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Spring Weekend

Spring Weekend is an annual student-organized music festival held each April at in , featuring live performances by prominent artists across genres such as , R&B, rock, and jazz, alongside campus-wide events like barbecues and carnivals. The event traces its roots to the Junior Promenade of 1898, which evolved into Junior Week in 1901 and later into All-Campus Weekend following , before being formalized as the modern Spring Weekend in 1950. In 1960, the Brown Concert Agency (), a fully student-operated organization, was established to book artists and manage the festival, transforming it into a cornerstone of campus tradition. Over its 75-year history as of 2025, Spring Weekend has hosted more than 300 performers from over 20 countries, including over 150 Grammy nominees and winners, with iconic acts such as James Brown in 1968, Bob Dylan in 1964 and 1997, Ray Charles in 1962, Ella Fitzgerald in 1965, Bruce Springsteen in 1974, U2 in 1983, and more recent headliners like Kendrick Lamar in 2013 and Offset in 2025. Early iterations in the emphasized interfraternity sings, concerts, and athletic events, with traditions like the Interfraternity Sing Trophy awarded as late as 1953. By the 1980s, the festival incorporated themed activities, such as the 1985 "Bear on the Beach" beach barbecue paired with a performance by R.E.M., and alcohol service continued until 1991, after which it was replaced by family-friendly alternatives like pie-eating contests. The BCA's role has grown to include electronic ticketing introduced in 2009, ensuring accessibility primarily to students while fostering a vibrant, inclusive atmosphere that draws thousands to the Main Green for the headline concert. Despite challenges like the full cancellation in 2020 due to the —the first since its 1950 inception—Spring Weekend remains a celebrated , blending musical excellence with .

History

Origins and Early Traditions

Spring Weekend traces its roots to the Junior Promenade, first proposed in 1897 and approved in 1898 as an annual spring celebration organized by the junior class. This event evolved into Junior Week in 1901, incorporating performances by groups such as the Mandolin, Banjo, and Glee Clubs, along with dances, sports, and other social activities. The tradition paused during in 1942 and was replaced by All-Campus Weekend in 1948, which expanded participation across the university. The modern Spring Weekend was formalized in , marking a shift from formal proms to a broader weekend of festivities including events, performances, and dances. Early iterations in the emphasized interfraternity sings, concerts, and athletic events, with traditions such as the Interfraternity Sing awarded as late as 1953, when won for their performance. Musical acts featured orchestral and performers like Elliot Lawrence in 1950 and 1957, and in 1952, reflecting the era's focus on big-band and genres. University-sanctioned events in these years included distribution, contributing to a lively, informal atmosphere amid post-war cultural shifts toward casual social gatherings.

Inception and First Events (1960s)

The marked a pivotal era for Spring Weekend, with the establishment of the Concert Agency () in 1960 as a student-run organization dedicated to booking artists and managing events. This shift replaced formal and informal dances with concerts, beginning with the New Orleans Jazz Doctors as the first band to perform at in this format. Early events highlighted emerging genres amid the counterculture movement. The 1959 concert introduced the first international artist, Italian big-band leader Ralph Marterie and his orchestra. Notable 1960s performers included in 1962, in 1964, and in 1965. The 1967 event featured , a return performance by , and a speech by . In 1968, the festival adopted a more sophisticated tone with , , and poet . The decade culminated in 1969 with Janis Joplin's electrifying performance, alongside international acts like and The Yardbirds from the . These events laid the foundation for Spring Weekend as a prominent , drawing thousands to the Main Green.

Growth and Evolution (1970–1999)

The 1970s saw Spring Weekend expand its musical scope, with a focus on rock and folk acts. performed in 1970, followed by in the same year. played in 1974 for $10 tickets, marking an early highlight in his career. appeared in 1972, adding to the era's diverse lineup. By the 1980s, the festival incorporated themed activities and broader programming to enhance community engagement. headlined in 1983, followed by R.E.M. in 1985, paired with the "Bear on the Beach" beach barbecue theme and the catchphrase "Take Life S/NC." Other acts included in 1985, introducing elements. Alcohol service, a staple since the 1950s, continued until 1991, when it was discontinued due to rising costs and liability concerns, replaced by family-friendly alternatives like pie-eating contests. The 1990s further diversified genres, with rap and gaining prominence. Performers included and , alongside Coolio in 1996 and in 1999. , ska, and acts also appeared, reflecting evolving student tastes. The BCA's management ensured logistical growth, though challenges like weather and persisted.

Modern Developments (2000–present)

Entering the 2000s, Spring Weekend solidified its focus on rap and alternative music, with performers like Outkast and Guster in early years. The decade saw continued star power, including Bob Dylan’s return in 1997 (extending into the late 1990s). Electronic ticketing was introduced in 2009 to improve accessibility for Brown students. The 2010s emphasized hip-hop and R&B, with headliners such as Kendrick Lamar in 2013, Childish Gambino in 2012, and Snoop Dogg in 2011. Mitski performed in 2019, highlighting indie and alternative trends. The festival maintained its student-led structure, fostering inclusivity while addressing modern challenges like budget constraints and sustainability. As of 2025, Spring Weekend celebrated its 75th anniversary with headliners Offset, JT, Ravyn Lenae, and Zack Fox, blending rap, R&B, and hip-hop. Over its history, it has hosted more than 300 performers from over 20 countries, including over 150 Grammy nominees and winners.

Impact of COVID-19 Pandemic

The COVID-19 pandemic led to the full cancellation of Spring Weekend in 2020, the first since its 1950 inception, due to university closures and public health restrictions. In 2021, the event adapted to a virtual format with remote performances by Phoebe Bridgers and KAYTRANADA, streamed online to maintain community spirit amid remote learning. The festival resumed in-person in 2022 with Amaarae, Flo Milli, and Smino, limited by capacity and safety protocols. By 2023, it returned to full scale with J.I.D., Doechii, and Alice Longyu Gao, incorporating lessons from the pandemic such as hybrid options and enhanced health measures. In 2024, the event was scaled to a one-day festival due to rising costs and budget cuts. These adaptations underscored the event's resilience, ensuring its continuation as a key campus tradition.

Event Components

Main Concert

The Main Concert serves as the centerpiece of Spring Weekend at , drawing thousands of students to the Main Green for an outdoor music performance featuring prominent artists. Organized by the student-run since 1960, the concert has been a hallmark tradition since the event's formalization in 1950. The venue is the Main Green, the central lawn at the heart of 's College Hill campus, providing an open-air space that accommodates standing and seated attendees in a festival-like atmosphere. This location has hosted the consistently, with the event proceeding rain or shine. Access is restricted to Brown students via university ID, ensuring a contained and inclusive environment for the . The typically begins in the early afternoon, around 1:00 p.m., with doors opening for entry, followed by performances from student-selected openers and supporting artists, culminating in the headliner's set in the mid-afternoon. The full program lasts several hours, building energy throughout the day. include public measures for crowd management, hydration stations, and prohibitions on within the concert area to promote .

Additional Activities and Programming

Spring Weekend at extends beyond the main concert with campus-wide activities that foster community engagement and celebration. Food and barbecues are central, featuring grilled options prepared by campus dining services, often including vegetarian and diverse choices to accommodate various preferences. These culinary events, such as RecFest BBQs, complement the festive mood and allow informal gatherings across quads. Interactive programming includes carnivals with games like pie-eating contests and athletic challenges, as well as student-led performances. Events such as Gigs on the showcase local and campus bands, while themed activities like parties and movie nights (e.g., SoBear’s Sub-Free Movie Night) add variety. options and initiatives, including resource booths for hydration and safety tips, have been emphasized in recent years to ensure an inclusive and responsible atmosphere. Evening after-parties in dorms and off-campus venues often follow, prolonging the celebrations.

Performing Artists

1960s–1970s

Spring Weekend's early musical programming in the 1960s featured prominent jazz, soul, and emerging rock artists, reflecting the era's cultural shifts and drawing significant student crowds to the Main Green. In 1962, headlined, delivering soul and R&B performances that set a precedent for high-profile bookings. performed in 1964, followed by in 1965, whose jazz standards captivated audiences. The late 1960s brought rock and funk influences, with and sharing the bill in 1968, alongside acts like The Yardbirds and . closed the decade in 1969, energizing the festival with her raw rock energy. The 1970s continued with soul and rock, including in 1972 and in 1974, whose performances helped solidify the event's reputation for iconic live music.

1980s–1990s

The 1980s marked Spring Weekend's expansion into rock and early , with international and genre-blending acts enhancing the festival's diversity. headlined in 1983, performing tracks from their rising stardom, while took the stage in 1985 amid the "Bear on the Beach" theme. and also appeared that year, introducing rap elements. The 1990s shifted toward and , featuring in 1992, , and with in 1991. returned in 1997, and the decade ended with and in 1999, alongside in 1996, reflecting the growing prominence of rap.

2000s–2010s

The 2000s and 2010s emphasized , , and electronic music, aligning with student preferences and featuring Grammy-winning artists. Early highlights included in 2000 and in 2005. In 2008, M.I.A. and performed, followed by in 2009 and in 2008. headlined in 2010, with and supporting. The 2010s brought rap heavyweights like Childish Gambino (2012), (2013), and (2014), alongside indie acts such as (2015) and (2016). Later years featured and (2017), (2018), and with (2019).

2020s

The 2020s adapted to pandemic challenges while maintaining diverse lineups of rap, R&B, and alternative artists. Spring Weekend 2020 was canceled due to COVID-19, but 2021 featured virtual performances by Phoebe Bridgers and KAYTRANADA. In-person events resumed in 2022 with Flo Milli, Smino, Ari Lennox, and Tems. The 2023 festival included J.I.D., Doechii, Remi Wolf, Ethel Cain, and 070 Shake. Yves Tumor headlined 2024, supported by Jordan Ward, Elyanna, and Weston Estate. For 2025, Offset led the lineup with JT, Ravyn Lenae, Zack Fox, and the Undertow Brass Band, continuing the focus on contemporary hip-hop and R&B.

Selection Process and Highlights

The Brown Concert Agency (BCA), a student-run organization established in , oversees artist selection for Spring Weekend through a process that incorporates student feedback while navigating logistical and financial constraints. Each year, BCA conducts a campus-wide survey—receiving hundreds of responses—to gauge preferences for genres and artists, followed by negotiations with booking agents. However, nondisclosure agreements (NDAs) limit transparency in final decisions. The artist budget, part of a total allocation of approximately $405,000 as of the 2023–24 academic year (including funds from the Undergraduate Finance Board and other grants), covers headliners and supports, typically ranging from $150,000 to $160,000 after safety and production costs. Challenges include budget fluctuations and ensuring diversity in lineups. Highlights from Spring Weekend's history include repeat performances by (1964 and 1997), symbolizing the event's enduring appeal, and transformative sets like Kendrick Lamar's 2013 headline, which drew thousands and featured social commentary. Bruce Springsteen's 1974 show, pre-stardom, and U2's 1983 appearance during their breakthrough era underscore the festival's role in showcasing emerging talents. The cancellation in 2020 was the first since 1950, but virtual and resumed events highlighted resilience, with 2025's performance marking a return to large-scale rap bookings. Over 75 years, more than 300 performers from over 20 countries have appeared, including over 150 Grammy nominees and winners.

Organization and Legacy

Student-Run Structure

The is the fully student-operated organization responsible for planning and executing Spring Weekend at . Established in 1960, the books artists, manages logistics, and oversees the festival's production, transforming it into a major campus event. The agency operates with an executive board of undergraduate students, including key roles such as the head (or chair), booking chair—who handles artist negotiations and selections based on student input—and logistics coordinators for vendors, facilities, and on-site operations. New members are recruited annually in the fall semester through open applications, requiring no prior experience but a passion for music; the group is overseen by Brown's Office and funded primarily through the Undergraduate Financial Board (UFB), with budgets ranging from $303,000 in 2018–19 to $405,000 in 2023–24. Electronic ticketing, introduced in 2009, ensures accessibility mainly for Brown students.

Cultural and Campus Significance

Spring Weekend serves as a vital at , fostering community and marking the end of the academic year with music, barbecues, and carnivals that draw thousands to the Main Green. Over its 75-year history as of 2025, it has hosted more than 300 performers, promoting musical diversity across genres and countries while building shared memories among students and . The event's legacy emphasizes student autonomy and inclusivity, evolving from early interfraternity activities to a modern festival that unites the campus despite challenges like the 2020 cancellation—the first in its history. It supports broader cultural engagement, with BCA's focus on emerging artists contributing to Brown's reputation for vibrant student life, and has influenced careers in music and . Recent iterations, such as the 2025 lineup featuring , highlight ongoing adaptations to contemporary tastes while reinforcing its role as a .

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