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Squad 38

Squad 38 (: 38사기동대; lit. "") is a South Korean crime comedy television series that aired on the cable network OCN from June 17 to August 6, 2016, comprising 16 episodes broadcast on Fridays and Saturdays. The series stars as Baek Sung-il, a principled tax enforcement chief who recruits a team of skilled con artists, including as the charismatic swindler Yang Jung-do and as the team's dedicated prosecutor Chun Sung-hee, to recover delinquent taxes from affluent evaders through elaborate scams. Directed by Han Dong-hwa and written by Han Jung-hoon, it combines heist-style capers with action and humor, focusing on episodic operations against loan sharks, corrupt businessmen, and other high-value debtors who exploit legal loopholes. The narrative centers on Baek's unorthodox "Squad 38" unit, which operates under the radar to targets into voluntary payments, highlighting systemic issues in collection and financial without relying on conventional . Notable for its ensemble dynamics and Ma Dong-seok's commanding presence as the —portrayed as a physically imposing yet justice-driven figure—the series earned a 7.5/10 rating on from viewer assessments, praised for inventive cons and character interplay rather than deep social critique. While it did not garner major awards, Squad 38 contributed to the rising popularity of OCN's original dramas and showcased early roles for its leads before their subsequent successes in and other projects. No significant controversies surrounded its production or content, distinguishing it as a straightforward vehicle in the competitive K-drama landscape.

Overview

Synopsis

Squad 38 follows a suspended official from who recruits a group of expert con artists to form a clandestine unit dedicated to recovering unpaid from wealthy delinquents. The squad employs sophisticated scams and psychological manipulations to deceive high-profile evaders, including corrupt executives and influential figures who use complex schemes to conceal assets and avoid legal obligations. This unconventional approach targets individuals owing hundreds of billions of won in , transforming tax enforcement into a high-stakes game of deception. The explores the squad's operations through a series of elaborate , each designed to exploit the and vulnerabilities of targets while recovering substantial sums for the . Internal emerge as members grapple with personal loyalties, past grievances, and the ethical between criminal tactics and public duty. Betrayals and unexpected alliances test the unit's cohesion amid escalating risks from adversaries embedded in powerful networks. The storyline builds toward confronting entrenched systemic that enables widespread , forcing the team to weigh the efficacy of their extralegal methods against potential legal repercussions and broader societal impacts. Through these efforts, the series underscores the challenges of upholding fiscal in the face of entrenched .

Origin of Title

The title Squad 38 (Korean: 38사기동대) draws from the "38 Task Force" (38기동대), a real-life operated by the , renowned for its unconventional methods in recovering overdue taxes. This unit inspired the drama's central concept of a specialized squad targeting evaders. The numeral "" specifically references Article 38 of South Korea's Framework Act on National Taxes, which addresses secondary tax liabilities and underscores the legal imperative for payment . In adapting the real task force's name, the series symbolically alters "" (기동대) to "scam squad" (사기동대), emphasizing the protagonists' deployment of deceptive, con-artist tactics—mirroring the evaders' own strategies—to compel tax compliance, rather than relying solely on conventional administrative procedures. This linguistic pivot highlights the show's ethos in revenue collection, distinguishing it from standard bureaucratic efforts. The title's resonance with contemporary issues amplified its cultural impact; in 2016, the year of the drama's premiere, South Korea grappled with substantial tax delinquencies, including 800.1 billion won in unpaid taxes from 29,848 individuals, prompting disclosures of major defaulters to enforce . Such statistics underscored the pervasive challenge of evasion among high-net-worth individuals, aligning the fictional squad's mission with real societal pressures on fiscal integrity.

Cast and Characters

Main Cast

Ma Dong-seok stars as Baek Sung-il, the steadfast section chief of Seowon City Hall's tax collection bureau who assembles and leads Squad 38 to recover unpaid taxes from evaders using creative cons, balancing bureaucratic integrity with pragmatic flexibility. His performance anchors the series' blend of and , portraying a character driven by duty amid institutional pressures. Seo In-guk portrays Yang Jeong-do, a charismatic professional swindler recruited to the squad, leveraging his expertise in while harboring a hidden personal motive for revenge against a past wrong. The role highlights In-guk's versatility in embodying a cunning anti-hero whose skills drive the team's high-stakes operations. Choi Soo-young plays Cheon Seong-hee, an upright officer in the tax bureau who joins the squad, providing analytical support and injecting moral scrutiny that heightens internal conflicts over methods. Her depiction emphasizes ethical diligence, central to the narrative's exploration of versus in enforcement.

Supporting Cast

Song Ok-sook portrays Noh Bang-shil, a seasoned con artist within the 38 Revenue Collection Unit who specializes in disguises as an elderly figure to facilitate intricate scams against tax evaders. Her character's resourcefulness aids in subplots involving deception of affluent debtors, drawing on the actress's extensive experience in comedic supporting roles across Korean television. Ko Kyu-pil plays Jung Ja-wang, the unit's enforcer providing physical intimidation and logistical support in operations, enhancing the team's ability to execute high-stakes cons without relying solely on verbal trickery. Heo Jae-ho depicts Jang Hak-joo, a tactical operative handling and backup, whose understated presence bolsters the unit's coordinated efforts in pursuing elusive targets. Lee Sun-bin stars as Jo Mi-joo, a skilled impostor in the unit who assumes various professional personas to infiltrate debtor networks, contributing to subplots centered on corporate and personal cons. Known for her versatility in action-oriented dramas, Sun-bin's casting aligns with the role's demands for adaptability in deceptive scenarios. Among antagonists, Jang Myung-kab embodies Kim Gyoo-sik, a corrupt official entangled in tax evasion schemes that the unit targets, representing institutional hurdles in recovery efforts. Song Young-kyu appears as Kim Min-sik, a rival figure in fraudulent activities whose confrontations drive tension in pursuit subplots involving organized delinquency. These characters, often affiliated with entities like Seowon Group, illustrate systemic corruption without direct overlap with primary leads.

Character Development and Themes

Baek Sung-il, the leader, undergoes a notable transformation from a rigid committed to legal protocols to a pragmatic operative who embraces as a tool for enforcement. Initially driven by institutional duty and personal integrity, Sung-il's arc reflects the erosion of under pressure from entrenched by elites, leading him to collaborate with criminals and derive satisfaction from outmaneuvering targets. This evolution highlights the theme of moral compromise, where adherence to rules fails against sophisticated , prompting a shift toward results-oriented . In contrast, Yang Jung-do, a seasoned , experiences by redirecting his manipulative skills from personal gain to collective , forming a fraternal bond with Sung-il that humanizes his cynicism. Jung-do's journey embodies the of flawed individuals through repurposed talents, underscoring the 's exploration of innate abilities serving higher purposes amid . Critics note this dynamic duo's interplay drives , with Jung-do's influence catalyzing Sung-il's adaptability while exposing Jung-do's vulnerabilities. Thematically, Squad 38 grapples with the allure and perils of vigilantism, weighing its efficacy in ensnaring untouchable evaders against the undermining of legal norms and potential for abuse. The squad's scam-based operations symbolize a of systemic failures, where bureaucratic inertia allows wealthy defaulters to thrive via loopholes and influence, yet the narrative cautions that extralegal methods risk perpetuating the very they combat. This tension mirrors real-world frustrations with elite impunity but exaggerates resolutions for dramatic effect, as standard rarely resorts to . Empirically, the portrayal finds partial grounding in South Korea's persistent issues among high-profile figures, including celebrities hit with billions in back taxes for fabricated deductions and offshore schemes, as seen in cases like Lee Joon-gi's 900 million won in 2025. The National Service has pursued such recoveries, imposing substantial penalties on evaders, yet legal constraints often prolong cases, fueling public discontent that the series amplifies through fictional shortcuts. While the drama's tactics depart from reality—where enforcement relies on audits and seizures rather than cons—it underscores causal links between lax oversight and elite exploitation, without endorsing illegality as a systemic fix.

Production

Development and Writing

The series was commissioned by OCN as part of its 2016 programming slate focused on crime procedurals, with development emphasizing innovative takes on enforcement challenges. Screenwriter Han Jung-hoon crafted the script around a core concept: assembling a covert of ex-con artists to execute targeted scams against high-value tax evaders, such as business tycoons and officials who exploit legal gaps and influence to shield assets. This premise critiqued the practical failures of orthodox recovery methods, which often falter against resource-rich defendants capable of prolonging litigation and obscuring finances, thereby perpetuating losses that strain public budgets for infrastructure and services. Director Han Dong-hwa collaborated to infuse heist-style operations with satirical undertones, highlighting causal chains where elite evasion directly erodes fiscal capacity without effective countermeasures. Initial scripting drew from documented patterns of sophisticated in , including layered offshore schemes and political leverage employed by conglomerates, which evade billions in liabilities annually despite regulatory efforts. The narrative evolution prioritized procedural realism in scam tactics—mirroring real investigative hurdles like asset concealment—while evolving character arcs to underscore why bureaucratic rigidity yields to pragmatic, if unorthodox, . A cast script reading occurred on , 2016, refining dialogue and plot beats to balance tension with humor in depicting the squad's formation and operations.

Filming and Technical Aspects

The production of Squad 38 occurred primarily in 2016 across and adjacent regions, including and , to authentically represent the series' urban and bureaucratic environments. Notable filming sites encompassed City Hall as a proxy for governmental facilities, alongside street-level locations such as Songhyeon Neighborhood Park, Yonghyeon-dong residential areas, and various districts like Mapo-gu's Manrijae-ro for scam execution scenes. Director Han Dong-hwa, drawing from his background in feature films, implemented a stylistic approach emphasizing dynamic visuals and rhythmic pacing suited to the drama's con-artist mechanics, marking a crossover from to episodic television. On-set rehearsals, as captured in materials, highlighted meticulous preparation for practical simulations, prioritizing tangible setups over digital enhancements to underscore the narrative's low-stakes ingenuity amid fiscal recovery efforts.

Challenges and Changes

During production, Squad 38 benefited from the prior collaboration between writer Han Jung-hoon and director Han Dong-hwa, who had worked together on the series Bad Guys, enabling efficient scripting and direction without documented disruptions. The series maintained its planned 16-episode structure on OCN, a cable channel that typically allocates smaller budgets than terrestrial networks like or KBS, fostering concise storytelling focused on heist elements rather than expansive subplots. No major reshoots occurred, though the team navigated actor availability amid concurrent film projects for leads like and by prioritizing key scenes early. Mid-season, subtle enhancements to action sequences aligned with rising viewer interest, contributing to ratings growth from initial lows to OCN highs, without overhauling the core narrative.

Music and Soundtrack

Original Soundtracks

The original soundtrack for Squad 38 comprised two vocal singles released in July 2016, aligning with the series' mid-broadcast episodes to amplify narrative tension in operations and debtor confrontations. Part 1, "Run (뛰어)," performed by Sunyoul, Jinhoo, and Bit-to of , debuted on July 11, 2016, featuring an upbeat, rhythmic style that underscored high-energy pursuit and deception sequences, contributing to the show's dynamic pacing. Part 2 followed closely with "," a by of and Doyoung of NCT, first aired in episode 8 on July 9, 2016, and officially released thereafter; its smoother, melodic tone integrated into climactic standoffs, heightening dramatic undertones amid the unit's enforcement tactics. The track's 3:25 duration allowed for seamless layering over confrontational visuals, enhancing causal buildup in scenes. These OST releases emphasized selective, artist-driven contributions over expansive albums, mirroring the series' niche procedural focus; while not dominating mainstream charts, they achieved digital traction via fan engagement on platforms like and , with "" benefiting from the performers' established followings. The tracks' avoided overt sentimentality, instead supporting empirical tension through shifts—energetic pulses for scam executions and restrained builds for enforcement climaxes—without overshadowing the score's underlying jazz-infused motifs in operational montages.

Composer's Role

Kim Tae-seong composed the original score for Squad 38, providing instrumental music tailored to the series' blend of crime procedural and heist elements. His contributions focused on background cues that build tension during the squad's elaborate scams, distinguishing the score from vocal tracks by emphasizing atmospheric support for plot progression. Stylistic elements in the score include 70s-inspired retro sounds deployed in con operation sequences, evoking classic film vibes to heighten the deceptive maneuvers employed by the revenue collection team. These choices align with the narrative's , where mirrors the of improvised frauds against tax dodgers, using rhythmic and percussive motifs to punctuate reveals without relying on exaggerated effects. The score's restraint ensures it amplifies triumphant resolutions in collection successes, underscoring the squad's victories over through subtle swells rather than overt .

Broadcast and Ratings

Domestic Airing and Viewership

Squad 38 premiered on OCN, a network in , on June 17, 2016, and concluded on August 6, 2016, airing on Fridays and Saturdays at 11:00 p.m. KST. The series consisted of 16 , each approximately 60 minutes in length, targeting late-night viewers in a competitive landscape dominated by terrestrial broadcasters. Viewership ratings, measured by Nielsen Korea for paid platform households nationwide, demonstrated a consistent upward trajectory, reflecting growing audience engagement through word-of-mouth appreciation of the 's innovative narratives. The second recorded an average rating of 1.92%. By the fourth , it reached 3.3%. The eighth achieved 4.7% average and 5.4% peak. 14 marked 4.9% average and 5.3% peak, surpassing prior OCN records. The finale peaked at 5.9% average and 6.8% highest, establishing Squad 38 as OCN's highest-rated original to date. These figures, modest compared to terrestrial networks but exceptional for cable, underscored the series' success within its niche, driven by cumulative viewer retention amid genre competition. OCN reported the overall performance as a benchmark, with ratings climbing steadily despite the channel's limited reach relative to free-to-air options.

International Distribution

"Squad 38" became available for international streaming shortly after its 2016 domestic premiere, primarily through platforms catering to Asian content enthusiasts. Netflix acquired rights for select regions, including Japan, where the series streams with subtitles in Japanese and English, emphasizing its plot of tax evasion pursuits. In the United States, free ad-supported services like Tubi and The Roku Channel offer the full season with English subtitles, enabling access without subscription costs. Distribution in the region prioritizes platforms with Korean partnerships, such as Disney+ in areas like and potentially , where multi-language subtitles support broader viewership. Services like OnDemandKorea provide on-demand access with English options, targeting audiences. lists episodes for rental or purchase in various markets, including English-subtitled versions released as early as May 2025 updates. However, penetration into Western markets remains limited, with availability confined to niche streaming outlets rather than major broadcasters, attributable to the series' specialized focus on tax enforcement, which lacks universal appeal compared to romance or action-heavy K-dramas. As of October 2025, no official remakes or localized adaptations have emerged globally, despite fan discussions on platforms like hosting full English-subtitled episodes since 2023. , a for Korean content, does not prominently feature "Squad 38" in its catalog, underscoring uneven export efforts for older OCN originals. Cultural challenges in export include the niche procedural theme, which resonates less outside where tax compliance narratives hold less dramatic intrigue, resulting in sporadic rather than widespread .

Reception and Legacy

Critical Reception

Critics and drama reviewers praised Squad 38 for its inventive premise of a special employing elaborate scams to apprehend tax evaders, highlighting the series' critique of systemic evasion through clever, high-stakes cons. The show's layered plotting, with successive reveals and unpredictable twists, was frequently commended for maintaining across its 16 episodes, distinguishing it from more conventional procedurals. Ma Dong-seok's portrayal of the gruff yet principled Park Sung-il earned acclaim for its charisma and depth, particularly in fostering a compelling mentor dynamic with co-lead Seo In-guk's character, which anchored the ensemble's amid the cons. Reviewers appreciated the drama's focus on real-world tax enforcement challenges, where the unit's unorthodox methods exposed vulnerabilities in legal pursuits of wealthy offenders, aligning with documented difficulties in Korean tax recovery efforts. This thematic edge contributed to its reputation as an entertaining heist-style thriller, with smart dialogue and nuanced character interactions enhancing the scam sequences. However, some critiques pointed to formulaic elements in the repetitive con-of-the-week structure, which occasionally strained pacing despite the cliffhangers. Emotional scenes drew mixed responses, with certain performances described as awkwardly delivered, potentially undermining the narrative's tension between ethical ambiguity and procedural satisfaction. Aggregated user scores reflect this, with an IMDb rating of 7.5/10 from over 670 votes indicating solid but not exceptional reception compared to higher-profile K-dramas in the genre. The glorification of illegal tactics to achieve fiscal sparked limited discussion on moral trade-offs, though the series' basis in evasion realities tempered such concerns without endorsing outright.

Audience Response

Following the series finale on August 6, 2016, audiences expressed strong demand for a second season, citing the compelling narrative of a team using elaborate cons to target wealthy evaders, alongside standout performances by and . Viewership ratings climbed from 1.6% at premiere to 4.1% in the finale, marking OCN's highest for an original series and fueling petitions and online campaigns for continuation. Online forums, particularly Reddit's r/KDRAMA community, highlighted the show's fun factor and underrated status, with fans praising its suspenseful twists, quirky characters, and binge-worthy pacing that led to all-night viewings despite a modest initial fanbase. Enthusiasts appreciated the dynamic and light romance subplot, describing it as a "perfect" yet underappreciated gem that delivered satisfying "justice served" through clever scams against corrupt elites. The response was polarizing, with acclaim for the contrasting frustrations over unresolved threads in the finale, such as ambiguities in Yang Jung-do's ties to Chairman Wang, Detective Sang-jae's full motives, and post-arrest fates of secondary figures like Deok-bae. Some viewers found the climactic con overly simplistic, contributing to mixed feelings despite overall satisfaction and emotional payoff in character arcs. In 2025 retrospectives, fans revisited the series as an enduring classic, valuing its tight plotting and tax-themed premise amid predictable elements, with high completion evident in marathon recommendations and an user rating of 7.5/10 from over 670 votes reflecting sustained viewer retention on streaming platforms. The relatable appeal of underdogs outsmarting systemic evasion persisted, driving discussions on its rewatch value even without resolution to broader arcs.

Thematic Analysis and Societal Impact

The series portrays the South Korean system as fundamentally hampered by legal and institutional shortcomings, where elite tax evaders exploit loopholes and influence to evade collection efforts, resulting in massive that burden the broader and honest taxpayers. This depiction aligns with empirical on national tax delinquencies, which stood at approximately 110.7 trillion cumulatively as of , underscoring a persistent of conventional mechanisms to recover funds from high-value defaulters. From a causal standpoint, the narrative critiques how entrenched and inadequate prosecutorial resources enable such evasion, shifting the onus onto public institutions that prioritize procedural adherence over effective recovery, thereby perpetuating fiscal inequities. Ethically, Squad 38 explores through its protagonists' use of deception and extralegal cons as a pragmatic response to systemic inertia, presenting it as a double-edged tool: effective in reclaiming overdue taxes that fund public services, yet corrosive to rule-of-law principles by normalizing ends-justify-means tactics. Proponents of this approach, as reflected in the show's internal debates, argue it addresses causal roots of evasion—power imbalances favoring the wealthy—where standard audits and liens prove insufficient against sophisticated schemes. Critics within the storyline highlight risks, such as selective targeting, potential abuse, and erosion of institutional trust, echoing real-world concerns that bypassing legal channels could incentivize further rather than structural fixes like enhanced or prosecutorial independence. Thematically, the debunks sanitized narratives of administration by illustrating corruption's tangible human costs, including strained public budgets and diminished services for average citizens, grounded in the realism of Korea's overdue scales that equate to trillions of won in lost . This first-principles lens reveals pros of the squad's methods in expediting against untouchable elites, contrasted with cons like and precedent for unchecked authority, fostering viewer reflection on whether ethical compromises are warranted when orthodox paths fail. Societally, Squad 38 generated niche discussions among audiences about tax evasion's prevalence and enforcement gaps, with online forums noting parallels to Korea's real crisis, though it yielded no verifiable shifts or widespread momentum. Left-leaning viewers often lauded its emphasis on pursuing affluent evaders to promote fiscal equity, while right-leaning commentary appreciated exposures of governmental inefficiency in revenue collection. Overall, its impact remained cultural rather than transformative, heightening episodic awareness without altering legislative trajectories amid ongoing fiscal debates.

Awards and Nominations

At the 5th held on October 2, 2016, received a for Best Supporting Actor for his portrayal of Baek Sung-il. was nominated for Rookie of the Year (Actress) at the 1st on November 16, 2016. won the Special Award for Actor at the Drama Conference in 2016, recognizing his performances in Squad 38 and .

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