Fact-checked by Grok 2 weeks ago

Reeding

Reeding is a decorative technique involving the application of narrow, convex moldings or ridges, often arranged in parallel series to mimic the appearance of reeds, and is used in architecture, numismatics, furniture design, and other decorative contexts.^[1] In architectural contexts, reeding consists of shallow, convex moldings running vertically along the shafts of columns, pilasters, or other surfaces, serving as an ornamental contrast to fluting, which features concave grooves.^[2] This form of decoration has been used since ancient times in classical Greek and Roman architecture and was revived in neoclassical and federal styles during the 18th and 19th centuries, to add texture and visual interest to facades, doorways, and interior woodwork.^[1]^[3] In numismatics, reeding refers to the alternating ridges and indentations milled onto the edges of coins during striking, using a grooved collar to produce the pattern simultaneously with the coin's design.^[4] This edge treatment, known as a reeded edge, was originally introduced as a security measure to deter clipping or shaving of precious metal from coins, while also facilitating handling, sorting, and identification.^[4]

Definition

Core Concept

Reeding is a surface treatment technique involving the incising or milling of narrow, parallel convex ridges, known as reeds, into a material to create a decorative or functional texture.^[3] This process employs specialized tools to achieve precision in forming the ridges, particularly on metal surfaces. The reeds are generally semicircular or rounded in profile, producing a striped, visually dynamic appearance that contrasts sharply with smooth or flat finishes.^[1]^[3] Common materials for reeding include metals for edge treatments, as well as wood, stone, and plaster for broader decorative applications, allowing the technique to adapt across various media while maintaining its distinctive ridged motif.^[3]^[5] The term "reeding" derives from "reed," referencing the slender, vertical stalks of the reed plant, which inspired the linear, plant-like aesthetic of the ridges; it first appeared in English design contexts in the late 16th century. Reeding emerged as a characteristic form of ornamentation during the Renaissance.^[6] This foundational method provides a versatile textural element in design, with applications spanning coin edges, architectural moldings, and furniture components, though specific implementations vary by discipline.^[3] Reeding is distinguished from fluting primarily by its use of convex, rounded ridges rather than concave grooves, resulting in a protruding, tactile surface that contrasts with the recessed, shadowy effect of fluting. Both techniques originated as ornamental elements mimicking classical column designs, but reeding's raised form creates an illusion of fullness and light reflection, while fluting emphasizes depth and linearity.^[7]^[8] In relation to gadrooning, reeding maintains uniform, parallel straight lines of convex molding, whereas gadrooning employs a series of curved, often lobed or overlapping convex segments, typically applied as border decorations on edges of vessels, urns, or silverware. This makes gadrooning more fluid and petal-like in appearance, suited for accentuating contours, while reeding provides a more linear, repetitive rhythm across broader surfaces.^[9]^[10] Among other edge treatment variants, reeding represents a precise subset of milling, the general term for any incised or raised patterning on object peripheries, but it differs from knurling, which features irregular, cross-hatched, or diamond-patterned ridges designed mainly for functional grip in tools or machinery. Reeding prioritizes aesthetic smoothness and uniformity over utilitarian traction, enhancing visual appeal without compromising delicacy.^[11] Visually, reeding evokes the bundled sheaf of natural reeds, a motif inspired by plant forms that imparts an organic, bundled cohesion to flat or curved surfaces, fostering a sense of rhythmic harmony and classical elegance.^[8]

Numismatics

Origins and History

The practice of reeding coin edges, consisting of narrow ridges to deter the shaving of precious metals, emerged in Europe during the late 17th century as a response to widespread coin clipping. Earlier milled coinage had been introduced in France by the mid-1500s using water-powered presses, which produced more uniform coins but initially lacked specific edge reeding for security. By around 1685, French engineer Jean Castaing invented a machine that applied decorative patterns, including reeding, to coin edges, marking an early mechanized approach to anti-clipping measures.^[12]^[13] In England, reeding gained prominence during the Great Recoinage of 1696–1699, overseen by Sir Isaac Newton after his appointment as Warden of the Royal Mint in 1696 and later as Master from 1699 to 1727. Newton standardized milled edges, including reeding and lettering, on silver coins to combat clipping and counterfeiting, achieving unprecedented accuracy in weight and fineness during the recoinage, which was completed by mid-1698. This innovation became widespread on British silver coins in the 18th century, replacing irregular hammered edges with consistent reeded designs to make tampering evident.^[14]^[15] The United States adopted reeding following the Coinage Act of 1792, which established the U.S. Mint and specified coin standards, though it did not explicitly detail edge designs. Reeded edges appeared on early silver denominations, including half dimes and patterns in 1792, with regular production on half dimes by 1794, dimes by 1796, and quarters by 1796, mirroring British practices to protect precious metal content. In 1795, reeding was omitted from low-value base metal coins like large cents and half cents, as these posed no significant clipping risk.^[16]^[17] By the 19th century, coin production shifted from hand-milling to fully mechanized processes, with Castaing-style machines enabling consistent reeded patterns on a larger scale, particularly as steam-powered minting expanded globally. Despite the decline of clipping threats with base metal alloys, reeded edges persisted on higher-value coins through the 20th century, maintaining the security feature established in the 17th and 18th centuries.^[13]^[18]

Functions and Modern Examples

Reeding serves several primary functions in modern coinage, primarily centered on security and usability. By incorporating vertical grooves along the edge, reeding makes any attempts at clipping or filing—practices historically used to shave off precious metal—immediately visible, as the uniform pattern would be disrupted.^[18] This anti-tampering feature continues to deter counterfeiting by complicating the replication of precise edge patterns, especially when combined with variations like irregular spacing or interruptions that enhance detectability.^[19] Additionally, reeding aids tactile identification, allowing visually impaired individuals to distinguish coin denominations by feel; for instance, reeded edges on higher-value coins contrast with smooth edges on lower denominations, facilitating differentiation through ridge count or pattern.^[20]^[21] Beyond security, reeding contributes aesthetic and symbolic value to coin design. It provides a refined "finish" that elevates the coin's appearance, often integrating inscriptions that underscore its protective role. A notable example is the former British £1 coin, which featured the Latin phrase "decus et tutamen"—"an ornament and a safeguard"—milled into the reeded edge, symbolizing both beauty and defense against fraud.^[22] This dual emphasis on form and function persists in contemporary minting, where reeding balances tradition with practical enhancements. In the United States, reeding appears on circulating dimes, quarters, and half dollars, where it supports both anti-counterfeiting measures and tactile accessibility; lower-value pennies and nickels, however, retain smooth edges due to their minimal intrinsic value, reducing the incentive for tampering.^[23]^[21] Similarly, the 1 euro and 2 euro coins employ milled edges—interrupted for the 1 euro and fine-milled with lettering for the 2 euro—to achieve comparable security and identification benefits across the eurozone.^[24] Australian circulation includes reeding on 10-cent, 1-dollar, and interrupted reeding on 2-dollar coins, while 5-cent and 20-cent pieces use plain edges, aligning with value-based security priorities.^[25] Reeding also features prominently in bullion coins for robust anti-counterfeiting. The American Eagle series, for example, incorporates variable reeded edges with subtle interruptions or notches, making precise replication challenging and ensuring authenticity in high-value transactions.^[26] Such variations extend to some commemorative issues, where interrupted reeding—alternating grooved and smooth segments—further complicates forgery while maintaining the tactile and visual appeal of traditional designs.^[27]

Architecture

Classical and Historical Applications

Reeding, a decorative technique featuring parallel convex ridges resembling bundled plant stems, drew inspiration from ancient architectural motifs based on natural forms such as reeds or wheat stalks, which evoked structural support and organic growth in classical designs.^[28] In Greek architecture, fluting with concave grooves was standard on column shafts, particularly in the Doric and Ionic orders, while reeding provided a convex alternative primarily on bases, capitals, and decorative moldings rather than shafts, offering a raised, bundled appearance in some elements.^[3] Although fluting dominated in iconic structures like the Parthenon—a Doric temple completed in 438 BCE—reeding appeared in transitional decorative features, influenced by earlier Egyptian traditions where bundled reeds formed proto-columns in shrines and temples. Symbolically, these reed-like motifs represented riverine elements and fertility, signifying growth, protection, and the supportive role of nature in built environments, as seen in ancient Near Eastern and Mediterranean traditions.^[29] The technique spread through Roman adoption and adaptation of Greek orders, where reeding served as an alternative to fluting on Ionic, Corinthian, and Composite columns, applied to bases and entablatures for rhythmic visual effect.^[3] During the Renaissance in Europe (15th–17th centuries), architects revived classical elements of ornamentation, integrating reeding into pilasters and moldings to evoke antiquity's proportional harmony and symbolic depth. By the 18th century, neoclassicism further popularized reeding in public buildings, where reeded pilasters and door surrounds emphasized classical symbolism of stability and natural abundance.^[30] Historical techniques for reeding involved hand-carving into stone for durability in monumental structures or casting in plaster for intricate interior details, allowing precise replication of motifs.^[30] Artisans typically achieved subtlety using chisels for stone or molds for plaster to create even, convex profiles that cast dynamic shadows and reinforced the design's organic inspiration.^[31] This labor-intensive process, rooted in classical workshops, ensured reeding's role as both aesthetic enhancement and symbolic nod to antiquity's reverence for natural forms supporting human endeavor.^[32]

Revival Styles and Techniques

In the 19th century, reeding saw a notable resurgence within revival architectural styles that drew upon classical precedents to convey grandeur and refinement. Greek Revival architecture, popular in the United States from the 1820s to 1860s, incorporated reeding into elements such as cornices, door surrounds, and mantelpieces to enhance texture and symmetry, particularly in interiors where it complemented neoclassical detailing. For instance, reeded fascia resembling dado moldings appeared in room mantels, emphasizing the style's neoclassical purity.^[33] Similarly, Beaux-Arts architecture, which flourished in France and the United States during the late 19th and early 20th centuries, utilized reeding in grand entrances and pilasters to articulate opulent facades and interiors, blending classical motifs with eclectic ornamentation.^[3] As styles transitioned toward Art Nouveau around 1900, reeding integrated with wrought ironwork in hybrid designs, where straight, ridged classical lines contrasted with the era's organic curves, as seen in transitional Parisian and European buildings. The 20th and 21st centuries witnessed reeding's adaptation into more subdued and innovative applications, aligning with modernist minimalism and contemporary sustainable practices. In modernist architecture of the mid-20th century, subtle reeding provided textural interest on facades without overwhelming clean lines, often applied vertically to emphasize height and light play. By the late 20th and early 21st centuries, reeding evolved in sustainable designs, incorporating materials like CNC-machined concrete panels for precise, low-waste fabrication that reduces environmental impact through optimized production. 3D-printed elements have further enabled custom reeded features in green buildings, allowing for lightweight, recyclable components that mimic natural textures while minimizing material use. An eco-friendly example includes bamboo-inspired reeding, where parallel bamboo slats form ridged facades or screens in tropical sustainable structures, promoting natural ventilation and carbon sequestration.^[34]^[35] Advanced fabrication techniques have expanded reeding's precision and versatility in modern architecture. Mechanized rolling processes shape metal panels into reeded profiles for durable, weather-resistant cladding, enabling large-scale production of uniform ridges on-site or in factories. Laser etching offers high-precision reeding on surfaces like stone, glass, or metal, allowing intricate patterns without mechanical wear. In interior architecture, reeding combines with integrated lighting to produce dynamic shadow effects, where ridges cast linear patterns that enhance spatial depth and ambiance, particularly in minimalist or hospitality settings.^[36] Notable 20th-century examples highlight reeding's role in iconic structures. Art Deco skyscrapers frequently employed reeded glass and moldings around doors and windows to accentuate geometric elegance, with vertical reeding flanking entrances to evoke speed and modernity.^[37]^[38] In contemporary contexts, projects like the Reeded House extension in London demonstrate reeding's revival on translucent glass facades, creating privacy and light diffusion in urban residential designs.^[39]

Furniture

Design Integration

Reeding is incorporated into key furniture components such as turned chair and table legs, bedposts, and drawer fronts to enhance both aesthetic appeal and structural integrity. On legs, vertical reeding creates an illusion of slenderness and elongation, drawing the eye upward to emphasize height and add a sense of dynamic movement to the overall form.^[40] For bedposts, reeding is often applied via lathe-turning to achieve uniform parallel ridges, contributing to vertical emphasis and an elegant, textured surface that reinforces the piece's classical proportions.^[41] Drawer fronts benefit from reeding through applied or carved reeds, which provide subtle depth and visual interest while maintaining functional accessibility.^[40] In terms of materials, reeding is predominantly executed in wood, such as mahogany or rosewood, where lathe-turning ensures precise uniformity in the ridges, typically scaled at 1/4 to 1/2 inch wide for balanced proportion.^[41]^[42] Metal variants, cast or forged for added durability, appear in accents or hardware-integrated elements, offering resilience in high-wear areas like bases or pulls.^[43] Upholstered accents may feature reeded wooden frames beneath fabric, blending texture with soft surfaces for contrast. Reeding as the reverse of fluting provides a raised, convex alternative that heightens decorative contrast against smoother elements.^[44] Functionally, reeding integrates by adding subtle grip through its textured ridges on armrests, improving usability without compromising elegance, while on bases and legs, it enhances stability by reinforcing structural coherence and distributing weight evenly.^[40] It often pairs with inlays, such as contrasting wood veneers or metal accents, to amplify visual depth and highlight the reeds' linear flow. Visually, the vertical orientation of reeding directs eye movement upward, particularly benefiting low-profile pieces like sofas or cabinets by creating an illusion of greater height and refined lightness.^[40] This principle of directed flow underscores reeding's role in achieving balanced, harmonious furniture design.

Historical and Stylistic Contexts

Reeding emerged as a prominent decorative motif in 18th-century Anglo-American furniture, particularly within the Federal and Georgian styles, where it drew inspiration from the neoclassical designs of the Adam brothers. Prominent cabinetmakers like Duncan Phyfe incorporated reeding into Federal and early 19th-century pieces. This technique, featuring parallel raised ridges, was often applied to legs and edges to evoke classical antiquity, as seen in reeded sabre legs on sideboards and chairs that emphasized symmetry and elegance.^[45]^[46] In colonial America, reeding gained popularity through imported European influences, reflecting the adaptation of British Georgian aesthetics by local cabinetmakers who incorporated it into everyday pieces like tables and cabinets to signify refinement and cultural aspiration.^[47] During the 19th century, reeding evolved with broader stylistic shifts, appearing in bold, vertical forms on Empire style sofas and chairs, where it contributed to the grandiose, Napoleonic-inspired proportions and symmetry.^[48] The 20th century saw reeding adapted to modernist sensibilities, with streamlined versions on Art Deco furniture featuring chrome-legged tables and cabinets that integrated the motif into geometric, machine-age forms.^[49] Contemporary designs inspired by mid-century modern, such as in Scandinavian-style teak tables, employ subtle reeding to add texture without overwhelming the clean lines and functionality.^[50] Postmodern revivals in luxury reproductions from the late 20th century onward reintroduced reeding in eclectic, exaggerated applications, echoing historical grandeur in contemporary high-end pieces.^[51] Culturally, reeding's prominence in colonial America stemmed from European imports and emulation, fostering a sense of sophistication amid frontier life, but it declined post-World War II amid the rise of minimalist designs that favored unadorned surfaces. Its resurgence in the 21st century aligns with maximalist trends, where bold, textured reeding enhances layered, expressive interiors in both reproductions and new designs.^[51]^[52]

References

[1]
REEDING Definition & Meaning - Merriam-Webster
1. a : a small convex molding see molding illustration b : decoration by series of reedings 2. milling
[2]
[PDF] alta viSta tmuace - City of Chicago
Aug 8, 2025 · GLOSSARY OF ARCHITECTURAL TERMS USED. Page 10. ALTA VISTA TERRACE ... REEDING. Sh:dlow, convex moldings. running vertically on the shaft ...<|control11|><|separator|>
[3]
Reeded Edge - Newman Numismatic Portal
A reeded edge is produced by a reeded or grooved collar; the reeding on a coin is created at the same instant the piece is struck by a pair of dies.
[4]
Fluting and reeding | Columns, Pillars & Facades - Britannica
Sep 27, 2025 · Fluting and reeding are architectural decorations with vertical concave grooves or convex ridges, often used on columns. In Doric, there are 20 ...
[5]
Reeding - Buffalo Architecture and History
Reeding is a small, semicylindrical molding or ornamentation, an edge with parallel convex moldings, and is the reverse of fluting.
[6]
reeded, adj. meanings, etymology and more
OED's earliest evidence for reeded is from 1570. reeded is formed within English, by derivation. Etymons: reed v., ‑ed suffix1; reed n.1, ‑ed suffix2. See ...
[7]
Speaking the Language of 18th-Century Furniture
"Fluted" refers to the concave vertical channels in the column. The ridges between the flutes are called "fillets." The opposite of fluted is "reeded," a convex ...
[8]
[PDF] Looking at European Frames - Getty Museum
Oct 28, 2025 · This type of ornamen tation is seen in ancient Greek stone carving, bronze casting, and engraving and as architectural decoration. It is ...
[9]
A Glossary of Colonial Architectural Terms (1928) - Isaac Kremer
reeding. A series of convexities, like a bundle of reeds, the opposite of flutes, used in place of the latter in columns and pilasters and elsewhere. return ...
[10]
GADROON Definition & Meaning - Merriam-Webster
1. The ornamental notching or carving of a rounded molding. 2. A short often oval fluting or reeding used in decoration.
[11]
Gadroon - Oxford Reference
Gadrooning (also knulled or lobed decoration) means ornamented with convex rods or lobes. gadroon. From: gadroon in A Dictionary of Architecture and ...Missing: definition | Show results with:definition
[12]
VOCABULARY TERMS: MILLED EDGE, MILLED MONEY
Nov 11, 2018 · The milling process is not to be confused with REEDING or KNURLING on the edge, as this is performed by the COLLAR during coining. See EDGE, ...
[13]
Milled Coinage? - Stack's Bowers
Dec 11, 2014 · By the mid-1500s, France had begun to “mill” its coinage by using simple presses that were powered by a water mill. This allowed for more ...
[14]
Edge Collars - Coining's Third Dimension - CoinWeek
Oct 10, 2023 · The Mint used a Castaing edge milling machine to add incuse ornaments or lettering to a planchet before striking. During striking in a screw ...
[15]
Isaac Newton, Warden and Master of the Royal Mint 1696-1727
Isaac Newton was appointed Warden of the Royal Mint in the spring of 1696 on the recommendation of Charles Montague, Chancellor of the Exchequer.<|separator|>
[16]
How Isaac Newton helped shape our coins
### Summary of Milled Edges on Coins and Isaac Newton’s Involvement
[17]
Coinage Act of April 2 1792
### Summary of Coinage Act of April 2, 1792 on Coin Design and Edges
[18]
"Reeded" edges on American coinage - Littleton Coin Blog
Nov 26, 2014 · Reeded or ridged edges have been in use for a few centuries, and for many years were applied only to gold and silver coins – to discourage the filing or ...
[19]
"Reed" All About It - NGC
Nov 1, 2006 · All edge devices were omitted from the base metal minor coins after 1795, since these were not subject to clipping. Reeded edges persist in ...
[20]
https://learn.apmex.com/answers/how-many-ridges-are-on-u-s-coins/
[21]
How Many Ridges are on U.S. Coins? - APMEX
Jan 9, 2025 · Tactile Identification. Ridges help visually impaired individuals identify coins by touch, distinguishing between denominations of similar size.
[22]
How to identify money with low vision - Perkins School For The Blind
Feeling the edge of the coins with a fingernail. Nickels and pennies have smooth edges, while quarters, dimes, and half dollars have ridged edges; Identifying ...
[23]
https://www.usmint.gov/learn/coins-and-medals/circulating-coins/coin-specifications
[24]
https://www.ecb.europa.eu/euro/coins/common/html/index.en.html
[25]
Common sides - European Central Bank
Get to know the design of the common side of the euro coins ... 4.10. Shape: Round Colour: Gold Composition: Nordic gold. Edge: Shaped edge with fine scallops.Missing: reeding | Show results with:reeding
[26]
Coin Anatomy - Royal Australian Mint
Edge. The edge is the outer border of a coin. It can be plain, reeded (grooved), or feature lettering or design elements. Some edges serve a security ...
[27]
https://www.govmint.com/learn/post/what-are-the-security-features-on-the-american-silver-eagle-coin
[28]
https://www.homestratosphere.com/types-of-architectural-columns/
[29]
20 Different Types of Architectural Columns - Home Stratosphere
Sep 7, 2021 · Greek columns are classified in three different styles, or orders. These orders include the Doric, Ionic, and Corinthian.
[30]
The Sacred Meaning of the Reed: From Houses and Boats to Rituals ...
Aug 6, 2017 · Ultimately the reed or bamboo designates a place of high culture and ancient wisdom—the sort of location where astronomer-priests would normally ...
[31]
LacusCurtius • Vitruvius on Architecture — Book IV
### Summary of Vitruvius' Description of Architectural Orders' Origins
[32]
The Origin of Mouldings
### Summary of Reeding as Decorative Molding in Classical and Historical Architecture
[33]
Molding | Types, Uses & Benefits - Britannica
Sep 22, 2025 · Molding is a defining element that contours edges and surfaces, originally for structural functions, and now used in decorative arts.
[34]
Notes on Moldings, the change from Roman to Greek
Feb 10, 2015 · For this Classical Comments piece we will deal with some architectural minutiae—the transition from Roman-style moldings to Greek ones that ...
[35]
19th-Century Styles - MIT Press Direct
The focal point of the room is the mantelpiece with its drilled and reeded fascia resembling the dado molding. ... Cambridgeport is rich in Greek Revival ...
[36]
The Rise of Ribbed Panels in Contemporary Interiors - ArchDaily
Nov 30, 2023 · Usually narrow and uniform, Reeded panels have smoothly arched grooves that can be horizontal (and even diagonal) but are regularly arranged ...Missing: facade | Show results with:facade
[37]
Ten impressive bamboo buildings that demonstrate the material's ...
Aug 4, 2021 · We've rounded up 10 bamboo architectures from Dezeen's archive that use the ancient construction material in new and unusual ways.
[38]
Roll Forming Multi-Panel Roofing Machine - Englert Inc.
The MetalMan Multi-Panel Roofing Machine is a state-of-the-art roll forming machine that runs more sizes, gauges and types of material in up to ten panel ...
[39]
Art Deco Style Architecture (1925-1940) - Wentworth Studio
They were often embellished with reeding (a convex decoration) or fluting (a concave decoration). The doorways are sometimes surrounded by elaborate pilasters ...
[40]
Art Deco Style 1925 | PHMC > Pennsylvania Architectural Field Guide
Some architectural historians refer to the Art Deco style as ... Reeding and fluting around doors and windows. Photos. Click the thumbnails for ...
[41]
Reeded House | Oliver Leech Architects
Contemporary two-storey extension with translucent facade in Brook Green, London. Oliver Leech Architects designed a bespoke reeded glass facade with slidingMissing: modern | Show results with:modern
[42]
[PDF] Duncan Phyfe: Master CabinetMaker in new York
the chairs and bedroom furniture he also asked her to procure for him. Some ... place of tambour reeding.1 The legs of all these tables appear to ...
[43]
https://www.houseofantiquehardware.com/category-1/Cabinet--AND--Furniture-Hardware%2CWindow-Hardware/finish/Iron%2COther-Metal-Finishes?keywords=decor
[44]
https://encyclopedia2.thefreedictionary.com/reeding
[45]
https://canonburyantiques.com/kbd/Adams-Antique-Furniture---6-Unique-Characteristics/
[46]
Reeding | Article about reeding by The Free Dictionary - Encyclopedia
reeding. reeding. An ornament of adjacent, parallel, protruding, half-round moldings (reeds); the reverse of fluting. Also see cabling. McGraw-Hill Dictionary ...
[47]
https://www.survivorlibrary.com/library/colonial_furniture_in_america_1901.pdf
[48]
Federal Style Furnishings - Buffalo Architecture and History
Legs: tapered and round or square, or saber; sometimes reeded. Spade or arrow feet. Vase- or lyre-shaped pedestal bases on tables. Primary woods mahogany ...
[49]
[PDF] Colonial furniture in America - Survivor Library
... European markets, we find many examples of cabriole-legged pieces in this ... reeding, half-circles, and geometri- cal designs. The top very clearly ...
[50]
Empire Style, 1800–1815 - The Metropolitan Museum of Art
Oct 1, 2004 · Usually made of mahogany from Cuba and the Antilles (which replaced the variety of precious woods previously used), and fitted with brass and ...
[51]
American Revival Styles, 1840–76 - The Metropolitan Museum of Art
Oct 1, 2004 · The Rococo Revival style, which was limited to interiors and furniture, was thought to be elegantly French, and was the most popular style ...
[52]
Art Deco Machine Age Side Table with Streamline Reeded Leg ...
In stockArt Deco Machine Age two-tiered side table with reeded leg design and inset mirrored top. This side tables features a bottom tier in book-matched Walnut and ...
[53]
https://walkeredison.com/blogs/news/scandinavian-reeded-furniture-the-perfect-addition-to-your-holiday-decor
[54]
A Love Affair with Reeded and Fluted Furniture - Ebanista
Fluted and reeded decorative details have long been a staple of architectural and furniture design. The uniform ridges and valleys create visual depth and ...
[55]
American Furniture, 1620-1730: 17th Century & William & Mary Styles
Mar 1, 2010 · The Seventeenth-Century style reflects the transmission into the New World of late medieval and Renaissance traditions by immigrant craftsmen.
[56]
The Resurgence of Maximalist Interior Design in 2025: A Movement ...
Maximalism is making a strong comeback in the interior design industry in 2025. This resurgence is a cultural shift towards abundance and self-expression.Missing: reeding | Show results with:reeding<|control11|><|separator|>