Power to Play
Power to Play is a philanthropic grant program established by the Alabama Power Foundation to fund extracurricular initiatives in athletics, arts, and music at public middle and high schools across Alabama. Launched in 2014, the program provides financial support to enhance student engagement in these areas, recognizing their role in improving academic performance, graduation rates, and overall well-being while addressing barriers in underserved communities.[1][2] The program offers three distinct grant categories, each awarding up to $2,500: Innovation Grants for Athletics, which fund new sports teams, equipment, uniforms, referees, or facility improvements for schools affiliated with the Alabama High School Athletic Association (AHSAA) or Alabama Independent School Association (AISA); Innovation Grants for Arts, supporting new programs, supplies, or equipment to increase participation; and Innovation Grants for Music, covering instruments, sheet music, uniforms, competitions, or teacher professional development.[1] Eligibility is limited to public schools in districts where at least 50% of students qualify for free or reduced-price lunches, ensuring focus on high-need areas. Applications are accepted annually, typically from late July to late August, with awards announced in the fall.[2][1] Since its inception, Power to Play has distributed over 300 grants totaling nearly $700,000 (as of 2023), helping schools recover from challenges like revenue losses during the COVID-19 pandemic and reducing issues such as absenteeism and disciplinary actions through enriched extracurricular opportunities.[2] As part of the Alabama Power Foundation's broader commitment to educational advancement—backed by a corpus exceeding $113 million as of 2024 and annual contributions surpassing $16 million—the program underscores the foundation's 36-year history of community investment in Alabama.[3]Development
Announcement
On March 29, 2023, McFly announced their seventh studio album, Power to Play, through social media posts and an official press release, marking their return to original band members after a period of side projects.[4] The band expressed their intent to reconnect with their guitar-driven rock origins, drawing inspiration from 1980s hair metal and glam rock acts such as Van Halen and Mötley Crüe, while aiming to reignite the raw energy of their live performances.[5] In initial statements, members Tom Fletcher, Danny Jones, Harry Judd, and Dougie Poynter highlighted the album's focus on honest, high-energy rock to motivate aspiring young musicians, stating their goal was to "reach that kid with long hair, get them excited about music and make them want to pick up a guitar and jump on their bed."[5] Alongside the album title and a confirmed release date of June 9, 2023, McFly revealed their lead single, "Where Did All the Guitars Go?", which was set for release on March 31, 2023, as a teaser emphasizing the project's rock-centric sound.[4][5] This announcement also introduced McFly's partnership with BMG Rights Management, representing their first full-length album release with the label following their departure from Island Records in the early 2010s.[6][7]Recording process
The recording sessions for McFly's Power to Play commenced in late 2021, shortly after the band's return to collaborative work following their 2020 album Young Dumb Thrills. The process encountered interruptions due to members' pursuits in solo projects and the lingering impacts of the COVID-19 pandemic, leading to a pause before resuming more steadily in 2022. This extended timeline allowed the group to refine their vision over approximately two years.[8] Principal recording took place at the band's dedicated facility, McFly HQ in London, which provided a controlled environment for live tracking and experimentation. Supplementary sessions occurred in members' home studios, enabling remote contributions and flexibility amid scheduling constraints. This setup facilitated a blend of communal jamming and individual input, essential for capturing the album's energetic dynamics.[9][10] The album was produced primarily by band members Danny Jones and Tom Fletcher, with significant involvement from longtime collaborator Jason Perry, who handled production on several tracks. This self-directed approach stemmed from the group's desire for greater artistic autonomy, informed by prior experiences under major labels like Island Records. Mixing duties were shared among the production team to preserve the raw, unpolished essence of the recordings.[11][12] Creative choices centered on evoking a live-band atmosphere, characterized by prominent heavy guitar riffs and minimal overdubs to mirror the band's stage presence. Drawing inspiration from 1980s rock acts such as Bon Jovi and Van Halen, the production prioritized analog warmth over digital polish, using techniques like treating the recording computer as a "tape machine" to avoid excessive editing.[9][10] Among the challenges was navigating band dynamics after a prolonged hiatus, as members rekindled their collaborative rhythm while integrating contemporary production elements. The group aimed to retain their signature 2000s pop-rock roots—marked by catchy hooks and youthful energy—without succumbing to modern trends like auto-tune or electronic layering, requiring extensive rehearsals to balance complexity and accessibility. COVID-related delays further tested patience, but ultimately contributed to a more cohesive final product.[8][10]Composition and artwork
Musical style and themes
Power to Play is characterized by a pop-rock sound infused with hard rock and pop-punk elements, drawing on 2000s influences such as Green Day and Blink-182 while incorporating modern production techniques.[13][14] The album emphasizes guitar-driven arrangements, featuring prominent riffs, playful solos, and energetic drumming that evoke a sense of live performance vitality.[15][16] Tracks like "God of Rock & Roll" showcase punky riffs and anthemic choruses, blending high-energy hooks with theatrical flair reminiscent of 1980s hair metal bands such as Def Leppard and Mötley Crüe.[17][14] Lyrically, the album explores themes of nostalgia for rock's golden era, personal growth, relationships, and critiques of the music industry. Songs like "Where Did All the Guitars Go?" lament the shift in contemporary pop away from guitar-centric music toward electronic production, questioning the role of traditional instruments in modern hits.[16][13] Other tracks, such as "I'm Fine," delve into personal reflection and ironic angst about bandmates' life changes, while "Shine On" offers a reassuring mantra on living boldly and embracing youth.[17][13] The overarching concept of "power to play" serves as a call to action, urging listeners to harness the raw energy of live rock performances and community connection.[14] The album's structure mixes upbeat rockers with ballads, creating a dynamic flow across its 11 tracks in the standard edition, which totals 41 minutes and 13 seconds.[18] This blend allows for varied pacing, from fast-paced punk-infused numbers like "Crash" to more melodic, storytelling pieces such as "Land of the Bees," all unified by a triumphant, guitar-focused aesthetic.[17][16]Cover art and packaging
The cover art for McFly's seventh studio album Power to Play features a colourful lightning-themed design that symbolizes the energetic and powerful essence of rock music central to the record.[19] The inside artwork was designed by BAFTA-winning animator Arden Beckwith, incorporating a vibrant, animated style drawn from the video game The Artful Escape.[12] This concept originated from bassist Dougie Poynter's suggestion, who connected the band with Beckwith and noted that the visuals perfectly captured the album's lively rock spirit and nostalgic undertones.[12] Packaging for Power to Play includes a standard CD digipak edition with an enclosed lyric booklet.[20] Vinyl releases come in black and limited colored variants, such as yellow pressing, shipped in factory-applied shrink wrap for protection.[21] A limited cassette edition with O-card sleeve was produced, offering a retro format option.[20] Special edition CD digipaks are personalized by band member name—Tom, Danny, Harry, and Dougie—each featuring distinct color schemes to reflect individual contributions.[20] The deluxe edition expands on the standard packaging with bonus tracks and additional artwork inserts. Digital versions utilize the primary cover as static thumbnails, with select platforms providing animated graphics for promotional thumbnails.[22]Release and promotion
The Power to Play grant program was publicly launched by the Alabama Power Foundation in 2014 to support extracurricular activities in athletics, arts, and music at underserved public middle and high schools in Alabama.[1] Initial promotion focused on partnerships with educational organizations, including the Alabama High School Athletic Association (AHSAA) and Alabama Independent School Association (AISA), to raise awareness among school administrators and communities.[23] Annual application periods are promoted through press releases, the foundation's website, and media outlets like Alabama NewsCenter, typically opening in late July and closing in late August, with awards announced in the fall. For example, applications for the 2023 cycle were accepted from July 24 to August 25, emphasizing eligibility for schools where at least 50% of students qualify for free or reduced-price lunches.[2] In 2025, the foundation announced upcoming application cycles in June, continuing the program's focus on high-need districts.[24] Promotion efforts include targeted outreach to school districts, webinars, and social media campaigns highlighting success stories, such as grants funding new sports teams or music instruments that improved student engagement and reduced absenteeism. Since 2014, the program has awarded over 300 grants totaling nearly $700,000 as of 2023, with ongoing annual distributions.[25][2] The foundation integrates Power to Play into its broader community investment initiatives, backed by annual contributions exceeding $16 million.[3]Reception
Critical response
Upon its release in June 2023, Power to Play received a generally positive reception from critics, who praised its energetic rock sound and the band's return to their guitar-driven roots, though some noted a lack of innovation and a somewhat dated feel.[26][16][27] MusicOMH awarded the album 3.5 out of 5 stars, describing it as "full of punch and amplitude" and the band's "loudest album yet," highlighting its explosive rock arrangements that explore themes of nostalgia, mental health, love, and enduring rock 'n' roll spirit while unburdened by commercial pressures.[26] The Arts Desk lauded it as a "defiant return to their rock'n'roll roots," commending tracks like "Land of The Bees" for its May-esque riffs, "Crash" for its chaotic energy, and "I’m Fine" for its pop-punk drive, ultimately portraying the album as ideal "stadium-sized summer fun" with Genesis-inspired drums and Van Halen-style keys.[16] In contrast, Punktastic critiqued the album for lacking a defining sound and identity, pointing to missed opportunities in tracks like "God Of Rock n Roll" where apathetic vocals and uncommitted vintage glam undermined potential, and overall emotion that felt muted and pre-packaged in an outdated musical landscape.[27] Subsequent coverage of the band's 2023-2024 Power to Play tour emphasized the album's stronger impact in a live setting, with reviewers noting how the high-energy performances amplified the material's nostalgic and fun elements, creating immersive experiences that connected deeply with audiences.[28][29] The album received no major award nominations, though it was shortlisted for Album of the Year at the 2023 CelebMix Awards.[30] Critics found consensus in appreciating the album's high production quality and evident band chemistry, which lent authenticity to its power pop style, resulting in an average critic score of around 7/10 across available aggregates.[31] Specific praise often centered on emotional depth in tracks like "Forever's Not Enough," with reviewers noting its raw handling of vulnerability amid the rock exuberance.[26]Commercial performance
Upon its release on 9 June 2023, Power to Play achieved strong commercial success in the United Kingdom, debuting at number 2 on the UK Albums Chart with 16,465 units sold in its first week. The album also topped the UK Independent Albums Chart, marking a significant achievement for the independent label release under BMG, and reached number 3 on the Scottish Albums Chart. It peaked at number 51 on the Irish Albums Chart. Additionally, the album performed well in physical formats, debuting at number 1 on the Official Album Downloads Chart, number 2 on the Official Albums Sales Chart and Official Physical Albums Chart, and number 3 on the Official Vinyl Albums Chart.[32][7][33] The album's cassette edition contributed to its enduring appeal, ranking at number 12 on the year-end UK Cassette Albums Chart for 2023, reflecting a surge in physical media sales. Due to its long-tail performance, it did not appear on the 2024 or 2025 year-end charts. No major certifications have been awarded, though its performance underscores robust results for an independent rock release.[34] The band's 2024 Power to Play Tour included sold-out shows in São Paulo and Rio de Janeiro, extending the album's commercial longevity beyond initial UK peaks.[35][36] In 2025, the album's visibility was further enhanced by the Busted vs. McFly tour, announced in 2024, which includes performances of tracks from Power to Play.[37]| Chart (2023) | Peak Position |
|---|---|
| UK Albums Chart | 2 |
| UK Independent Albums Chart | 1 |
| Scottish Albums Chart | 3 |
| Irish Albums Chart | 51 |
| UK Cassette Albums (Year-End) | 12 |
Credits
Track listing
The standard edition of Power to Play consists of 11 tracks with a total duration of 41:13.[18]| No. | Title | Duration | Writer(s) |
|---|---|---|---|
| 1 | Where Did All the Guitars Go? | 4:00 | Fletcher, Jones, Poynter, Judd |
| 2 | Land of the Bees | 4:03 | Fletcher, Jones, Poynter, Judd |
| 3 | Forever's Not Enough | 4:41 | Fletcher, Jones, Poynter, Judd |
| 4 | God of Rock & Roll | 3:31 | Fletcher, Jones, Poynter, Judd |
| 5 | I'm Fine | 3:48 | Fletcher, Jones, Poynter, Judd |
| 6 | Taking Back Tonight | 3:54 | Fletcher, Jones, Poynter, Judd |
| 7 | Honey I'm Home | 4:09 | Fletcher, Jones, Poynter, Judd |
| 8 | Route 55 | 3:44 | Fletcher, Jones, Poynter, Judd |
| 9 | Crash | 1:41 | Fletcher, Jones, Poynter, Judd |
| 10 | Make It Out Alive | 3:17 | Fletcher, Jones, Poynter, Judd |
| 11 | Shine On | 4:25 | Fletcher, Jones, Poynter, Judd |
Personnel
Band members- Tom Fletcher – lead vocals, guitar, piano
- Danny Jones – lead vocals, guitar
- Dougie Poynter – bass guitar, backing vocals
- Harry Judd – drums
The album was self-produced by the band, with Danny Jones and external collaborator Jason Perry serving as producers. Songwriting was handled primarily by the band members. The artwork was designed by animator Arden Beckwith.[5][12]