25]

Reception

Critical response

The film received mixed reviews from critics, earning a 45% approval rating on Rotten Tomatoes based on 56 reviews.^[1] On Metacritic, it scored 53 out of 100, indicating mixed or average reviews from 20 critics.^[26] The Rotten Tomatoes critics' consensus highlighted flaws in the narrative, stating, "The derivative plot fails to cohere or draw the viewer in."^[27] Al Pacino's portrayal of the exhausted publicist Eli Wurman drew particular praise for its raw intensity and depiction of professional and personal decline, with reviewers noting his haggard appearance, Southern accent, and emotional vulnerability.^[19] Variety's Todd McCarthy called it "Pacino’s best, most controlled work in some time," describing a "pained, exposed performance that rivets attention" akin to his role in The Insider.^[19] The New York Times observed Pacino as an "old-school New York publicist whose office is cluttered with reminders of past glory," emphasizing his character's frayed competence.^[28] Critics frequently panned the script for its convoluted structure, murky ambiguities, and underdeveloped plot elements, such as the vague handling of political manipulations and an under-defined climax.^[19] McCarthy acknowledged the screenplay's taut dialogue and dark humor but noted it "veers at times into murky ambiguity" and leaves key events sketchy.^[19] Some reviews faulted predictable thriller tropes and lack of narrative drive, arguing that even Pacino's efforts could not overcome the story's incoherence.^[29] Despite these issues, Variety deemed the film a "compelling, textured drama" worthy of theatrical release for its incisive urban cynicism.^[19]

Box office and commercial performance

People I Know earned $126,793 at the North American box office after opening in limited release on April 25, 2003, across eight theaters.^[30] International markets generated $5,357,509, bringing the worldwide theatrical gross to $5,484,302.^[31] Produced on a $20 million budget, the film failed to recoup its costs theatrically, marking it as a commercial underperformer.^[32] The picture's U.S. distribution was severely restricted by Miramax, which effectively shelved it following production, limiting audience reach and promotional efforts.^[33] Originally completed in 2001, release was postponed over a year partly due to footage of the World Trade Center towers, which distributors deemed problematic after the September 11 attacks, coinciding with broader market hesitance toward narratives centered on New York City's underbelly.^[4] This timing exacerbated visibility issues amid competition from higher-profile releases in spring 2003.^[30] Ancillary markets provided some offset through home video, though earnings remained modest and insufficient for significant recovery or cultural resurgence.^[2]

Audience reception

Audience members have rated People I Know an average of 5.4 out of 10 on IMDb, drawn from more than 12,000 user submissions as of 2025.^[34] Many viewers commended Al Pacino's intense portrayal of the beleaguered publicist Eli Wurman, highlighting his dedication to the role amid the character's descent into exhaustion and moral compromise.^[35] However, common grievances centered on the film's sluggish pacing, disjointed narrative, and stretches of implausibility that undermined engagement, with some users describing scenes as lacking emotional resonance or coherence.^[35] A subset of Pacino enthusiasts has cultivated appreciation for the movie's raw depiction of public relations machinations and interpersonal betrayals, viewing it as an underseen entry in his post-Godfather oeuvre that captures unvarnished industry grit.^[20] This sentiment appears in user discussions favoring its character-driven focus over polished production values, though broader audience feedback often relegates it to obscurity, with descriptors like "forgettable" or "misfired thriller" prevailing.^[35] Retrospective viewer accounts reveal a modest divide, where initial theatrical or streaming viewings elicited disappointment due to unmet expectations for thriller momentum, yet repeat watches among dedicated fans yield higher tolerance for its deliberate, introspective style and thematic undercurrents of ethical erosion.^[20] Polls and forum threads indicate this reevaluation stems from contextualizing Pacino's performance against his career arc, though aggregate user data shows no substantial uptick in overall scores over time.^[35]

Themes and analysis

Depiction of Hollywood corruption and media influence

The film portrays the character Eli Wurman, a veteran publicist, as emblematic of how sustained proximity to entertainment and political elites fosters incremental ethical erosion, beginning with routine scandal management and escalating to complicity in felony cover-ups. Wurman's initial task involves bailing out Jilli Hopper, the drug-compromised girlfriend of actor-client Cary Laing, after her arrest at a party, which he frames as a minor PR hiccup amenable to spin control through media contacts.^[8] This evolves into suppressing evidence of her murder—linked to a senator's extramarital involvement—to safeguard a high-profile benefit gala, illustrating a causal progression where loyalty to power structures supplants individual moral boundaries, as Wurman discards scruples in favor of access and survival.^[7] The narrative draws empirical parallels to documented PR practices in covering celebrity drug excesses, such as historical instances where agents quashed arrests via payoffs or narrative redirection, underscoring Wurman's arc as a microcosm of industry norms where personal integrity yields to systemic imperatives.^[36] Media's role emerges as a facilitative apparatus for elite impunity, depicted through Wurman's orchestration of press narratives that prioritize client protection over factual disclosure, thereby inverting truth-seeking into engineered perception. He leverages longstanding relationships with journalists to plant favorable stories and bury inconvenient details, as seen in his frantic calls to suppress the Hopper incident's fallout, revealing how interdependent PR-media ecosystems sustain opacity around misconduct.^[37] This manipulation is rendered without overt moralizing, emphasizing causal mechanics: access to information flows incentivizes selective reporting, enabling repeated impunity for figures like Laing, whose on-set antics mirror unchecked Hollywood excesses.^[38] The film's eschewal of sanitized glamour—eschewing triumphant resolutions for Wurman's deepening isolation—debunks polished industry self-images by grounding dialogue in authentic jargon and logistics derived from observed PR operations, lending verisimilitude to its critique of mediated distortion.^[39]

Political and ethical dimensions

The film's portrayal of Senatorial candidate Cary Launer, a celebrity-turned-politician entangled in a sex scandal, underscores the mechanisms of elite self-preservation wherein political ambition overrides legal and moral accountability, culminating in the murder of actress Jilli Hopper to silence her threats of exposure regarding illicit parties arranged for donors.^[2]^[40] Launer's reliance on Hollywood publicist Eli Wurman to orchestrate the cover-up highlights the symbiotic corruption between entertainment and political spheres, where influence peddling normalizes ethical breaches as routine safeguards for power.^[7] This dynamic extends beyond partisan lines, depicting a bipartisan undercurrent in New York's power networks, as the scandal implicates high-level figures indifferent to consequences so long as institutional protections endure.^[41] Ethically, the narrative rejects redemptive arcs, presenting normalized hypocrisies—such as Wurman's idealistic past aiding figures like Robert F. Kennedy contrasted with his complicity in contemporary depravity—as inherent to systems where proximity to power erodes personal integrity without reprisal.^[7] Wurman's descent into paranoia and isolation following the cover-up exemplifies causal realism in moral failure: unchecked elite influence fosters violence not as aberration but as logical endpoint of self-interested alliances.^[42] Conservative interpretations frame this as a critique of liberal-dominated structures in New York media-politics, exposing hypocrisies often sanitized in mainstream discourse; however, detractors dismiss it as undifferentiated cynicism lacking specificity.^[41] While not directly adapting verified scandals, the plot draws from recurrent New York elite controversies involving sex, fundraising, and impunity, such as those implicating political aspirants in vice rings predating the film's 2003 release.^[6] Mainstream reviews, potentially influenced by institutional biases favoring elite narratives, underemphasize these intersections, prioritizing stylistic flaws over substantive indictment.^[27]

References

[1]
People I Know | Rotten Tomatoes
Rating 45% (56) People I Know ... Burnt-out publicist Eli Wurman (Al Pacino) hopes to restore his reputation with a big benefit event. His client, Cary Launer (Ryan O'Neal), ...
[2]
People I Know (2002) - IMDb
Rating 5.4/10 (12,178) With 'People I Know' Dan Algrant tells a story of how the rich and powerful can get away with anything and everything. In the film, it is an actress, Jill (Tea ...User reviews · Full cast & crew · 5 of 26 · Release info
[3]
People I Know | Cast and Crew - Rotten Tomatoes
Cast & Crew · Daniel Algrant · Al Pacino · Kim Basinger · Ryan O'Neal · Téa Leoni · Richard Schiff · Bill Nunn · Robert Klein.Missing: 2002 plot
[4]
Every Al Pacino Performance, Ranked - Vulture
Apr 2, 2018 · People I Know (2002) Delayed more than a year because it contained multiple shots of the World Trade Center (which is a really strange ...
[5]
People I Know review (2002) Al Pacino
Pacino plays Eli Wurman, a New York publicist who tries to get a coked-up starlet out of the spotlight in order to help his politically aspiring friend, Cary.Missing: summary | Show results with:summary
[6]
People I Know (2002) summary & plot - Spoiler Town
Sep 23, 2024 · Eli Wurman, a declining New York publicist, navigates a world of celebrities and socialites, seeking to regain his lost relevance.
[7]
FILM REVIEW; When a Fading Publicist Pulls Himself Together For ...
Apr 25, 2003 · As if all that weren't enough plot for one movie, ''People I Know'' throws in Kim Basinger as the widow of Eli's suicidal older brother ...<|control11|><|separator|>
[8]
People I Know (2002) - Plot - IMDb
A New York press agent must scramble when his major client becomes embroiled in a huge scandal. Eli Wurman is a decadent drug addicted New Yorker public ...
[9]
People I Know (2002) - Full cast & crew - IMDb
People I Know ; Director. Edit · Daniel Algrant · Daniel Algrant ; Writer. Edit. (WGA). Jon Robin Baitz · Jon Robin Baitz ; Producers. Edit · Kirk D'Amico · Kirk D ...Missing: plot | Show results with:plot
[10]
[PDF] Baitz, Jon Robin (b. 1961) - GLBTQ Archives
Baitz wrote the screenplay for the 2002 film People I Know, a satire on fame directed by Daniel Algrant and starring Al Pacino as a once-high-powered ...
[11]
Neil LaBute by Jon Robin Baitz - BOMB Magazine
Apr 1, 2003 · ... People I Know , a picture for which I wrote the screenplay. I came ... Jon Robin Baitz is a playwright, director and screenwriter. His ...
[12]
Daniel Algrant - MUBI
Director · GREETINGS FROM TIM BUCKLEY. Daniel Algrant United States 2012 · PEOPLE I KNOW. Daniel Algrant United States 2002 · NAKED IN NEW YORK. Daniel Algrant ...Missing: filmography | Show results with:filmography
[13]
The Stax Report: Special Year 2001 Retrospective - IGN
Dec 20, 2001 · 6) People I Know, Jon Robin Baitz. This indie flick stars Al Pacino, Kim Basinger, and Tea Leoni, and is directed by Daniel Algrant. "(An) ...
[14]
Myriad antes up $20 mil for 'People' pic - Variety
Jan 11, 2001 · Oscar winner Kim Basinger (“L.A. Confidential”) and Tea Leoni are in final negotiations to join the cast as Pacino's love interest and a ...Missing: challenges | Show results with:challenges
[15]
Interview: After a break, it's time for Téa
Feb 6, 2005 · When she finally returned to work, the resulting films, 2002's People I Know and Woody Allen's Hollywood Ending, barely got a release outside ...<|separator|>
[16]
People I Know (2002) - Filming & production - IMDb
FAQ · IMDbPro. All topics. Kim Basinger, Al Pacino, and Téa Leoni in People I Know (2002) ... Filming locations. New York City, New York, USA. Helpful•0. 0 ...
[17]
141 Film Location Of People I Know Stock Photos & High-Res Pictures
Actor Al Pacino attends the on location filming "People I Know" on March 12, 2001 at the Palm Restaurant in New York City.
[18]
People I Know (2002) Technical Specifications » ShotOnWhat?
People I Know (2002) tech specs : Directed by Daniel Algrant with Cinematography by Peter Deming - The Motion Picture & Television Technical Database.Missing: filming handheld
[19]
People I Know - Variety
While Rudy Giuliani's name is never pronounced, the references to the former mayor-turned-national hero's tenure as top man of NYC are clear in “People I Know,” ...Missing: filming details handheld
[20]
People I Know Review | Movie - Empire Magazine
Rating 4.0 · Review by David HughesJan 1, 2000 · Completed ten days before the events of September 11, 2001, People I Know was quickly re-shot and all but shelved because of scenes featuring ...<|control11|><|separator|>
[21]
World Trade Center Edited Out of Pacino Film - ABC News
Sep 20, 2001 · ... film People I Know, which are all set in New York.People stars Pacino as a New York City publicist, and features the World Trade Center in ...Missing: delay | Show results with:delay
[22]
POST 9-11 EDITS SHRED FLICK'S SENSE OF PLACE – New York ...
With the edits, “People I Know” floats in a physically undefined world of money, glamour, influence and ambition. The lack of grounding only serves to pull ...Missing: film | Show results with:film
[23]
After Sept. 11, Twin Towers Onscreen Are a Tribute and a Painful ...
Sep 13, 2019 · The directors of “Kissing Jessica Stein” and “People I Know,” whose films were on the verge of premiering when the attacks took place, delayed ...
[24]
From United 93 to Worth: how Hollywood grappled with 9/11
Sep 10, 2021 · ... People I Know. In the tense months that followed, “many others were ... World Trade Center, Oliver Stone's film released three months ...
[25]
People I Know (2002) - Release info - IMDb
Release date ; Mexico. September 6, 2002 ; Italy. October 4, 2002 ; Peru. November 21, 2002 ; Australia. December 2002(video premiere) ; United States. January 2003( ...
[26]
People I Know Reviews - Metacritic
Rating 2.6 (20) Miramax Films; 1 h 40 m. People I Know. Metascore Mixed or Average Based on 20 ... Release Date Apr 25, 2003. Duration 1 h 40 m. Rating R. Genres. Crime · Drama.Missing: distribution IFC
[27]
All Al Pacino Movies, Ranked By Tomatometer - Rotten Tomatoes
Synopsis: Danny Ocean and his gang hatch an ambitious plot for revenge after ... People I Know (2002) Tomatometer icon 45%. #39. Critics Consensus: The ...
[28]
Seen This Guy Lately? - The New York Times
Apr 20, 2003 · IN ''People I Know,'' Al Pacino plays Eli Wurman, an old-school New York publicist whose office is cluttered with reminders of past glory ...
[29]
People I Know critic reviews - Metacritic
People I Know Critic Reviews ; positive. 9 (45%) ; mixed. 8 (40%) ; negative. 3 (15%).Missing: 2002 | Show results with:2002
[30]
Domestic Box Office For April 2003
Key:Estimated. Rank, Release, Genre, Budget, Running Time, Gross · Theaters · Total Gross ... People I Know, -, -, -, $43,050, 8, $126,793, Apr 23, Miramax, false.
[31]
Worldwide Box Office For September 2002
Gross · Max Th · Opening, % of Total, Open Th · Open · Close, Distributor, Estimated ... People I Know, -, -, -, $5,484,302, 274, -, -, -, Sep 6, -, -, false. 26 ...
[32]
Movie Box Office Figures - LDS Film
U.S. Box Production Rank Year rentals Office Gross Budget Title ... People I Know Miramax $20,000,000 Apr 25 2003 $3,943 Jersey Guy Castle Hill ...
[33]
Actors at the Box Office: Al Pacino : r/boxoffice - Reddit
Sep 13, 2025 · People I Know, 2002, Miramax, $126,793, $5,357,509, $5,484,302, N/A. 39 ... 2002, New Line Cinema, $9,688,676, $17,448,018. 35, Gigli, 2003, Sony ...Directors at the Box Office: Denis Villeneuve : r/boxoffice - RedditAt the peak of their popularity, which of these leading stars would ...More results from www.reddit.com
[34]
People I Know (2002) - Ratings - IMDb
The IMDb rating is weighted to help keep it reliable. Learn more. IMDb RATING. 5.4/10. 12K. YOUR RATING. Rate. User ratings. Filter by Country.
[35]
People I Know (2002) - User reviews - IMDb
With 'People I Know' Dan Algrant tells a story of how the rich and powerful can get away with anything and everything. In the film, it is an actress, Jill (Tea ...<|separator|>
[36]
People I Know | Film Review - Spirituality & Practice
Al Pacino is convincing as a worn-out, depressed man who is full of regrets about the meaninglessness of his life. The self-esteem building project that has ...Missing: 2002 | Show results with:2002
[37]
People I Know - Official Site - Miramax
People I Know. Starring. Tea Leoni · Kim Basinger · Ryan O'Neal · Al ... Eli Wurman is a powerful press agent who finds himself skidding into a ...Missing: plot | Show results with:plot
[38]
Pacino Plays Anti-Hero in 'People I Know' - NPR
Apr 25, 2003 · The new Al Pacino movie People I Know offers an acid portrait of Manhattan politics, and Pacino provides the story with a complex, nuanced anti- ...
[39]
People I Know Movie Review - AVForums
Rating 5/10 · Review by AVForumsAug 1, 2004 · Al Pacino plays Eli Wurman, an aging, tired and spent hypochondriac publicist, who sees something that puts his career, and life, in jeopardy.Missing: film | Show results with:film
[40]
People I Know 2002, directed by Daniel Algrant | Film review
People I Know. Film. Monday 10 September 2012. Share. Copy Link. Facebook Twitter Pinterest Email WhatsApp ... Al Pacino; Kim Basinger; Robert Klein; Téa Leoni; Bill Nunn; Ryan O' ...
[41]
Pacino Picks: 5 underrated Al Pacino films - Arrow Films
People I Know (2002). As was already mentioned, it became harder and harder to be a Pacino fan in recent years, at least until his 2019 comeback. Much like ...
[42]
People I Know (Movie, 2002) - MovieMeter.com
People I Know plot. Eli Wurman (Al Pacino) is a ... He becomes entangled in a web of intrigue, drugs and political corruption that reaches to the highest circles.