Fact-checked by Grok 2 weeks ago

Phuture

Phuture is an American music group founded in in 1985 by (Nathaniel Pierre Jones), Earl "Spanky" Smith Jr. (also known as DJ Spank Spank), and Herbert "Herb J" Jackson, renowned for pioneering the genre through their innovative use of the synthesizer. The group's breakthrough came with their 1987 single "," released on , which featured the signature squelching, pulsating bassline of the TB-303 and is widely regarded as the first record, fundamentally shaping the sound of . Originally an experimental intended as an underground DJ tool, the 11-minute track gained prominence after being played by DJ at Chicago's club in 1986, igniting the movement and influencing global , , and scenes. Phuture's early lineup experimented with distorted vocals and anti-drug messages in tracks like "Your Only Friend" (1987) and "We Are Phuture" (1988), responding to criticisms of the drug associations with culture. departed in 1990 to pursue solo work, but the group reformed in various configurations, including the Phuture 303 project led by Spanky in the late and a 2014 reunion with additional member Rio "the Musician" Lee. Spanky passed away in 2016. The legacy of Phuture endures through their role in popularizing , with "Acid Tracks" sampled by artists like on his 2013 track "On Sight" and the group receiving the Lifetime Achievement Award in 2019 for their contributions to electronic music. They continue to perform at festivals and events, maintaining influence in the community.

History

Formation and Early Years (1985–1986)

Phuture was founded in in 1985 by Nathaniel Pierre Jones, known professionally as , Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson. The group originated amid the city's emerging scene, which was shaped by influential DJs like , who residency at the helped define the genre's soulful, disco-infused roots, and , whose experimental sets at encouraged boundary-pushing sounds. DJ Pierre and Spanky connected through Pierre's local DJing, while Herb J, temporarily in , wrote Pierre a letter urging him to return and witness Hardy's innovative performances. The trio's collaboration began as informal experiments at Spanky's home, where they explored new electronic tools to innovate within . Spanky acquired a used bass synthesizer from a local pawnshop for $40, inspired by 's interest in its potential after hearing it in another production. took the lead in tweaking the device's and knobs, producing a distinctive, squelchy tone that diverged from conventional house and laid the groundwork for their experimental approach. These sessions yielded early unreleased demos in late 1985, culminating in the track (originally titled "In Your Mind"), a 15-minute cassette recording crafted specifically as a demo for DJ . The group handed the tape to Hardy, who introduced it through informal plays at that same year. Initially met with confusion that cleared the dancefloor, Hardy replayed it up to four times in one evening, gradually winning over the crowd and marking the track's underground debut in Chicago's club circuit.

Breakthrough and Original Run (1987–1990)

Phuture achieved their breakthrough in 1987 with the release of "Acid Tracks" on , a track produced by that is widely recognized as the first record and a seminal work in electronic music history. The song's innovative squelching basslines and minimalistic structure played a pivotal role in defining the acid subgenre, quickly becoming a cornerstone of Chicago's scene after its initial plays at clubs like . The track's influence rapidly spread internationally, gaining frequent plays in UK clubs such as in and in , where it helped fuel the from 1988 to 1989—a period marked by the explosion of raves and youth culture revolution. Phuture supported this growing recognition with early live performances in , amplifying the genre's raw energy and contributing to acid house's establishment as a global phenomenon. Building on this success, the group released subsequent singles that expanded their acid sound. In 1988, they issued "The Creator" on Jack Trax and "We Are Phuture" on , both exemplifying their signature style and responding to the burgeoning demand for . The following year, in 1989, Phuture—under the alias Phuture Presents III Phase—released "Do You Wanna Get Funky" on Dance Mania, further showcasing their production prowess and helping to diversify the subgenre's appeal. The original lineup's primary output came to an end in 1990 when departed Phuture to pursue his solo career, amid the intensifying scene and his move to for new opportunities. This marked the close of Phuture's breakthrough era, leaving a lasting legacy in electronic music through their foundational contributions to .

Lineup Changes and Reformation (1991–present)

Following the original lineup's dissolution around 1990, Phuture's activity shifted primarily to "Spanky" Smith Jr., who continued the project under his leadership with a rotating cast of collaborators. In 1992, Spanky partnered with for the single "Rise from Your Grave," released on , with additional production input from emerging talent Roy Davis Jr. and contributions from DJ Skull (Ron Maney) on subsequent efforts, marking an attempt to sustain the group's momentum amid the burgeoning club scene. This era saw sporadic releases as Spanky assembled ad hoc lineups, including L.A. Williams and others, to navigate the post-Trax landscape while exploring harder-edged influences. By 1996, amid ongoing fragmentation, Spanky formally established Phuture 303 as a direct continuation of Phuture's , recruiting a fresh ensemble that included , , L.A. Williams, Damon Neloms (aka ), and Lothario "Rio" Lee. The group debuted with the EP Alpha & Omega on Perspective Records, emphasizing extended acid sequences and futuristic . Phuture 303 solidified its output with the full-length Survival's Our Mission in 2001 on Music Man Records, a double-disc set that blended raw 303 basslines with industrial percussion, reflecting Spanky's vision for acid's evolution into the new millennium despite limited commercial traction. In 2014, DJ Pierre reconciled with Spanky for a high-profile reunion, incorporating Rio Lee on keys and multi-instrumental duties to form a core trio that produced new material and embarked on international tours, including a live debut in New York. This reformation revitalized Phuture's presence, with live sets highlighting improvised acid jams and nods to their foundational tracks. However, the momentum was tragically halted by Spanky's death in September 2016 from complications following a stroke, leaving Pierre and Lee to carry forward the group's legacy. Post-2016, Phuture stabilized with the addition of producer Fernando "Lessnoise" Rivera (aka Fher Rivera) around 2017, who brought a modern edge to their sound through global tours alongside . The current lineup released the collaborative "Acid TraXXX" in 2023 on Vandit , a rework of their seminal featuring , which fused classic with trance-infused builds to reintroduce Phuture to younger audiences. They maintained activity with performances at major events, including the Blacktronika Festival in City's on August 16, 2025, where they headlined a bill celebrating Black electronic music pioneers. Throughout this period, Phuture faced significant challenges from protracted label disputes with , the imprint behind their 1987 breakthrough "," involving allegations of unpaid royalties, fraudulent contracts, and unauthorized control over masters. These conflicts, escalated by lawsuits from Phuture and other artists since the early 2020s, highlighted exploitative practices in the genre's origins and delayed proper compensation. Digital reissues of legacy tracks on platforms like , often managed by Trax without artist input, have amplified these issues by generating streaming revenue streams that bypass original creators, underscoring the tension between preservation and ownership in house music's digital era.

Musical Style and Innovation

Development of the Acid Sound

emerged as a subgenre of music in the mid-1980s, distinguished by its hypnotic, squelching basslines generated through the modulation capabilities of the , often paired with minimal vocals and repetitive structures extending beyond 10 minutes to sustain extended dancefloor immersion. This sound contrasted with the more upbeat, soul-infused elements of traditional by emphasizing a raw, electronic that evoked a sense of trance-like progression without traditional climaxes. Phuture, consisting of (Nathaniel Pierre Jones), Spanky (Earl Smith Jr.), and Herb J, played a pivotal role in defining and popularizing the "" moniker, which originated from the TB-303's distinctive "acidic" resonance produced by twisting its cutoff and resonance knobs during experimentation. Their seminal track "," recorded in 1986 as a lo-fi demo and released in 1987 on , exemplified this innovation with its 12-minute runtime of evolving, amoebic sequences, sparse percussion, and ghostly squelches that created a chaotic yet mesmerizing matrix. The track's aesthetic was notably gloomy and monotonous, featuring occasional chants and subtle drug references in tracks like "Your Only Friend," which used a deepened, harmonized voice to underscore themes of isolation and excess, setting it apart from the celebratory vibe of contemporaneous . Initially conceived during casual jam sessions where the TB-303 was repurposed from its intended role into a lead instrument, Phuture's raw demos evolved into more polished releases under the guidance of producers like , who refined "" for wider distribution. This progression helped propel the acid sound from Chicago's underground clubs, such as Ron Hardy's , to global recognition, influencing subgenres like and through its emphasis on the 303's visceral, jagged timbres. While precursors such as Charanjit Singh's 1982 album Synthesizing: Ten Ragas to a Disco Beat explored similar TB-303 modulations in an experimental electro-disco context, Phuture's innovations were uniquely tailored for the high-energy, improvisational demands of the dancefloor, cementing as a cornerstone of electronic music.

Production Techniques and Equipment

Phuture's production centered on the Bass Line synthesizer, a 1981 model originally intended for simulation but repurposed through extensive real-time parameter adjustments. The device's was key, with producers like tweaking the and levels—often pushing to near-oscillation—to generate the signature squelching, acidic basslines that defined their sound. These manipulations created dynamic, evolving tones by varying filter envelope depth and per sequence step, allowing the bassline to "sweep" and modulate organically without external automation during initial sessions. Percussion was layered using and TR-727 drum machines, which provided the track's sparse, driving rhythms with programmed kick drums, snares, and hi-hats. Vocal elements were minimal, typically involving simple sampling of spoken phrases or effects, added post-bassline sequencing to maintain the hypnotic, instrumental focus. Early recordings, such as the initial version of "Acid Tracks," were captured directly to in makeshift home studios with limited gear, resulting in a raw, distorted aesthetic that emphasized the TB-303's unpolished grit over polished mixing. The recording process for "Acid Tracks" exemplified these constraints: after experimenting with the TB-303 pattern in a casual setting, the group transferred it to a professional studio for a single-take capture on multitrack tape, with handling final production to preserve the live, unrefined energy. Techniques like envelope modulation on the TB-303's filter—adjusting , , and sustain values across the 16-step sequencer—produced the track's pulsating, acid-like bass evolution, setting a blueprint for automated sweeps in subsequent productions. In later years, with evolving lineups and reunions, production shifted toward digital tools to accommodate live performances and new releases. incorporated software emulations of the TB-303, such as Roland's ACB-modeled plugins in DAWs like and Reason, alongside hardware like the TB-3 for onstage reliability and expanded options. This transition enabled precise recreation of the original squelch while integrating modern sequencing and effects, as seen in reunion-era tracks that blend analog-inspired patterns with digital layering.

Members

Current Members

As of 2025, Phuture's active lineup consists of two core members who have driven the group's output since its reformation as a duo in 2017 following the death of co-founder DJ Spank Spank. Nathaniel Pierre Jones, known professionally as , serves as the founder and primary producer, renowned for his pioneering use of the synthesizer to create the signature sound. Originally forming Phuture in 1985, rejoined the group in 2013 and has since led its creative direction, focusing on blending classic acid elements with modern production techniques in studio work and live sets. Fernando "Fher" Rivera, alias Lessnoise, joined the lineup in as a DJ and , bringing expertise in and remixing. Lessnoise focuses on integrating contemporary elements into Phuture's sound, particularly through modern remixes and contributions to live sets that incorporate updated rhythms and effects. His role has helped evolve the group's performances for audiences. The duo has been active in recent years, with (of Phuture) releasing the 2023 EP Acid TraXXX with on VANDIT Alternative, which fuses with progressive trance influences. In 2025, Phuture performed at events like New York's Blacktronika Festival on August 16, emphasizing a fusion of their classic legacy with refreshed, high-energy interpretations.

Former Members

Herbert "Herb J" Jackson served as an original member of Phuture from its formation in 1985 until 1988, contributing drumming and sampling to the group's pioneering tracks during their early years. He departed after the release of key singles like "Acid Tracks" and "We Are Phuture" to pursue solo endeavors and other collaborative projects, including work with Phase 23. Earl "Spanky" Smith Jr., a co-founder of Phuture in 1985, remained involved until his death in 2016, handling beats, drum programming, and organizational duties throughout the group's evolution. After DJ Pierre's exit in 1990, Smith led lineup changes and sustained the project through various phases, including the Phuture 303 era starting in 1996, where he produced acid-infused releases like the Alpha & Omega EP. His departure in 2016 was due to personal health reasons, marking the end of his direct involvement. Lothario "Rio" Lee, a multi-instrumentalist and vocalist, joined Phuture 303 in 1996 with DJ Spank Spank and continued as part of the lineup during the 2014 reformation with DJ Pierre. Rio Lee was instrumental in live performances, providing vocal contributions and instrumental support that enhanced the ensemble's dynamic stage presence, while also co-producing tracks that expanded on Phuture's acid house roots. His involvement ended around 2016 following Spank Spank's death. Roy Davis Jr. joined Phuture in 1990 and contributed to the group until 1997, bringing a gospel-influenced production style that infused mid-1990s tracks with soulful elements amid the acid house framework. He co-produced and provided vocals on releases such as "Rise from Your Grave," emphasizing layered, emotive arrangements during this transitional period. Following his exit, Davis pursued a solo career in soulful house, achieving acclaim with tracks like "Gabriel" featuring Peven Everett, which blended gospel roots with electronic grooves. DJ Skull, born Ron Maney, had a brief tenure with Phuture from 1996 to 1997, participating in the shift toward the Phuture 303 lineup and focusing primarily on DJing and production support for explorations. His involvement centered on live sets and contributions to EPs like Alpha & Omega, bridging the group's original sound with emerging collaborations before he returned to his independent DJ career. Other short-term members included Jay Juniel and Phill Little, both active in 1990, who added live energy and compositional input to tracks like "Rise from Your Grave" but departed shortly after due to shifting group dynamics.

Discography

Singles and EPs

Phuture's early singles, released on Chicago's influential , exemplified the raw, experimental edge of . Their debut single, "Acid Tracks," released in 1987 on , is widely regarded as the track that defined and popularized the genre through its innovative use of the synthesizer, igniting a global movement in electronic music. That year, "Your Only Friend" followed on , featuring distorted vocals and an anti-drug message. In 1988, "We Are Phuture" appeared on , continuing the group's exploration of acid sounds with similar thematic elements. Following this, "The Creator" appeared in 1988 on Jack Trax, showcasing Phuture's continued exploration of squelching basslines and minimalistic rhythms that built on the acid sound's foundational elements. That same year, the EP "Slam / Spank Spank" on Low Fat Vinyl highlighted the group's playful, percussive side with tracks emphasizing heavy drum programming alongside acid motifs. In 1989, "Do You Wanna Get Funky" was released on Dance Mania, incorporating funky elements into their acid house style. Entering the 1990s, Phuture's output shifted to the more polished productions of , reflecting the label's signature house sound while retaining roots. "Rise from Your Grave," released in 1992 on , featured urgent, anthemic vocals and driving 909 beats, becoming a staple in early sets for its high-energy revival of the group's legacy. The 1993 single "Inside Out" on the same label delved into introspective themes with layered synths and vocal samples, marking a maturation in Phuture's songwriting amid the burgeoning club scene. In 1994, "Spirit" followed on , blending ethereal pads with pulsating acid lines to evoke a sense of transcendence, aligning with the era's spiritual undertones in dance music. Later that year, "Mental Breakdown" on intensified the rawness with distorted 303 sequences and frantic rhythms, capturing the psychological edge of acid's hypnotic pull. Phuture's mid-1990s work included releases under variations like Phuture Next Generation. The 1996 single "Times Fade," issued on DJAX Upbeats, incorporated influences with extended mixes that emphasized atmospheric builds and old-school callbacks, signaling the group's adaptation to European electronic trends. Later singles and reissues demonstrated Phuture's enduring relevance through collaborations and updates. In 1997, remixes of "Your Only Friend" by on infused the original's cautionary anti-drug narrative with contemporary and elements, bridging origins to late-90s club culture. The 2001 split single "Acid Trax / Fantasy Girl" with Pierre's Phantasy Club on S12 revisited classic material in a raw, back-to-basics format, appealing to collectors and purists. In 2012, the EP "Acid Trax 2012" on Afro Acid Plastik, featuring and , modernized the iconic track with afro-infused percussion and updated production, celebrating the sound's 25th anniversary. In 2023, "Acid TraXXX" on , a collaboration with and , fused progressive trance with blistering riffs, marking a bold evolution and reintroduction for contemporary electronic audiences. Most recently, in 2024, the EP "Power Concedes Nothing (Without Demand!)" was released on Afro Acid Digital, featuring new productions led by . Across their career, Phuture released over a dozen singles and , transitioning from ' gritty, lo-fi aesthetic in the late to Strictly Rhythm's refined, vocal-driven polish in the , and onward to diverse labels that sustained their innovations. Some of these tracks later appeared on albums, but their standalone releases formed the core of Phuture's influential output.

Albums and Compilations

Phuture, the pioneering Chicago acid house collective, did not release any full-length albums during their original run in the late and early , focusing instead on influential singles and . However, following lineup changes, the project evolved into Phuture 303 in 1996, formed by core member DJ Spanky (Earl Smith Jr.) alongside collaborators including L.A. Williams and others, effectively serving as a direct successor that expanded the group's catalog into longer-form explorations of sounds. Phuture 303's debut album, Alpha & Omega, was released in 1996 on Perspective SDS in the (with a 1997 vinyl edition on A1 Records). This double marked a maturation of the aesthetic, featuring extended tracks that layered basslines with soulful elements and rhythmic experimentation, such as "A New Beginning" and "Alpha+Omega Theme," alongside vocal-infused cuts like "Phuture Is Calling You." The album's 10 tracks emphasized thematic continuity with Phuture's origins while incorporating broader electronic influences, running over 70 minutes in total. The group's second and final album, Survival's Our Mission, appeared in 2001 on Belgium's Music Man Records as a CD compilation of vinyl parts released earlier that year. Clocking in at approximately 70 minutes across 14 tracks, it delved into updated acid house with harder techno edges, highlighted by "Blackout 2001 Part 1," "Riden," and the title track "Survival's Our Mission," which underscored themes of perseverance in electronic music. These releases signified a shift toward cohesive, album-oriented acid house narratives, contrasting the immediacy of Phuture's earlier singles. In addition to these successor projects, Phuture's material has been prominently featured on compilations that preserve their legacy. The 2005 collection Phuture And Other Classics From DJ Pierre on Trax Records gathered early hits like "Acid Tracks" alongside tracks from DJ Pierre's broader catalog, offering a retrospective of Chicago house's foundational era. Similarly, the 1996 split release Acid Tracks / String Free on Trax paired Phuture's seminal track with Phortune's contribution, emphasizing acid's enduring appeal. Phuture tracks also appear on various Jack Trax compilation volumes, such as Jack Trax - The Fourth Album (1988), which included "Acid Tracks" among other Chicago pioneers' works. Post-2020, digital reissues and bundles of Phuture's catalog have proliferated on platforms like Spotify and Discogs, including the 2023 single Acid TraXXX.

Remixes

Phuture's remix contributions and reworked versions of their own material primarily extend the group's signature aesthetic, amplifying the squelching basslines and rhythmic elements to create longer, more immersive mixes suited for extended club sets. While their original output defined the genre, these remixes—totaling around 10 notable examples, with the majority from the —demonstrate collaborative extensions that preserved and evolved the raw, hypnotic energy of .

Remixes for Other Artists

Phuture provided the "Phuture's Mix" for Roy Davis Jr.'s "Heart Attack" in 1994, infusing the track with deep, pulsating acid lines on the Power Music Records release. The group teamed up with Mr. Fingers () for the 2002 split single "Washing Machine / Got The Bug" on S12, where Phuture's side "Got The Bug" featured reworked acid motifs alongside Heard's atmospheric production. Additionally, Phuture 303 delivered the "Deep Underground Mix" for DJ Pierre's "Matrix Chamber" in 1999, extending the track's underground acid vibe on Phuture Records.

Remixes of Phuture's Tracks

Several reworkings of Phuture's catalog highlight the enduring appeal of their sound. remixed "Your Only Friend" in 1997 for , adding electro-infused layers to the original's sparse acid framework while retaining its club-ready pulse. The seminal saw a 2011 rework via Jackmaster Hater's version on Kstarke Records (KR005), presenting an unreleased acid variant that echoed the original's raw experimentation. In 2012, and updated it as "Acid Trax 2012" on Afro Acid Plastik, modernizing the TB-303 sequences for contemporary dancefloors. More recently, and released a digital rework titled "Acid Traxxx" in 2023 on VANDIT, blending elements with the track's foundational acid lines for a fresh digital audience.

Legacy and Influence

Impact on Electronic Music

Phuture's "Acid Tracks," released in 1987, is widely recognized as the foundational track of , a subgenre characterized by the squelching, resonant basslines produced by the synthesizer. This innovation directly inspired the UK's "" in 1988, a cultural phenomenon where fueled underground and transformed , drawing crowds to ecstatic, drug-influenced gatherings across cities like and . The track's raw, hypnotic energy helped bridge Chicago's scene with European audiences, laying the groundwork for the global rave movement. As a blueprint for TB-303 manipulation, "Acid Tracks" influenced subsequent electronic genres, including acid techno exemplified by German duo Hardfloor's 1992 track "Acperience 1," which amplified the 303's acidic timbres into harder, faster rhythms. Artists like Josh Wink incorporated these techniques into their work, as seen in his 1995 hit "Higher State of Consciousness," blending acid elements with breakbeat and techno to create high-energy dancefloor anthems. The sound also permeated trance subgenres, where the 303's evolving slides contributed to the genre's psychedelic, uplifting progressions in the early 1990s. Phuture's innovations spread globally, impacting European labels such as Warp Records, which included "Acid Tracks" in its 1999 compilation Warp10+1: Influences to highlight acid house's role in shaping intelligent dance music and IDM. The track's 303 sound was sampled and emulated in big beat productions, notably Fatboy Slim's 1996 single "Everybody Needs a 303," a direct homage that popularized acid elements in mainstream electronic music. In the digital era, Phuture's legacy drove revivals through software emulations like Cloud's TB-303 plug-in, released in 2019, which includes official patches from DJ Pierre's Phuture collection to recreate the original acid sound with modern DAW integration. This accessibility has sustained the 303's use in contemporary production. In the , Phuture experienced a resurgence with live performances at festivals like Blacktronika in City's in 2025, and features in documentaries such as a 2024 retrospective on "" by electronic music historians, reaffirming their status as founders.

Cultural and Critical Reception

Phuture's "Acid Tracks," released in 1987, became emblematic of the 1980s underground scene, where its squelching basslines intertwined with the era's burgeoning ecstasy-fueled culture in clubs and beyond. The track's hypnotic, drug-like repetition mirrored the euphoric, communal experiences of early , helping to propel as a soundtrack for and social liberation. Rooted in 's vibrant and communities, Phuture's sound drew from the city's origins, which emphasized inclusive dancefloors blending African American and Latin rhythms with electronic innovation. Critics have long praised Phuture for pioneering , with "Acid Tracks" frequently ranked among the most influential electronic recordings. included it in its list of the 20 best records, highlighting its role as a legendary cornerstone of the scene. has celebrated the track as a transformative force, crediting it with reshaping through its raw, experimental energy and placement in essential party song compilations. Music journalist , in his seminal book Energy Flash: A Journey Through Music and Dance Culture, hails Phuture's contributions as pivotal to the evolution of rave sounds, underscoring their impact on global electronic subcultures. Phuture's legacy has not been without controversy, particularly surrounding their dealings with , the label that released "." The label faced accusations of exploitative contracts and withholding royalties from early artists, including Phuture's , who publicly stated that Trax never paid him earnings despite the track's enduring success. This issue contributed to broader critiques of the early industry, where predatory practices delayed financial recognition for Black and Latino creators at the genre's forefront. Early narratives around have also drawn scrutiny for underrepresenting gender diversity, with critiques noting the male-dominated pioneer stories that overshadowed women's and non-binary contributions to Chicago's scene. In recent years, Phuture has enjoyed renewed attention, as evidenced by coverage of ' ongoing legacy in , which revisited the label's role in history amid 2023 discussions of artist rights and reissues. Academic analyses continue to explore acid house's DIY ethos, positioning Phuture's bedroom experimentation with the as a model for that democratized electronic production. Phuture received notable honors in 2025 with a headline performance at New York's Blacktronika Festival, a event dedicated to illuminating innovators of color in electronic music's evolution. This tribute underscores their ongoing societal relevance, celebrating the group's foundational ties to Black electronic heritage.

References

  1. [1]
    Phuture · Biography - Resident Advisor
    Phuture is a Chicago based group founded in 1985 by DJ Pierre, Earl "Spanky" Smith AKA DJ Spank Spank and Herb J. The group's 1987 release "Acid tracks" lay ...
  2. [2]
    Lifetime Achievement: DJ Pierre and Phuture - Roland Articles
    That historic DJ crew increased demand for house music in Chicago during the early-'80s. They did so with flawless edits and impeccable mixing skills. The group ...
  3. [3]
    Phuture: pioneers of acid house | Vivid festival 2014 - The Guardian
    May 27, 2014 · Two young Chicago musicians were messing about with a synthesizer when they hit on a world-changing sound. Now they're back – and being sampled by Kanye West.
  4. [4]
    An Acid History: Dj Pierre & Spanky Talk - Ransom Note
    Pierre has spoken about the creation of Acid Tracks before, but it's rare to catch him in conversation with Spanky, his co-creator in Phuture.
  5. [5]
    Phuture “Acid Tracks” | Insomniac
    May 18, 2017 · “Acid Tracks” and acid house came about via a mix of originality, accident and enthusiasm. By 1985, house music was thriving in Chicago.
  6. [6]
    The Story Of Acid House: As Told By DJ Pierre
    ### Summary of DJ Pierre Interview on Phuture Formation, TB-303 Acquisition, Creation of Acid Tracks, and Early Plays
  7. [7]
    Phuture · Biography - Resident Advisor
    The group's 1987 release "Acid tracks" lay claim to being the first-ever Acid house record using Roland's TB-303 that kick started a whole.. Their love for ...
  8. [8]
    https://daily.redbullmusicacademy.com/2012/12/dj-pierre-interview
  9. [9]
    A second summer of love | Electronic music | The Guardian
    Apr 19, 2008 · Twenty years ago acid house and a new drug arrived in Britain's clubs to incite the biggest revolution in youth culture since the Sixties' summer of love.
  10. [10]
    Phuture
    ### Summary of Phuture Releases (1987–1990)
  11. [11]
    https://www.theguardian.com/music/2008/apr/20/electronicmusic.culture
  12. [12]
    Part 1: Introducing Afro Acid Pioneer DJ Pierre: Phuture, the Studio ...
    Feb 23, 2017 · In 1990, DJ Pierre left the saturated house music scene in Chicago and moved to New York where he pioneered another genre stemming from ...
  13. [13]
    Phuture Perfect: DJ Pierre on the Return of the Original Acid House ...
    Aug 3, 2015 · Acid House emerged from the streets of Chicago fully formed in 1987, when Phuture's “Acid Tracks” graduated from Ron Hardy's Music Box sets and ...
  14. [14]
    Sound Behind the Song: "Acid Tracks" by Phuture - Roland Articles
    “Acid Tracks” spread like wildfire from Chicago across the globe. Learn how the TB-303 gave birth to a smiling generation of clubbers.
  15. [15]
    The Story Of Acid House: As Told By DJ Pierre
    Dec 5, 2012 · It was his early acid house group Phuture – with friends Spanky and Herb J – that changed the game forever with the Acid Tracks EP in 1987.
  16. [16]
    Back to the Phuture: DJ Pierre on Inventing Acid and Why EDM Fans ...
    Aug 4, 2014 · DJ Pierre spoke to me over the phone from Chicago about how he invented acid, where the 303 sound got its name, and why he thinks EDM fans need to learn their ...Missing: interview TB- home
  17. [17]
    Charanjit Singh on how he invented acid house ... by mistake
    May 10, 2011 · While Ten Ragas is not the only pre-acid house record to use the 303, it's perhaps the only one that sounds like it should have influenced acid ...Missing: Synthesizing | Show results with:Synthesizing
  18. [18]
    Phuture · Artist Profile - Resident Advisor
    Phuture is a Chicago based group founded in 1985 by DJ Pierre, Earl "Spanky" Smith AKA DJ Spank Spank and Herb J. The group's 1987 release "Acid tracks" lay ...
  19. [19]
    The Best of Phuture - Mixmag.net
    Sep 22, 2016 · ... Phuture with DJ Pierre and Herb J in 1985. Two years later, they released the 'Acid Tracks' EP, the seminal acid house material that laid ...
  20. [20]
    agenda archief · Phuture · DJ, groep · DJ Phuture - Partyflock
    In 2014 Pierre and Spanky reunited as PHUTURE with newest member Rio "The Musician" Lee and are working on new music and an tour. Uitgaansagenda Phuture.
  21. [21]
    Lessnoise (@lessnoisemusic) • Instagram photos and videos
    Fher Rivera Member of @phuture_phuture. Bassist @versunoband · I'm so thankful to be free to express my musical journey along an inspiring artist and #acid ...
  22. [22]
    PHUTURE – ACID HOUSE CREATORS
    30 years ago history was made in Chicago when Acid House was born, it came straight from the 'Phuture' and revolutionised dance music.
  23. [23]
    New Music & Vinyl - ACID TRAXXX EP with DJ Pierre of PHUTURE
    Paul van Dyk x PHUTURE x DJ Pierre – ACID TRAXXX. single out Friday 13th of October on VANDIT Alternative. https://bfan.link/VA-acidtraxxx.
  24. [24]
    https://djmag.com/content/game-changers-phuture-acid-tracks
  25. [25]
    RIP Earl Smith, founder of Phuture · News RA - Resident Advisor
    Sep 21, 2016 · Earl Smith has died. Earl "DJ Spank Spank" Smith founded the Chicago house group Phuture alongside DJ Pierre and Herb J in 1985.Missing: tenure | Show results with:tenure
  26. [26]
    Phuture 303
    ### Summary of Phuture 303 Full-Length Albums and Compilations
  27. [27]
    Roy Davis Jr · Biography - Resident Advisor
    Davis began his own production company named Phuture in the late 1980s and went on to become an A&R scout for record label Strictly Rhythm in NYC whilst also ...Missing: 1990-1997 contributions
  28. [28]
    Roy Davis JR Talks - Ransom Note
    Whilst best known for the seminal 'Gabriel', Roy Davis Jr's story weaves in and out of the history of house music – from being a member of Chicago Bad Boys and ...Missing: 1990-1997 contributions
  29. [29]
    https://iumag.co.uk/phuture-creators-of-acid-house/
  30. [30]
    Roy Davis Jr. feat Peven Everett - Gabriel - HOUZ-MOTIK MAGAZINE
    Feb 17, 2006 · With Gabriel (1996), Roy Davis Jr. and Peven Everett created a timeless house music anthem, mixing electronic groove and soul and gospel influences.
  31. [31]
    DJ Skull · Biography - Resident Advisor
    A luminary behind the controls, and artist who measures in notoriety alongside mentors and contemporaries Ron Hardy, Phuture's Roy Davis Jnr to Steve Poindexter ...
  32. [32]
    ‎Phuture 303 - Apple Music
    This new lineup released the Alpha & Omega EP on Perspective in 1996, the ... Spanky collaborated on another Phuture 303 album, Survival's Our Mission.
  33. [33]
    Genre busting: the origin of music categories - The Guardian
    Aug 25, 2011 · ... acid house, originally from Phuture's 1987 single Acid Tracks, has come to mean anything with a yammering, squealing TB-303 on it. Ambient ...
  34. [34]
    https://mixmag.net/feature/best-of-phuture
  35. [35]
    https://ra.co/dj/roydavisjr/biography
  36. [36]
    https://www.theransomnote.com/music/interviews/roy-davis-jnr-talks/
  37. [37]
    https://www.discogs.com/master/93430-Phuture-Rise-From-Your-Grave
  38. [38]
    https://houz-motik.fr/2006/02/roy-davis-jr-feat-peven-everett-and-the-legendary-gabriel/
  39. [39]
    Phuture 303 - Alpha & Omega
    ### Summary: Alpha & Omega by Phuture 303
  40. [40]
    Phuture303 - Survival's Our Mission
    **Tracklist for Survival's Our Mission by Phuture 303**
  41. [41]
    https://www.theguardian.com/music/2011/aug/25/origins-of-music-genres-hip-hop
  42. [42]
    Phuture | Spotify
    Singles and EPs. Power Concedes Nothing (Without Demand!) Single • 2024 · ACID TRAXXX. Single • 2023 · 35-003 (Acid Track Remixes). Single • 2019.
  43. [43]
    https://www.discogs.com/release/80700-Phuture-Spirit
  44. [44]
    Phuture - Wikipedia
    Phuture is an American house music group from Chicago, founded in 1985 by Earl "Spanky" Smith Jr., Nathaniel Pierre Jones aka DJ Pierre, and Herbert "Herb J" ...
  45. [45]
    https://www.discogs.com/release/2387-Phuture-The-Next-Generation-Times-Fade
  46. [46]
    https://www.discogs.com/master/3282850-Paul-van-Dyk-x-Phuture-x-DJ-Pierre-Acid-TraXXX
  47. [47]
    https://www.discogs.com/release/30398846-Phuture-Power-Concedes-Nothing-Without-Demand
  48. [48]
    https://www.discogs.com/release/264-Phuture-303-Alpha-Omega
  49. [49]
    https://www.discogs.com/release/17898-Phuture303-Survivals-Our-Mission
  50. [50]
    Phuture's "Acid Tracks" and the Acid House to come
    Mar 4, 2022 · The "Second Summer of Love" in the UK (1988) exemplified this movement, where acid-fuelled raves flourished, creating a utopian atmosphere ...Missing: 1989 | Show results with:1989
  51. [51]
    The 30-year-old soundtrack to hedonism - BBC
    Sep 11, 2018 · In the summer of 1988 – labelled 'the Second Summer of Love' – acid house went from an underground British clubbing scene to an international ...
  52. [52]
    10 synths that defined dance music - MusicTech
    Jul 15, 2019 · The likes of Hardfloor, Marshall Jefferson, Josh Wink and Aphex Twin spread the word from Chicago and Detroit to Ibiza via New York, London and ...
  53. [53]
    10 of the best Roland TB-303 tracks of all time: Fatboy Slim, Voodoo ...
    Mar 3, 2024 · 1. A Guy Called Gerald - Voodoo Ray · 2. Josh Wink - A Higher State of Consciousness · 3. Phuture - Acid Tracks · 4. Fatboy Slim - Everybody Needs ...Missing: Orb | Show results with:Orb
  54. [54]
    Warp10+1: Influences, Warp10+2: Classics 89-92, Warp10+3 - NME
    Sep 12, 2005 · Back then, they sounded alien and unfathomable; now the likes of Steve Poindexter's 'Computer Madness' or Phuture's 'Acid Tracks' feel like ...
  55. [55]
    It's As Easy As 303 - Roland Cloud
    This curated playlist of seminal tracks that helped immortalize the TB-303. From acid house forebearers Phuture to festival heavyweights Daft Punk and Fatboy ...
  56. [56]
    TB-303 DJ Pierre's Phuture Collection | Patches & Patterns - Roland
    Download TB-303 DJ Pierre's Phuture Collection today—available with Roland Cloud Ultimate and Pro memberships or a Lifetime Key purchase. Join Roland Cloud.Missing: era revival
  57. [57]
    DJ Pierre's Phuture Collection | Roland Cloud TB-303 / TR-707 / TR ...
    Mar 2, 2022 · Happy #303Day Transform your sound with this exclusive collection of patches and patterns from musician, producer, and acid house pioneer DJ ...Missing: digital era revival emulations
  58. [58]
    https://www.voltagecontrol.blog/phuture-acid-house-acid-tracks/
  59. [59]
    DJ Pierre and The Story Behind "Acid Tracks" by Phuture - YouTube
    Sep 11, 2024 · Phuture, the pioneering group behind the acid house movement, transformed the electronic music ... HISTORY. Renegade Rave Archives•50K views.
  60. [60]
    Rave | Aesthetics Wiki - Fandom
    The association of rave culture with drug use, particularly ecstasy, was a significant aspect. ... "Acid Tracks" by Phuture; "Adagio for Strings" (Ferry Corsten ...Missing: Latino | Show results with:Latino
  61. [61]
    [PDF] The Day We Lost the Beat: Techno's Journey From Detroit to Berlin ...
    May 9, 2016 · • Phuture – Acid Tracks. • 808 State – Pacific State. • Kid Paul ... fueled by Chicago acid house and Ecstasy transforming the British popular ...
  62. [62]
    Articles - Tim Lawrence
    UK acid house culture, which referenced Phuture's sublimely freakish "Acid Tracks ... black and Latin dance culture out of the downtown mix. That song was ...<|separator|>
  63. [63]
    20 Best Chicago House Records - Rolling Stone
    Apr 2, 2014 · Phuture was a trio comprised of Earl "Spanky" Smith, Herbert "Herb J" Jackson, and most famously, Nathaniel Pierre Jones, better known as DJ ...<|separator|>
  64. [64]
    Part seven: Party songs - Music - The Guardian
    Mar 20, 2009 · ... Phuture hit a new groove, confecting gospel, soul and a sweet trumpet loop into Gabriel. It was one of the biggest dance tracks of the year ...
  65. [65]
    Extract: Simon Reynolds' updated seminal rave history Energy Flash
    Jun 17, 2013 · In the spirit of Retromania, music critic Simon Reynolds has updated his essential work Energy Flash: A Journey Through Rave Music And Dance ...Missing: Phuture critical praise best Rolling Stone Guardian
  66. [66]
    Trax Records is Facing Federal Copyright Infringement Lawsuit Over ...
    Jun 27, 2020 · In another 5 Magazine interview, DJ Pierre of Phuture alleges, “Trax never paid me royalties.” TaP Music Publishing, who is currently ...Missing: controversy | Show results with:controversy
  67. [67]
    A history of Trax Records and the fight for Chicago's house pioneers ...
    Mar 7, 2023 · It's also a story of dubious business practices, missing royalties, dodgy contracts and lengthy litigation, defined by competing 'truths' that ...
  68. [68]
    Simon Parkin - Rave Flyer and Poster Preservation Project
    "Pirate skills did not require art school, technical college or any form of State education." (37) Here one can see the DIY ethic behind Acid House culture ...Missing: ethos | Show results with:ethos
  69. [69]
    New York's Blacktronika Festival books Phuture, Waajeed for 2025
    Apr 24, 2025 · Taking place at Central Park on August 16th and Harlem's Marcus Garvey Park on August 17th, the free event will feature performances from ...