Shailene Woodley
Shailene Diann Woodley (born November 15, 1991) is an American actress and environmental activist.[1][2] Woodley first rose to prominence portraying Amy Juergens in the ABC Family series The Secret Life of the American Teenager (2008–2013), which depicted the challenges of teenage pregnancy and drew significant viewership among young audiences.[3] She transitioned to film with a breakthrough supporting role in The Descendants (2011), earning critical acclaim and a Golden Globe nomination for Best Supporting Actress.[4] Subsequent leading roles in The Spectacular Now (2013), for which she won an Independent Spirit Award, and the young adult adaptations The Fault in Our Stars (2014) and the Divergent trilogy (2014–2016) established her as a prominent figure in coming-of-age and dystopian genres.[5][4] In addition to her acting career, Woodley has engaged in environmental activism, including opposition to the Dakota Access Pipeline, leading to her arrest on charges of criminal trespassing and engaging in a riot during a 2016 protest in North Dakota; she later reached a plea deal avoiding jail time.[6][7][8] Her advocacy efforts earned her the Environmental Media Association's Futures Award in 2016 for contributions to climate change awareness.[9] Woodley has also received recognition for roles in ensemble projects like the HBO series Big Little Lies (2017–2019) and films such as Ferrari (2023), reflecting a shift toward more diverse and mature characters.[10][11]Early life
Family background and upbringing
Shailene Diann Woodley was born on November 15, 1991, in San Bernardino, California.[12][2] She grew up in Simi Valley, a suburban city in Ventura County approximately 40 miles northwest of Los Angeles.[12][13] Her mother, Lori Woodley (née Victor), worked as a middle school counselor, while her father, Lonnie Woodley, served as a school principal and later as a family therapist.[14][2] Woodley has one younger brother, Tanner, born in 1994.[15] The family resided in Simi Valley during her childhood, where both parents were involved in education-related professions, providing a stable suburban environment until her parents separated when she was 14 years old, around 2005.[12][16]Initial health issues and entry into entertainment
Woodley was diagnosed with idiopathic scoliosis at the age of 15, when her spinal curvature measured 38 degrees.[17][18] She experienced back pain during junior high and wore a custom plastic brace for two years to halt progression, forgoing surgery as the curve remained below the 45-degree threshold typically requiring intervention.[17][19] The condition did not prevent her from physical activities or career pursuits, though she later reflected on managing it through resilience and medical monitoring.[17] Prior to her diagnosis, Woodley entered entertainment as a child. At age four, she began commercial modeling, followed by acting pursuits after developing an interest at five upon accompanying a cousin to a theater class.[14][20] Her parents permitted auditions with strict conditions: maintaining her core personality, excelling academically with on-set tutoring, and prioritizing education over fame.[21] She secured her screen debut in the 1999 television film Replacing Dad, portraying a supporting role at age eight.[14][22] Subsequent minor appearances included guest spots on series such as The District (2001) and Crossing Jordan (2001–2002), marking her gradual entry into professional acting while balancing school in Simi Valley, California.[14][23]Career
Early television roles and breakout series (1999–2010)
Woodley made her screen debut at age eight in the television film Replacing Dad, portraying a minor character in the story of a family adjusting to the father's departure.[22] This marked her first speaking role after beginning with commercial modeling around age four.[14] Throughout the early 2000s, she accumulated guest appearances on various series, including a recurring role as the mischievous younger sister Kaitlin Cooper in six episodes of The O.C.'s first season in 2003. Additional one-off parts followed, such as Snotty Girl #2 on Everybody Loves Raymond in 2004, Young Gwen on My Name Is Earl in 2005, Gaby Tursi on Close to Home in 2006, and Evie Pierpont on CSI: NY in 2007.[10] These roles, often involving youthful or troubled adolescents, honed her on-screen presence amid a competitive landscape of teen-oriented programming.[24] Woodley's breakthrough arrived in 2008 when she was cast as the lead Amy Juergens in ABC Family's The Secret Life of the American Teenager, a drama centering on teenage pregnancy and family dynamics.[25] Premiering on July 1, 2008, the series depicted Amy, a 15-year-old band camp attendee, navigating an unplanned pregnancy from a one-night encounter, with Woodley embodying the character's emotional turmoil across five seasons.[26] Through 2010, the show drew strong viewership for the network, averaging millions of weekly viewers and establishing Woodley as a recognizable face in youth television, though she later reflected on feeling creatively constrained by the long-term commitment.[27] Her performance earned a 2009 Teen Choice Award nomination for Actress: Drama, signaling early critical notice amid the series' focus on moral and relational consequences.[14]Film debut and young adult stardom (2011–2014)
Woodley made her feature film debut in the comedy-drama The Descendants (2011), directed by Alexander Payne, where she portrayed Alexandra King, the outspoken teenage daughter of a land baron played by George Clooney.[28] The film, adapted from Kaui Hart Hemmings' novel, explores family reconciliation amid crisis and earned widespread critical acclaim, holding an 88% approval rating on Rotten Tomatoes based on 265 reviews.[29] Woodley's performance received particular praise for its raw emotional depth, leading to a Golden Globe nomination for Best Supporting Actress and a National Board of Review award in the same category.[30] [31] In 2013, she starred as Aimee Finecky in the independent coming-of-age romance The Spectacular Now, directed by James Ponsoldt and co-starring Miles Teller as a charismatic but troubled high school senior.[32] The film, adapted from Tim Tharp's novel, focuses on themes of self-discovery and young love, garnering a 92% Rotten Tomatoes score from 170 reviews for its authentic portrayal of adolescent relationships.[33] Woodley's nuanced depiction of an optimistic yet vulnerable character earned her an Independent Spirit Award nomination for Best Female Lead, further establishing her as a versatile dramatic actress capable of indie credibility.[34] Woodley's transition to mainstream young adult stardom occurred in 2014 with lead roles in two major adaptations: Divergent, where she played Beatrice "Tris" Prior, a divergent heroine in a dystopian society divided by factions, and The Fault in Our Stars, as Hazel Grace Lancaster, a teenage cancer patient finding love.[35][36] Divergent, the first installment of a planned trilogy based on Veronica Roth's novels, grossed $288.9 million worldwide against an $85 million budget, propelling Woodley to franchise lead status among teen audiences.[37] The Fault in Our Stars, adapted from John Green's bestseller and co-starring Ansel Elgort, resonated emotionally with viewers, achieving an 81% Rotten Tomatoes rating and commercial success through its heartfelt exploration of mortality and romance.[38] These roles solidified her appeal in the young adult genre, blending action, romance, and drama to attract a broad demographic of fans.Mature roles, franchise challenges, and career pivot (2015–2020)
In 2015, Woodley starred as Tris Prior in The Divergent Series: Insurgent, the second installment of the dystopian franchise adaptation, which earned $130,179,072 domestically despite mixed critical reception.[39] The film continued the series' exploration of faction-based conflicts but faced criticism for formulaic plotting and underdeveloped character arcs. The franchise encountered significant challenges with The Divergent Series: Allegiant in 2016, which grossed $66,184,051 in North America and $179,246,868 worldwide against a reported $110 million production budget, marking a sharp decline from prior entries and resulting in financial underperformance.[40][41] Critics lambasted the film for poor visual effects, narrative inconsistencies with the source material, and weak performances, including from supporting cast member Miles Teller, contributing to its 11% Rotten Tomatoes score.[42] The subsequent planned finale, Ascendant, was canceled for theatrical release and repurposed as a television movie, a shift Woodley publicly rejected, stating she "didn't sign up to be in a television show."[43] Transitioning to more mature roles, Woodley portrayed Lindsay Mills, the partner of Edward Snowden, in Oliver Stone's Snowden (2016), a biographical drama depicting the NSA whistleblower's leak of classified documents; the film received mixed reviews, with praise for its factual basis but critiques of pacing and dramatization.[14] In 2017, she debuted in television with the HBO miniseries Big Little Lies, playing Jane Chapman, a resilient single mother raising a son conceived from rape, opposite established stars like Reese Witherspoon and Nicole Kidman; the series premiered on February 19, 2017, to widespread acclaim for its handling of domestic abuse and female solidarity themes, earning Woodley recognition for conveying trauma's long-term effects through subtle emotional layering.[44][45] Woodley's career pivot intensified post-franchise, as she disclosed in 2020 having been "very, very sick" amid the Divergent fallout—attributing it to overwork and stress—which prompted a deliberate break to prioritize therapy and health over blockbuster commitments, nearly leading her to quit acting entirely.[46][47] This shift favored independent projects, including Adrift (2018), where she led as Tami Oldham Ashcraft in a survival tale based on the 1983 storm disaster at sea, drawing commendations for her physical commitment and portrayal of isolation-induced resilience despite the film's modest box office.[48] In 2019, she starred in Drake Doremus's Endings, Beginnings, exploring polyamory and self-destructive relationships among three siblings, a role that aligned with her preference for character-driven narratives over franchise spectacle.[14] These choices reflected a strategic move toward roles emphasizing psychological depth and real-world causality over escapist action, bolstered by Big Little Lies' second season in 2019.[49]Recent theater, television, and film projects (2021–present)
In 2021, Woodley starred as Teri Joffe in the legal drama The Mauritanian, portraying a defense attorney representing Guantanamo detainee Mohamedou Ould Slahi, with the film premiering at the Sundance Film Festival on January 22 before a wider release on February 19. She also led the romantic drama The Last Letter from Your Lover as Ellie Haworth, a journalist uncovering a past affair through letters, which debuted on Netflix on July 23.[50] Additionally, she played the supporting role of Anna in the HBO Max psychological thriller The Fallout, depicting a mother affected by a school shooting, released on June 24. Woodley's 2023 output included the biographical comedy Dumb Money, where she portrayed Jenny, a nurse investing in GameStop stock amid the 2021 short squeeze, with the film opening in U.S. theaters on September 22. In Michael Mann's Ferrari, released December 25, she appeared as Jean Villeneuve, wife of racer François Chabot, in a story centered on Enzo Ferrari's 1957 racing season. She voiced a character in the animated Robots, a heist comedy set for streaming release later that year. To Catch a Killer, a crime thriller in which Woodley played FBI agent Lammie, investigating a mass shooting, premiered at the 2023 Tribeca Festival on June 8 and reached Prime Video on April 21, 2023. In 2024, Woodley starred in the thriller Killer Heat as detective Elena, pursuing a suspect in a string of murders on a Greek island, which streamed on Prime Video starting August 27. She headlined the Showtime limited series Three Women, adapted from Lisa Taddeo's nonfiction book, portraying a central figure in interwoven stories of female desire, with the eight-episode run concluding in late 2024.[51] Woodley made her Broadway debut in Leslye Headland's Cult of Love on December 12, 2024, at the Hayes Theater, playing a role in a family drama about holiday tensions and cult influences, directed by Trip Cullman alongside Zachary Quinto and Barbie Ferreira.[52] As of October 2025, the production continued performances following previews starting November 20, 2024.[53] Upcoming projects include the crime thriller Unabom, announced in June 2025, where Woodley joins Russell Crowe in a story on Ted Kaczynski's pursuit, and Motor City, a 2025 release centered on automotive industry intrigue.[54] A third season of Big Little Lies was confirmed in development by late 2024, with Woodley expected to reprise Jane Chapman, though no release date has been set.[55]Artistry and critical reception
Acting influences and technique
Woodley has cited working with seasoned performers such as Meryl Streep and Nicole Kidman as pivotal influences on her craft, observing how they achieve deep character knowledge while maintaining presence on set.[56] She has described Streep's ability to master "every single tick about her character" alongside "complete and utter presence" as a skill honed through experience, which motivates her to elevate her own performance when collaborating with admired peers.[56] Similarly, George Clooney, her co-star in The Descendants (2011), provided mentorship on authenticity in Hollywood, encouraging her to prioritize personal instinct over industry pressures and advising her to pursue roles like Divergent (2014) based on their potential despite logistical challenges.[57] [58] Woodley has also expressed admiration for actors including Jake Gyllenhaal, Ewan McGregor, Reese Witherspoon, and Marcia Gay Harden, though she draws limited inspiration from films overall, having viewed "very few" movies and instead grounding her work in real-life observations.[59] [60] Lacking formal acting training, Woodley's technique emphasizes practical preparation over immersion, explicitly rejecting method acting approaches that require "getting into character" off-set.[61] She focuses on memorizing lines, punctuality, and authentic reactions to scene partners, enabling her to compartmentalize roles and disengage easily post-production.[61] For character development, she constructs detailed astrological charts to explore personality traits without judgment, viewing astrology as a tool for self-permission that informs her portrayal.[61] Role selection relies on intuition: she commits if a script evokes "butterflies in my stomach," prioritizing emotional resonance over analytical fit.[56] Her process adapts per project, incorporating improvisation in collaborative environments like Endings, Beginnings (2020), where she contributed to unscripted scenes, and adjusting for action sequences in franchises by pre-planning physical elements to align with narrative timing.[62] [58] Directors such as Alexander Payne have reinforced her preference for naturalistic delivery, offering simple directives like "go slower and talk louder" to preserve her inherent authenticity rather than imposing stylized performance.[58]Performance evaluations and box office impact
Woodley's acting in independent dramas such as The Descendants (2011) and The Spectacular Now (2013) garnered significant critical praise for her naturalistic delivery and emotional authenticity, with The Spectacular Now achieving a 92% approval rating on Rotten Tomatoes based on aggregated critic reviews.[33] In The Fault in Our Stars (2014), her portrayal of a terminally ill teenager was highlighted for its raw vulnerability, contributing to the film's 81% Rotten Tomatoes score and earning commendations for chemistry with co-star Ansel Elgort that enhanced the adaptation's emotional resonance.[38] However, her performances in action-oriented franchise films like the Divergent series received more divided evaluations, with critics often noting limitations in conveying depth amid formulaic scripting; Divergent (2014) scored 41% on Rotten Tomatoes, while Insurgent (2015) fell to 28%, attributing some shortcomings to her character's underdeveloped arc rather than inherent acting deficits.[63] Critic Peter Travers of Rolling Stone described Woodley as a "sublime actress" capable of elevating material through résumé-proven range, particularly in dramatic roles that allowed improvisational freedom over rigid scene breakdowns.[64] Evaluations of her technique emphasize influences from method-like immersion, yielding standout moments in smaller films but occasional critiques of stiffness in high-stakes blockbusters, where production constraints overshadowed personal flair. Later projects, including Adrift (2018), saw renewed acclaim for physical commitment and intensity, though audience metrics like IMDb ratings (around 6.6/10) trailed her peak indie successes. At the box office, Woodley-led films have cumulatively grossed over $1.15 billion worldwide as of her leading roles, with early YA adaptations driving much of this figure through fan-driven turnout rather than universal critical propulsion.[65] The Fault in Our Stars, produced on a $12 million budget, earned $307 million globally, yielding exceptional profitability via word-of-mouth and pre-release hype, outpacing expectations for a niche romance-drama.[66] The Divergent series initially mirrored this momentum, with the first installment grossing $289 million on an $85 million budget, but subsequent entries declined sharply—Insurgent at $295 million domestically strong yet Allegiant (2016) dropping to $179 million worldwide amid franchise fatigue and narrative inconsistencies, signaling limited sustaining power beyond initial book-to-film novelty.[67] This pattern underscores a causal link between her involvement in low-to-mid budget indies or targeted YA properties yielding high returns-per-dollar, contrasted with franchise escalations where diminishing audience retention highlighted risks of over-reliance on her post-Spectacular Now rising profile without equivalent narrative innovation.[68]Personal life
Romantic partnerships and breakups
Woodley began her first publicly reported romantic relationship with musician Nahko Bear in 2014, following her work on environmental activism; the pair were linked through shared interests in indigenous rights and music, but the relationship ended by 2015 amid reports of differing lifestyles.[69][70] In October 2017, Woodley started dating New Zealand rugby player Ben Volavola, whom she met while filming Adrift in Fiji; the couple maintained a long-distance relationship due to their respective careers in the United States and Europe, respectively, and separated in early 2020 primarily because of the physical distance exacerbated by travel restrictions during the COVID-19 pandemic.[69][71][72] Woodley entered a relationship with NFL quarterback Aaron Rodgers in late 2020, during the early months of the COVID-19 pandemic when both were isolating in similar locations; they kept the romance private initially, with confirmation emerging in February 2021 when Rodgers referred to her as his fiancée during an appearance on The Pat McAfee Show, and Woodley later displayed a ring on The Tonight Show Starring Jimmy Fallon.[73][72] The engagement ended in February 2022 after sources cited demanding schedules and time apart as factors, with a brief reconciliation attempt failing by April 2022.[73][74] Following a period of singledom, Woodley was romantically linked to actor Lucas Bravo in early 2025, with the pair making their relationship public via Instagram in April 2025; they dated for approximately seven months before parting ways in September 2025, reportedly due to incompatible schedules amid their acting commitments.[75][76][77] Woodley has consistently described her approach to romance as private and selective, stating in a 2020 interview that she had not dated seriously in years prior to Volavola and avoided romantic entanglements with professional colleagues.[72][78]Daily habits, residences, and self-reported well-being
Woodley purchased a midcentury modern home in the Beachwood Canyon neighborhood of Los Angeles for $4.4 million in August 2022, following her separation from Aaron Rodgers.[79] [80] Prior to this, she had been associated with addresses in Los Angeles, including periods staying with friends in Silver Lake.[20] She maintains ties to outdoor locations near her upbringing, such as Leo Carrillo State Park in Malibu, where she camps.[81] Woodley has reported a routine emphasizing natural and sustainable practices, including frequent showering—often multiple times daily, even before exercise—and incorporating ice baths for recovery.[82] She favors infrequent hair washing, sometimes as little as once a month, and uses homemade deodorants from baking soda, clay, and essential oils.[83] [84] Daily physical activity features yoga for 15 to 45 minutes, hiking, biking, and dance forms like 5Rhythms, paired with home cooking and meal planning to support eco-friendly eating, such as fermented foods including kimchi and kombucha.[85] [86] [87] In self-reports, Woodley described severe health declines in her early twenties during intense young adult film projects, manifesting as chronic illness she later linked to unresolved trauma from child acting and career pressures, requiring therapy for recovery.[88] [89] She has since emphasized mental and emotional well-being through practices like limiting phone use—maintaining over 200 unread messages to reduce stress—avoiding social media comments, herbalism, and communicating with plants for grounding.[90] [91] As of 2024, she identifies as an herbalist skeptical of mainstream wellness trends, reporting improved clarity and empowerment after addressing past struggles.[92] [93]Activism and public advocacy
Environmental campaigns and protests
Woodley participated in protests against the Dakota Access Pipeline (DAPL), a 1,172-mile oil transport project spanning four states, primarily citing risks to water sources and Native American sacred sites near the Standing Rock Sioux Reservation.[94] On August 1, 2016, she supported a group of Native youth runners protesting the pipeline by providing food, music, massages, and gear during their three-mile segment of a longer relay march from Standing Rock to Washington, D.C.[95] She headlined an anti-DAPL rally in Washington, D.C., on August 24, 2016, criticizing Democratic Party "hypocrisy" on environmental issues following her endorsement of Bernie Sanders.[96] Her most prominent action occurred on October 10, 2016—Indigenous Peoples' Day—when she was arrested alongside 27 others at the Standing Rock construction site for criminal trespassing and engaging in a riot while livestreaming the blockade.[97] [98] Woodley reported being strip-searched during processing, an experience she described as dehumanizing, though Morton County Sheriff's Department policies at the time required such searches for those entering the facility regardless of charges.[98] In a subsequent statement, she emphasized the protest's focus on protecting the Missouri River from potential contamination by fracked crude oil spills.[99] Following her arrest, Woodley advocated for divestment from DAPL funders, speaking at events in January 2017 to urge financial institutions to withdraw support.[100] She reached a plea deal on March 28, 2017, pleading guilty to the charges in exchange for a $380 fine, community service, and probation, avoiding jail time.[8] Her involvement, as a high-profile celebrity, drew media attention to the protests but also faced criticism for potentially overshadowing Indigenous-led efforts.[101] Woodley's environmental protests extend to broader anti-fracking positions, aligned with DAPL opposition due to the pipeline's role in transporting hydraulically fractured oil, though specific pre-2016 protest actions remain less documented.[95] In later years, she has supported Indigenous environmental rights, including commentary in 2021 on pipeline threats in Wisconsin, but without reported direct protest participation.[102]Broader social positions and non-environmental causes
Woodley has articulated a nuanced stance on feminism, initially rejecting the label in a May 2014 Time magazine interview, where she stated, "No, because I love men, and I think the idea of 'raise women to power, take the men away from the power' is never going to work out."[103] She expressed preference for "sisterhood" over feminism, arguing that the term discriminates by implying separation between genders, and advocated for personal empowerment without diminishing others.[103] In the same interview, she framed her views around comprehensive bodily autonomy, encompassing decisions on abortion, vaccination status, water fluoridation, and genetically modified foods, asserting that individuals should retain control over such choices without external mandates.[103] By 2018, she revised her position, telling Vulture that she "resonates as a feminist," while noting feminism's evolving forms and cautioning against rigid definitions.[104] Her commitment to bodily autonomy extends to reproductive rights; in May 2019, amid Alabama's near-total abortion ban, Woodley declared, "It is not our choice and it shouldn't be our choice to take the free will away from somebody," emphasizing preservation of individual decision-making in such matters.[105] This perspective aligned with her broader advocacy for personal sovereignty over one's body, reiterated in November 2021 when defending fiancé Aaron Rodgers' unvaccinated status against COVID-19, stating, "I believe strongly in bodily autonomy and ability to make choices for your body."[106] She criticized media portrayals that she viewed as disparaging personal health choices, prioritizing individual agency over collective pressures.[107] Woodley has also addressed mental health as a personal and public concern, sharing experiences with debilitating anxiety during the COVID-19 pandemic in a May 2020 Harper's Bazaar interview, where she and her mother discussed coping strategies and hosted virtual panels to destigmatize emotional struggles.[108] In 2019, she credited therapy with "dramatically altering" her life, highlighting its role in processing trauma.[109] More recently, in September 2024, she detailed overcoming a severe health crisis in her early 20s—linked to unaddressed trauma—through holistic healing, including therapy and lifestyle changes, to empower others facing similar issues.[110] Politically, Woodley endorsed Bernie Sanders' 2016 presidential campaign, aligning with his progressive platform on economic and social reforms beyond environmentalism.[96] In September 2024, she reposted Melania Trump's statement on the July assassination attempt against Donald Trump, describing it as a "beautiful message of human compassion" and defending the share against backlash as non-partisan empathy rather than endorsement.[111] She has navigated ideological differences in relationships, as with Rodgers, by emphasizing mutual respect over uniformity.[112]Assessment of impact and skeptical viewpoints
Woodley's participation in the Dakota Access Pipeline protests, culminating in her arrest on October 10, 2016, alongside 27 others, drew widespread media attention through her livestreamed confrontation with law enforcement, temporarily elevating the visibility of tribal concerns over water contamination risks.[6] [97] This coverage contributed to the Obama administration's December 2016 denial of a key construction easement under Lake Oahe, a decision influenced by the cumulative pressure of the Standing Rock encampments rather than isolated celebrity actions.[113] However, the pipeline's completion in April 2017 and operational start in June 2017—following the Trump administration's swift reversal of the easement—demonstrate that such interventions yielded no permanent halt, with the project transporting over 500,000 barrels of oil daily by 2018 despite ongoing litigation.[113] Her broader environmental efforts, including board membership with Our Revolution since mid-2016 and collaborations with Greenpeace on ocean pollution awareness, have supported fundraising and public discourse, such as essays advocating personal actions like reduced plastic use.[114] Yet, empirical assessments of celebrity activism indicate primarily short-term awareness gains without consistent evidence of policy shifts or reduced emissions; studies show endorsements boost media mentions and donations but rarely alter voter behavior or legislative outcomes on environmental issues.[115] [116] No specific metrics tie Woodley's advocacy to measurable reductions in pollution or habitat preservation, aligning with patterns where high-profile involvement amplifies echo-chamber effects among aligned audiences but falters against entrenched economic interests. Skeptics, particularly from energy sector analyses, contend that celebrity-led protests like those at Standing Rock imposed substantial costs—estimated delays exceeding $1 billion in construction and subsequent lawsuits awarding Energy Transfer over $660 million against Greenpeace in March 2025 for protest-related damages—without achieving core objectives, framing such actions as disruptive symbolism over pragmatic solutions.[117] [118] Mainstream media coverage, often sympathetic due to alignment with progressive narratives, tends to emphasize inspirational aspects while underreporting these failures and economic trade-offs, potentially inflating perceived efficacy.[119] Broader critiques of Hollywood environmentalism highlight inconsistencies, such as reliance on carbon-intensive lifestyles, questioning whether advocacy prioritizes authentic causal impact or reputational enhancement.[120]Controversies
Anti-feminism statements and cultural backlash
In a May 5, 2014, interview with Time magazine, Woodley rejected the feminist label, stating, "No, because I love men, and I think the idea of 'raise women to power, take the men away from the power' is never going to work out because you need balance."[103] She elaborated that her focus was on "sisterhood" among women, promoting mutual support without "jealousy or comparison," and achieving equality through balance between masculine and feminine energies rather than displacing men.[103] Woodley positioned herself as an advocate for "human equality," arguing that feminism's perceived antagonism toward men contradicted her view of gender complementarity.[121] These remarks prompted immediate criticism from feminist commentators and media outlets, who contended that Woodley misunderstood feminism as inherently anti-male rather than a movement for gender equality.[122] Publications such as Jezebel described her views as "not good," accusing her of endorsing a false dichotomy that aligned with cultural stereotypes of feminists as man-hating.[123] Open letters and opinion pieces, including one in HuffPost, urged her to recognize feminism's goal of equity without supremacy, framing her stance as uninformed or reflective of internalized misogyny.[124] Online discussions on platforms like Reddit echoed this, with users decrying her comments as perpetuating myths that feminism fosters female dominance over collaboration.[125] Woodley reiterated her position in subsequent interviews, maintaining in a June 2014 Salon piece that feminism could "discriminate" against men by prioritizing women in power structures, and emphasizing personal balance over ideological labels.[126] By March 2015, in a SheKnows interview, she again distanced herself, advocating for "equality for all" without the feminist banner, which drew further rebukes for conflating descriptive equality with prescriptive terminology.[127] The backlash, largely from progressive media and advocacy circles, highlighted tensions over feminism's branding, with critics like those in The New York Times noting Woodley's views as part of a broader celebrity reticence toward the term amid its politicized connotations.[128] No formal boycotts or career repercussions were documented, but the episode fueled debates on whether rejecting the label equated to opposing women's advancement, despite Woodley's explicit support for equal opportunities.[129]Legal consequences from Dakota Access Pipeline involvement
Woodley was arrested on October 27, 2016, while protesting the Dakota Access Pipeline near the Standing Rock Indian Reservation in North Dakota, alongside 27 other individuals.[130] She faced misdemeanor charges of criminal trespass and engaging in a riot, both carrying potential penalties of up to one month in jail and a $1,500 fine.[130] [131] On October 20, 2016, Woodley entered a not guilty plea in Morton County District Court.[131] The case proceeded with multiple delays, including a trial postponement in January 2017.[132] In March 2017, she agreed to a plea deal, pleading guilty to an amended charge of misdemeanor disorderly conduct (Class B), which avoided jail time.[133] [134] Under the agreement, approved by a judge, Woodley received one year of unsupervised probation and forfeited a $500 bond, with the riot charge dismissed.[133] [8] No further legal actions or appeals stemming from the incident have been reported.[135]Ties to Aaron Rodgers and COVID-19 vaccine skepticism
Shailene Woodley began dating NFL quarterback Aaron Rodgers in 2020 during the COVID-19 pandemic, with the relationship publicly confirmed in February 2021 when Rodgers announced their engagement on The Pat McAfee Show.[73] The couple's engagement lasted until their breakup in April 2022, amid reports of time apart due to professional commitments.[73] [74] Rodgers faced significant public scrutiny in November 2021 after testing positive for COVID-19 and revealing he was unvaccinated, despite earlier describing himself as "immunized" based on alternative protocols including ivermectin and monoclonal antibodies; he cited an allergy to polyethylene glycol, a component in mRNA vaccines from Pfizer and Moderna, as a reason for forgoing vaccination.[136] [137] Woodley, then his fiancée, publicly defended Rodgers against media coverage she viewed as unfairly disparaging, stating on Instagram that it was "truly disgusting the amount of disparaging, hate-filled commentary" directed at him.[138] [139] She denied tabloid claims of posting "cryptic" social media messages related to the controversy and emphasized separating personal choices from public judgment.[140] [106] Woodley later described the period surrounding Rodgers' vaccine-related fallout as the "darkest time" and "hardest time" of her life, coinciding with her filming of the Showtime series Three Women.[141] In February 2022, shortly before their breakup announcement, Rodgers publicly apologized to Woodley on The Pat McAfee Show for placing her "in the middle" of the vaccine debate and thanked her for her "unconditional love" amid the backlash.[142] [143] While Woodley did not explicitly endorse vaccine skepticism herself, her vocal support for Rodgers during the controversy linked her personally to discussions of individual choice over mandates, drawing indirect criticism from outlets framing the episode as emblematic of anti-vaccine sentiment.[144] [145]Political endorsements and media criticism
Woodley publicly endorsed and campaigned for Bernie Sanders during his 2016 Democratic presidential primary bid, including appearances at events and subsequent involvement with his nonprofit Our Revolution.[146][147][148] This aligned with her activism on environmental and social issues, though she has not made explicit endorsements in subsequent elections. In July 2024, after the July 13 assassination attempt on Donald Trump, Woodley reposted Melania Trump's public letter decrying political violence and urging recognition of shared humanity, captioning it as a "beautiful message of human compassion."[149][111] The move sparked backlash from progressive circles, who interpreted it as softening toward the Trumps amid her history of left-leaning advocacy; Woodley countered that she found it moving for emphasizing personal humanity over ideology and was "devastated" by peers in her social network who reacted to the attempt with disappointment that it failed, such as saying "He missed!"[147][150][151] Woodley has criticized media coverage amid personal controversies, particularly in November 2021 during scrutiny of her then-fiancé Aaron Rodgers' unvaccinated COVID-19 status and positive test. She accused outlets of "grasping at straws" by misinterpreting her Instagram stories as veiled commentary, labeling such reporting as disparaging toward athletes and unrelated to her intent.[139][137][136] Following the 2024 Trump post backlash, she voiced frustration with social media amplifying "unnecessary noise" and misrepresenting her views, prompting her to limit future political shares if authenticity faltered.[146][152] These instances highlight tensions between her independent stances and expectations from Hollywood's dominant progressive leanings.Awards and honors
Major accolades received
Woodley received the Independent Spirit Award for Best Supporting Female on February 25, 2012, for her portrayal of Alexandra King in The Descendants, recognizing her breakout performance in the film directed by Alexander Payne.[153][154] At the 2013 Sundance Film Festival, held January 17–27, she shared the U.S. Dramatic Special Jury Award for Acting with co-star Miles Teller for their roles in The Spectacular Now, with the jury citing their "rare honesty, naturalism and transparency in their acting."[155][156] In 2015, she won the MTV Movie Award for Best Female Performance for her role as Hazel Grace Lancaster in The Fault in Our Stars, an adaptation of John Green's novel that grossed over $307 million worldwide.[157] She was also awarded the Hollywood Breakout Actress Award at the 2014 Hollywood Film Awards for the same performance in The Fault in Our Stars.[158]Nominations and lesser recognitions
Woodley received two Golden Globe Award nominations without a win: Best Supporting Actress – Motion Picture for The Descendants in 2012[159][160] and Best Supporting Actress in a Series, Limited Series or Television Movie for Big Little Lies in 2018.[161] She earned a nomination for the BAFTA EE Rising Star Award in 2015, voted by the public for emerging talent.[162][4] Critics' Choice Awards nominations included Best Supporting Actress and Best Young Performer for The Descendants in 2012[3] and Best Actress in an Action Movie for Divergent in 2015.[4]| Year | Award | Category | Project |
|---|---|---|---|
| 2014 | MTV Movie Awards | Best On-Screen Duo (with Ansel Elgort) | The Fault in Our Stars |
| 2009–2018 | Teen Choice Awards | Various (e.g., Choice TV Actress: Drama; Choice Movie Actress: Action; Choice Summer Movie Star: Female) | The Secret Life of the American Teenager; Divergent; The Fault in Our Stars; Adrift |
Filmography and media appearances
Feature films
Woodley debuted in feature films with a supporting role as Alexandra King in The Descendants (2011), directed by Alexander Payne, earning a Golden Globe nomination for Best Supporting Actress and an Independent Spirit Award for Best Supporting Female.[28] Her breakthrough came with the lead role of Aimee Finecky in The Spectacular Now (2013), a coming-of-age drama opposite Miles Teller, for which she received an Independent Spirit Award nomination for Best Female Lead.[33] She rose to prominence starring as Beatrice "Tris" Prior in the dystopian action franchise Divergent (2014), The Divergent Series: Insurgent (2015), and The Divergent Series: Allegiant (2016), adapted from Veronica Roth's novels; the series grossed over $765 million worldwide but received mixed critical reception for its derivative plotting.[165] In the same year, Woodley portrayed Hazel Grace Lancaster, a teenager with cancer, in the romantic drama The Fault in Our Stars (2014), based on John Green's novel, which earned $307 million globally and praise for her chemistry with Ansel Elgort.[38] She also starred as Kat Connor in the thriller White Bird in a Blizzard (2014), directed by Gregg Araki. Subsequent roles included Lindsay Mills, partner to Edward Snowden, in Oliver Stone's biographical thriller Snowden (2016). Woodley led as Tami Oldham Ashcraft in the survival drama Adrift (2018), based on a true account of a couple's ordeal at sea, and also served as producer. In 2019, she played Daphne in the independent drama Endings, Beginnings. Her later films encompass Jennifer Stirling in The Last Letter from Your Lover (2021), Teri Duncan in The Mauritanian (2021), a legal drama about Guantanamo detainee Mohamedou Ould Slahi, Anna in the high school shooting aftermath film The Fallout (2021), Lina Lardi in Michael Mann's Ferrari (2023), an investor in Dumb Money (2023) about the GameStop stock saga, Eleanor Falco—a detective—in To Catch a Killer (2023), where she also produced, and Penelope Vardakis in the thriller Killer Heat (2024).| Year | Title | Role | Notes |
|---|---|---|---|
| 2011 | The Descendants | Alexandra King | Golden Globe nominee; Independent Spirit Award winner |
| 2013 | The Spectacular Now | Aimee Finecky | Independent Spirit nominee |
| 2014 | Divergent | Tris Prior | Franchise lead; $288 million gross |
| 2014 | The Fault in Our Stars | Hazel Grace Lancaster | $307 million gross |
| 2014 | White Bird in a Blizzard | Kat Connor | Lead role |
| 2015 | The Divergent Series: Insurgent | Tris Prior | $297 million gross |
| 2016 | The Divergent Series: Allegiant | Tris Prior | $179 million gross |
| 2016 | Snowden | Lindsay Mills | Supporting role |
| 2018 | Adrift | Tami Oldham Ashcraft | Lead; producer |
| 2019 | Endings, Beginnings | Daphne | Lead in ensemble |
| 2021 | The Last Letter from Your Lover | Jennifer Stirling | Lead |
| 2021 | The Mauritanian | Teri Duncan | Supporting; Golden Globe nominee |
| 2021 | The Fallout | Anna | Lead |
| 2023 | Ferrari | Lina Lardi | Supporting |
| 2023 | Dumb Money | Jenny | Supporting |
| 2023 | To Catch a Killer | Eleanor Falco | Lead; producer |
| 2024 | Killer Heat | Penelope Vardakis | Lead |