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Red mist

Red mist is a denoting a sudden and intense feeling of that temporarily impairs rational and . It is often described as a metaphorical "" or of that descends upon a person, leading to impulsive or aggressive actions without clear thinking. The term is particularly prevalent in contexts like , where it illustrates moments of uncontrolled , such as a lashing out during a match. The earliest recorded use of "red mist" dates back to 1844 in a literal sense, referring to a reddish atmospheric fog, as noted in Lloyd's Penny Weekly Miscellany, before evolving into its figurative meaning related to by the late . In modern usage, it gained prominence in the through British media coverage of (soccer) incidents, where players like were said to experience the "red mist" during heated confrontations, such as his sending-off in the against . The phrase aligns with descriptions of acute emotional states akin to blind rage, where adrenaline surges override cognitive control, potentially resulting in regrettable behavior. Beyond sports, "red mist" appears in broader discussions of and emotional regulation, serving as a shorthand for the physiological and mental overwhelm that can escalate conflicts in everyday or professional settings. Its cultural resonance in the UK underscores a colloquial acknowledgment of anger's power to distort , much like viewing the world through a crimson veil. While not a clinical term, it influences self-help literature and coaching strategies aimed at preventing such episodes. "Red mist" is also the name or title of various works and concepts in , including a horror story, a 2020 horror , a crime novel by , songs by artists such as , a superhero persona in comics, and a character in the video game Bendy and the Ink Machine.

Idiomatic expression

Definition and origin

The idiomatic expression "red mist" refers to a sudden and intense surge of that impairs rational thinking and , metaphorically depicted as a red haze or mist descending over one's vision, obscuring judgment. This phrase captures the overwhelming emotional state where fury dominates, often leading to impulsive actions. The term's earliest recorded use appears in 1844, in the British periodical Lloyd's Penny Weekly Miscellany, where it describes the physiological sensation of rushing to the head during . Etymologically, it draws from the observable physical response to , in which increased flow causes facial flushing, evoking a literal "" tint that symbolizes clouded . This connection has deeper evolutionary origins, as humans have long associated the color with danger and , a perceptual link tracing back to ancestral environments where signaled threats like or , heightening arousal and fight responses. Historically, "red mist" emerged within 19th-century as a vivid for uncontrollable , reflecting broader cultural understandings of and . By the , the expression gained widespread traction in , particularly in commentary, to denote athletes' momentary lapses into fury during competition.

Usage examples

In , particularly British football, the "red mist" describes moments when players lose control due to , often resulting in fouls, fights, or red cards. This usage became prominent in the 1990s , exemplified by the intense Arsenal-Manchester United rivalry, where heated clashes like the 1990 brawl at involved players succumbing to rage-fueled .) Similarly, Manchester United's was notorious for such episodes, including his aggressive tackles that embodied the "red mist" during high-stakes matches against rivals like in the late 1990s and early 2000s. In , the phrase captures uncontrolled fury leading to technical knockouts or disqualifications, as seen in fighters who, overwhelmed by rage, abandon strategy for wild swings, a phenomenon analyzed in psychological reviews of combat aggression. In media and news reporting, "red mist" frequently appears in headlines and articles about incidents, highlighting sudden bursts of behind the wheel. For instance, a 2010 study by of Advanced Motorists warned that congestion-induced stress causes drivers to experience the "red mist," impairing judgment and increasing accident risks. Tabloid stories from the , such as a court case where a tanker driver rammed another after "inexplicable red mist descended," illustrate its application to real-world altercations. In , the depicts character breakdowns in novels, where protagonists view events "through a red mist" of fury, as in narrative examples from English fiction corpora showing loss of control in tense scenes. Psychologically, the expression aligns with findings that intense anger increases the likelihood of perceiving red in ambiguous situations, as shown in research on perceptual biases associated with emotional states. This perceptual association underscores how anger can distort sight, reinforcing the idiom's basis in human emotion-color linkages.

Creepypasta story

"Red Mist," also known as "Squidward's Suicide," is a creepypasta horror story published online in 2010 that purports to describe a disturbing, unaired episode of the animated television series SpongeBob SquarePants. The narrative is framed as a firsthand account from a Nickelodeon intern who, in 2005, views a bootleg tape of what was intended as the Season 4 premiere but was never broadcast due to its graphic content. This fictional tale draws on lost media tropes, mimicking earlier creepypastas like "Suicidemouse.avi" by presenting the episode as a suppressed piece of animation containing hyper-realistic horror elements and themes of depression and suicide. The story's plot begins with a seemingly ordinary segment of Squidward practicing his clarinet, producing sour notes as in typical episodes, before transitioning to his recital performance. During the recital, the audience—depicted with unusually hyper-realistic, lifeless eyes resembling those of dead children—boos Squidward maliciously, including an uncharacteristically cruel SpongeBob, leading to Squidward's visible emotional breakdown and retreat to his home in despair. The episode escalates with inserted still frames of the murdered children's faces, building tension until Squidward, in a fit of , shoots himself in the head with a ; the resulting blood spray forms a "red mist" that fills the screen. It concludes eerily with a shot of SpongeBob lying in bed as a corpse, his eyes bleeding, accompanied by distorted audio of real children's screams fading into silence. The was originally posted anonymously on the 7chan on August 8, 2010, before being republished on Creepypasta.com on September 1, 2010, where it gained widespread attention. Although sometimes attributed to a like David Madison, the authorship remains unconfirmed, with the story inspired by urban legends of censored children's media and the "red mist" idiom referring to a violent blood spray. It falsely claims the episode was created under mysterious circumstances at , pulling from real production details to enhance verisimilitude while emphasizing the intern's futile attempts to investigate its origins. "Red Mist" has had significant cultural impact within online horror communities, inspiring numerous fan recreations on that collectively amass millions of views, such as animated adaptations and readings exceeding 2 million views each. It influenced fan theories, fueling speculation about hidden dark themes in the series and contributing to the broader genre's exploration of corrupted childhood media. The story received an official nod in the 2019 episode "SpongeBob in RandomLand" from Season 12, where a brief cameo of the "Red Mist Squidward" face appears behind a door, later censored in some international airings due to its disturbing nature. This reference sparked online debates about Nickelodeon's alleged suppression of controversial content, echoing the 's central premise of hidden horrors in the franchise.

Horror film

Red Mist (also known as Freakdog) is a 2008 supernatural horror film directed by Paddy Breathnach and written by Spence Wright. The story revolves around a group of medical students who torment a shy hospital janitor nicknamed "Freakdog," leading to unintended consequences when an experimental drug grants him supernatural abilities for revenge. Produced on a budget of $3 million, the film was shot primarily in Ireland despite its American setting and received a limited theatrical release in the United Kingdom in 2009 before going direct-to-video in the United States. The plot centers on Kenneth (Andrew Lee Potts), a stuttering and socially awkward janitor at Forthaven , who endures relentless bullying from a clique of medical students led by the arrogant Jake (Jack Huston). During a cruel prank at a party, the students drug Kenneth with a , causing him to fall into a after hitting his head. Ambitious resident doctor Katherine (Arielle Kebbel), eager to advance her career, administers an untested neural stimulant to the comatose Kenneth without proper approval. The unexpectedly awakens his , allowing him to astral project and possess the bodies of others, enabling him to methodically stalk and gruesomely murder his tormentors one by one—often forcing victims to harm themselves or each other in brutal, ironic ways. As paranoia grips the surviving students, including Katherine's friend Kim (Sarah Carter), the film builds tension through possession-induced killings that blend with graphic violence. The narrative explores themes of vengeance and the perils of unchecked ambition, culminating in a confrontation that reveals Kenneth's tragic backstory of childhood abuse. Production began in 2007 in Ireland, with principal photography taking place in and surrounding areas to stand in for a U.S. hospital setting, contributing to the film's modest, claustrophobic atmosphere. Breathnach, known for earlier works like (1997), aimed to blend slasher elements with supernatural possession tropes, drawing influences from films such as (1990). The cast features American actress alongside British and Irish performers, including supporting roles by as Dr. Harris, a senior , and as the student Rachel. involved practical gore effects for the kill scenes, emphasizing visceral impacts over digital enhancements. Originally titled for its UK release by , it was retitled Red Mist for the U.S. market by as part of their "8 Films to Die For" series, premiering on DVD in 2009. The low-budget approach limited elaborate sets, focusing instead on character-driven suspense within the hospital confines. Reception to Red Mist was mixed, with critics largely dismissing it as derivative while some audiences appreciated its and pacing. On , it holds a 0% approval rating from 14 critics, who lambasted its clichéd storyline and lack of originality, with calling it a "very ordinary, conventional, by-the-numbers creepfest" lacking innovation. Audience scores fare slightly better at 16%, and users rate it 4.9/10 from over 3,000 votes, praising the practical effects and building tension in sequences but criticizing predictable twists and uneven . Reviews from outlets like Eye for Film noted its "fair helping of " as a highlight amid formulaic slasher tropes, though it ultimately failed to elevate beyond genre conventions. The film achieved modest commercial success in limited markets, grossing under $1 million worldwide through video sales and festival screenings, aligning with its distribution model.

Crime novel

Red Mist is a 2011 crime thriller novel by , the nineteenth installment in her series. The story centers on Dr. , the chief , who travels to the Prison for Women to interview inmate Kathleen Lawler regarding the recent murder of her former deputy, Jack Fielding. Lawler, serving time for DUI and previously convicted of sexually assaulting the young Fielding, provides clues that connect Fielding's death to a broader web of crimes, including the sadistic 2003 murder of an family and a series of poisonings targeting homeless individuals across states like . As Scarpetta delves deeper with the aid of her husband, FBI profiler Benton Wesley, and niece Lucy Farinelli, she uncovers a conspiracy involving corrupt prison officials, such as warden Tara Grimm, and manipulative figures tied to media and underground networks, driven by personal vendettas and forensic manipulations. The novel explores themes of betrayal, the intricacies of in unraveling complex cases, and the lingering impact of past traumas on present-day investigations. Within the Kay Scarpetta series, Red Mist builds on recurring elements from prior books, such as Scarpetta's professional expertise in and her personal relationships strained by high-stakes probes. Fielding's , introduced in earlier installments like Port Mortuary, adds emotional depth, highlighting themes of mentorship turned tragic through exploitation and revenge. Cornwell uses the narrative to showcase advanced forensic techniques, including toxin analysis and reconstruction, while critiquing institutional corruption in the justice system. Published on December 6, 2011, by , the hardcover edition spans 512 pages and quickly achieved commercial success, debuting at number one on bestseller list. Critics praised its intricate plot twists and suspenseful pacing, though some noted the as occasionally dense and overburdened with technical details. On , it holds an average rating of 3.8 out of 5 based on over 28,000 user reviews, reflecting its enduring popularity among fans of forensic thrillers.

Songs

"Red Mist" appears as a title in various musical compositions across genres, often evoking themes of rage and violence that align with the idiomatic use of the phrase to describe overwhelming anger. One prominent example is the track by horrorcore rapper Sematary (real name Zane Steckler), released on March 20, 2020, as part of the album Rainbow Bridge 2. The features explicit lyrics depicting brutal imagery, such as "Haunted Mound till I'm in the ground / Put a cutter in your bitch mouth," set over beats that sample band . Produced by Sematary himself, it serves as the album's , with an official premiering on on May 16, 2020, which has garnered over 414,000 views. Another notable track is "Red Mist" by American horrorcore artist , from his 2006 debut album The Harvest on . The song, featuring guest appearances by and , delivers graphic narratives of vengeance and bloodshed, with opening lines like "I got 'em in my sight / Aimin' right between his eyes / Fiending for the sight of blood / Squirting when the bullet flies." Clocking in at 3:54, it exemplifies the raw, narrative-driven style of underground , emphasizing themes of predatory aggression. In the genre, Canadian band Fuck the Facts included a brief "Red Mist" on their 2001 Mullet Fever, released independently. This 12-second instrumental track contributes to the album's chaotic, noise-infused soundscape, blending elements with experimental brevity amid a collection of over 20 short pieces. The band's prolific output in and underscores the track's role in their early, frenetic explorations of auditory intensity. These examples illustrate how "Red Mist" is employed to convey dark, aggressive moods, ranging from explicit lyrical horror in rap to abstract sonic violence in metal subgenres.

Superhero persona

Red Mist is the initial superhero alter ego of Chris Genovese, the son of New York crime boss John "Johnny G" Genovese, in the Kick-Ass comic book series created by writer Mark Millar and artist John Romita Jr. and published by Icon Comics. Debuting in Kick-Ass #4 in February 2008, the teenage Genovese adopts the persona after being inspired by the vigilante activities of protagonist Dave Lizewski (Kick-Ass), donning a distinctive red hooded costume and arming himself with a katana to emulate real-world heroism. Throughout the first volume of , Red Mist poses as an enthusiastic ally and friend to Kick-Ass, using to connect and even providing a customized "Mist Mobile" vehicle for joint patrols, all while secretly intending to infiltrate the nascent superhero circle on behalf of his father's criminal empire. His deception culminates in a during an assault on the hideout of fellow vigilantes and , where he reveals his true loyalties by holding Kick-Ass at gunpoint. The confrontation ends with Johnny G's death—shot in the groin by Kick-Ass and then decapitated by Hit-Girl—prompting Genovese to embrace full villainy in the aftermath. In the sequel series Kick-Ass 2: Balls to the Wall (2010), Genovese rebrands himself as The Motherfucker, leveraging his inherited criminal fortune to assemble and lead a gang of toxic supervillains recruited online, driven by rage and a desire for against . His arc escalates through brutal acts, including the of Colonel Stars and an attack on Kick-Ass's , before he is ultimately killed in a climactic battle. This transformation echoes the idiomatic "red mist" of uncontrollable anger, manifesting in his increasingly sadistic leadership. In the film adaptations directed by Matthew Vaughn, the character is renamed Chris D'Amico, son of mobster Frank D'Amico, and portrayed by Christopher Mintz-Plasse. In the 2010 film Kick-Ass, D'Amico operates as the bumbling but duplicitous Red Mist, initially allying with Kick-Ass before betraying him to trap the heroes, with his father dying in the ensuing fight. The 2013 sequel Kick-Ass 2 sees D'Amico evolve into the primary antagonist as The Motherfucker, heading a villainous crew in a bid for chaos and retribution, though he survives the story unlike his comic counterpart.

Television episode

"The Red Mist" is the eighth episode of the second season of the Primal, created by and aired on on August 5, 2022. In the episode, prehistoric protagonists and battle a warrior clan that has enslaved , involving intense combat sequences that evoke themes of and , aligning with the "red mist" idiom's connotation of overwhelming . The story continues the series' wordless, visceral focused on and primal instincts, receiving critical acclaim for its animation and action, with an IMDb rating of 9.3/10 from over 1,300 user votes.

Video game character

In the dystopian setting of Library of Ruina, the Red Mist serves as the epithet of Kali, a legendary Color Fixer—an elite mercenary renowned for her unparalleled combat prowess in the City's brutal hierarchy. As a protector of the vulnerable Backstreets, Kali wielded a massive sword infused with E.G.O. gear, manifesting a signature blood-red mist during battles that symbolized her relentless slaughter of threats, from syndicates to monstrous abnormalities. Her backstory unfolds within Project Moon's interconnected universe, where she emerges as an orphan survivor in District 23's unforgiving underbelly, eventually aligning with the Seed of Light initiative alongside figures like Carmen, predating the events of Lobotomy Corporation in the timeline and establishing her as a foundational myth of justice amid chaos. Within the game's narrative, the Red Mist appears as a pivotal in the final of Act 3, titled "The Red Mist," simulating 's presence through the Library's anomalous powers to confront key antagonists. This one-phase encounter spans three floors, restricting players to a team of up to five Librarians—primarily , Gebura, and Binah—emphasizing strategic deck-building against her overwhelming offense. deploys combat pages such as "Archetype: Protection," which delivers high-damage slashes while restoring to sustain her endurance, alongside mass attacks like "Greater Split: Vertical" and "Greater Split: Horizontal" that exploit her enhanced hand size and counter dice. The fight thematically embodies inevitability and raw power, escalating as she manifests full E.G.O. at 350 , stacking power boosts per enemy defeated but risking debuffs if her strikes falter below 40 damage per scene, demanding precise counters often reliant on Binah's suppression-focused deck. Developed by Project Moon as part of Library of Ruina's rollout on in May 2020—with the full release following in August 2021—the Red Mist encounter was crafted to challenge players' mastery of the card-based RPG mechanics, drawing from the studio's lore-rich world-building. Her thematic musical cue, "Red Mist" composed by the band , underscores the battle's intensity with haunting vocals and orchestral swells, featured on the official soundtrack among 80 tracks blending electronic and classical elements. This reception remains a notorious difficulty spike, frequently cited by players for requiring optimized E.G.O. gear and emotion coin management to overcome her inexorable assault.

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