Tanner Wayne
Andrew Tanner Wayne (born May 18, 1988, in San Diego, California) is an American drummer best known for his work in the metalcore and heavy metal scenes, including stints with the bands Underminded, Scary Kids Scaring Kids, and Chiodos, as well as a seven-year tenure with the Swedish melodic death metal group In Flames from 2018 to 2025.[1][2] Wayne's career gained prominence in the mid-2000s through his role as the drummer for Underminded, a post-hardcore band from Phoenix, Arizona, where he contributed to their album Eleven:Eleven released in 2007.[3] He later joined Scary Kids Scaring Kids around 2009, another Phoenix-based metalcore act, contributing to their live performances and helping to sustain the band's intense, melodic sound during the height of the metalcore movement.[4] In 2010, Wayne became the drummer for Chiodos, a prominent post-hardcore band from Michigan, contributing to their third studio album Illuminaudio (2010) and touring extensively before departing in 2012.[4] During this period, he also filled in as a touring drummer for the metalcore band Underoath.[1] In the summer of 2018, Wayne joined In Flames, replacing Joe Rickard and making his live debut with the band on July 4, 2018, in Brno, Czech Republic.[2] He performed on their 2023 album Foregone, which featured his dynamic drumming style integrated into the band's evolving melodic death metal sound, and supported extensive touring efforts.[2] In May 2025, In Flames announced their amicable parting with Wayne as a creative decision, praising his dedication and lasting impact on the group while wishing him success in future endeavors; no replacement was named at the time. Subsequently, the band recruited Jon Rice for their spring/summer 2025 European tour.[2][5] Wayne has been endorsed by major drum and cymbal brands, including Zildjian, reflecting his technical proficiency and influence within the drumming community.[1]Background
Early life
Andrew Tanner Wayne was born on May 18, 1988, in San Diego, California, United States.[1][6][7][8] Wayne developed a deep-rooted passion for drumming early in his life, which served as the foundation for his career in music. This interest quickly led him to gain recognition for his technical skills and versatility within the rock and metal genres.[9]Musical influences
Tanner Wayne's musical influences stem from a diverse array of personal and artistic sources, reflecting his multifaceted approach to drumming. Growing up with a father who was a professional drummer, Wayne was exposed to percussion from an early age, which profoundly shaped his passion and technical foundation in the instrument.[10] He has cited broader inspirations including life experiences, nature, human connections, movies, family, and music in general, underscoring a holistic view that extends beyond traditional musical boundaries.[1] Wayne particularly admires the global drumming community, advocating for the study of various styles and players to foster personal growth and innovation in technique. Among specific figures, he has highlighted Travis Barker of Blink-182 as a key influence, notably in his endorsement and use of Zildjian A Custom cymbals, which align with Barker's signature sound and approach to dynamic, high-energy rock drumming.[1] This admiration is evident in Wayne's versatile style, blending post-hardcore aggression with melodic metal precision across his career.Career
Early bands (2006–2009)
Tanner Wayne entered the professional music scene in 2006 at the age of 18, joining the San Diego-based metalcore band Underminded as their drummer, replacing Joe Mullen.[7] The band, formed in 1999, had already released their debut full-length album Hail Unamerican! in 2004, but Wayne's arrival marked a new phase, contributing to their growing presence in the hardcore punk and metalcore circuits.[3] Underminded's sound blended aggressive riffs, melodic breakdowns, and high-energy rhythms, with Wayne's precise and powerful drumming providing a solid foundation for their live performances and recordings. In 2007, Wayne performed on Underminded's sophomore album Eleven:Eleven, released on August 7 by Uprising Records.[11] The 11-track effort, produced by Paul Miner, expanded on the band's hardcore roots with more structured songwriting and dynamic shifts, including tracks like "It's Kinda Like a Bodybag" that highlighted Wayne's ability to drive intense tempos and intricate fills.[12] The album received moderate attention in the underground scene, helping Underminded secure tours alongside acts like Haste the Day and The Bled, though the band remained a regional staple rather than achieving widespread commercial success.[13] By 2009, Wayne's commitments shifted as he briefly joined Scary Kids Scaring Kids, a post-hardcore band from Gilbert, Arizona, serving as their touring drummer for select shows that year.[14] This short stint came after the band's self-titled 2007 album on Immortal Records, during a period of lineup changes following the departure of previous drummer James Ethridge.[15] That same summer, Wayne filled in on drums for Underoath during portions of their Vans Warped Tour set, performing songs from their 2008 album Define the Great Line and demonstrating his versatility in the metalcore genre.[7] These experiences solidified Wayne's reputation as a reliable session and touring player in the late-2000s post-hardcore landscape.Chiodos (2010–2012)
In early 2010, amid significant lineup shifts—including the departures of vocalist Craig Owens and drummer Derrick Frost—Chiodos recruited Tanner Wayne as their new drummer, announcing the addition alongside vocalist Brandon Bolmer on February 12.[16] Wayne, who had previously drummed for post-hardcore acts Underminded and Scary Kids Scaring Kids, connected with Bolmer through prior collaborations, facilitating his integration into the band.[17] With Wayne behind the kit, Chiodos recorded and released their third studio album, Illuminaudio, on October 5, 2010, via Equal Vision Records.[18] The 12-track effort showcased a blend of the band's signature post-hardcore sound with orchestral elements, produced by Bradley Bell, and marked the only full-length release featuring the Bolmer-Wayne lineup.[18] Critics noted the album's energetic tracks, such as "Love Is a Battlefield," highlighting Wayne's dynamic percussion as a key component in maintaining the band's intensity despite the personnel changes.[18] Wayne contributed to Chiodos' extensive touring schedule during this period, including U.S. headline runs and festival appearances that supported Illuminaudio's promotion.[17] However, internal challenges emerged, leading to his departure. On March 27, 2012, Chiodos confirmed that Wayne and Bolmer had left the band, citing a six-month period of creative stagnation as a primary factor.[19] The split allowed remaining members to pursue a reunion with Owens, though no further releases occurred under Wayne's tenure.[20]Drum tech and side projects (2013–2018)
Following his departure from Chiodos in 2012, Tanner Wayne transitioned into a drum technician role, supporting live performances and tours for several metal and hardcore acts while maintaining his drumming expertise behind the scenes. This period marked a shift toward technical production work, allowing him to stay immersed in the music industry amid a lull in full-time band commitments.[21] From 2014 to spring 2016, Wayne served as the primary drum tech for Suicide Silence, handling setup, maintenance, and onstage adjustments for drummer Alex Lopez during high-intensity deathcore tours, including support for the band's album You Can't Stop Me and subsequent live cycles. His role involved ensuring reliable performance under demanding conditions, such as rapid headlining runs and festival appearances, contributing to the band's tight execution of complex, breakdown-heavy material.[22] Wayne expanded his technical portfolio by freelancing for other prominent groups, including Of Mice & Men, where he managed drum rigs during their post-hardcore evolutions around 2016–2017; Atreyu, supporting their metalcore resurgence; and Thy Art Is Murder, aiding deathcore productions in the mid-2010s. These gigs, often spanning U.S. and international tours, involved customizing kits for diverse styles—from aggressive blast beats to groove-oriented rhythms—and troubleshooting in real-time, building Wayne's reputation as a versatile tech capable of adapting to arena-scale logistics.[23][24] Throughout 2013–2018, Wayne balanced these technical duties with occasional side drumming endeavors, including session contributions and informal collaborations that kept his performance skills sharp, though none resulted in major band affiliations until his In Flames tenure began in mid-2018. This era solidified his industry network, blending hands-on production with sporadic playing opportunities in the underground metal scene.In Flames (2018–2025)
Tanner Wayne joined In Flames in 2018 as a touring drummer, replacing Joe Rickard following the latter's departure from the band.[25] He made his live debut with the group on July 4, 2018, at a concert in Brno, Czech Republic.[26] Wayne's initial role focused on supporting the band's summer 2018 shows, bringing his experience from post-hardcore acts like Chiodos and Scary Kids Scaring Kids to In Flames' melodic death metal sound.[25] By late 2018, Wayne had transitioned to a full-time member, providing additional drums on one track, "(This Is Our) House", of the band's thirteenth studio album, I, the Mask, released in March 2019 via Nuclear Blast Records.[27] While Joe Rickard handled the majority of the drum tracking, this marked Wayne's recorded debut with the band.[28] The album debuted at number 16 on the Billboard 200, showcasing In Flames' evolving blend of heavy riffs and electronic elements, with Wayne's precise, technical drumming adding intensity to live performances of songs like "Call My Name" and "I Am Above." Wayne became the band's primary drummer for subsequent releases and tours. He fully performed drums on In Flames' fourteenth album, Foregone, released in February 2023, which featured guest guitar work from ex-Megadeth member Chris Broderick and explored themes of mortality and reflection.[29] Foregone entered the Billboard 200 at number 34 and received praise for its aggressive yet melodic production, with Wayne's dynamic style—characterized by rapid blast beats and groove-oriented fills—driving tracks such as "The Great Deceiver" and "State of the World." During this period, Wayne supported extensive touring, including the 2023 "Foregone Tour" across North America and Europe, as well as festival appearances at events like Wacken Open Air and Download Festival, where his endurance on long world tours was highlighted in behind-the-scenes discussions.[30] In Flames announced Wayne's departure on May 27, 2025, citing a "creative decision" to part ways amicably, just days before the start of their European tour on June 2.[2] The band expressed gratitude for his contributions over seven years and confirmed they would proceed with fill-in drummer Jon Rice for their spring/summer 2025 European tour in support of Foregone.[5] Wayne's tenure helped stabilize the rhythm section during a transitional era for In Flames, bridging their modern metal evolution while maintaining the group's high-energy live reputation.[31]2025–present
In May 2025, In Flames announced their amicable departure from drummer Tanner Wayne after seven years. The band praised his dedication and impact on their live performances and albums including I, the Mask (2019) and Foregone (2023).[2][32] As of November 2025, Wayne has not announced any new full-time band commitments or major projects following his departure from In Flames.[2]Musical style and equipment
Drumming technique
Tanner Wayne's drumming technique is characterized by its precision and power, particularly in the realms of metalcore and melodic death metal, where he employs rapid double-bass patterns and blast beats to drive intense rhythms. In his work with In Flames on the 2023 album Foregone, Wayne's contributions are noted for bringing blast beats to the forefront in tracks like the two-part title song, creating a high-velocity foundation that complements the band's melodic aggression.[33] His approach emphasizes propulsive grooves that maintain momentum across dynamic shifts, as seen in the relentless percussion that underpins the album's heavier sections, enhancing the overall sonic intensity without overpowering the ensemble.[34] During his tenure with Chiodos on the 2010 album Illuminaudio, Wayne demonstrated a similar command of fast, heavy drumming that integrates seamlessly with post-hardcore elements. Reviewers highlighted his immediate impact through pounding drum intros, such as in the opening track "Caves," where his technique delivers a barrage of quick fills and steady aggression to propel the song's emotional build-up.[35] This style relies on clean execution of complex patterns at high speeds, blending technical proficiency with raw energy to support the band's evolving sound.[36] Wayne's broader technique often incorporates furious and speed-driven elements, adapting to the demands of live performances and studio recordings alike. In Foregone, his drumming is described as furious in closing passages, utilizing controlled bursts to heighten tension and resolution, while earlier works showcase his ability to sustain relentless tempos that evoke a sense of urgency.[37][38] This focus on dynamic control and endurance underscores his reputation for delivering high-impact performances that elevate the rhythmic backbone of heavy music ensembles.[39]Endorsements and gear
Tanner Wayne has secured endorsements with several leading brands in the percussion industry. In July 2024, he joined Tama Drums as an official artist, aligning with the Japanese manufacturer's roster of professional drummers following his long tenure with the band In Flames.[6] Prior to this, Wayne was endorsed by Pearl Drums during his early years with In Flames, utilizing their Masters Maple Complete kit and Reference series snare.[40] He remains an endorsed artist with the Zildjian Company, specializing in their cymbals for live and studio performances.[1] Wayne's gear reflects his endorsements, particularly in his cymbal selection, which emphasizes dark, versatile tones suited to metal genres. His Zildjian setup typically features 14" K Constantinople hi-hats (top) over K Custom Session bottoms for precise articulation, paired with 19" and 16" K Dark Thin Crashes for explosive accents.[1] He incorporates a 22" K Custom High Definition Ride for clear bell response and definition, complemented by effects cymbals such as a 10" FX China Trash for sharp punctuations and a 15" FX Azuka Latin Multi-Crash (prototype) for layered textures.[1] Additional stacks include a 9" FX Oriental Trash Splash over a 6" Splash for rapid, trashy effects. Since switching to Tama, Wayne has adopted their Starclassic Maple shells, often in a Charcoal Swirl finish, paired with Iron Cobra double bass pedals to support his high-speed, double-kick patterns.[41]Discography
With Underminded
Tanner Wayne joined Underminded as drummer in 2007 during the writing process for the band's second studio album, marking his first professional recording experience.[42]| Year | Title | Label |
|---|---|---|
| 2007 | Eleven:Eleven | Uprising Records |
With Chiodos
Tanner Wayne served as the drummer for Chiodos from 2010 to 2012, contributing to their third studio album.Studio albums
- Illuminaudio (Equal Vision Records, October 5, 2010)[43]
With In Flames
- I, the Mask (Nuclear Blast, March 1, 2019) – drums on "(This Is Our) House"
- Foregone (Nuclear Blast, February 10, 2023) – drums[2]