Fact-checked by Grok 2 weeks ago

Rebel Without a Pause

"Rebel Without a Pause" is a hip hop song by the American group , released as the in November 1987 from their second studio album It Takes a Nation of Millions to Hold Us Back the following year. The track's title is a deliberate play on the 1955 film , signaling a purposeful defiance in contrast to aimless adolescent rebellion. Produced by Public Enemy's in-house team , the song exemplifies their signature dense, chaotic sound through layered samples—including James Brown's "" drum break, screeching horns, and a looped, low-fidelity effect—overlaid with heavy beats and innovative scratching by DJ . Lyrically, frontman delivers rapid-fire verses emphasizing rhythmic precision, Black Panther-inspired empowerment, and critiques of media censorship and systemic barriers, framed as an unrelenting call to action: "The rhythm, the rebel / Without a pause." A sampled by at the start underscores the track's militant political urgency. As the first composition for the album, "Rebel Without a Pause" marked a pivotal escalation in hip hop's sonic and thematic aggression, influencing production techniques and politicized content in the genre during the late 1980s. member hailed it as groundbreaking for its raw energy and Chuck D's commanding delivery, while its inclusion in media like extended its cultural reach. The song peaked at number 37 on the Hot R&B/Hip-Hop Songs chart and solidified Public Enemy's role in fusing hip hop with explicit social resistance.

Background

Conception and Development

"Rebel Without a Pause" originated as the inaugural track composed for 's second studio album, It Takes a Nation of Millions to Hold Us Back, during sessions in at the group's home studio in Hempstead, . Conceived amid the group's push to evolve beyond their debut Yo! Bum Rush the Show, the song marked a deliberate shift toward a denser, more confrontational aesthetic aimed at distinguishing in the hip-hop landscape. This early development positioned it as a foundational single to showcase the Bomb Squad's experimental approach, emphasizing relentless energy over conventional rap structures. The title directly references the 1955 film , starring as a symbol of adolescent angst and undirected defiance, but repurposed it to evoke sustained, intentional opposition rather than pause-less chaos without direction. This conceptual pivot aligned with the group's broader mission to frame as a vehicle for organized resistance, transforming the film's trope of aimless youth rebellion into a metaphor for unyielding critique of societal constraints. , the primary lyricist, initiated the songwriting by outlining verses that captured this ethos of against institutional barriers, drawing from contemporary political discourse. Hank Shocklee, as Bomb Squad leader, underscored the track's pivotal role in redefining hip-hop's sonic boundaries, viewing it as a catalyst for incorporating layered aggression and innovation that would influence subsequent productions. He collaborated closely with Chuck D to ensure the initial framework prioritized thematic intensity and rhythmic drive, establishing a blueprint for the album's overall intensity without relying on prevailing trends. This foundational work in 1987 solidified "Rebel Without a Pause" as a proving ground for Public Enemy's signature militancy, predating the full album's recording and setting the tone for their ascent.

Recording and Production

"Rebel Without a Pause" was recorded in 1987 at Enemy's studio in Hempstead, , under the direction of producer Shocklee and the Bomb Squad production team, which included Keith Shocklee and Eric Sadler. The sessions emphasized manual performance over rigid sequencing to capture an organic, unpredictable energy, with contributing hand-played drum fills on electronic drums to simulate a live band's immediacy. The track's dense, chaotic texture arose from extensive layering of samples, including an glissando from The J.B.'s "The Grunt" pitched up for a piercing , combined with percussion breaks like James Brown's "" and high-pitched screams from the same source. Primary equipment included the sampler, limited to 3-second, 4-bit samples that introduced inherent distortion and reload delays, forcing concise, impactful loops rather than extended ones possible with later gear like the Akai S900. Multiple drum machines, such as the DDD-1 and , were employed to stack 3-4 layers of kicks, snares, and hi-hats, creating a through dissonance rather than melodic basslines, with drum decays providing low-end without traditional grooves. Shocklee's approach prioritized sonic aggression, processing samples with endpoint clipping, filtering via partial output jacks, and live jamming captured on to mimic rebellion's urgency, setting the track's tempo at 109 —faster than typical beats of 98 —to heighten tension. This method contrasted sharply with the era's smoother, sample-light productions by privileging and textural overload, where the Mirage's technical constraints causally drove innovative density over cleaner fidelity. The final mix, handled by Steve Ett, integrated Terminator X's scratches and group vocals without automation on Neve or consoles, preserving raw edges from 2-inch 24-track recordings.

Composition

Musical Structure and Sampling

"Rebel Without a Pause" employs a conventional structure adapted for intensity, opening with an intro of layered hype vocal calls and a sampled introduction from Reverend at the 1972 festival, transitioning into alternating verses primarily by , group interjections, and a repetitive built on rhythmic affirmations. The track spans 4:58, propelled by a continuous synthesized from sampled breaks and 808 kicks, eschewing melodic in favor of percussive low-end reinforcement to maintain propulsion without harmonic resolution. Central to the production are samples from The J.B.'s "The Grunt" (1970), providing horn stabs and foundational rhythm manipulated for dissonance, including distortion that yields the track's signature squealing whistle as a piercing, recurring motif. Drum elements draw from James Brown's "Funky Drummer" (1970) break, layered with additional breaks and noise to create a chaotic, high-volume density exceeding 20 simultaneous audio tracks. The Bomb Squad's technique foregrounds abrasive textures over tunefulness, with pitched and filtered samples generating tension through clashing frequencies and abrupt shifts, such as mid-verse beat variations, to simulate unrelenting momentum. This sample-heavy construction, avoiding live instrumentation beyond scratches, underscores a raw, mechanical aggression calibrated for maximum sonic impact.

Lyrics and Themes

"Rebel Without a Pause" employs Chuck D's rapid-fire lyrical delivery to propel themes of unrelenting against institutional authority and media control. His verses, delivered at a pace exceeding 100 , underscore militancy through dense rhymes that link rhythmic aggression to political defiance, as in the opening "Yes, the rhythm, the rebel / Without a pause, I'm lowering my level." Flavor Flav's ad-libs, including exclamations like "Yow!" and prompts to "slow down," introduce disruptive energy that amplifies the track's chaotic urgency without diluting the core message. Central to the lyrics is the motif of ceaseless resistance, inverting the 1955 film to affirm purposeful, pause-less action against oppression. Lines such as "Power to the people, no delay / To the rebel without a pause" frame black empowerment as an ongoing battle, drawing on symbolism with references to "Panther power" to evoke organized defiance. This rhetoric positions the group as adversaries to the , critiquing media gatekeeping via barbs like "Radio—suckers never play me," which reflect real-world exclusion of politically charged from airwaves in the late 1980s. The song's content responds to verifiable grievances, including distorted portrayals of black communities and political policies under Reagan, as seen in the direct call "Impeach the president" amid lines decrying systemic enemies. Yet, the emphasis on —evident in boasts of overwhelming foes through lyrical and sonic force—privileges mobilization via antagonism over explicit blueprints for socioeconomic agency, a stylistic choice that sustains heightened social discourse but risks causal entrenchment of adversarial cycles absent adaptive strategies. Producer described the track as a foundational statement of Public Enemy's purpose, aligning its themes with the group's broader mission of protest through unyielding rhetoric.

Release and Promotion

Single Release and Chart Performance

"Rebel Without a Pause" was issued as the from Public Enemy's second studio album, It Takes a Nation of Millions to Hold Us Back, in November 1987 via . The release preceded the album's full launch on June 28, 1988, serving to generate early buzz for the group's aggressive sound within audiences. The track achieved moderate commercial traction in specialized formats, reaching number 20 on the Hot R&B/Hip-Hop Songs chart and number 31 on the US chart. In the , it peaked at number 37 on the Official Singles Chart, spending eight weeks in the listing. It failed to enter the , underscoring Public Enemy's primary appeal to rap and R&B listeners rather than broader pop markets during this period. While specific sales data for the single remain undocumented in , its performance contributed to momentum for the parent album, which shipped over one million copies and earned RIAA platinum certification in 1989. Promotion emphasized radio airplay on urban stations and integration into Public Enemy's live tours, aligning with Def Jam's strategy to position the group as a cornerstone of emerging hardcore rap.

Music Video

The music video for "Rebel Without a Pause," produced in 1987, prominently features Public Enemy's core members—, , and —alongside the S1W (Security of the First World) troupe in performance sequences that highlight the group's dynamic stage presence and DJ scratching techniques. The visuals incorporate militant imagery, including S1W members clad in uniforms executing synchronized marches and poses with wooden rifles, evoking a aesthetic rooted in Black nationalist influences. These elements underscore the song's high-energy rebellion without delving into explicit narrative storytelling, aligning with the era's emerging video conventions of raw, confrontational visuals over polished production. Shot in a low-budget, gritty style characteristic of late-1980s rap promotions, the video employs rapid cuts and shots of the performers amid urban backdrops and simulated crowd energy to mirror the track's frenetic 102 and layered, abrasive . Symbolic props, such as the S1W's mock weaponry and Flavor Flav's clock necklace, amplify the rebellious motif, while quick transitions between verses and breaks maintain visual momentum without high-end effects or seen in contemporaneous pop videos. This approach reflected resource constraints at but effectively captured the Bomb Squad's sonic intensity in visual form. The video received notable rotation on starting in late 1987, aiding Public Enemy's breakthrough amid the network's initial reluctance toward rap content, and contributing to the single's promotional reach prior to the full release in April 1988. Its airing helped familiarize mainstream audiences with the group's unapologetic style, paving the way for subsequent videos like "Fight ," though remained moderate compared to rock or pop counterparts due to genre biases at the time.

Reception

Critical Response

The song's production, characterized by dense layering of samples and abrasive sonic elements, received acclaim for elevating hip-hop's intensity and marking a milestone in genre innovation. In a July 24, 1988, review of the parent album, It Takes a Nation of Millions to Hold Us Back, New York Times critic Jon Pareles highlighted tracks like "Rebel Without a Pause" for Terminator X's "ear for clipped, abrasive noises" and the stark, repetitive funk riffs that formed "sonic collages" with electronic whines, sustaining relentless energy through syncopated rhymes and confrontational delivery. Similarly, Village Voice critic Robert Christgau awarded the album an A+ grade, praising its "kitchen-sink treatment" as transcending conventional hip-hop to embody a potent, multifaceted worldview driven by production density. Critics also noted the track's potential to alienate audiences due to its unrelenting abrasiveness and thematic intensity. Pareles observed that the group's uncompromising style, exemplified by the "nagging, wavering sounds" in "Rebel Without a Pause," rendered it unsuitable for radio appeal, likely repelling casual or older listeners unaccustomed to such sonic aggression. Furthermore, the ' declarations of systemic threats and resistance were critiqued for evoking "wishful " rather than substantiated , as the group positioned their rising popularity as an existential danger to authority without deeper evidentiary support. While left-leaning outlets like valued this as authentic political edge, the militancy drew implicit pushback for prioritizing unrest over constructive critique, reflecting broader tensions in 1988 coverage of Public Enemy's output.

Commercial Aspects

"Rebel Without a Pause" was released as the from Public Enemy's It Takes a Nation of Millions to Hold Us Back on November 14, 1987, via . It achieved moderate chart success, peaking at number 37 on the and spending eight weeks in the top 100, while reaching number 20 on the Hot R&B/Hip-Hop Songs chart and number 31 on the US Dance Club Songs chart. The single did not receive RIAA certifications for sales or streams, reflecting its primary role in promoting the rather than standalone commercial dominance. The track's commercial impact was amplified by the album's performance, which peaked at number 42 on the and was certified platinum by the RIAA on August 9, 1989, for shipments exceeding one million units in the United States. This certification marked Public Enemy's transition from underground status to viability, with the single's aggressive and radio play contributing to initial that propelled overall album sales. By the 2020s, "Rebel Without a Pause" had accumulated over 19 million streams on , indicating sustained digital revenue through licensing and playlist inclusion, though its appeal remained niche compared to more pop-oriented tracks. The song has appeared on various reissues and compilations, extending its revenue streams via catalog sales. Notable inclusions are the 2001 greatest hits collection Power to the People and the Beats: Public Enemy's Greatest Hits, which features remastered versions and sold steadily in the digital era, and the 2025 remastered compilation Classic Public Enemy. No major industry awards, such as Grammys, were bestowed on the single, though it received recognition at the 1988 for Best Record.

Impact and Legacy

Influence on Hip-Hop and Music

The production of "Rebel Without a Pause," helmed by Public Enemy's Bomb Squad team, pioneered a dense "wall of sound" in hip-hop through aggressive layering of over 20 samples—including dissonant horns from the J.B.'s "The Grunt," rock guitars, and siren effects—creating a chaotic, immersive sonic assault that diverged from the simpler drum-and-sample beats dominant in mid-1980s rap. This technical expansion, often compared to Phil Spector's orchestral density but adapted for rap's raw aggression, set a template for complex, noise-infused production that prioritized intensity over melody. This approach causally influenced 1990s East Coast acts like , whose producer built on similar multifaceted sampling and gritty aesthetics to craft the clan's debut Enter the Wu-Tang (36 Chambers) in 1993, echoing Public Enemy's revolutionary use of layered , , and abrasive elements to evoke urban turmoil. On the West Coast, the track's militant energy resonated with N.W.A., contributing to their 1988 album by amplifying rap's shift from party-oriented tracks to politically charged confrontation, as evidenced by shared themes of systemic critique and offensive sonic force. The Bomb Squad's style further bridged coasts via their production on Ice Cube's 1990 solo debut AmeriKKKa's Most Wanted, applying layered dissonance to West Coast narratives and demonstrating hip-hop's growing embrace of production as a tool for ideological aggression. While these innovations technically broadened hip-hop's palette—enabling denser beats in acts from to —their emphasis on unrelenting confrontation also played a role in escalating the genre's tonal militancy, fostering a cultural pivot toward abrasive expression over escapist themes, though this evolution invited debates on whether such intensity advanced discourse or hardened divides.

Cultural References and Sampling

"Rebel Without a Pause" has been sampled in over 396 tracks across and related genres, demonstrating its enduring sonic influence. Early examples include Def Jef's "Givin' Em Rhythm" from 1989, which incorporated elements of the track's aggressive rhythm and vocal ad-libs to underscore its own confrontational style. By the late , the sample appeared in Macy Gray's "Do Something (DJ Cam Remix)" (1999), blending it into production. The song's reach extended into mainstream pop with ' "WINGS" featuring in 2018, where its iconic "woo yeah" hooks and bombastic beats were layered into a high-energy collaboration, broadening Public Enemy's original sound to global audiences. Remixes have also proliferated, such as the Rhythm Scholar Maximum Rage Remix released in 2019, which amplified the track's intensity for contemporary DJ sets. Beyond music, the song's title and elements have surfaced in media and online culture. A 2003 documentary titled Noam Chomsky: Rebel Without a Pause directly echoed the phrasing, framing the linguist's through a lens of unrelenting critique. In recent years, platforms have revived interest, with analyses dissecting its production and cultural weight as of March 2025, contributing to ongoing discussions among hip-hop enthusiasts. Public Enemy has maintained its performance in live tours, preserving the track's raw energy for new generations without alteration to its core form.

Interpretations and Controversies

"Rebel Without a Pause" is frequently interpreted as an anthem of resistance drawn from the lived experiences of Black Americans in the , decrying systemic , gatekeeping, and racial inequities through calls for empowerment and . Supporters highlight lyrics invoking Assata Shakur's and phrases like "no gun, and still never on the run" as endorsements of resilient, non-violent defiance against authority, framing the track as a rhetorical tool for fostering Black solidarity and perseverance amid hardship. This view positions the song within Public Enemy's broader protest rhetoric, which critiques institutional without aligning with organized movements, instead amplifying marginalized voices to challenge societal norms. Critics, particularly from conservative perspectives, have faulted the song's unrelenting revolutionary posture for cultivating a of perpetual victimhood and reflexive anti-authority , potentially discouraging pragmatic, evidence-driven solutions to social issues in favor of symbolic confrontation. The track's emphasis on ceaseless —"rebel without a pause"—is seen by detractors as prioritizing endless over constructive , mirroring Public Enemy's group-wide militant aesthetics that fueled external backlash. These tensions link to Public Enemy's larger controversies, including militant imagery tied to Nation of Islam influences and antisemitic remarks by member in 1989, which prompted Jewish advocacy groups to protest the group's rhetoric as inflammatory, though the song itself avoids explicit such references. In 2020s discourse amid racial unrest, online platforms have recirculated the track as resonant with calls against perceived injustice, yet analyses urge scrutiny of its hype-driven energy for overlooking causal factors in division, favoring empirical assessment over unchecked militancy.

References

  1. [1]
    Public Enemy – Rebel Without a Pause Lyrics - Genius
    Public Enemy's “Rebel Without a Pause” was released as a single for It Takes a Nation and has become one of the group's signature songs. The title is a play on ...
  2. [2]
    Rebel Without A Pause by Public Enemy - Songfacts
    Rebel Without A Pause by Public Enemy song meaning, lyric interpretation, video and chart position.
  3. [3]
    The year Public Enemy and N.W.A brought fury and politics to rap
    Aug 7, 2023 · In July 1987, Public Enemy unleashed its answer: “Rebel Without a Pause.” The revolutionary track would become the anchor to the group's ...
  4. [4]
    How Public Enemy Made 'It Takes a Nation of Millions to Hold Us Back'
    Mar 26, 2013 · “Bring the Noise,” along with “Rebel Without a Pause” and “Don't Believe the Hype” – all conceived in 1987 at the group's Hempstead, Long ...Missing: creation | Show results with:creation
  5. [5]
    Chuck D On Public Enemy's 'It Takes A Nation Of Millions To Hold ...
    So when it came down to putting together “Rebel Without A Pause” and “Bring The Noise,” it was the one time with had dispute with Rick. He wanted us to ...Missing: origins | Show results with:origins
  6. [6]
    Public Enemy "Rebel Without A Pause" (1987) - Hip Hop Golden Age
    Mar 31, 2022 · “Rebel Without a Pause” is a song by Public Enemy and the first single from their 1988 album It Takes a Nation of Millions to Hold Us Back.
  7. [7]
    Hank Shocklee - "Rebel Without A Pause" Is Public Enemy's Most ...
    Jul 21, 2015 · Hank Shocklee talks to @247HH about why "Rebel Without A Pause' is one of Public Enemy's most significant record.
  8. [8]
    Hank Shocklee | Red Bull Music Academy
    Can you talk about how “Rebel Without A Pause” was created? HANK SHOCKLEE. “Rebel” is interesting because that was originally done with the only sampler that ...
  9. [9]
    The Noise And How To Bring It: Hank Shocklee Interviewed
    Feb 4, 2015 · John Tatlock speaks to Hank Shocklee about key Public Enemy productions and other sonic innovations.
  10. [10]
    Rebel Without a Pause by Public Enemy - WhoSampled
    "Rebel Without a Pause" contains samples of "The Grunt" by The J.B.'s, "Funky Drummer" by James Brown, "I Don't Know What This World Is Coming To" by The ...
  11. [11]
    Hank Shocklee: Public Enemy Producer on Sonic Revolution
    Legendary producer Hank Shocklee reveals how Public Enemy's Bomb Squad created hip-hop's most revolutionary sounds. Learn sampling techniques, production ...
  12. [12]
    The Production of Public Enemy: Gear, Sampling and | Reverb News
    Mar 1, 2016 · Public Enemy - It Takes A Nation Of Millions To Hold Us Back. The samples were further distorted by sharp clipping at their endpoints, which ...
  13. [13]
    View of 'We Wanted Our Coffee Black': Public Enemy, Improvisation ...
    “Rebel Without a Pause”. “Rebel” begins with a vocal sample of Reverend Jesse Jackson introducing the musical act The Soul Children at the Los Angeles Wattstax ...
  14. [14]
    The Bomb Squad Used Sampled 808 Drums Instead of Basslines on ...
    Jun 27, 2018 · Public Enemy performing “Rebel Without A Pause” live. Realizing that ... Public Enemy and The Bomb Squad successfully brought in a new ...<|separator|>
  15. [15]
    The '87 Sound: “Rebel Without a Pause” by Public Enemy
    Nov 8, 2017 · “Rebel Without a Pause”, Public Enemy's breakthrough single, is a perfect example of the changes music, Hip Hop and otherwise, would go through in 1987.
  16. [16]
    [PDF] Public Enemy It Takes A Nation Of Millions
    2. "Rebel Without a Pause": This track showcases Chuck D's rapid-fire delivery and the group's innovative production, reinforcing their message of rebellion and.
  17. [17]
    https://admisiones.unicah.edu/virtual-library/cMoj6M/2OK048/PublicEnemyItTakesANationOfMillions.pdf
  18. [18]
    When did Public Enemy release “Rebel Without a Pause”? - Genius
    Public Enemy released “Rebel Without a Pause” in November 1987.Missing: single | Show results with:single
  19. [19]
    https://genius.com/Public-enemy-rebel-without-a-pause-lyrics/q/release-date
  20. [20]
    https://www.discogs.com/release/15407626-Public-Enemy-Rebel-Without-A-Pause
  21. [21]
    Discography and Biography of Public Enemy. Listen to all their hits.
    Rebel without a Pause. record label: Def Jam 73391 chart position: RandB #20, UK #46, US Dance #31 written by: Keith Shocklee, Eric ...
  22. [22]
    PUBLIC ENEMY songs and albums | full Official Chart history
    REBEL WITHOUT A PAUSE PUBLIC ENEMY. Peak: 37,; Weeks: 8. Read more icon Close ... Official Charts logo Official Singles Chart. View as list icon view as ...
  23. [23]
    Public Enemy Top Songs - Greatest Hits and Chart Singles ...
    Rebel Without a Pause Public Enemy greentick. from It Takes a Nation of Millions to Hold Us Back · It Takes a Nation of Millions to Hold Us Back. 20 pts. 37. UK ...
  24. [24]
    Public Enemy - Rebel Without a Pause (Music Video) - YouTube
    Mar 29, 2011 · This is a Music Video for The Public Enemy Song: Rebel Without a Pause Featuring: Public Enemy Chuck D Flavor Flav Terminator X S1W Real Hip ...Missing: style scenes
  25. [25]
    Can't Stop Won't Stop | Introduction to Hip Hop Culture and History
    Apr 24, 2014 · The visual impact of P.E. (see “Rebel Without a pause” video), who combine militancy with a throwback to 1960s Black Nationalism. Listen to ...
  26. [26]
    Public Enemy - Louder Than A Bomb (1988) - IMVDb
    Jan 7, 2016 · 'Louder Than A Bomb' music video by Public Enemy. Directed by Brett Ratner.
  27. [27]
    Classic Tracks: Public Enemy 'Black Steel In The Hour Of Chaos'
    This all changed when the Bomb Squad created a new track titled 'Rebel Without A Pause' as the B‑side of Public Enemy's second single, 'You're Gonna Get Yours'.Missing: details | Show results with:details
  28. [28]
    RECORDINGS; Public Enemy: Rap With a Fist in the Air
    Jul 24, 1988 · ''Bring the Noise,'' ''Rebel Without a Pause'' and ''Don't Believe the Hype'' lash out at critics and radio stations and declare, with ...
  29. [29]
    REBEL WITHOUT A PAUSE – PUBLIC ENEMY - Official Charts
    Nov 14, 1987 · Latest chart stats about REBEL WITHOUT A PAUSE - peak chart position, weeks on chart, catalogue number, week-by-week chart placement and ...Missing: performance | Show results with:performance
  30. [30]
    https://www.officialcharts.com/songs/public-enemy-rebel-without-a-pause/
  31. [31]
    Public Enemy - Spotify Top Songs - Kworb.net
    Rebel Without A Pause. 19,020,103, 5,413. Bring The Noise. 18,575,379, 5,120. * Shut 'Em Up. 17,971,529, 7,365. Bring Tha Noize. 13,451,230, 4,476. Welcome To ...
  32. [32]
    https://kworb.net/spotify/artist/6Mo9PoU6svvhgEum7wh2Nd_songs.html
  33. [33]
    https://www.discogs.com/release/17261626-Public-Enemy-Power-To-The-People-And-The-Beats-Public-Enemys-Greatest-Hits
  34. [34]
    Public Enemy: Revolutionizing Hip Hop With Politics And Power
    Sep 27, 2024 · ... Rebel Without a Pause” were filled with biting social commentary, making Public Enemy's music both a call to action and a cultural wake-up call.
  35. [35]
    https://hiphopgoldenage.com/public-enemy-revolutionizing-hip-hop-with-politics-and-power/
  36. [36]
    What Made Public Enemy Hip Hop Revolutionaries
    Jun 26, 2024 · Suitably, a sample from the same Jesse Jackson speech utilized on “Rebel Without a Pause” is paired with a fiery snippet of a Mary McLeod ...
  37. [37]
    Wu-Tang Forever - Wikipedia
    Like their forebears in Public Enemy, Wu-Tang are musical revolutionaries, unafraid to bring the noise along with their trunk of funk. The RZA allows a few ...
  38. [38]
    Ice Cube Names Chuck D His Favorite Rapper & Bomb Squad His ...
    Feb 21, 2017 · Ice Cube made some of his most notable collaborations with Chuck D and the producers of Public Enemy, The Bomb Squad.
  39. [39]
    Dr. Dre: Influences - Playlist - Apple Music
    Dre's techniques were also pushed by the massive waves of samples used by his peers, like Public Enemy's production team, The Bomb Squad.
  40. [40]
    Songs that Sampled Rebel Without a Pause by Public Enemy
    Songs that Sampled Rebel Without a Pause. by Public Enemy. Sampled in 396 songs. Sort: Most Popular ...
  41. [41]
    Public Enemy – Rebel Without a Pause Samples | Genius
    See all of “Rebel Without a Pause” by Public Enemy's samples, covers, remixes, interpolations and live versions.
  42. [42]
    Rebel Without A Pause (Rhythm Scholar Maximum Rage Remix)
    Dec 9, 2019 · Public Enemy - Rebel Without A Pause (Rhythm Scholar Maximum Rage Remix) The Rhythm. The Rebel. The Classic... REMIXED!Missing: covers | Show results with:covers
  43. [43]
    Noam Chomsky: Rebel Without a Pause (2003) - IMDb
    Rating 7.1/10 (624) Noam Chomsky: Rebel Without a Pause ; Director. Will Pascoe ; Writers. Jennifer MacLennan · Will Pascoe · David Wesley ; Stars. Noam Chomsky · Carol Chomsky.
  44. [44]
    Meaning of the song 'Rebel Without A Pause' by 'Public Enemy' - Beats, Rhymes and Lists
    ### Summary of "Rebel Without a Pause" by Public Enemy
  45. [45]
    [PDF] Rap music as protest: A rhetorical analysis of Public Enemy's lyrics
    The results of the analysis showed that: 1) Ford employed song lyrics to ... Public. Enemy, in "Welcome to the Terrordome," "Rebel Without a Pause," "Black Steel ...
  46. [46]
    Public Enemy & Pop Politics: Break-Up Crumbles Black-Monolith Myth
    Apr 8, 2020 · ... controversy that Chuck also mishandled. When listening to PE at its peak (songs such as “Rebel without a Pause,” “Black Steel in the Hour of ...
  47. [47]
    PUBLIC ENEMY'S RAP RECORD STIRS JEWISH PROTESTS
    Dec 29, 1989 · Public Enemy, the militant black rap group at the center of a controversy last summer after one of its members made antisemitic comments ...Missing: imagery | Show results with:imagery
  48. [48]
    What one song best represents your expectations for 2025?
    Jan 2, 2025 · “Rebel Without A Pause” is a song that empowers me and moves me to action. As soon as the thumping bassline and Chuck D's voice hits the track, ...<|separator|>