Seeed
Seeed is a German musical collective blending hip hop, reggae, and dancehall, formed in Berlin in 1998 as an 11-member live band initially envisioned as a reggae soundsystem.[1][2][3] The group quickly gained prominence in the German music scene through energetic live performances and a fusion of urban pop with global influences, releasing their debut album New Dubby Conquerors in 2001, which featured hits like "Dickes B" and established their signature sound of multilingual lyrics and horn-driven rhythms.[4][2][5] Subsequent albums such as Music Monks (2003) and Next! (2005) propelled them to national success, earning accolades including multiple ECHO Awards for categories like Newcomer of the Year and Best Hip Hop Act, while tracks like "Ding" and "Augenbling" became chart-topping staples in Germany and neighboring countries.[4][6][7] Seeed's influence extended beyond music, shaping the German reggae and dancehall landscape in the early 2000s by bridging Jamaican roots with local urban culture, though the group faced a significant setback with the death of founding frontman and singer Demba Nabé in 2018 at age 46.[8][9] They marked a comeback with the 2019 album BAM BAM, their first fully German-language release. The supporting tour sold out seven consecutive concerts in Berlin in 2020, attended by nearly 150,000 fans, and reaffirmed their status as a live powerhouse.[10][6][11][12] As of 2025, Seeed maintains a core lineup that includes vocalists Peter Fox and Frank Dellé alongside producers and instrumentalists, with over 2 million monthly listeners on streaming platforms reflecting their enduring popularity in the dancehall and pop-reggae genres.[10][13][2]Formation and Members
Origins and Early Development
Seeed was formed in 1998 in Berlin, emerging from the city's vibrant, multi-ethnic club scene as a live band that fused hip hop and reggae elements.[3] The group's inception was driven by the multi-lingual, urban energy of Berlin, where members initially envisioned a street-carnival-style marching band incorporating live mixing, but this quickly evolved into a full reggae and dancehall ensemble focused on energetic performances.[3] The band's foundational influences drew heavily from the Jamaican dancehall tradition encountered in Berlin's clubs and the local German hip hop movement, which inspired their distinctive adoption of live instrumentation, including a prominent horn section unusual for the genre at the time.[3] Core originators Peter Fox, Frank Dellé, and Demba Nabé, along with other early members, channeled these sounds into a hybrid style that emphasized dancehall's aggressive rhythms over hip hop's beats.[3][14] By early 1999, Seeed had begun performing unsigned at local venues, blending covers of old-school reggae with original material to support Jamaican artists like Buju Banton, gradually cultivating a grassroots following through their dynamic live presence.[3] This period of unsigned gigs and early demos built momentum, leading to their signing with Downbeat Records around 2000, which formalized their entry into the professional music circuit.[15] Their breakthrough came with the release of the single "Dickes B" on November 27, 2000, a track that captured their fusion of dancehall energy and hip hop lyricism, marking Seeed's initial industry impact.[16]Band Members and Roles
Seeed's lineup features a diverse ensemble of musicians, reflecting its roots as a Berlin-based collective formed in 1998. The band currently consists of ten core members, emphasizing a blend of vocalists, instrumentalists, and a DJ to deliver its signature sound in live settings. Peter Fox (born Pierre Baigorry) serves as lead vocalist, MC, and primary producer, contributing to the group's songwriting and arrangement.[3] Frank Dellé handles vocals and rhythm guitar, often providing melodic hooks and guitar riffs that support the reggae-dancehall fusion.[3][17] Alfi Trowers plays percussion, laying down the rhythmic foundation essential to the band's groove.[3][18] Based (Sebastian Krajewski) is the drummer, driving the energetic beats in performances.[19] Moritz Delgado performs on saxophone, adding brass layers to the arrangements.[20] DJ Luke (Luke 4000) handles turntablism and scratching, having joined in 2005 to replace the original DJ. Jerome "Tchamp" Bugnon plays trombone, contributing to the horn section's punchy interjections.[21] "Dubmaster" Reibold (Torsten Reibold) manages keyboards and additional production elements, enhancing the dub influences.[22] "Rudeboy" Rudy (Rüdiger Kusserow) plays lead guitar, delivering sharp solos and rhythmic support.[17] Tobsen Cordes rounds out the rhythm section on bass guitar, ensuring tight low-end cohesion.[17] The band's former members include Demba Nabé (also known as Boundzound or Ear), who was a key vocalist and founding member responsible for distinctive rap and singing deliveries until his death on May 31, 2018, at age 46.[14] DJ Illvibe (Vincent von Schlippenbach) served as the original DJ from 1998 to 2005, shaping early mixes before departing.[2] In live performances, Seeed's large ensemble setup—featuring dual vocalists, a full rhythm section, keyboards, DJ, and a prominent horn section with saxophone and trombone—creates an authentic reggae atmosphere, allowing for dynamic improvisation and crowd engagement that sets them apart as a high-energy live act.[2][3] The horn players, in particular, provide skanking rhythms and melodic fills that amplify the dancehall vibe, while the percussion and bass duo maintains relentless grooves.[23] Demba Nabé's passing profoundly affected the group's dynamics, marking the first major loss since their formation and prompting a period of reflection during their hiatus. Upon reuniting for the 2019 album BAM BAM, the band honored him by including a pre-recorded track he contributed, dedicating the release to his legacy and adapting their vocal interplay to proceed without one of their foundational voices.[10] This tribute underscored the enduring emotional and musical impact of his contributions to Seeed's collective spirit.[10]Musical Style and Themes
Genre Influences and Sound
Seeed's music is characterized by a vibrant fusion of German hip hop, reggae, and dancehall, creating a high-energy sound that distinguishes the band within the European music scene.[4] Central to their style are bass-heavy rhythms that drive the tracks, complemented by prominent live horn sections delivering bright, melodic accents unusual in modern hip hop and dancehall productions. Electronic elements, including beats and effects, are layered with these organic components to produce a dynamic, danceable texture often described as the band's signature "Seeed sound."[24] The band's production emphasizes riddims—instrumental tracks rooted in Jamaican traditions—as foundational backings that support multiple vocal interpretations, prioritizing a live band setup over heavily sampled or digital beats.[24] This approach draws from Jamaican reggae and dub producers, adapting sound system culture to an originally multi-ethnic Berlin ensemble of eleven members, including DJs, vocalists, and instrumentalists.[24] Vocals incorporate multilingual elements, blending German rap with English and Jamaican Patois toasting, reflecting influences from Jamaican dancehall artists while grounding the music in local linguistic realities.[25][26] Over time, Seeed's sound evolved from the raw, gritty dancehall of their early releases to more polished hip hop-reggae hybrids in subsequent works, incorporating broader pop and electronic refinements while retaining core rhythmic intensity. In their 2019 comeback album BAM BAM, Seeed shifted to a fully German-language approach, refining their fusion with more pop elements while preserving rhythmic intensity.[26][10] This progression, evident from their late-1990s origins to mid-2000s output and beyond, transformed their initially underground appeal into a mainstream yet authentic fusion, highlighted by high-energy live performances that underscore the band's ensemble dynamics.[26][4]Lyrics and Collaborations
Seeed's lyrics center on social commentary drawn from everyday urban experiences in multicultural Berlin, encompassing themes of love, exuberant partying, and laced with humor and irony to underscore their points. Songs like "Dickes B" evoke the rhythmic energy of city streets and the joy of communal beats, portraying Berlin as a pulsating hub of diversity and resilience. This approach allows the band to critique societal norms while celebrating life's lighter moments, such as fleeting romances in "Ding" or collective revelry in "Dancehall Caballeros," all rendered accessible through witty wordplay.[27][28] The multilingual fabric of their lyrics—predominantly in German but interwoven with English and Jamaican Patois—mirrors Berlin's cosmopolitan ethos and adds layers of authenticity to their narratives. Patois phrases, often drawn from dancehall traditions, infuse tracks with cultural depth, emphasizing solidarity and anti-violence messages, as in "Music Monks," where they declare "Guns we nah use, we sing an represent." This linguistic blend not only honors reggae's Jamaican origins but also fosters a sense of inclusive identity for listeners in Germany's diverse urban landscapes.[28][29][14] Key collaborations have significantly enriched Seeed's lyrical scope and elevated their international profile. Their partnership with Cee-Lo Green on "Aufstehn!" from the 2005 album Next! merges soul-infused encouragement with upbeat dancehall, amplifying themes of motivation and unity. Similarly, features with Jamaican artists like Anthony B on "Waterpumpee" and Tanya Stephens on "Double Soul" introduce raw patois-driven commentary on resilience and relationships, bridging German and Caribbean sounds. These alliances, rooted in shared reggae heritage, diversified their expression and helped propel Seeed's music to broader audiences across Europe and beyond, reinforcing their role as cultural connectors.[30][31]Career Trajectory
Early Releases and Breakthrough (1998–2005)
Seeed's entry into the music scene began with their debut single "Dickes B," released in November 2000 and featuring Jamaican dancehall artist Black Kappa. The track, characterized by its energetic dancehall riddim and playful lyrics, peaked at number 27 on the German Singles Chart, introducing the band's signature party anthem style to audiences.[32][33] This momentum carried into their first full-length album, New Dubby Conquerors, released on May 21, 2001. The record showcased the band's fusion of reggae, hip hop, and dancehall influences through tracks like "Release," which highlighted their early riddims and collaborative spirit. Produced primarily in Berlin, the album established Seeed's live-oriented sound and sold over 150,000 units in Germany, laying the groundwork for their growing presence in the local scene.[34][3] Building on this foundation, Seeed released their second album, Music Monks, on June 2, 2003. The project marked a maturation in their production, incorporating international collaborations with artists such as Tanya Stephens on "It's a Pity"—a number-one reggae single in Jamaica—and Jamaican reggae figures like Sizzla, Luciano, and Capleton on custom riddims including "Water Pumpee." Featuring the title track "Music Monks" as a standout hit, the album reached number 4 on the German Albums Chart and earned Platinum certification in Germany (300,000 units).[35][11][3] The band's third album, Next!, released on October 14, 2005, solidified their mainstream breakthrough. With singles "Aufstehn!" featuring CeeLo Green, which peaked at number 5 on the German Singles Chart, and "Ding," also reaching number 5, the album blended upbeat dancehall grooves with broader pop appeal. It climbed to number 2 on the German Albums Chart and achieved triple Gold certification in Germany (300,000 units).[36][37][38] Throughout this period, Seeed cultivated a dedicated fanbase through extensive touring and festival appearances. Early shows supported Jamaican acts like Buju Banton, evolving into headlining slots at events such as the Highfield Festival and Bizarre Festival in 2002, Taubertal Festival in 2003, and international stages including Glastonbury. By 2004, they sold out a 14,000-capacity concert at Berlin's Wuhlheide, underscoring their rising popularity in the German and European reggae scene.[3][39]Peak Success and Hiatus (2006–2018)
Following the release of their third studio album Next! in 2005, Seeed experienced significant commercial momentum, with the record peaking at No. 2 on the German Albums Chart and earning triple Gold certification for 300,000 units sold in Germany. The album's lead single "Ding" propelled their popularity further, securing victory at the 2006 Bundesvision Song Contest, where Seeed represented Berlin and outperformed competitors from Germany's other 15 states. This success underscored their status as a leading act in German reggae and hip-hop fusion, culminating in a major tour that year, documented on their first live DVD Live, recorded at venues including Berlin Arena and Das Fest Karlsruhe.[11][40][41] Amid rising demands and individual creative pursuits, Seeed entered a creative hiatus after their 2006 tour, allowing members to explore solo endeavors. Notably, frontman Peter Fox released his debut solo album Stadtaffe in 2008, which debuted at No. 1 on the German charts and featured a blend of pop, reggae, and electronic elements distinct from the band's sound. Other members, including rapper Demba Nabé (under the moniker Ear), issued solo projects during this period, reflecting personal growth amid the group's pause.[42] The band reconvened in 2012 for their self-titled fourth studio album Seeed, marking a triumphant return after six years without new material. The record debuted at No. 1 on the German Albums Chart and achieved Platinum status (300,000 copies) , with themes centered on reunion, resilience, and reflection on their time apart. Standout tracks like "Augenbling" and "Beautiful" highlighted their evolved sound, incorporating guest appearances and a renewed energy from the interim solo explorations. To promote the album, Seeed embarked on an extensive tour, headlining major festivals such as Rock am Ring and Hurricane Festival in 2013, drawing large crowds and solidifying their live reputation.[40][43][44] Following the 2012 release and subsequent tour, Seeed announced another hiatus in late 2013, citing the need for rest after two decades of activity and to focus on individual paths. This period was marked by internal challenges, including shifting dynamics among members and the physical toll of constant touring. The group's pause deepened in 2018 with the sudden death of co-frontman Demba Nabé on May 31 at age 46, a profound loss that halted any immediate plans for activity and left an indelible impact on the remaining members, influencing their extended break.Reunion and Recent Activities (2019–present)
In April 2019, Seeed signed an exclusive recording deal with BMG ahead of their first new album in seven years.[45] The lead single "Ticket," released on April 12, 2019, was dedicated to their late bandmate Demba Nabé, who had passed away in May 2018.[46] This marked the band's reunion following a hiatus that began after their 2012 self-titled album. The reunion album Bam Bam was released on October 4, 2019, via BMG, featuring collaborations with artists such as Trettmann and Deichkind.[47] It debuted at number 2 on the German Albums Chart and received triple Gold certification in Germany.[48] The album's release was accompanied by live performances, including shows in Germany and Austria, signaling the band's return to the stage.[49] Seeed planned European headline tours in 2020 to promote Bam Bam, but the COVID-19 pandemic led to cancellations and postponements, including a scheduled appearance at Parkbühne Wuhlheide in Berlin on August 15, 2020.[39] Touring resumed in 2022 with a series of sold-out arena and festival shows across Germany, such as multiple nights at Berlin's Waldbühne and performances at Lollapalooza Berlin and Summerjam.[50] The pandemic's disruptions forced the band to reflect on their legacy, with members emphasizing resilience and the enduring cultural impact of their music in interviews during this period. By 2024, Seeed remained active through selective live appearances and social media engagement, though no new studio album had been released as of November 2025. In June 2025, BMG acquired the band's full recorded catalog, consolidating their early releases under one roof. Notable performances included Frank Dellé's acapella rendition of the unreleased track "Verloren" at an anti-extremism event in Berlin on June 13, 2024.[51] The band continued festival bookings, maintaining visibility in the German reggae and hip-hop scenes without securing major new awards since their 2012 1Live Krone for Best Band, while Bam Bam sustained chart recognition and discussions of their influence on multicultural music in Germany.[40][11]Discography
Studio Albums
Seeed's debut studio album, New Dubby Conquerors, was released on May 21, 2001, by Downbeat Records under Warner Music Germany. Featuring tracks such as "Dickes B", which became an early hit, the album marked the band's introduction to reggae fusion and dancehall sounds, achieving initial sales of 150,000 copies in Germany.[52] It received a Gold certification in Switzerland for 25,000 units sold.[53] The second album, Music Monks, followed on June 2, 2003, also via Downbeat Records. It peaked at number 4 on the German Albums Chart and earned Platinum certification in Germany (300,000 units shipped).[11] Commercially, it solidified Seeed's rising popularity, contributing to the band's growing fanbase in the German-speaking region. Next!, the third studio album, arrived on October 14, 2005, through Downbeat Records. Reaching number 2 on the German Albums Chart, it was certified 3× Gold in Germany (300,000 units shipped), reflecting the band's breakthrough commercial success.[54][11] After a hiatus, Seeed released their self-titled fourth album on September 28, 2012, under Universal Music Group. Debuting at number 1 on the German Albums Chart, it achieved Platinum status in Germany (300,000 units shipped).[55] This release highlighted the band's enduring appeal during their reunion phase. The fifth studio album, Bam Bam, was issued on October 4, 2019, by BMG Rights Management in partnership with Warner Music. It peaked at number 2 on the German Albums Chart and served as a tribute to the late band member Demba Nabé, who passed away in 2018, with its themes reflecting loss and renewal.[48][46]Singles, EPs, and Other Releases
Seeed has released numerous singles throughout their career, many of which achieved notable success on the German charts. Their debut single "Dickes B" featuring Black Kappa, released in 2001, peaked at number 27 on the German Top 100 Singles chart.[25] "Aufstehn!" featuring CeeLo Green, issued in 2005, reached number 5 in Germany and charted for 45 weeks across multiple territories.[56] Similarly, "Ding" from 2006 climbed to number 5 on the German charts, maintaining a presence for 26 weeks.[11] Notable later singles include "Hale-Bopp" (2020, peaked at #55 in Germany) and "Love & Courvoisier (RMX)" featuring ROTE MÜTZE RAPHI (2021). In 2019, a remix of "Ticket" was released as part of their comeback activities, available in digital formats following the BAM BAM album.[57] Other notable singles include "Release" (2004), which supported their Next! album, and "Music Monks" (2003), both distributed on CD and vinyl by Downbeat Records.[2] The band has also produced several EPs, often serving as promotional extensions of their riddim-driven sound. Early examples include the Waterpumpee EP (2002), which featured the title track and charted in Trinidad & Tobago, released on CD by Downbeat.[2] The Electric Boogie EP followed in 2003, compiling instrumental and vocal versions in digital and vinyl formats.[2] Later, the Molotov / Wonderful Life EP (2011) paired tracks from their self-titled album with remixes, available digitally.[58] These EPs typically emphasized dancehall elements and were tied to custom riddims used in live performances. In addition to audio releases, Seeed issued the Live DVD in 2006 via Warner Music Vision, documenting concerts from Berlin Arena, Dresden, and Karlsruhe, including performances of hits like "Stand Up" and "Waterpumpee."[59] The release, formatted for DVD-Video, captured their high-energy stage presence and was produced in collaboration with Downbeat.[60] Seeed is known for producing original riddims, instrumental backings central to their reggae and dancehall style. Key examples include the "Doctors Darling Riddim" used in early works like Waterpumpee (2002), the "Augenbling Riddim" featured in 2013 collaborations, and "Riddim No. 1" from 2000, all self-produced and distributed through Germaican Records in digital and vinyl editions.[2] These riddims often appeared across albums such as New Dubby Conquerors and were adapted for multiple artists.[61]| Release Type | Title | Year | Format | Chart Peak (Germany) | Label |
|---|---|---|---|---|---|
| Single | Dickes B (feat. Black Kappa) | 2001 | CD, Vinyl | #27 | Downbeat |
| Single | Aufstehn! (feat. CeeLo Green) | 2005 | CD, Digital | #5 | Downbeat/WEA |
| Single | Ding | 2006 | CD, Digital | #5 | Downbeat |
| Single | Ticket (Remix) | 2019 | Digital | N/A | BMG |
| Single | Hale-Bopp | 2020 | Digital | #55 | BMG |
| EP | Waterpumpee | 2002 | CD | N/A | Downbeat |
| EP | The Electric Boogie | 2003 | CD, Vinyl | N/A | Downbeat |
| EP | Molotov / Wonderful Life | 2011 | Digital | N/A | Four Music |
| DVD | Live | 2006 | DVD-Video | N/A | Warner Music Vision |