Republica
Republica is an English alternative rock band formed in 1994 in Windsor, Berkshire, renowned for blending electronic elements with pop-infused industrial and techno influences, achieving peak commercial success in the late 1990s with their debut album Republica and the hit single "Ready to Go".[1][2] The band was founded by keyboardists Tim Dorney (formerly of Flowered Up) and Andy Todd (a producer who worked with artists like Björk and Barbra Streisand), who recruited vocalist Saffron (born Samantha Sprackling in Nigeria, with a background in dance and acting), guitarist Johnny Male (ex-Soul Family Sensation), and drummer Dave Barbarossa (formerly of Adam and the Ants and Bow Wow Wow).[2][1] Early singles such as "Out of This World" and "Bloke" (both 1994) marked their independent debut on Deconstruction Records, but it was the 1996 release of "Ready to Go"—which peaked at No. 13 on the UK Singles Chart and topped Billboard's Modern Rock Tracks in the US—that propelled them to international fame, bolstered by heavy MTV rotation and a US tour supporting Gravity Kills.[2] Their self-titled debut album Republica, released in July 1996, reached No. 4 on the UK Albums Chart and featured additional singles like "Drop Dead Gorgeous" and "From Rush Hour with Love".[3] A follow-up album, Speed Ballads, arrived in 1998, yielding tracks such as "Holly" and "Nothing", though it received mixed reviews and lower chart performance amid lineup changes, including the departures of Andy Todd and Dave Barbarossa, and the addition of drummer Pete Riley.[4][1] After disbanding in 2001, a compilation Ready to Go: The Best Of was released in 2002 during their hiatus. Republica reformed in 2008 with core members Saffron, Dorney, and Male, and has sporadically performed live since then.[1] In recent years, they have teased a comeback with singles "New York" (2023) and "Hallelujah" (2024), leading to their third studio album Damaged Gods, released in spring 2025 on Armalyte Industries—their first full-length release in 27 years.[5][6] The band continues to tour, maintaining a cult following for their energetic, anthemic sound that has influenced 1990s alternative dance scenes.[6]History
1994–1997: Formation, debut album and breakthrough
Republica formed in 1994 in Windsor, Berkshire when vocalist Samantha Sprackling, known professionally as Saffron, teamed up with keyboardists and programmers Tim Dorney and Andy Todd to create a blend of electronic and rock elements.[7] The band soon expanded with the addition of guitarist Johnny Male, drummer Dave Barbarossa, and bassist Mick Pirie, solidifying their lineup for early recordings.[8] Drawing from London's club scene, they built a home studio to produce initial demos that captured a punky, dance-infused sound.[7] The band signed with Deconstruction Records in 1994, releasing early singles such as "Out of This World" that year and "Bloke" in 1995, building buzz though neither charted widely; "Out of This World" was later reworked into the album track "Out of the Darkness."[9] It was "Ready to Go" in April 1996 that marked their breakthrough, peaking at No. 13 on the UK Singles Chart and reaching No. 7 on the US Billboard Alternative Airplay chart for international exposure.[10][11] The self-titled debut album Republica, recorded at their home studio and professional facilities, was released on 29 July 1996 in the UK and 30 July in the US via RCA Records, a BMG subsidiary.[12] It climbed to No. 4 on the UK Albums Chart, earned silver certification from the BPI for sales exceeding 100,000 units in the UK, and sold over one million copies worldwide, driven by its energetic mix of big beat electronics and rock riffs.[13][14] Follow-up singles like "Drop Dead Gorgeous" (No. 7 UK) further boosted its success.[15] Supporting the album's promotion, Republica embarked on tours including opening slots for acts like Foo Fighters in 1997, where their high-energy live performances—highlighted by Saffron's dynamic stage presence—earned praise as part of the Britpop and electronic crossover wave.[16] Critics noted the band's ability to translate their studio sound to vibrant shows, positioning them as a fresh voice in mid-1990s alternative music.[17]1998–2001: Speed Ballads and initial breakup
In early 1998, keyboardist and multi-instrumentalist Andy Todd departed the band, leaving Republica to continue as a trio consisting of vocalist Saffron, guitarist Johnny Male, and keyboardist Tim Dorney. The group pressed on with recording their second album, Speed Ballads, released on September 28, 1998, via Deconstruction Records.[18] Production involved multiple collaborators, including Andy Gray on several tracks and the team of Clive Langer and Alan Winstanley for others, with sessions held at studios such as The Strongroom and Metropolis in London.[18] The album represented a creative evolution, incorporating more mid-tempo and atmospheric elements amid the shifting post-Britpop landscape, though it retained the band's signature electronic rock edge.[7] Its lead single, "From Rush Hour with Love," peaked at No. 20 on the UK Singles Chart, spending three weeks in the Top 40 and capturing themes of urban frustration inspired by London traffic.[15] However, Speed Ballads itself entered the UK Albums Chart at No. 37, lasting only two weeks and underperforming compared to the debut's Top 5 success, as the lack of U.S. distribution further limited its reach.[15] Deconstruction Records' ongoing implosion exacerbated these commercial challenges, with the label's collapse shortly after release stalling promotion and contributing to mixed industry reception amid evolving music trends.[7][19] Intensive touring in support of the album took a toll on the band, as Saffron noted the physical demands of performing high-energy tracks at 160 BPM live, leading to breathlessness and exhaustion from rapid lyrics and relentless schedules.[7] Sporadic live appearances followed, but internal fatigue and label instability mounted. In 2001, Republica announced their initial breakup, effectively dissolving after the unfulfilled promise of their sophomore effort.[7]2002–2009: Hiatus period
Following the band's breakup in 2001, Republica entered an official hiatus, during which no new music was released and no tours were conducted under the group name.[20] During this period, lead vocalist Saffron, born Samantha Marie Sprackling, pursued individual musical collaborations and personal endeavors. She provided guest vocals on Dutch electronic producer Junkie XL's 2003 album Radio JXL: A Broadcast from the Computer Hell Cabin, appearing on tracks including "Beauty Never Fades" and "Crusher". Saffron also shifted focus toward family life and non-musical activities, maintaining a low profile away from the spotlight.[21] Keyboardist and co-founder Andy Todd continued his career in production and engineering for other artists. He produced singles such as "Hang On" and "Highs and Lows" for the Liverpool-based band Proper in the mid-2000s, contributing to their alternative rock output.[22] The core members experienced a period of limited communication throughout much of the hiatus, with interactions resuming only toward the late 2000s as reunion discussions emerged.[20] In 2002, a compilation album titled Ready to Go: The Best Of was released by BMG without the band's involvement or approval, featuring reissued tracks from their earlier catalog.[23][24] Republica's cultural footprint persisted through licensing of their music, particularly the hit single "Ready to Go," which appeared in films like Sugar & Spice (2001) and continued to feature in television advertisements and shows, sustaining the band's legacy amid their inactivity.[25][26]2010–2020: Reunion, live performances and early new releases
In early 2010, Republica informally reunited, driven by offers for live performances after years of hiatus, with the core duo of vocalist Saffron (Samantha Sprackling) and keyboardist Tim Dorney joined by guitarist Jonny Glue.[20][27] The band's reformation was marked by a remixed version of their signature hit "Ready to Go," released as a single to coincide with the comeback, blending the original 1996 track's energetic punk-rock vibe with updated production.[27] The group's first post-reunion shows took place in 2010, including a string of UK dates that rebuilt their fanbase through nostalgic sets heavy on tracks from their debut album Republica. A key performance was the comeback gig at O2 Academy Islington in London on October 13, 2010, where the band played classics like "Ready to Go," "Drop Dead Gorgeous," and "Out of This World," alongside teases of new material such as "Suck Baby Suck."[28][29] The London show drew an engaged crowd, including celebrities like Samantha Fox, and received positive reviews for Saffron's commanding stage presence and the band's tight electronic-rock sound, evoking their late-1990s energy.[29] Additional 2010 gigs, such as at The Assembly in Leamington Spa on October 9 and The Tivoli in Dublin on October 10, featured similar setlists emphasizing high-energy debut-era hits, helping to rekindle interest among longtime fans.[16] By 2015, the lineup had stabilized around Saffron, Dorney, and guitarist Johnny Male, who had been part of the original 1990s configuration and returned for the revival. This period saw sporadic activity, with the band focusing on live work rather than studio output. Between 2017 and 2019, Republica undertook tours across the UK and Europe, including headline shows at venues like The Garage in London (March 14, 2013, as part of an earlier wave, but extending into anniversary tours) and support slots at festivals. A highlight was their appearance at Rock in Rio in Rio de Janeiro on September 24, 2017, where they performed a set of fan favorites to a large international audience, further solidifying their cult following.[16][30] Setlists during these years consistently prioritized tracks from Republica and Speed Ballads, such as "From Rush Hour with Love" and "Funky Beak," delivering the high-octane, danceable riffs that defined their breakthrough era and earning enthusiastic responses at mid-sized venues, many of which sold out in advance.[31] The momentum built through these performances was disrupted in 2020 by the COVID-19 pandemic, which led to widespread cancellations of live events and halted the band's touring plans, delaying further output into the following decade.[16]2021–2025: Damaged Gods project, recent singles and tours
In 2023, Republica initiated work on their third studio album, Damaged Gods, marking their first full-length release since Speed Ballads in 1998 and self-produced through their independent label Armalyte Industries, incorporating electronic rock elements with contemporary production techniques.[32] The project represented a creative renewal for the band, building on their reunion activities from the previous decade while emphasizing independent artistry and direct fan interaction through digital platforms.[5] The lead single from Damaged Gods, "New York," was released on November 10, 2023, featuring a techno-infused pop/rock sound that highlighted the band's signature energetic style.[33] This was followed by "Hallelujah" on June 28, 2024, which included an official music video directed by collaborators Annelies Simon and Ben Simon, and offered multiple remixes blending the track's powerhouse vocals with acid and pumped electronic variations.[6][34] The album itself is slated for release in spring 2025, delayed from initial 2024 targets due to production refinements; as of November 2025, it has not yet been released.[5] In June 2024, Republica expanded their live lineup by adding Steve Hewitt, the former Placebo and Six by Seven drummer, to handle percussion duties for performances.[35] The band's Damaged Gods UK tour, originally set for late 2024, was postponed and rescheduled to September 2025, featuring headline dates in key cities including Glasgow at Òran Mór on September 18, Manchester, and London at The Garage on September 27, with support from acts like Trampolene.[36][37] Live shows during this period, such as the September 2025 Garage performance, received praise for their high-energy delivery, with Saffron's commanding stage presence and the band's tight electronic-rock fusion evoking strong audience nostalgia and applause for both classic hits and new material.[35] Through Armalyte Industries, Republica has maintained label independence, fostering closer fan engagement via updates on album progress and tour announcements.[5]Band members
Current members
Saffron, born Samantha Marie Sprackling on 3 June 1968 in Ibadan, Nigeria, serves as the lead vocalist of Republica since the band's formation in 1994.[17] Before joining Republica, she worked as a backing vocalist and dancer for the dance act N-Joi and was a member of the short-lived electro group Mono, where she contributed to their 1992 album Dusk.[7] Following the band's initial breakup in 2001, Saffron pursued acting roles, including a two-year stint as Belle in the West End production of Starlight Express and appearances in films such as Get Real (1998), Vegas Vacation (1997), and Cursed (2005).[20] She remains a core creative force, contributing vocals and songwriting to the band's ongoing projects, including their third studio album Damaged Gods (2025).[5] Tim Dorney has been the band's primary keyboardist and multi-instrumentalist since 1994, co-founding Republica alongside early collaborator Andy Todd after his time in the indie band Flowered Up.[17] Dorney handles much of the electronic programming and production elements central to Republica's sound, and he has been actively involved in studio work for Damaged Gods, ensuring continuity in the band's electro-rock style.[38] Johnny Male joined as lead guitarist in 1994 and has been a consistent recording member through the band's reunions and new releases.[17] His guitar work defines many of Republica's high-energy tracks, and he participates in core songwriting and decision-making for recent material like the singles from Damaged Gods.[38]Former members
Andy Todd served as keyboardist, guitarist, and bassist for Republica from 1994 to 1998, co-founding the band with Tim Dorney and contributing to early singles and the debut album. His departure preceded the Speed Ballads era amid lineup changes.[2] David Barbarossa was the drummer from 1994 to 1996, bringing experience from Adam and the Ants and Bow Wow Wow to the band's initial recordings and live shows.[2] Alix Tiernan played drums and percussion from 1994 to 1996, supporting the band's formative period and early independent releases. Mick Pirie provided bass for Republica from 1994 to 1995, contributing to the initial lineup during formation and debut singles.[39] Pete Riley joined as drummer from 1998 to 2001 (primarily touring), helping deliver live performances during the peak of the debut album's success and Speed Ballads promotion.[40] Nigel Champion served as drummer from 2008 to 2012 during the early reunion, providing support for live performances and compilation releases. Timm Hamm was bassist from 2013 to 2015, adding stability to reunion-era tours. Conor Lawrence was drummer from 2012 to 2024, participating in numerous live shows and festival appearances that revitalized the band's presence. The departures of these members reflect key turning points in Republica's history, such as the initial breakup from 1998–2001, which influenced subsequent lineup decisions during reunions.[16]Touring members
Throughout its career, Republica has augmented its core members of vocalist Saffron, keyboardist Tim Dorney, and guitarist Johnny Male with touring members to deliver full live performances, particularly emphasizing rhythmic and instrumental support during key tours. Earlier debut tours in the mid-1990s featured session players such as bassist Mick Pirie, who provided foundational low-end drive for initial live outings, though many such contributors remain unnamed in historical records due to the band's evolving early lineup. During reunion live appearances from 2010 to 2020, including festival slots, touring musicians on drums and bass—such as Nigel Champion and Conor Lawrence—continued to play crucial roles in adapting the material for stage, ensuring robust augmentation without permanent recording commitments. For the ongoing Damaged Gods tour (2024–present), which promotes the band's third studio album Damaged Gods (2025), drummer Steve Hewitt joined as the live percussionist, bringing his extensive experience from over a decade with Placebo (1996–2007). The tour lineup further includes guitarist Maxine Cahill and multi-instrumentalist Joe Norris on bass and keys, enhancing the core members' performances with layered textures during dates such as the September 2025 finale at The Garage in London.[35]Timeline
| Period | Vocals | Guitar/Keys | Bass | Drums |
|---|---|---|---|---|
| 1994–1997 | Saffron (1994–present) | Johnny Male (guitar, 1994–present) Tim Dorney (keys, 1994–present) Andy Todd (keys/guitar, 1994–1998) | Mick Pirie (1994–1995) Andy Todd (1994–1998) | Alix Tiernan (1994–1996) David Barbarossa (1994–1996) |
| 1998–2001 | Saffron | Johnny Male (guitar) Tim Dorney (keys) | — (multi-instrumental support) | Pete Riley (1998–2001) |
| 2002–2009 | Hiatus | Hiatus | Hiatus | Hiatus |
| 2010–2012 | Saffron | Johnny Male (guitar) Tim Dorney (keys) | — | Nigel Champion (2008–2012) |
| 2013–2023 | Saffron | Johnny Male (guitar) Tim Dorney (keys) | Timm Hamm (2013–2015) | Conor Lawrence (2012–2024) |
| 2024–present | Saffron | Johnny Male (guitar) Tim Dorney (keys) | — (touring: Joe Norris, 2025) | Touring: Steve Hewitt (2024–present) |
Musical style and influences
Core style and genre evolution
Republica's core musical style fuses electronic rock, big beat, and alternative dance, distinguished by its integration of sampled beats, repetitive loops, and frontwoman Saffron's distinctive rap-inflected vocal delivery that often alternates between spoken-word aggression and melodic hooks.[25][2] This hybrid approach creates a high-octane sound that bridges club-oriented electronica with rock's raw energy, emphasizing layered production over traditional song structures.[42] In their debut era, the band's sound centered on high-energy, punky electronica propelled by jagged guitar riffs and pulsating synth lines, capturing the mid-1990s fusion of rave culture and alternative attitudes. Tracks like "Ready to Go" exemplify this phase, with its driving big beat rhythm, distorted guitars, and Saffron's urgent, half-rapped verses building to anthemic choruses that prioritize momentum and attitude.[43][42] The instrumentation leaned heavily on electronic programming for basslines and percussion, augmented by live guitars to add a gritty, punk edge to the dancefloor pulse.[1] The release of Speed Ballads marked a notable shift toward slower tempos and ballad-like structures, introducing more organic instrumentation such as acoustic elements and subdued guitars alongside persistent electronic undercurrents. This evolution softened the debut's relentless pace, favoring introspective arrangements with beats that simmer rather than surge, as heard in "Try Everything," a power ballad enriched by Saffron's emotive vocals and subtle synth swells.[44][18] The album retained samples and loops but deployed them more atmospherically, creating a moodier, less aggressive variant of their electronic rock foundation.[4] Upon reunion in the 2010s, Republica's style incorporated contemporary synth textures and indie rock inflections, blending polished digital production with guitar-driven dynamics for a refreshed yet familiar aesthetic. Singles like "Hallelujah" highlight this progression, delivering a barnstorming electropop framework with futuristic techno-rock flair and Saffron's bold, rap-tinged delivery intact.[6] Andy Todd's keyboard programming was pivotal in the band's early years, drawing from 1990s rave aesthetics through dense sampling and loop-based rhythms to evoke club intensity.[45] Following his departure in 1998, the production evolved into sleeker, more refined electronica in the 2020s, with cleaner synth integrations and streamlined loops that enhance the band's alternative dance core without overwhelming its rock elements.[6][1]Key influences and comparisons
Republica's sound emerged from the intersection of late-1980s acid house and early-1990s rave culture, which profoundly shaped the band's formation and aesthetic. Saffron, the band's lead vocalist, was actively involved in the underground club scene, serving as a backing vocalist and dancer for the techno group N-Joi, appearing in the music video and performing live for their 1990 hit "Anthem," inspired by the ecstatic, inclusive energy of illegal warehouse parties and field raves using Roland TB-303 synthesizers and drum machines. This rave influence infused Republica's music with high-tempo beats around 160 BPM, blending electronic propulsion with rock elements to capture the movement's rebellious, communal spirit.[7] The band's core influences drew heavily from 1980s electronic acts such as Simple Minds, Japan, Human League, Gary Numan, Orchestral Manoeuvres in the Dark, Depeche Mode, Kraftwerk, and Talk Talk, which provided the synth-driven foundations for their technopop sound. Punk and post-punk bands like The Cure, The Clash, The Jam, Gang of Four, and Siouxsie and the Banshees contributed the raw attitude and guitar-driven edge, reflecting the members' shared appreciation for indie and punk rock as a counterpoint to mainstream pop. Saffron's vocal style was personally inspired by performers including Toyah Willcox, Siouxsie Sioux, Grace Jones, Stevie Nicks, Kate Bush, and David Bowie, emphasizing dramatic delivery and theatrical presence that bridged electronic and rock realms.[20][7][20][19] Critics and contemporaries often compared Republica to female-fronted acts blending electro-rock, likening their rousing techno-punk to Toyah Willcox fronting New Order, which highlighted the band's fusion of danceable electronics with indie rock energy. They were frequently grouped with peers like Sleeper and Elastica for their Britpop-era indie vibe, while their edgier dance elements drew parallels to Underworld and The Prodigy, especially after Saffron provided guest vocals on the latter's 1997 track "Fuel My Fire" from The Fat of the Land. Post-reunion in the 2010s, Republica's nods to 2000s indie electronica echoed these roots, maintaining the high-energy synthesis of rave-era dance and punk influences in newer releases.[20][20][46]Side projects and collaborations
Solo endeavors and external projects
During the band's hiatus from 2001 to 2008, lead singer Saffron pursued acting opportunities, building on her early career in musical theater. She performed as an understudy and cast member in the London production of Starlight Express from 1987 to 1988, taking on roles that honed her stage presence before joining Republica. Saffron also appeared in film roles, including a part in the comedy Vegas Vacation (1997), the teen drama Get Real (1998), and the horror film Cursed (2005).[47] Additionally, she took on a stage role in The Rocky Horror Show, further diversifying her performance work outside the band.[48] In 2025, she performed with Alex James' Brit Pop Classical Orchestra.[49] Keyboardist and co-founder Andy Todd maintained an active role in music production beyond Republica. He co-wrote the hit single "Reach" for S Club 7, which topped the UK charts in 2000.[50] Todd's production credits include work with high-profile artists such as Björk and Barbra Streisand, showcasing his expertise in electronic and pop arrangements during the band's early years and hiatus.[51] Guitarist Johnny Male explored other musical ventures prior to and alongside his time with Republica. He was a key member of the indie dance group Soul Family Sensation in the early 1990s, contributing guitar to their album Sensation (1993).[52] Male later formed the band Airstream, continuing his focus on alternative rock and electronic influences.[53] Co-founding keyboardist Tim Dorney engaged in additional electronic music projects post-reunion. In 2018, he joined the UK-based electronic quartet Tin Gun as a keyboardist and vocalist, releasing the EP Reanimation in 2021 and contributing to their debut album efforts, which blend synth-driven sounds with alternative edges.[54] In 2024, Dorney remixed tracks for Agency-V's EP Pray For The Sun.[55] He also performed DJ sets, including one in October 2025.[56] This endeavor allowed Dorney to expand on the techno-pop elements central to Republica's style while the band focused on sporadic tours and recordings.[57]Notable collaborations
Republica contributed a cover of Gary Numan's "Are 'Friends' Electric?" to the 1997 tribute album Random, a double-disc compilation featuring various artists honoring Numan's work; the track featured Numan himself on keyboards and programming alongside Republica's Tim Dorney.[58] This collaboration highlighted the band's affinity for electronic and synth influences, blending their punk-rock energy with Numan's pioneering sound.[58] In the same year, during their tenure with Deconstruction (a BMG subsidiary), Republica collaborated with The Chemical Brothers—then operating as The Dust Brothers—for a remix of their track "Out of This World." The resulting "Chemical Brothers Mix," released on the single's remix EP, infused the original's electronica elements with the duo's signature big-beat production, extending the song to over seven minutes and showcasing cross-label synergy within the electronic music scene. Vocalist Saffron provided guest vocals for The Prodigy's "Fuel My Fire" on their 1997 album The Fat of the Land, adding her distinctive delivery to the track amid the band's aggressive breakbeat style; this appearance bridged Republica's alternative rock with The Prodigy's big beat revolution.Discography
Studio albums
Republica's debut studio album, titled Republica, was initially released in the United States on July 30, 1996, by RCA Records, before seeing a UK release in June 1997 via Deconstruction Records.[12] The album features 11 tracks and achieved commercial success, peaking at No. 4 on the UK Albums Chart and spending 47 weeks in the top 100.[13] It sold over 100,000 copies in the United Kingdom (estimates).[59] Key tracks include the singles "Ready to Go" and "Drop Dead Gorgeous," which propelled the album's popularity through their energetic alternative rock sound blending electronica and punk influences. The album has been reissued multiple times, including a deluxe three-CD edition in 2012 with remixes and B-sides, and a limited-edition flaming colored vinyl pressing in 2025 limited to 1,000 numbered copies.[60][61]| No. | Title | Duration |
|---|---|---|
| 1 | Ready to Go (US Mix) | 5:01 |
| 2 | Bloke | 4:56 |
| 3 | Bitch | 5:13 |
| 4 | Get Off | 3:57 |
| 5 | Picture Me | 5:47 |
| 6 | Drop Dead Gorgeous | 4:30 |
| 7 | Out of the Darkness | 3:49 |
| 8 | Wrapp | 1:45 |
| 9 | Don't You Ever | 4:00 |
| 10 | Holly | 4:23 |
| 11 | Ready to Go (Original Mix) | 5:01 |
| No. | Title | Duration |
|---|---|---|
| 1 | From Rush Hour with Love | 3:26 |
| 2 | Fading of the Man | 4:34 |
| 3 | Try Everything | 4:03 |
| 4 | Luxury Cage | 5:03 |
| 5 | Faster Faster | 3:20 |
| 6 | Nothing's Feeling New | 3:50 |
| 7 | Millennium | 3:16 |
| 8 | Pretty Girl Hate | 3:48 |
| 9 | Kung Fu Movies | 4:02 |
| 10 | Pub Pusher | 4:24 |
Singles and EPs
Republica's singles and extended plays primarily emerged from their debut album Republica (1996) and subsequent releases, blending alternative rock with electronic elements to achieve commercial success in the UK and US during the late 1990s. The band's lead single "Ready to Go" marked their breakthrough, reaching No. 13 on the UK Singles Chart upon re-release in 1997 and No. 56 on the US Billboard Hot 100 in 1996, while also peaking at No. 6 on the Billboard Alternative Songs chart.[66][67] Follow-up singles like "Drop Dead Gorgeous" and "From Rush Hour with Love" further solidified their presence on alternative radio, with the former hitting No. 7 in the UK and No. 93 on the US Hot 100.[68][67] These tracks were issued in multiple formats, including CD singles, vinyl, and later digital downloads, often featuring remixes and B-sides to appeal to club and radio audiences.| Single | Release Year | UK Peak | US Peak (Hot 100 / Alternative) | Formats | Notable B-sides / Tracks |
|---|---|---|---|---|---|
| Ready to Go | 1996 (re-release 1997) | 13 | 56 / 6 | CD, vinyl, digital | Out of This World, Holly (Radio Mix) |
| Drop Dead Gorgeous | 1997 | 7 | 93 / 39 | CD, vinyl | Don't You Ever, Ready to Go (Live) |
| From Rush Hour with Love | 1998 | 20 | N/A / N/A | CD, digital | Fading of the Man, Luxury Cage |