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Project for Awesome

The Project for Awesome (P4A) is an annual online fundraising event organized by the Foundation to Decrease World Suck, a 501(c)(3) nonprofit, that raises money for charities focused on addressing global issues such as , and through community-submitted videos, public voting, and a 48-hour YouTube livestream. Founded in 2007 by brothers John and Hank Green as the "Nerdfighter Power Project," it originated from their YouTube channel and the online community, initially exploiting a algorithm to promote charity videos. Over its 18 iterations as of 2025 (with no event in 2020 due to the ), P4A has evolved from a simple video contest into a major digital philanthropy initiative, featuring guest creators, donation perks, and viewer engagement to "decrease world suck." The event's structure emphasizes community involvement: participants submit short videos highlighting charities from January to early February, followed by public voting to select up to 30 organizations for funding; donations are collected leading up to and during the livestream in mid-February, with the first 24 hours supporting pre-selected partners like and , and the second 24 hours allocating funds to voted charities. Board members including Mike Green, Marie Ann Fernandez-Silva, and Rosianna Halse Rojas oversee operations alongside the founders, ensuring grants go to verified 501(c)(3) equivalents that align with the event's mission. Early years saw modest raises, such as $140,000 in 2010, but growth accelerated post-2012 with the introduction of livestreaming, leading to record amounts like $3.7 million in 2025. By 2025, P4A had collectively raised over $27 million for more than 100 charities worldwide, pioneering the model of creator-led online fundraisers and inspiring similar events in the digital space. Its success stems from the passionate community, which has sustained participation despite shifts in online platforms, and strategic matching donations that amplify contributions. The 2025 event alone generated $3,740,594.69, with half directed to core partners and the rest split among community-chosen causes, underscoring P4A's ongoing impact on global .

Background

Founding and Origins

The Project for Awesome was founded on December 17, 2007, by brothers and through their YouTube channel, then known as Brotherhood 2.0. In a video announcement that day, they called on their audience to upload charity-promoting videos simultaneously at noon , aiming to flood YouTube's front page with positive content supporting various causes. This spontaneous event marked the inception of what would become an annual charitable initiative, originally called the Nerdfighter Power Project. The motivation stemmed from the Greens' desire to harness online creativity for good, inspired by their burgeoning online community, , which emphasized collaborative efforts to "decrease world suck"—a phrase encapsulating the reduction of global negativity through actionable positivity. Participants were encouraged to create and share videos advocating for charities of their choice, fostering a sense of collective impact without structured oversight. Initially, the event operated without a formal platform, relying instead on the visibility generated by video views to drive informal, direct donations from viewers to the featured organizations. Over 400 user-submitted videos were posted on December 17, 2007, promoting a range of small charities and amplifying their visibility across . This first iteration succeeded primarily in raising awareness for these causes, though without centralized tracking of funds, the exact donation totals remained unquantified.

Connection to Nerdfighteria

is an that originated from the YouTube channel, launched in 2007 by brothers John and as part of their Brotherhood 2.0 vlogging experiment. The community, composed of self-identified "Nerdfighters," emphasizes intellectual activism—defined as efforts to foster positive through education, empathy, and community-driven initiatives—while incorporating humor as a core element to engage members in lighthearted yet meaningful discussions. This blend of wit and purpose is evident in the community's lexicon, including the mantra "DFTBA" (Don't Forget To Be Awesome), which encourages members to combat negativity and promote self-esteem. The Project for Awesome (P4A) directly embodies Nerdfighteria's foundational values, particularly the slogan "Decrease World Suck," which calls for reducing global negativity through actionable . As a non-partisan initiative, P4A focuses on positive promotion of charities via uplifting, community-generated content, aligning with the community's emphasis on without political . This approach encourages participants to highlight nonprofit organizations that address issues in constructive, humorous ways, reinforcing Nerdfighteria's commitment to enthusiasm and acceptance. By 2025, has grown to encompass millions of subscribers and active participants across and other platforms, with the alone surpassing 4 million subscribers. P4A stands as the community's flagship annual event, drawing widespread involvement to amplify its charitable impact. in P4A has evolved significantly since its as an informal extension of videos, transitioning from casual shares of charity-promoting content to a structured process with organized video submissions adhering to specific guidelines. Participants now contribute through curated uploads that are featured during the event's livestream, while donor perks—such as exclusive merchandise, virtual experiences, and —have incentivized broader participation and sustained the momentum. This progression reflects 's maturation into a coordinated for .

Organization and Governance

Foundation to Decrease World Suck

The Foundation to Decrease World Suck was incorporated as a in in 2012 and obtained 501(c)(3) tax-exempt status from the effective January 2013. Its mission is to engage online video communities of fans and creators in raising awareness and funds for hundreds of charities that address suffering and injustice, thereby decreasing "world suck" through efficient and transparent grant-making. Operationally, the foundation serves as the formal entity managing the Project for Awesome, overseeing all activities during , vetting nominated charities for eligibility based on criteria such as financial and program impact, and distributing grants from proceeds to approved organizations afterward—typically allocating half to longstanding partners like and , with the remainder supporting participant-recommended causes. A pivotal milestone was the shift from informal, community-driven efforts in the late 2000s to structured nonprofit operations upon incorporation in , which enabled scalable grant distribution over $27 million as of 2025. In the , the foundation enhanced its digital infrastructure by integrating the Tiltify for event donations and perk fulfillment, improving accessibility and efficiency for global participants. The organization operates under the oversight of the , who founded the Project for Awesome.

Leadership and Board Structure

The Project for Awesome is directed by its founders, brothers and , who established the initiative in 2007 as part of their broader efforts to engage online communities in . John Green serves as the primary host and visionary leader, guiding the event's creative direction and public-facing elements, such as hosting the annual livestream with guest appearances from creators and advocates. Hank Green, as co-founder, takes on the operational lead, overseeing production logistics, platform integrations, and the foundation's administrative functions, including his role as of the governing body. Governance of the Project for Awesome falls under the Foundation to Decrease World Suck (FTDWS), a 501(c)(3) nonprofit incorporated in 2012. As of 2025, the FTDWS board comprises nine members, blending the with representatives and nonprofit experts to ensure diverse perspectives in strategic oversight. The board includes , , Mike Green (family member and advisor), Marie Ann Fernandez-Silva (former P4A producer), Valerie Barr (nonprofit specialist), Taylor Behnke ( lead), Benny Fine (media producer), Rosianna Halse Rojas (content creator and advocate), and Angela Lin (philanthropy operations expert). This structure emphasizes accountability and inclusivity, drawing from —the tied to the Greens' work—while incorporating professional expertise in management. The board leads key decision-making processes, including the annual nomination and selection of beneficiary charities, approval of , and planning of event components like video submissions and auctions. Nominations open to the public and , with the board reviewing submissions for alignment with the to "decrease world suck," followed by mechanisms where participants influence allocations—typically directing 50% of funds to community-chosen organizations and the remainder to established partners. Event planning involves board committees for operational policies, ensuring compliance and impact measurement, as outlined in the foundation's bylaws which require majority votes for motions and annual meetings for strategic reviews. Notable evolution in occurred by 2013, when the transitioned from informal, Green-led decisions during its early YouTube-based iterations to a formalized diverse board structure upon the FTDWS receiving 501(c)(3) status on January 23, 2013. This shift, following incorporation in 2012, introduced structured oversight with term limits, quorum requirements, and officer roles (, , , ) to bolster and as grew.

Event Format

Video Creation and Submission

Participants create videos to promote a single eligible , focusing on its impact and work in decreasing "world suck" without making direct appeals for donations. Videos must be original, non-plagiarized , avoiding AI generation, and should explicitly mention the current year's Project for Awesome (e.g., "Project for Awesome 2025"). A recommended length is 2-4 minutes to maintain , with clear audio and video quality prioritized over professional equipment—smartphones or webcams suffice. Sensitive topics require warnings, and creators are encouraged to use personal storytelling, humor, and the distinctive style of witty, community-oriented narratives to highlight the charity's mission effectively. The submission process begins with uploading the video to , including , followed by entry through the official online portal at projectforawesome.com/submit during the annual window. For 2025, submissions opened at 12:00 PM on January 25 and closed at 11:59 AM on February 8, with earlier uploads recommended to allow time for processing. Eligible charities must be 501(c)(3) organizations or foreign equivalents that do not pass funds to individuals or shareholders. Once submitted, videos undergo manual review by organizers to ensure compliance with guidelines and appropriateness before approval and public availability for voting starting around February 11. Over the years, the video creation and submission process has evolved from informal YouTube postings during the inaugural 2007 event—a 24-hour takeover featuring community videos—to a structured online portal by , enabling centralized , , and with the livestream. This shift facilitated broader participation and perks such as featured video placements or custom creator content for top donors, enhancing . Selected videos are briefly showcased during the livestream broadcast to amplify awareness.

Livestream Broadcast and Auction

The livestream broadcast forms the core of the Project for Awesome event, serving as a telethon-style gathering that amplifies and drives real-time donations. Held annually over a three-day weekend in mid-February, the 2025 edition ran from 12:00 p.m. on Friday, February 14, to 11:59 a.m. on , February 16, spanning approximately 48 hours with brief breaks for technical maintenance. Streamed live on via the official Project for Awesome channel, the broadcast incorporates selected videos submitted by participants to promote nominated charities, fostering a sense of among viewers. Hosted primarily by brothers and , the livestream features a dynamic mix of content, including guest appearances by creators, celebrities, and representatives, alongside interactive segments such as live discussions, , and on-air challenges to encourage donations. Real-time updates on progress are displayed throughout, building excitement as totals climb and highlighting top-voted videos or emerging donor milestones. This format not only showcases the community's creative output but also creates an immersive, participatory experience that motivates immediate contributions. Running parallel to the broadcast, the auction component utilizes the Tiltify platform to offer exclusive perks and items, transforming standard donations into opportunities for unique rewards. Donors can bid on or purchase limited-edition experiences, such as meet-and-greets with hosts, custom videos from creators, or memorabilia like signed artwork and celebrity-donated goods—for instance, a 2023 auction featured an item tied to the film Deadpool. These campaigns operate from shortly before the livestream opens until a few days after it concludes, with perks fulfillment handled post-event to ensure all proceeds benefit charities after deducting production costs. Tiltify's integration enables seamless, direct donations with automated reward tracking, enhancing accessibility for global participants. The technical infrastructure supporting these elements has evolved significantly since the event's . Early iterations in 2008 relied on rudimentary setups to coordinate viewer efforts, but by the , the production shifted to for broader reach and reliability, incorporating multi-camera feeds and chat integration. A key advancement came in 2021 with the adoption of Tiltify specifically for fundraising, replacing prior crowdfunding tools like and providing specialized features for charity streams, including auction houses and donor incentives. This progression has allowed the Project for Awesome to scale its global audience while maintaining a focus on efficient, transparent donation processing.

History

Early Years (2007–2010)

The Project for Awesome originated in 2007 as the Nerdfighter Power Project for Awesome, an impromptu video campaign launched by brothers John and Hank Green through their YouTube channel. Aimed at their emerging online community of , the initiative called for participants to create and upload short videos highlighting charities and projects that "decrease world suck," with the collective goal of flooding YouTube's most discussed videos section to amplify awareness. Although the event generated no centralized funds—donations were made directly by individuals to featured organizations—it fostered significant community momentum and established the project's playful, video-driven format for promoting . By 2008, the project evolved to include a livestream component and introductory elements, where members bid on creator-donated items to support nominated causes. Held in December to align with the holiday season's emphasis on giving, this iteration retained its focus on video submissions for advocacy while beginning to incorporate direct engagement tools like live broadcasts to coordinate efforts. remained modest and decentralized, with proceeds handled informally through personal donations and auctions, building on the prior year's awareness gains without a formal structure for allocation. The years 2009 and marked notable growth, as the event introduced basic donation tracking mechanisms to monitor contributions more effectively. Videos continued to spotlight diverse nonprofits, and community voting helped prioritize beneficiaries, enhancing participation from creators beyond the core group. In , these developments culminated in over $140,000 raised through auctions, merchandise sales, and direct gifts, distributed to selected charities due to the absence of formal nonprofit at the time. This experimental phase highlighted logistical challenges, such as coordinating distributions without a centralized entity, yet solidified the project's role in mobilizing online audiences for charitable impact.

Expansion and Evolution (2011–2020)

Following the informal beginnings of the Project for Awesome, 2011 saw the incorporation of the as a in , providing a formal structure for and enabling the of significant funds to vetted charities for the first time. This legal foundation, established in late 2011, facilitated more efficient grant-making and oversight, marking a transition from donations to institutionalized within the community. The board was expanded during this period to enhance governance and ensure accountability in fund allocation. In , the event introduced key operational changes, including a shift to for hosting auctions and perks, which streamlined donations and boosted participation. This adaptation helped raise $483,446, a substantial increase that reflected the growing scale of the annual December livestream broadcast. The format solidified as a consistent yearly tradition, with video submissions expanding rapidly—generating thousands of charity-promoting entries as early as 2011 and continuing to grow through the decade, reaching even higher volumes by 2015 amid broader community involvement. The mid-2010s represented peak growth, exemplified by the 2014 event, which set a record of $1,226,382 through heightened viewer engagement and strategic partnerships. During these years, the project emphasized a global focus, directing substantial portions of proceeds to international organizations such as and to address worldwide issues like and . To adapt to evolving algorithms that reduced organic video visibility, organizers refined the livestream model for better retention and promotion, while incorporating community feedback to foster more inclusive participation, such as simplified submission processes and diverse nominations.

Recent Developments (2021–present)

In 2021, the Project for Awesome transitioned from its longstanding scheduling to , aligning with President's Day weekend (February 12–14) to provide additional time for preparation and . This shift followed the cancellation of the 2020 event amid the , allowing the initiative to adapt its fully virtual livestream format with enhanced online tools for video submissions and voting. Following 2021, the event has emphasized expanded matching funds to amplify donor impact, exemplified by the Foundation to Decrease World Suck's contribution of $610,524 in 2025 toward grants for and . These funds, combined with direct donations, have supported a balanced allocation model, directing half of proceeds to established partners and the remainder to community-selected organizations. The continued management by the Foundation to Decrease World Suck has facilitated these adaptations while maintaining the event's core virtual structure. The 2025 iteration, marking the 18th annual event, occurred from February 14–16 and raised $3,739,917.69 through Tiltify campaigns, matching contributions, and perks sales. It highlighted 30 nominated charities chosen via community video votes, fostering greater participant involvement in grant decisions. Looking forward, the Project for Awesome is set for February 13–15, 2026, with organizers prioritizing sustainable practices to navigate ongoing platform evolutions.

Fundraising and Impact

Funds Raised by Event

The Project for Awesome has demonstrated significant growth in fundraising capacity since its inception, with totals reflecting the expanding engagement of the community and strategic enhancements like matching donations. While the initial events from 2007 to 2009 focused primarily on video creation to promote charities without centralized , direct monetary collection began in through platforms like ChipIn and evolved to modern tools such as Tiltify and .
YearAmount Raised
2007N/A (video promotion only)
2008N/A (video promotion only)
2009N/A (video promotion only)
2010$140,000
2011$75,000
2012$483,446
2013$869,591
2014$1,226,382
2015$1,546,384
2016$2,151,285
2017$2,029,007
2018$1,640,051
2019$1,430,957
2020No event
2021$2,368,016
2022$3,236,501
2023$3,069,995
2024$3,530,889
2025$3,739,918
Funds raised have shown a steady upward trajectory, starting modestly at approximately $140,000 in 2010 and surpassing $3 million annually by the early , with peaks driven by expanded livestreaming, celebrity involvement, and the absence of a 2020 event due to the . This growth is notably amplified by from the Foundation to Decrease World Suck and individual donors, which have doubled or tripled contributions in key years, such as the $610,524 match for core beneficiaries in 2025. Donations primarily flow through Tiltify campaigns during the event weekend, supplemented by auction proceeds from unique items and experiences bid on during the livestream. For instance, in 2025, Tiltify donations accounted for $1,922,361, with the remainder bolstered by totaling over $1.8 million across categories. By the end of 2025, the cumulative total raised exceeds $27 million, enabling grants to hundreds of charities while maintaining low overhead—after modest administrative costs, nearly all funds are disbursed directly, underscoring the event's efficiency as a community-driven initiative.

Beneficiary Charities and Allocation

The selection of beneficiary charities for the Project for Awesome (P4A) begins with community nominations through video submissions uploaded to the official website during a designated annual period, such as January 25 to early February 8, 2025. These videos must promote eligible 501(c)(3) organizations or their foreign equivalents that do not distribute income to owners, shareholders, or other nonprofits, and they are required to be 2-4 minutes long, clearly explain the charity's work, and adhere to submission guidelines. Following submission, a public voting phase occurs from February 11 to 19, 2025, where participants can cast one vote per charity per device, helping to identify the top approximately 30 nominees. The Foundation to Decrease World Suck (FTDWS) Board and P4A Advisory Board then vet and approve these recommendations to ensure compliance and alignment with mission goals. Since 2024, the fund allocation model has directed 50% of net proceeds to established partners, specifically and , with the remaining 50% distributed among the 30 community-nominated and approved charities based on vote proportions. This structure ensures that 100% of donations, after deducting minimal fees for perks, payment processing, and part-time staff, are allocated to charities. For instance, in 2025, total funds raised exceeded $3.7 million, with significant portions supporting these partners alongside voted recipients such as the ACLU and various education and health-focused organizations. Post-event grant distributions, like those following the 2025 P4A, are announced transparently on the official website, with recipients receiving unrestricted funds to advance initiatives in areas such as education access and programs. The FTDWS provides impact reporting through annual financial audits and IRS filings, available upon request, highlighting how grants have supported outcomes like child welfare programs by and medical access via . The process has evolved from ad-hoc video promotions in the early years (2007–2012), where donations were directed informally to featured charities, to a structured grant-making system formalized in 2013 with the establishment of the FTDWS as a 501(c)(3) organization. This shift enabled systematic vetting, voting, and equitable distribution, culminating in over $17 million in grants awarded since 2012 to dozens of vetted nonprofits.

Reception and Cultural Significance

Community Engagement

The Project for Awesome fosters extensive community engagement through active participation in video creation, with thousands of members producing short videos to promote charities each year. These submissions, typically 1-4 minutes long, are uploaded to and entered via the official website during a designated period, allowing participants to nominate organizations for grants. In recent iterations, such as , hundreds of videos were submitted, highlighting the sustained involvement of creators worldwide. Donor incentives further boost engagement, offering perks like personalized shoutouts from hosts and , custom digital content, physical merchandise, and exclusive experiences to encourage contributions during the fundraising window. Grassroots initiatives amplify the event's reach within Nerdfighteria, the broader online community centered around the ' content. Local Nerdfighter groups, mapped across various regions, organize meetups and promotional activities to rally support for video submissions and donations, fostering in-person connections that extend the event's impact beyond digital platforms. Social media plays a pivotal role in this amplification, with participants sharing content under the #P4A on platforms like and , generating widespread visibility and encouraging real-time interaction during the livestream, which draws thousands of concurrent viewers. Feedback mechanisms ensure the event evolves based on community input, including post-event surveys distributed via newsletters that inform adjustments to future formats, perk offerings, and charity selection processes. Volunteers from Nerdfighteria contribute significantly, taking on roles such as chat moderation during the 48-hour livestream to maintain a positive environment and support viewer engagement. These efforts underscore the project's reliance on unpaid community labor to sustain its operations. Inclusivity initiatives have grown prominent by 2025, with deliberate outreach to diversify participants and beneficiaries, including calls for submissions from international creators and underrepresented groups. The event highlights global charities, such as and , and encourages videos from diverse voices to broaden representation in nominated organizations, aligning with Nerdfighteria's ethos of decreasing world suck through equitable participation.

Media Coverage and Recognition

The Project for Awesome (P4A) has garnered significant media attention for its innovative approach to online fundraising, highlighting its role in mobilizing digital communities for charitable causes. In 2014, prior to the event, GOOD magazine featured P4A in an article titled "How to Raise $750,000 for Charity, the YouTuber Way," referencing the previous year's success in generating nearly $870,000 through creator-driven videos and auctions, which helped build anticipation for the 2014 raise of over $1.2 million. Similarly, a 2017 Newsweek profile on millennial content creators spotlighted P4A as a key initiative by the Green brothers, noting its encouragement of community-led fundraising that has inspired broader participation in online giving. More recently, in 2025, Inside Philanthropy interviewed Hank Green, who described P4A's evolution from an algorithm-hijacking awareness campaign in 2007 to a major annual fundraiser, emphasizing its impact on digital-age philanthropy. P4A has received formal recognition for its contributions to youth engagement and efficient charitable practices. In 2022, John and Hank Green were awarded the Youth Collective Changemaker Award by THIRTEEN, New York Public Media's youth initiative, for their work in fostering online communities like through events such as P4A, which has engaged thousands of young creators in global causes. Nonprofit evaluators have also noted the high efficiency of P4A's beneficiary organizations; for instance, , a frequent recipient, maintains a four-star rating from , reflecting strong accountability and impact in projects funded by P4A proceeds. In 2025 reports, P4A's record $3.74 million raise over a single weekend was highlighted in nonprofit coverage as a model for youth-driven engagement, with 169,383 community votes directing funds to vetted charities. Culturally, P4A has left a lasting legacy by pioneering creator-led online philanthropy and solidifying the "Nerdfighter" identity as a badge of collaborative activism. Launched by the , it has influenced subsequent events like MrBeast's TeamTrees and TeamSeas campaigns, which raised tens of millions by adapting P4A's video-based, community-voting model to environmental causes. Academic analyses describe , amplified through P4A's annual livestreams, as a politicized that promotes civic participation, with the event's emphasis on "decreasing world suck" fostering a global network of supporters since 2007. While praised for , P4A has faced occasional critiques regarding , particularly the challenges of sustaining community enthusiasm as the event grows larger. In a 2013 interview, addressed concerns about expanding too rapidly, potentially diluting its intimate feel, though he noted the benefits of broader reach. Organizers have resolved such issues through public financial disclosures, including annual IRS filings that detail full fund allocation to beneficiaries, ensuring and addressing efficiency questions.

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