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RETAS

RETAS, an acronym for Revolutionary Engineering Total Animation System, is a suite of 2D animation software developed by the Japanese company Celsys, Inc., to digitize and streamline the traditional cel animation production process, including scanning, inking, coloring, compositing, and editing.^[1] Launched in its initial form in 1993, RETAS was the company's first major product, aimed at replacing manual analog workflows in animation studios with efficient digital tools while preserving the artistic feel of hand-drawn cel animation.^[1] It quickly gained adoption among leading Japanese animation studios, such as Toei Animation, which implemented it in 1997 to enhance production speed and quality.^[2] The software suite evolved into RETAS STUDIO by the early 2000s, incorporating specialized modules like AutoColorist for cel coloring, Ray FREE for compositing, and Stylos (derived from the earlier PencilMan tool) for drawing and inking, allowing teams to handle the full animation pipeline from rough sketches to final output.^[3] By the mid-2000s, RETAS STUDIO had become a standard in the Japanese anime industry, used in nearly every major studio for its ability to maintain high-fidelity traditional aesthetics in a digital environment.^[4] Its development reflected Celsys's founding philosophy—named after "cel system"—to support animators by reducing labor-intensive tasks without compromising creative control.^[4] Although RETAS STUDIO support has since diminished, with English versions discontinued as of 2016 and updates prioritizing newer tools, its legacy persists through integration into Celsys's successor product, Clip Studio Paint, which added animation features in 2015 and continues to power global anime and illustration workflows.^[3] RETAS played a pivotal role in the digital transformation of the animation sector, enabling faster production cycles and contributing to the efficiency of high-volume anime output during the 1990s and 2000s.^[3]

Overview

Purpose and Capabilities

RETAS, or Revolutionary Engineering Total Animation System, is a comprehensive 2D animation software suite developed by Celsys to facilitate the complete production pipeline for anime and illustration, encompassing drawing, scanning, coloring, compositing, and exporting.^[1] Designed to support professional animation studios, it enables creators to manage workflows from initial sketches to final output, integrating tools that streamline traditional processes into a digital framework.^[1] The suite's core capabilities include support for both vector and raster formats, allowing flexible artwork creation and editing across multiple layers.^[5] It features onion skinning for frame-to-frame consistency, auto-tracing for converting scanned sketches into clean lines, and region filling with gap detection to ensure precise coloring without overflows.^[6]^[7] Additional functionalities encompass panning, multiplane effects for depth simulation, and exports to formats such as Flash, QuickTime, and AVI, enabling seamless integration into broader media production.^[8] By digitizing traditional cel animation workflows—such as hand-drawn inking, cel painting, and camera compositing—RETAS significantly enhances efficiency for professional studios, reducing manual labor and errors in the production process.^[3] This transition to digital tools proved pivotal in the anime industry, with RETAS adopted by over 90% of Japanese anime companies using digital environments by 2005.^[1]

Platform Compatibility and System Requirements

RETAS software supports Microsoft Windows and macOS operating systems, though support varies by version and edition. The RETAS! PRO HD series, available in English, was officially compatible with Windows XP through Windows 10 and macOS up to version 10.13 (High Sierra), with user-reported workarounds for macOS 10.15 using third-party emulation software, providing full cross-platform functionality until its discontinuation around 2015.^[9]^[10] For the Japanese-focused RETAS Studio, post-2015 updates shifted primarily to Windows, with official support ending at Windows 8; macOS updates were discontinued earlier, with official support limited to versions up to 10.13 (High Sierra); users have reported limited functionality on newer macOS versions using compatibility modes or emulation, though users have reported functionality on newer systems like Windows 11 via compatibility modes.^[11]^[12] Minimum system requirements across the suite include an Intel Dual Core or equivalent processor, 1 GB of RAM, and a display resolution of at least 1024x768 pixels; approximately 50 MB of hard disk space is needed for installation. For the HD series tools, enhanced performance is achieved with 4 GB or more RAM and high-definition displays to handle vector and raster processing efficiently.^[13] Compatibility extends to input peripherals essential for animation workflows. Wacom tablets are recommended and fully supported for precise drawing in tools like Stylos HD and PaintMan HD, leveraging pressure sensitivity for natural line work. TraceMan HD integrates with compatible scanners, such as Epson models including the ES-7000H and ES-H300, enabling 48-bit scanning and automatic tracing of hand-drawn cels via TWAIN drivers on supported OS versions.^[14]^[15]^[16]

History

Establishment of Celsys and Early Development

Celsys Inc. was established in May 1991 in Tokyo, Japan, by Yosuke Kawakami and a small team of collaborators.^[2]^[3]^[17] The company's name derives from "Cel System," reflecting its foundational aim to develop a comprehensive digital framework for cel animation production.^[3] The early motivation behind Celsys stemmed from the burgeoning anime industry in Japan during the early 1990s, where traditional hand-drawn cel animation was transitioning toward digital workflows to improve efficiency and quality.^[3]^[4] At the outset of the digital graphics era, Kawakami sought to address the limitations of analog processes by creating software that could streamline animation creation for studios.^[3] Initial development at Celsys focused on engineering tools to digitize key stages of animation production, beginning with prototype concepts for scanning and digital drawing functionalities.^[3] The company launched with just two employees, emphasizing innovative engineering to build a total animation system that would later culminate in the release of RETAS!PRO Ver.1 in 1993.^[3]^[2]

Key Releases and Industry Adoption

The RETAS!PRO Ver.1 was released in September 1993 by Celsys, marking the introduction of dedicated animation production software that integrated basic tools for drawing, tracing, coloring, and compositing (filming) processes.^[2]^[1] This initial version consisted of four separate programs tailored to streamline the transition from traditional cel animation to digital workflows, enabling studios to handle key stages of 2D animation production on early computer systems.^[1] A significant milestone occurred in February 1997 when Toei Animation adopted RETAS!PRO for the digital production of TV series animation films, representing the first major implementation by a prominent Japanese studio and accelerating the shift toward digitized processes in the industry.^[2]^[18] By the late 1990s, RETAS had become integral to digitization efforts across multiple studios, facilitating efficient scanning and compositing that reduced reliance on physical cels.^[19] RETAS!PRO received notable recognition for its innovations, including the Golden Pixie Award in the new traditional animation category from Animation Magazine (USA) in December 1999.^[2] In January 2004, it was further honored with the Minister of Economy, Trade and Industry Award at the 18th Digital Content Grand Prix, underscoring its contributions to advancing animation technology.^[2] English-language versions of the RETAS! PRO HD series emerged around 2005–2010, enhancing accessibility for international users while incorporating high-definition vector graphics capabilities.^[8] On December 18, 2008, Celsys launched RETAS STUDIO, a bundled suite tailored primarily for the Japanese market that consolidated the HD tools into an integrated package.^[8] RETAS software came to dominate the sector, with up to 90% of anime productions using it (partially or fully).^[19]

RETAS! PRO HD Series

Stylos HD

Stylos HD serves as the primary drawing and inbetweening tool within the RETAS! PRO HD Series, facilitating the creation of vector and raster artwork for animation keyframes, inbetweens, and layout corrections.^[20] Developed by Celsys, it supports both raster formats for delicate, simple lines and vector formats for scalable, precise line art, allowing animators to compile detailed digital illustrations efficiently.^[20] This component emphasizes digital drawing workflows, enabling direct input from layouts to produce clean, editable frames without initial reliance on traditional scanning.^[20] Key features of Stylos HD include multi-layer editing, which permits stacking and managing multiple raster and vector layers for complex scene compositions and iterative refinements.^[20] Onion skinning, implemented through a light table function, overlays previous and subsequent frames with adjustable opacity to ensure smooth motion consistency across sequences.^[20] Shadow markup tools allow for non-destructive annotations and guides, while dedicated drawing correction features enable chief animators to adjust lines and shapes precisely without altering original artwork.^[20] Additionally, it provides robust support for Wacom pen tablets, enhancing accuracy in vector line art creation through pressure-sensitive input and customizable stylus behaviors.^[20] In terms of workflow integration, Stylos HD exports drawings in raster or vector formats compatible with subsequent production stages, supporting seamless handoff within the RETAS! PRO HD ecosystem.^[20] It handles diverse paper sizes via configurable drawing cels and anchor frames, accommodating various animation aspect ratios and resolutions.^[20] Released on February 28, 2006, as part of the RETAS! PRO HD Series updates between 2005 and 2010, Stylos HD was engineered to meet the demands of high-definition animation production, including enhanced resolution handling for modern broadcast standards.^[21]^[20]

TraceMan HD

TraceMan HD serves as the dedicated scanning and vectorization component within the RETAS! PRO HD Series, primarily functioning to convert hand-drawn animation sketches from paper into digital line art through high-fidelity scanning and automated tracing processes.^[22] Released on September 9, 2005, by Celsys for Windows and Mac OS X platforms, it facilitates the digitization of traditional animation cels and backgrounds, enabling seamless integration into digital production pipelines.^[22] This tool is particularly tailored for anime production, bridging analog pencil-and-paper methods with vector-based digital workflows by processing large volumes of artwork efficiently.^[22] Key features emphasize high-quality input and cleanup, including 48-bit color depth scanning (16 bits per channel) to minimize degradation during subsequent adjustments, alongside support for continuous and ADF (auto-document feeder) scanning modes for handling multiple frames without interruption.^[23] Automatic tracing capabilities encompass binary tracing for clean black-and-white lines, grayscale tracing for nuanced shading, and vector tracing to generate resolution-independent vector data suitable for scalable editing.^[23] Retouching tools provide line smoothing, thickness control, and removal of dust or smudges, while color correction functions—such as filters and adjustment layers—ensure precise tonal refinement before export.^[23] Batch processing streamlines operations by applying these adjustments across sequences of images, and multi-layer support allows separation into raster, binary, grayscale, and vector layers for targeted modifications.^[23] In terms of workflow integration, TraceMan HD imports scanned images from compatible hardware and outputs cleaned raster or vector line art files directly compatible with downstream tools like Stylos HD for further drawing or PaintMan HD for coloring, supporting efficient frame sequence management in animation projects.^[24] Motion checking features enable quick playback verification of traced sequences, and the tool's design accommodates peg-hole alignment for accurate cel registration, preserving traditional animation positioning during digitization.^[25] Overall, these elements make TraceMan HD essential for high-definition anime pipelines, where rapid conversion of analog inputs maintains artistic fidelity without extensive manual intervention.^[24]

PaintMan HD

PaintMan HD serves as the dedicated coloring and shading application within the RETAS! PRO HD Series, enabling users to apply colors to line art generated from Stylos HD or TraceMan HD while supporting cel-style shading typical of 2D anime production. Developed by Celsys, it functions as a streamlined bucket-tool system optimized for efficient cel painting of scanned or digitally drawn artwork.^[26]^[7] Key features include high-speed region filling equipped with gap detection and anti-overflow controls to maintain clean edges during coloring, preventing spills beyond line boundaries. Paint-check views allow artists to identify unpainted areas or color leaks quickly, while bucket fill tools facilitate rapid application of base colors. The software also provides color selection palettes for managing hues and tones, alongside multi-layer color management that supports under- and over-color layers for shading and highlights, as well as line colorization for integrated effects.^[7] In terms of workflow integration, PaintMan HD imports line art files directly from preceding RETAS modules and exports fully colored cel sequences in standard image formats, preparing them for compositing in CoreRETAS HD; this process is particularly tailored to anime's flat color styles, emphasizing speed and consistency across frames.^[26]^[7] For studio environments, PaintMan HD incorporates batch auto-painting capabilities using predefined color models, significantly reducing manual labor in large productions by automating repetitive coloring tasks across multiple cels.^[7]

CoreRETAS HD

CoreRETAS HD serves as the primary compositing and rendering tool within the RETAS! PRO HD series, responsible for assembling complete animation scenes from individual elements including backgrounds, colored cels, and special effects to generate the final output for professional 2D animation production.^[26] This component handles the "shooting" phase, where separate materials are integrated into unified scenes using X-sheets to ensure optimal positioning and timing across frames.^[27] By supporting high-speed rendering and layer-based compositing, it enables efficient processing of complex visual expressions tailored to the demands of anime workflows.^[27] A core capability of CoreRETAS HD is its simulation of traditional multiplane cameras through digital means, allowing for depth effects where multiple layers move at varying speeds relative to the camera, which is essential for creating dynamic and immersive shots in animation.^[28] It incorporates features for panning cels over expansive backgrounds, choreographing camera movements, and integrating live-action or moving image elements to enhance scene composition.^[26] These tools replicate classic animation techniques while providing modern controls for precise keyframe animation and post-effects, making it suitable for high-impact sequences in broadcast-quality projects.^[26] In terms of workflow integration, CoreRETAS HD imports pre-colored cel sequences from PaintMan HD, organizes them along timelines to manage frame-by-frame sequences, and supports HD resolutions optimized for professional television broadcast standards.^[20] This seamless connectivity allows animators to transition smoothly from coloring to final assembly without intermediate conversions, streamlining the end-to-end production process.^[26] For output, CoreRETAS HD renders completed scenes and exports them in multiple formats, including SWF for Adobe Flash compatibility, MOV for QuickTime playback, and AVI for Windows-based systems, enabling versatile distribution and integration with other media pipelines.^[27]

RETAS Studio

Integrated Features

RETAS Studio serves as a comprehensive animation production package that bundles all components of the RETAS! PRO HD series—Stylos for digital drawing and cleanup, TraceMan for tracing and inbetweening, PaintMan for cel painting and coloring, and CoreRETAS for compositing and camera work—along with the additional utility MovieEditPro for video editing and sequence assembly in its package edition.^[29] This integration enables a streamlined end-to-end workflow, allowing users to handle scanning, line work, coloring, compositing, and final output without needing separate applications or extensive file conversions.^[30] The software supports both raster and vector drawing methods, with pressure-sensitive tablet compatibility for natural brush strokes across its extensive library of tools.^[5] A key aspect of RETAS Studio is its unified interface, which facilitates seamless file transfer and data sharing between the bundled tools, reducing workflow interruptions and enhancing efficiency in professional animation pipelines.^[31] Timeline management is handled through an advanced X-sheet system, featuring vertical exposure sheets that align with traditional Japanese animation practices for precise timing and layer control.^[20] Released on December 18, 2008, the suite was positioned as a more affordable option for studios, combining full production capabilities into one cohesive system rather than requiring individual purchases of the PRO HD modules.^[32] As of 2025, RETAS Studio remains available for purchase in Japan, primarily via download for Windows, with support limited to existing users and no updates for recent Mac OS versions.^[11] The primary user interface is in Japanese, though community-developed English language patches have been available to broaden accessibility for international users.^[33] Overall, these integrated features emphasize collaborative studio use, with built-in support for networked file management to enable team-based production across multiple workstations.^[26]

Differences from RETAS! PRO HD Series

RETAS Studio differs from the RETAS! PRO HD Series primarily in its approach to software architecture, offering a fully integrated bundle rather than modular components. The PRO HD Series comprises four standalone applications—Stylos HD for line drawing, TraceMan HD for scanning and tracing, PaintMan HD for coloring, and CoreRETAS HD for compositing—that users could purchase and combine individually to tailor workflows for specific animation stages.^[26] In contrast, RETAS Studio consolidates these functionalities into a single, cohesive application, enabling seamless transitions between drawing, inking, painting, and compositing without switching programs, which simplifies the production pipeline for smaller studios or individual animators.^[8] Support and availability further highlight these distinctions, with RETAS Studio oriented toward the Japanese market and maintaining Windows compatibility into the 2020s, though Mac OS updates ceased earlier.^[11] The English-localized version of the PRO HD Series, however, saw its official support discontinued sooner, including no further Mac OS compatibility beyond 2015, limiting its viability for international users reliant on updated operating systems.^[11] RETAS Studio also incorporates supplementary tools absent from the core-focused PRO HD Series, such as bundled integration with MAGIX Movie Edit Pro for video importing, editing, and exporting capabilities in its package edition, alongside optional plug-ins for 3D model handling and advanced compositing.^[34] The PRO HD tools, by design, emphasize the essential animation quartet without native networking features for multi-user collaboration or embedded editing suites, requiring external software for such extensions.^[20] In terms of pricing and accessibility, RETAS Studio's all-in-one model was positioned as a cost-effective option at 30,000 yen (approximately $270 USD at 2008 exchange rates), appealing to budget-conscious creators seeking comprehensive coverage in a single purchase.^[35] Acquiring the full PRO HD suite, conversely, involved higher cumulative costs due to separate module licensing, often exceeding Studio's price for equivalent functionality.^[8] Although RETAS Studio received no official English localization after 2010, community efforts have enabled its adoption beyond Japan through unofficial patches.^[33]

Successor and Legacy

Transition to Clip Studio Paint

In 2012, Celsys released Clip Studio Paint as a versatile digital drawing tool primarily targeted at manga and illustration creators.^[2] Initially focused on static artwork, the software underwent significant expansion in October 2015 with the addition of animation features, effectively incorporating core functionalities from the RETAS suite to support professional 2D animation workflows.^[2]^[36] This development marked a pivotal shift, allowing users to handle drawing, coloring, inbetweening, and timeline management within a unified interface, thereby streamlining the production pipeline that RETAS had previously segmented across modules like Stylos, PaintMan, and CoreRETAS.^[3] The transition involved migrating key RETAS tools and workflows into Clip Studio Paint, enabling compatibility for legacy projects through import options for animation cels and timelines.^[37] For instance, features such as cel export for coloring in PaintMan-style processes were adapted, allowing RETAS-origin workflows to continue with minimal disruption, though full replication of specialized RETAS capabilities remains limited.^[37] File support includes handling of certain RETAS-generated assets via dedicated export/import functions, facilitating the shift for studios reliant on formats like those used in RETAS STUDIO.^[3] RETAS sales were discontinued in June 2015, with ongoing support restricted to existing licenses and no further OS compatibility updates, such as for modern versions like Windows 11.^[3]^[11] This phase-out aligned with the full integration of animation tools into Clip Studio Paint, positioning it as the successor product. The 2022 merger between Celsys and ArtSpark Holdings Inc., effective September 1, further accelerated this consolidation, establishing Clip Studio Paint as the company's flagship offering for both illustration and animation.^[2]^[38]

Industry Impact and Notable Uses

RETAS played a pivotal role in transforming the anime industry by facilitating the transition from labor-intensive manual cel animation to efficient digital workflows, particularly in inking, painting, and compositing processes essential for meeting tight television production schedules.^[39] This shift enabled studios to produce high-volume content more rapidly while maintaining the stylistic fidelity of traditional Japanese animation.^[1] Adoption of RETAS accelerated in the late 1990s, with Toei Animation launching full digital production for TV series using the software in 1997, marking a significant milestone that influenced other major studios.^[18] By 2005, over 90% of anime companies employing digital environments had integrated RETAS into their pipelines, establishing it as the dominant tool for 2D animation in Japan.^[1] This widespread use extended to nearly all major Japanese studios by the 2000s, including Production I.G., where RETAS! Pro was employed alongside other systems for digital painting in projects like the Asience promotional anime shorts.^[40] Notable applications of RETAS include its deployment at Toei Animation for landmark series such as Dragon Ball Z, where the software supported the complete digitization of ink-and-paint divisions by 1998, yielding annual cost savings of approximately ¥100 million.^[39] It became the standard tool in anime production prior to 2015, handling tasks like inbetweening and cel exports across productions from studios such as Production I.G..^[26] The legacy of RETAS endures through the generations of animators it trained in digital techniques, fostering skills that persist in modern workflows.^[1] It influenced global tools like OpenToonz by promoting compatibility features, such as RETAS-compliant export options for seamless integration of legacy files.^[41] Although its prominence declined with the rise of Clip Studio Paint, RETAS files remain in use within industry archives and ongoing projects, with conversion methods available to bridge older productions to newer software.^[42]

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