Prawaas
Prawaas (Marathi: प्रवास, translation: Journey) is a 2020 Indian Marathi-language drama film directed and written by Shashank Udapurkar. Produced by Om Chhangani Films, it stars Ashok Saraf and Padmini Kolhapure in lead roles, alongside Shashank Udapurkar, Vikram Gokhale, Rajit Kapur, and Shreyas Talpade. The music was composed by Salim–Sulaiman.[1] The film follows Abhijat Inamdar (Ashok Saraf), a 65-year-old retiree with failing kidneys, and his wife Lata (Padmini Kolhapure), as they embark on a journey to live meaningfully by helping others during his limited time. It explores themes of life, death, relationships, and legacy.[2] Prawaas was released on 14 February 2020 to positive reviews, praising its emotional depth and performances.[3] Principal photography began on 19 October 2018 and wrapped on 16 April 2019. The soundtrack was released on 9 January 2020 by Zee Music Company. The film was screened at the 51st and 52nd International Film Festival of India.Synopsis
Plot
Prawaas centers on the elderly couple Abhijat and Lata Inamdar, who lead a quiet life in Mumbai after their son has settled abroad.[3] Abhijat, a retired man with a longstanding habit of assisting those in need, grapples with feelings of unfulfillment despite his sociable nature.[1] Diagnosed with chronic kidney disease, he undergoes dialysis twice a week, which underscores his awareness of his limited time.[4] A pivotal medical emergency serves as a wake-up call for Abhijat, prompting him to seek greater purpose by dedicating himself to helping others more actively.[5] Inspired by this realization, he converts his personal car into an informal ambulance service to transport people in urgent medical situations, despite lacking formal resources.[6] Lata initially opposes the venture, viewing it as reckless given his health, leading to tension in their relationship as Abhijat persists undeterred.[2] Through his service, Abhijat encounters transformative experiences, such as rushing a pregnant woman to the hospital during labor and aiding a young girl injured in a road accident by ensuring her safe delivery to care. In one notable instance, he goes beyond medical aid to fulfill the accident survivor's wish by arranging a meeting with her favorite actor, Shreyas Talpade; at her request, Talpade agrees to cast Abhijat in a film role.[7] These acts of kindness not only save lives but also reignite Abhijat's sense of vitality, earning him local recognition as a community helper. As Abhijat's efforts continue, Lata witnesses the profound impact on those they assist and gradually shifts her stance, joining him in the initiative and strengthening their bond through shared purpose.[6] The couple reflects on Lata's unfulfilled dream of traveling, leading Abhijat to organize a family trip to Kulu Manali for their wedding anniversary, with their son traveling from abroad to join them.[8] During the celebratory getaway, Abhijat's health finally fails, and he passes away peacefully, having discovered meaning in his final years by contributing to society.[8]Themes
Prawaas explores the value of altruism in later life through the protagonist Abhijat Inamdar's transformation, where he channels his personal health struggles into acts of kindness, such as establishing a volunteer ambulance service to aid those in need. This shift underscores the theme that selflessness provides profound fulfillment and purpose during one's final years, allowing individuals to reclaim agency amid physical decline. Director Shashank Udapurkar emphasizes this by portraying altruism not as sacrifice but as a pathway to happiness, stating that the film conveys how helping others enables one to "realize [their] why" and make the most of limited time on earth.[9][3] The titular prawaas, or journey, serves as a central metaphor for personal fulfillment, symbolizing the later stages of life as an opportunity for self-realization rather than mere endurance. Abhijat's odyssey—marked by episodic encounters with strangers in distress—represents life's nonlinear path toward meaning, where past regrets give way to proactive engagement with the world. This motif critiques modern isolation among the elderly, highlighting how urban detachment and familial distance, exemplified by the couple's emotionally distant NRI son, exacerbate feelings of irrelevance in old age. Udapurkar draws from this to advocate escaping the "rat race" for a minimalist, purpose-driven existence, inspiring viewers to view aging as a phase of dignified contribution rather than withdrawal.[9][6][4] Recurring motifs reinforce these themes, such as helping strangers as a route to inner joy, seen in Abhijat's interactions that build his confidence and identity beyond his illness. The film juxtaposes family obligations—Lata's initial resistance rooted in concern for her husband's well-being—against individual purpose, ultimately resolving in mutual support that affirms aging with dignity through shared resilience. Udapurkar's intent, as expressed in promotional contexts, is to weave these elements into a narrative that prompts reflection on human core issues, urging audiences to prioritize meaningful living over material pursuits in their own journeys.[9][6][4]Production
Development
The project for Prawaas draws inspiration from real-life struggles of individuals facing health challenges and unfulfilled dreams in urban environments, including chronic kidney disease, as reflected in the story of an elderly couple's journey.[10] Udapurkar chose to write and direct the film as his Marathi cinema debut, focusing on an emotionally resonant narrative about an aging couple's journey.[11] Udapurkar handled the scriptwriting process independently, developing the story, screenplay, and dialogues to capture authentic emotional depth in the characters' lives.[12] The film's development timeline commenced around 2018, when Udapurkar presented the script to veteran actor Ashok Saraf, initiating key pre-production steps.[13] Production was managed under Om Chhangani Films, with Om Chhangani as the primary producer responsible for initial funding and logistical planning.Casting
Director Shashank Udapurkar approached the casting for Prawaas with a focus on selecting veteran Marathi actors renowned for their nuanced portrayals in emotional dramas, aiming to authentically capture the film's themes of aging, relationships, and life's journey. He personally narrated the script to Ashok Saraf, emphasizing the story's uniqueness, which led to Saraf's casting as the lead Abhijat Inamdar, announced in October 2018.[13] This marked Saraf's return to a central role suited to his extensive experience in heartfelt family-centric narratives. Padmini Kolhapure was cast as Lata Inamdar, Abhijat's wife, in what became her first on-screen collaboration with Saraf and her return to Marathi cinema after a 12-year absence. Kolhapure was drawn to the project by Udapurkar's passion and the script's emotional depth, describing the decision as instinctive.[14] The muhurat shoot in 2018 featured both leads alongside supporting cast members, signaling the assembly of a ensemble blending established talents.[13] For supporting roles, Udapurkar selected Vikram Gokhale as Dr. Nene, leveraging Gokhale's gravitas in dramatic parts, while Shreyas Talpade appeared in a cameo as himself, adding a layer of meta-commentary to the narrative. Rajit Kapur was also cast to complement the veteran lineup. The production wrapped its 12-day shoot in April 2019, with Kolhapure noting the efficient process fostered natural chemistry between the leads, enhancing the film's intimate tone without extensive reported improvisations.[14][15] Assembling this mix of seasoned performers like Saraf, Kolhapure, and Gokhale with Udapurkar's own directorial debut presented logistical coordination across generations, but the focused schedule ensured cohesive performances.Filming
Principal photography for Prawaas commenced in mid-October 2018, following the muhurat shot earlier that month, marking the official start of production under director Shashank Udapurkar.[13] The shoot spanned several months, wrapping up in mid-April 2019 after the completion of the final schedule, allowing the team to capture the film's emotional journey over an extended period.[15] The production was primarily based in Mumbai and its surrounding regions, chosen to effectively portray the urban-rural contrasts essential to the story of an elderly couple's transformative travels.[1] Specific Mumbai neighborhoods provided authentic settings for intimate family scenes, reflecting everyday life in the city, while nearby outdoor locations facilitated the filming of journey sequences, including scenic routes that evoked a sense of exploration and reflection.[1] [16] On-set experiences were marked by a blend of hard work and camaraderie, as the cast and crew, including veterans Ashok Saraf and Padmini Kolhapure, collaborated closely to bring the intimate drama to life.[15] The director later shared a group photo from the wrap, highlighting the positive atmosphere despite the demanding schedule.[15] Cinematography focused on natural lighting and close-up shots to underscore the emotional depth of the characters' relationship.[12]Cast
Lead Actors
Ashok Saraf portrays Abhijat Inamdar, the protagonist and altruistic husband in Prawaas, a role that showcases his transition from comedic roles to poignant drama. A veteran Marathi actor born on June 4, 1947, in Mumbai, Saraf debuted in 1969 with the film Janaki and has appeared in over 250 Marathi films, earning him the nickname "Mama" in the industry for his versatile contributions to cinema and television.[17][18] In the film, Abhijat is an elderly man facing a medical emergency that prompts him to embark on a meaningful journey, helping others while grappling with his mortality, and Saraf's performance is highlighted for its emotional depth and subtlety, moving away from his typical humorous persona to deliver a heartfelt depiction of resilience and selflessness.[2][6] Padmini Kolhapure plays Lata Inamdar, the supportive wife who accompanies Abhijat on his transformative path, adding layers of relational warmth and quiet strength to the narrative. Born on November 1, 1965, in Mumbai, Kolhapure is a prominent actress and singer known for her crossover work in both Bollywood and Marathi cinema, with notable roles in films like Ahista Ahista (1981) and Aisa Pyar Kahan.[19] Her portrayal of Lata emphasizes unwavering companionship amid personal challenges, with critics praising her for infusing the character with nuanced empathy that grounds the couple's story in authentic marital dynamics.[10][3] The on-screen chemistry between Saraf and Kolhapure forms the emotional core of Prawaas, with their interactions conveying a deep, lived-in bond that elevates the film's exploration of life's later stages and shared purpose. Reviewers have noted how their versatile synergy brings authenticity to the couple's journey, making scenes of vulnerability and mutual support resonate profoundly with audiences.[20][4][21]Supporting Actors
Vikram Gokhale plays Dr. Nene, the treating physician to the protagonist Abhijat Inamdar, in a pivotal yet concise role that underscores the character's health vulnerabilities.[12] As a veteran actor renowned for his nuanced portrayals in Marathi cinema, Gokhale infuses the doctor with authoritative concern, notably expressing frustration over Abhijat's disregard for medical advice regarding his kidney condition, thereby heightening the narrative tension around personal limitations.[4] His performance, drawing from a career highlighted by the National Film Award for Best Actor for the 2013 Marathi film Anumati, delivers subtle wisdom on health and resilience, advising Abhijat and his wife Lata on the risks of his altruistic endeavors.[22] This contribution enriches the film's exploration of mortality without overshadowing the leads. Rajit Kapur portrays Pandit Ramakant Joshi, a spiritual guru and classical singer who serves as a catalyst for Abhijat's introspection.[12] In interactions that blend philosophical guidance with melodic interludes, Kapur's character encourages Abhijat to embrace a meaningful final act, directly influencing the decision to launch a community ambulance service and injecting motivational depth into the story.[7] Known for his theatre roots and roles in Marathi productions alongside Hindi cinema staples like Byomkesh Bakshi, Kapur's restrained yet inspiring presence adds layers of cultural and emotional authenticity, fostering conflict between resignation and purpose. His performance, marked by a surprising gravitas in the vocalist's silver-haired demeanor, elevates key transitional scenes.[6] Shreyas Talpade makes a special appearance as himself, facilitating a heartfelt fulfillment of a young character's wish in a cameo that lightens the film's somber tone. Through a brief encounter with Abhijat and his granddaughter Disha, Talpade enables an impromptu acting opportunity tied to Disha's admiration for him, introducing humor via the protagonist's unfulfilled cinematic dreams and creating a feel-good respite amid familial strife.[7] A prominent figure in Marathi cinema with lead roles in films like Baji (2015) and as producer of Sanai Choughade (2008), Talpade's self-referential portrayal leverages his comic timing to humanize the ensemble, bridging generational gaps with levity.[23] The supporting ensemble, anchored by Gokhale's grounded authority, Kapur's inspirational poise, and Talpade's whimsical touch, amplifies Prawaas' realism by weaving peripheral figures into the central family's dynamics, layering emotional nuance through wisdom, conflict, and subtle humor without diluting the leads' prominence.[4] This collective interplay fosters a tapestry of everyday interactions that underscore themes of legacy and community support.[6]Music
Soundtrack
The soundtrack for Prawaas features four songs composed by the duo Salim–Sulaiman, with lyrics written by Guru Thakur. Released on 9 January 2020 by Zee Music Company, the album has a total runtime of 14 minutes and 26 seconds.[24][25] The tracks are:| No. | Title | Singer |
|---|---|---|
| 1 | Prawaas | Sonu Nigam |
| 2 | Kaun Hain Hum | Hariharan |
| 3 | Swatacha Saarthi | Sukhwinder Singh |
| 4 | Prawaas (Reprise) | Shreya Ghoshal |